Part 2

I realized in a little while how this could be. The pleasant climate of Western City brings strange visitors to dwell here; we have Hindoo swamis in yellow silk, and a Theosophist college on a hill-top, and people who take up with “nature,” and go about with sandals and bare legs, and a mane of hair over their shoulders. I pass them on the street now and then--one of them carries a shepherd's crook! I remember how, a few years ago, my Aunt Caroline, rambling around looking for something to satisfy her emotions, took up with these queer ideas, and there came to her front door, to the infinite bewilderment of the butler, a mild-eyed prophet in pastoral robes, and with a little newspaper bundle in his hand. This, spread out before my aunt, proved to contain three carrots and two onions, carefully washed, and shining; they were the kindly fruits of the earth, and of the prophet's own labor, and my old auntie was deeply touched, because it appeared that this visitor was a seer, the sole composer of a mighty tome which is to be found in the public library, and is known as the “Eternal Bible.”

So here I was, strolling along quite as a matter of course with my strange acquaintance. I saw that he was looking about, and I prepared for questions, and wondered what they would be. I thought that he must naturally be struck by such wonders as automobiles and crowded street-cars. I failed to realize that he would be thinking about the souls of the people.

Said he, at last: “This is a large city?”

“About half a million.”

“And what quarter are we in?”

“The shopping district.”

“Is it a segregated district?”

“Segregated? In what way?”

“Apparently there are only courtesans.”

I could not help laughing. “You are misled by the peculiarities of our feminine fashions--details with which you are naturally not familiar--”

“Oh, quite the contrary,” said he, “I am only too familiar with them. In childhood I learned the words of the prophet: 'Because the daughters of Zion are haughty, and walk with stretched forth necks and wanton eyes, walking and mincing as they go, and making a tinkling with their feet; therefore the Lord will smite with a scab the crown of the head of the daughters of Zion, and the Lord will discover their secret parts. In that day the Lord will take away the bravery of their tinkling ornaments about their feet, and their cauls, and their round tires like the moon, the chains, and the bracelets, and the mufflers, the bonnets, and the ornaments of the legs, and the headbands, and the tablets, and the earrings, and nose jewels, the changeable suits of apparel, and the mantles, and the wimples, and the crisping pins, the glasses, and the fine linen, and the hoods, and the veils. And it shall come to pass that instead of sweet smell there shall be stink; and instead of a girdle a rent; and instead of well set hair, baldness; and instead of a stomacher a girding of sackcloth; and burning instead of beauty.'”

From the point of view of literature this might be great stuff; but on the corner of Broadway and Fifth Street at the crowded hours it was unusual, to say the least. My companion was entering into the spirit of it in a most alarming way; he was half chanting, his voice rising, his face lighting up. “'Thy men shall fall by the sword, and thy mighty in the war. And her gates shall lament and mourn; and she being desolate shall sit upon the ground.'”

“Be careful!” I whispered. “People will hear you!”

“But why should they not?” He turned on me a look of surprise. “The people hear me gladly.” And he added: “The common people.”

Here was an aspect of my adventure which had not occurred to me before. “My God!” I thought. “If he takes to preaching on street corners!” I realized in a flash--it was exactly what he would be up to! A panic seized me; I couldn't stand that; I'd have to cut and run!

I began to speak quickly. “We must get across this street while we have time; the traffic officer has turned the right way now.” And I began explaining our remarkable system of traffic handling.

But he stopped me in the middle. “Why do we wish to cross the street, when we have no place to go?”

“I have a place I wish to take you to,” I said; “a friend I want you to meet. Let us cross.” And while I was guiding him between the automobiles, I was desperately trying to think how to back up my lie. Who was there that would receive this incredible stranger, and put him up for the night, and get him into proper clothes, and keep him off the soap-box?

Truly, I was in an extraordinary position! What had I done to get this stranger wished onto me? And how long was he going to stay with me? I found myself recalling the plight of Mary who had a little lamb!

Fate had me in its hands, and did not mean to consult me. We had gone less than a block further when I heard a voice, “Hello! Billy!” I turned. Oh, Lord! Oh, Lord! Of all the thankless encounters--Edgerton Rosythe, moving picture critic of the Western City “Times.” Precisely the most cynical, the most profane, the most boisterous person in a cynical and profane and boisterous business! And he had me here, in full daylight, with a figure just out of a stained glass window in St. Bartholomew's Church!

VII

“Hello, Billy! Who's your good-looking friend?” Rosythe was in full sail before a breeze of his own making.

How could I answer. “Why--er--”

The stranger spoke. “They call me Carpenter.”

“Ah!” said the critic. “Mr. Carpenter, delighted to meet you.” He gave the stranger a hearty grip of the hand. “Are you on location?”

“Location?” said the other; and Rosythe shot an arrow of laughter towards me. Perhaps he knew about the vagaries of my Aunt Caroline; anyhow, he would have a fantastic tale to tell about me, and was going to exploit it to the limit!

I made a pitiful attempt to protect my dignity. “Mr. Carpenter has just arrived,” I began&&

“Just arrived, hey?” said the critic. “Oviparous, viviparous, or oviviparous?” He raised his hand; actually, in the glory of his wit, he was going to clap the stranger on the shoulder!

But his hand stayed in the air. Such a look as came on Carpenter's face! “Hush!” he commanded. “Be silent!” And then: “Any man will join in laughter; but who will join in disease?”

“Hey?” said Rosythe; and it was my turn to grin.

“Mr. Carpenter has just done me a great service,” I explained. “I got badly mauled in the mob--”

“Oh!” cried the other. “At the Excelsior Theatre!” Here was something to talk about, to cover his bewilderment. “So you were in it! I was watching them just now.”

“Are they still at it?”

“Sure thing!”

“A fine set of boobs,” I began--

“Boobs, nothing!” broke in the other. “What do you suppose they're doing?”

“Saving us from Hun propaganda, so they told me.”

“The hell of a lot they care about Hun propaganda! They are earning five dollars a head.”

“What?”

“Sure as you're born!”

“You really know that?”

“Know it? Pete Dailey was at a meeting of the Motion Picture Directors' Association last night, and it was arranged to put up the money and hire them. They're a lot of studio bums, doing a real mob scene on a real location!”

“Well, I'll be damned!” I said. “And what about the police?”

“Police?” laughed the critic. “Would you expect the police to work free when the soldiers are paid? Why, Jesus Christ----”

“I beg pardon?” said Carpenter.

“Why--er--” said Rosythe; and stopped, completely bluffed.

“You ought not swear,” I remarked, gravely; and then, “I must explain. I got pounded by that mob; I was knocked quite silly, and this gentleman found me, and healed me in a wonderful way.”

“Oh!” said the critic, with genuine interest. “Mind cure, hey? What line?”

I was about to reply, but Carpenter, it appeared, was able to take care of himself. “The line of love,” he answered, gently.

“See here, Rosythe,” I broke in, “I can't stand on the street. I'm beginning to feel seedy again. I think I'll have a taxi.”

“No,” said the critic. “Come with me. I'm on the way to pick up the missus. Right around the corner--a fine place to rest.” And without further ado he took me by the arm and led me along. He was a good-hearted chap inside; his rowdyisms were just the weapons of his profession. We went into an office building, and entered an elevator. I did not know the building, or the offices we came to. Rosythe pushed open a door, and I saw before me a spacious parlor, with birds of paradise of the female sex lounging in upholstered chairs. I was led to a vast plush sofa, and sank into it with a sigh of relief.

The stranger stood beside me, and put his hand on my head once more. It was truly a miracle, how the whirling and roaring ceased, and peace came back to me; it must have shown in my face, for the moving picture critic of the Western City “Times” stood watching me with a quizzical smile playing over his face. I could read his thoughts, as well as if he had uttered them: “Regular Svengali stuff, by God!”

VIII

I was so comfortable there, I did not care what happened. I closed my eyes for a while; then I opened them and gazed lazily about the place. I noted that all the birds of paradise were watching Carpenter. With one accord their heads had turned, and their eyes were riveted upon him. I found myself thinking. “This man will make a hit with the ladies!” Like the swamis, with their soft brown skins, and their large, dark, cow-like eyes!

There had been silence in the place. But suddenly we all heard a moan; I felt Carpenter start, and his hand left my head. A dozen doors gave into this big parlor--all of them closed. We perceived that the sound came through the door nearest to us. “What is it?” I asked, of Rosythe.

“God knows,” said he; “you never can tell, in this place of torment.”

I was about to ask, “What sort of place is it?” But the moan came again, louder, more long drawn out: “O-o-o-o-o-o-o-o-oh!” It ended in a sort of explosion, as if the maker of it had burst.

Carpenter turned, and took two steps towards the door; then he stopped, hesitating. My eyes followed him, and then turned to the critic, who was watching Carpenter, with a broad grin on his face. Evidently Rosythe was going to have some fun, and get his revenge!

The sound came again--louder, more harrowing. It came at regular intervals, and each time with the explosion at the end. I watched Carpenter, and he was like a high-spirited horse that hears the cracking of a whip over his head. The creature becomes more restless, he starts more quickly and jumps farther at each sound. But he is puzzled; he does not know what these lashes mean, or which way he ought to run.

Carpenter looked from one to another of us, searching our faces. He looked at the birds of paradise in the lounging chairs. Not one of them moved a muscle--save only those muscles which caused their eyes to follow him. It was no concern of theirs, this agony, whatever it was. Yet, plainly, it was the sound of a woman in torment: “O-o-o-o-o-o-o-o-oh!”

Carpenter wanted to open that door. His hand would start towards it; then he would turn away. Between the two impulses he was presently pacing the room; and since there was no one who appeared to have any interest in what he might say, he began muttering to himself. I would catch a phrase: “The fate of woman!” And again: “The price of life!” I would hear the terrible, explosive wail:

“O-o-o-o-o-o-o-o-oh!” And it would wring a cry out of the depths of Carpenter's soul: “Oh, have mercy!”

In the beginning, the moving picture critic of the Western City “Times” had made some effort to restrain his amusement. But as this performance went on, his face became one enormous, wide-spreading grin; and you can understand, that made him seem quite devilish. I saw that Carpenter was more and more goaded by it. He would look at Rosythe, and then he would turn away in aversion. But at last he made an effort to conquer his feelings, and went up to the critic, and said, gently: “My friend: for every man who lives on earth, some woman has paid the price of life.”

“The price of life?” repeated the critic, puzzled.

Carpenter waved his hand towards the door. “We confront this everlasting mystery, this everlasting terror; and it is not becoming that you should mock.”

The grin faded from the other's face. His brows wrinkled, and he said: “I don't get you, friend. What can a man do?”

“At least he can bow his heart; he can pay his tribute to womanhood.”

“You're too much for me,” responded Rosythe. “The imbeciles choose to go through with it; it's their own choice.”

Said Carpenter: “You have never thought of it as the choice of God?”

“Holy smoke!” exclaimed the critic. “I sure never did!”

At that moment one of the doors was opened. Rosythe turned his eyes. “Ah, Madame Planchet!” he cried. “Come tell us about it!”

IX

A stoutish woman out of a Paris fashion-plate came trotting across the room, smiling in welcome: “Meester Rosythe!” She had black earrings flapping from each ear, and her face was white, with a streak of scarlet for lips. She took the critic by his two hands, and the critic, laughing, said: “Respondez, Madame! Does God bring the ladies to this place?”

“Ah, surely, Meester Rosythe! The god of beautee, he breengs them to us! And the leetle god with the golden arrow, the rosy cheeks and the leetle dimple--the dimple that we make heem for two hundred dollars a piece--eh, Meester Rosythe? He breengs the ladies to us!”

The critic turned. “Madame Planchet, permit me to introduce Mr. Carpenter. He is a man of wonder, he heals pain, and does it by means of love.”

“Oh, how eenteresting! But what eef love heemself ees pain--who shall heal that, eh, Meester Carpentair?”

“O-o-o-o-o-o-o-o-h!” came the moan.

Said Rosythe: “Mr. Carpenter thinks you make the ladies suffer too much. It worries him.”

“Ah, but the ladies do not mind! Pain? What ees eet? The lady who makes the groans, she cannot move, and so she ees unhappy. Also, she likes to have her own way, she ees a leetle--what you say?--spoilt. But her troubles weel pass; she weel be beautiful, and her husband weel love her more, and she weel be happy.”

“O-o-o-o-o-o-o-o-oh!” from the other room; and Madame Planchet prattled away: “I say to them, Make plenty of noises! Eet helps! No one weel be afraid, for all here are worshippers of the god of beautee--all weel bear the pains that he requires. Eh, Meester Carpentair?”

Carpenter was staring at her. I had not before seen such intensity of concentration on his face. He was trying to understand this situation, so beyond all believing.

“I weel tell you something,” said Madame Planchet, lowering her voice confidentially. “The lady what you hear--that ees Meeses T-S. You know Meester T-S, the magnate of the peectures?”

Carpenter did not say whether he knew or not.

“They come to me always, the peecture people; to me. The magician, the deputee of the god of beautee. Polly Pretty, she comes, and Dolly Dimple, she comes, and Lucy Love, she comes, and Betty Belle Bird. They come to me for the hair, and for the eyes, and for the complexion. You are a workair of miracles yourself--but can you do what I do? Can you make the skeen all new? Can you make the old young?”

“O-o-o-o-o-o-o-o-oh!”

“Mary Magna, she comes to me, and she breengs me her old grandmother, and she says, 'Madame,' she says, 'make her new from the waist up, for you can nevair tell how the fashions weel change, and what she weel need to show.' Ha, ha, ha, she ees wittee, ees the lovely Mary! And I take the old lady, and her wrinkles weel be gone, and her skeen weel be soft like a leetle baby's, and in her cheeks weel be two lovely dimples, and she weel dance with the young boys, and they weel not know her from her grandchild--ha, ha, ha!--ees eet not the wondair?”

I knew by now where I was. I had heard many times of Madame Planchet's beauty-parlors. I sat, wondering; should I take Carpenter by the arm, and lead him gently out? Or should I leave him to fight his own fight with modern civilization?

“O-o-o-o-o-o-o-o-oh!”

Madame turned suddenly upon me. “I know you, Meester Billee,” she said. “I have seen you with Mees Magna! Ah, naughtee boy! You have the soft, fine hair--you should let it grow--eight inches we have to have, and then you can come to me for the permanent wave. So many young men come to me for the permanent wave! You know eet? Meester Carpentair, you see, he has let hees hair grow, and he has the permanent wave--eet could not be bettair eef I had done eet myself. I say always, 'My work ees bettair than nature, I tell nature by the eemperfections.' Eh, voila?”

I am not sure whether it was for the benefit of me or of Carpenter. The deputee of the god of beautee was moved to volunteer a great revelation. “Would you like to see how we make eet--the permanent wave? I weel show you Messes T-S. But you must not speak--she would not like eet if I showed her to gentlemen. But her back ees turned and she cannot move. We do not let them see the apparatus, because eet ees rather frightful, eet would make them seek. You will be very steel, eh?”

“Mum's the word, Madame,” said Rosythe, speaking for the three of us.

“O-o-o-o-o-o-o-o-oh!” moaned the voice.

“First, I weel tell you,” said Madame. “For the complete wave we wind the hair in tight leetle coils on many rods. Eet ees very delicate operations--every hair must be just so, not one crooked, not one must we skeep. Eet takes a long time--two hours for the long hair; and eet hurts, because we must pull eet so tight. We wrap each coil een damp cloths, and we put them een the contacts, and we turn on the eelectreeceetee--and then eet ees many hours that the hair ees baked, ees cooked een the proper curves, eh? Now, very steel, eef you please!”

And softly she opened the door.

X

Before us loomed what I can only describe as a mountain of red female flesh. This flesh-mountain had once apparently been slightly covered by embroidered silk lingerie, but this was now soaked in moisture and reduced to the texture of wet tissue paper. The top of the flesh-mountain ended in an amazing spectacle. It appeared as if the head had no hair whatever; but starting from the bare scalp was an extraordinary number of thin rods, six inches or so in length. These rods stood out in every direction, and being of gleaming metal, they gave to the head the aspect of some bright Phoebus Apollo, known as the “far-darter;” or shall I say some fierce Maenad with electric snakes having nickel-plated skins; or shall I say some terrific modern war-god, pouring poison gases from a forest of chemical tubes? Over the top of the flesh-mountain was a big metal object, a shining concave dome with which all the tubes connected; so that a stranger to the procedure could not have felt sure whether the mountain was holding up the dome, or was dangling from it. A piece of symbolism done by a maniac artist, whose meaning no one could fathom!

From the dome there was given heat; so from the pores of the flesh-mountain came perspiration. I could not say that I actually saw perspiration flowing from any particular pore; it is my understanding that pores are small, and do not squirt visible jets. What I could say is that I saw little trickles uniting to form brooks, and brooks to form rivers, which ran down the sides of the flesh-mountain, and mingled in an ocean on the floor.

Also I observed that flesh-mountains when exposed to heat do not stand up of their own consistency, but have a tendency to melt and flatten; it was necessary that this bulk should be supported, so there were three attendants, one securely braced under each armpit, and the third with a more precarious grip under the mountain's chin. Every thirty seconds or so the heaving, sliding mass would emit one of those explosive groans: “O-o-o-o-o-oh!” Then it would collapse, an avalanche would threaten to slide, and the living caryatids would shove and struggle.

Said Madame Planchet, in her stage-whisper: “The serveece of the young god of beautee!” And my fancy took flight. I saw proud vestals tending sacred flames on temple-clad islands in blue Grecian seas; I saw acolytes waving censers, and grave, bearded priests walking in processions crowned with myrtle-wreaths. I wondered if ever since the world began, the young god of beautee looking down from his crystal throne had beheld a stranger ritual of adoration!

Silently we drew back from the door-way, and Madame closed the door, reducing the promethean groans and the strong ammoniacal odors. I did not see the face of Carpenter, because he had turned it from us. Rosythe favored me with a smile, and whispered, “Your friend doesn't care for beautee!” Then he added, “What do you suppose he meant by that stuff about 'the price of life' and 'the choice of God?'”

“Didn't you really get it?” I asked.

“I'm damned if I did.”

“My dear fellow,” I said, “you didn't tell us what sort of place this was; and Carpenter thought it must be a maternity-ward.”

The moving picture critic of the Western City “Times” gave me one wild look; then from his throat there came a sound like the sudden bleat of a young sheep in pain. It caused Carpenter to start, and Madame Planchet to start, and for the first time since we entered the place, the birds of paradise gave signs of life elsewhere than in the eye-muscles. The sheep gave a second bleat, and then a third, and Rosythe, red in the face and apparently choking, turned and fled to the corridor.

Madame Planchet drew me apart and said: “Meester Billee, tell me something. Ees eet true that thees gentleman ees a healer? He takes away the pains?”

“He did it for me,” I answered.

“He ees vairy handsome, eh, Meester Billee?”

“Yes, that is true.”