Part 4

So for a time the problem of capital and labor was put to one side. There were two waiters standing by, very nervous, because of the strike. T-S grabbed the card from one, and read off a list of food, which the waiter wrote down. Maw, who was learning the rudiments of etiquette, handed her card to Mary, who gave her order, and then Maw gave hers, and I gave mine, and there was only Carpenter left.

He was sitting, his dark eyes roaming here and there about the dining-room. Prince's, as you may know, is a gorgeous establishment: too much so for my taste--it has almost as much gilded moulding as if T-S had designed it for a picture palace. In front of Carpenter's eyes sat a dame with a bare white back, and a rope of big pearls about it, and a tiara of diamonds on top; and beyond her were more dames, and yet more, and men in dinner-coats, putting food into red faces. You and I get used to such things, but I could understand that to a stranger it must be shocking to see so many people feeding so expensively.

“Vot you vant to order, Mr. Carpenter?” demanded T-S; and I waited, full of curiosity. What would this man choose to eat in a “lobster palace”?

Carpenter took the card from his host and studied it. Apparently he had no difficulty in finding the most substantial part of the menu. “I'll have prime ribs of beef,” said he; “and boiled mutton with caper sauce; and young spring turkey; and squab en casserole; and milk fed guinea fowl--” The waiter, of course, was obediently writing down each item. “And planked steak with mushrooms; and braised spare ribs--”

“My Gawd!” broke in the host.

“And roast teal duck; and lamb kidneys--”

“Fer the love o' Mike, Mr. Carpenter, you gonna eat all dat?”

“No; of course not.”

“Den vot you gonna do vit it?”

“I'm going to take it to the hungry men outside.”

Well, sir, you'd have thought the world had stopped turning round, so still it was. The two waiters nearly dropped their order-pads and their napkins; they did drop their jaws, and Mrs. T-S's permanent wave seemed about to go flat.

“Oh, hell!” cried T-S at last. “You can't do it!”

“I can't?”

“You can't order only vot you gonna eat.”

“But then, I don't want anything. I'm not hungry.”

“But you can't sit here like a dummy, man!” He turned to the waiter. “You bring him de same vot you bring me. Unnerstand? And git a move on, cause I'm starvin'. Fade out now!” And the waiter turned and fled.

XV

The proprietor of Eternal City wiped his perspiring forehead with his napkin, and started rather hurriedly to make conversation. I understood that he wanted to enjoy his dinner, and proposed to talk about something pleasant in the meantime. “I vonna tell you about dis picture ve're goin' to see took, Mr. Carpenter. I vant you should see de scale we do tings on, ven we got a big subjic. Y'unnerstand, dis is a feature picture ve're makin' now; a night picture, a big mob scene.”.

“Mob scene?” said Carpenter. “You have so many mobs in this world of yours!”

“Vell, sure,” said T-S. “You gotta take dis vorld de vay you find it. Y'can't change human nature, y'know. But dis vot you're gonna see tonight is only a play mob, y'unnerstand.”

“That is what seems strangest of all to me,” said the other, thoughtfully. “You like mobs so well that you make imitation ones!”

“Vell, de people, dey like to see crowds in a picture, and dey like to see action. If you gonna have a big picture, you gotta spend de money.”

“Why not take this real mob that is outside the door?”

“Ha, ha, ha! Ve couldn't verk dat very good, Mr. Carpenter. Ve gotta have it in de right set; and ven you git a real mob, it don't alvays do vot you vant exactly! Besides, you can't take night pictures unless you got your lights and everyting. No, ve gotta make our mobs to order; we got two tousand fellers hired--”

“What Mr. Rosythe called 'studio bums'? You have that many?”

“Sure, we could git ten tousand if de set vould hold 'em. Dis picture is called 'De Tale o' Two Cities,' and it's de French revolution. It's about a feller vot takes anodder feller's place and gits his head cut off; and say, dere's a sob story in it vot's a vunder. Ven dey brought me de scenario, I says, 'Who's de author?' Dey says, 'It's a guy named Charles Dickens.' 'Dickens?' says I. 'Vell, I like his verk. Vot's his address?' And Lipsky, he says, says he, 'Dey tell me he stays in a place called Vestminster Abbey, in England.' 'Vell,' says I, 'send him a cablegram and find out vot he'll take fer an exclusive contract.' So we sent a cablegram to Charles Dickens, Vestminster Abbey, England, and we didn't git no answer, and come to find out, de boys in de studios vas havin' a laugh on old Abey, because dis guy Dickens is some old time feller, and de Abbey is vere dey got his bones. Vell, dey can have deir fun--how de hell's a feller like me gonna git time to know about writers? Vy, only twelve years ago, Maw here and me vas carryin' pants in a push-cart fer a livin', and we didn't know if a book vas top-side up or bottom--ain't it, Maw?”

Maw certified that it was--though I thought not quite so eagerly as her husband. There were five little T-S's growing up, and bringing pressure to let the dead past stay buried, in Vestminster Abbey or wherever it might be.

The waiter brought the dinner, and spread it before us. And T-S tucked his napkin under both ears, and grabbed his knife in one hand and his fork in the other, and took a long breath, and said: “Good-bye, folks. See you later!” And he went to work.

XVI

For five minutes or so there was no sound but that of one man's food going in and going down. Then suddenly the man stopped, with his knife and fork upright on the table in each hand, and cried: “Mr. Carpenter, you ain't eatin' nuttin'!”

The stranger, who had apparently been in a daydream, came suddenly back to Prince's. He looked at the quantities of food spread about him. “If you'd only let me take a little to those men outside!” He said it pleadingly.

But T-S tapped imperiously on the table, with both his knife and fork together. “Mr. Carpenter, eat your dinner! Eat it, now, I say!” It was as if he were dealing with one of the five little T-S's. And Carpenter, strange as it may seem, obeyed. He picked up a bit of bread, and began to nibble it, and T-S went to work again.

There was another five minutes of silence; and then the picture magnate stopped, with a look of horror on his face. “My Gawd! He's cryin'!” Sure enough, there were two large tears trickling, one down each cheek of the stranger, and dropping on the bread he was putting into his mouth!

“Look here, Mr. Carpenter,” protested T-S. “Is it dem strikers?”

“I'm sorry; you see--”

“Now, honest, man, vy should you spoil your dinner fer a bunch o' damn lousy loafers--”

“Abey, vot a vay to talk at a dinner-party!” broke in Maw.

And then suddenly Mary Magna spoke. It was a strange thing, though I did not realize it until afterwards. Mary, the irrepressible, had hardly said one word since we left the beauty parlors! Mary, always the life of dinner parties, was sitting like a woman who had seen the ghost of a dead child; her eyes following Carpenter's, her mind evidently absorbed in probing his thoughts.

“Abey!” said she, with sudden passion, of a sort I'd never seen her display before. “Forget your grub for a moment, I have something to say. Here's a man with a heart full of love for other people--while you and I are just trying to see what we can get out of them! A man who really has a religion--and you're trying to turn him into a movie doll! Try to get it through your skull, Abey!”

The great man's eyes were wide open. “Holy smoke, Mary! Vot's got into you?” And suddenly he almost shrieked. “Lord! She's cryin' too!”

“No, I'm not,” declared Mary, vialiantly. But there were two drops on her cheeks, so big that she was forced to wipe them away. “It's just a little shame, that's all. Here we sit, with three times as much food before us as we can eat; and all over this city are poor devils with nothing to eat, and no homes to go to--don't you know that's true, Abey? Don't you know it, Maw?”

“Looka here, kid,” said the magnate; “you know vot'll happen to you if you git to broodin' over tings? You git your face full o' wrinkles--you already gone and spoilt your make-up.”

“Shucks, Abey,” broke in Maw, “vot you gotta do vit dat? Vy don't you mind your own business?”

“Mind my own business? My own business, you say? Vell, I like to know vot you call my business! Ven I got a contract to pay a girl tirty-five hunded dollars a veek fer her face, and she goes and gits it all wrinkles, I ask any jury, is it my business or ain't it? And if a feller vants to pull de tremulo stop fer a lot o' hoboes and Bullsheviki, and goes and spills his tears into his soup--”

It sounded fierce; but Mary apparently knew her Abey; also, she saw that Maw was starting to cry. “There's no use trying to bluff me, Abey. You know as well as I do there are hungry people in this city, and no fault of theirs. You know, too, you eat twice what you ought to, because I've heard the doctor tell you. I'm not blaming you a bit more than I do myself--me, with two automobiles, and a whole show-window on my back.” And suddenly she turned to Carpenter. “What can we do?”

He answered: “Here, men gorge themselves; in Russia they are eating their dead.”

T-S dropped his knife and fork, and Maw gave a gulp. “Oh, my Gawd!”

“There are ten million people doomed to starve. Their children eat grass, and their bellies swell up and their legs dwindle to broom-sticks; they stagger and fall into the ditches, and other children tear their flesh and devour it.”

“O-o-o-o-o-o-o-o-oh!” wailed Maw; and the diners at Prince's began to stare.

“Now looka here!” cried T-S, wildly. “I say dis ain't no decent way to behave at a party. I say it ain't on de level to be a feller's guest, and den jump on him and spoil his dinner. See here, Mr. Carpenter, I tell you vot I do. You be good and eat your grub, so it don't git vasted, and I promise you, tomorrow I go and hunt up strike headquarters, and give dem a check fer a tousand dollars, and if de damn graftin' leaders don't hog it, dey all git someting to eat. And vot's more, I send a check fer five tousand to de Russian relief. Now ain't dat square? Vot you say?”

“What I say is, Mr. T-S, I cannot be the keeper of another man's conscience. But I'll try to eat, so as not to be rude.”

And T-S grunted, and went back to his feeding; and the stranger made a pretense of eating, and we did the same.

XVII

It happens that I was brought up in a highly conscientious family. To my dear mother, and to her worthy sisters, there is nothing in the world more painful than what they call a “scene”--unless possibly it is what they call a “situation.” And here we had certainly had a “scene,” and still had a “situation.” So I sat, racking my brains to think of something safe to talk about. I recalled that T-S had had pretty good success with his “Tale of Two Cities” as a topic of conversation, so I began:

“Mr. Carpenter, the spectacle you are going to see this evening is rather remarkable from the artistic point of view. One of the greatest scenic artists of Paris has designed the set, and the best judges consider it a real achievement, a landmark in moving picture work.”

“Tell me about it,” said Carpenter; and I was grateful for his tone of interest.

“Well, I don't know how much you know about picture making--”

“You had better explain everything.”

“Well, Mr. T-S has built a large set, representing a street scene in Paris over a century ago. He has hired a thousand men--”

“Two tousand!” broke in T-S.

“In the advertisements?” I suggested, with a smile.

“No, no,” insisted the other. “Two tousand, really. In de advertisements, five tousand.”

“Well,” said I, “these men wear costumes which T-S has had made for them, and they pretend to be a mob. They have been practicing all day, and by now they know what to do. There is a man with a megaphone, shouting orders to them, and enormous lights playing upon them, so that men with cameras can take pictures of the scene. It is very vivid, and as a portrayal of history, is truly educational.”

“And when it is done--what becomes of the men?”

Utterly hopeless, you see! We were right back on the forbidden ground! “How do you mean?” I evaded.

“I mean, how do they live?”

“Dey got deir five dollars, ain't dey?” It was T-S, of course.

“Yes, but that won' last very long, will it? What is the cost of this dinner we are eating?”

The magnate of the movies looked to the speaker, and then burst into a laugh. “Ho, ho, ho! Dat's a good vun!”

Said I, hastily: “Mr. T-S means that there are cheaper eating places to be found.”

“Well,” said Carpenter, “why don't we find one?”

“It's no use, Billy. He thinks it's up to me to feed all de bums on de lot. Is dat it, Mr. Carpenter?”

“I can't say, Mr. T-S; I don't know how many there are, and I don't know how rich you are.”

“Vell, dey got five million out o' verks in this country now, and if I vanted to bust myself, I could feed 'em vun day, maybe two. But ven I got done, dey vouldn't be nobody to make pictures, and somebody vould have to feed old Abey--or maybe me and Maw could go back to carryin' pants in a push cart! If you tink I vouldn't like to see all de hungry fed, you got me wrong, Mr. Carpenter; but vot I learned is dis--if you stop fer all de misery you see in de vorld about you, you vouldn't git novhere.”

“Well,” said Carpenter, “what difference would that make?”

The proprietor of Eternal City really wanted to make out the processes of this abnormal mind. He wrinkled his brows, and thought very hard over it.

“See here, Mr. Carpenter,” he began at last, “I tink you got hold o' de wrong feller. I'm a verkin' man, de same as any mechanic on my lot. I verked ever since I vas a liddle boy, and if I eat too much now, maybe it's because I didn't get enough ven I vas liddle. And maybe I got more money dan vot I got a right to, but I know dis--I ain't never had enough to do half vot I vant to! But dere's plenty fellers got ten times vot I got, and never done a stroke o' vork fer it. Dey're de vuns y'oughter git after!”

Said Carpenter: “I would, if I knew how.”

“Dey's plenty of 'em right in dis room, I bet.” And Mary added: “Ask Billy; he knows them all!”

“You flatter me, Mary,” I laughed.

“Ain't dey some of 'em here?” demanded T-S.

“Yes, that's true. There are some not far away, who are developing a desire to meet Mr. Carpenter, unless I miss the signs.”

“Vere are dey at?” demanded T-S.

“I won't tell you that,” I laughed, “because you'd turn and stare into their faces.”

“So he vould!” broke in Maw. “How often I gotta tell you, Abey? You got no more manners dan if you vas a jimpanzy.”

“All right,” said the magnate, grinning good naturedly. “I'll keep a-eatin' my dinner. Who is it?”

“It's Mrs. Parmelee Stebbins,” said I. “She boasts a salon, and has to have what are called lions, and she's been watching Mr. Carpenter out of the corner of her eye ever since he came into the room--trying to figure out whether he's a lion, or only an actor. If his skin were a bit dark, she would be sure he was an Eastern potentate; as it, she's afraid he's of domestic origin, in which case he's vulgar. The company he keeps is against him; but still--Mrs. Stebbins has had my eye three times, hoping I would give her a signal, I haven't given it, so she's about to leave.”

“Vell, she can go to hell!” said T-S, keeping his promise to devote himself to his dinner. “I offered Parmelee Stebbins a tird share in 'De Pride o' Passion' fer a hunded tousand dollars, and de damn fool turned me down, and de picture has made a million and a quarter a'ready.”

“Well,” said I, “he's probably paying for it by sitting up late to buy the city council on this new franchise grab of his; and so he hasn't kept his date to dine with his expensive family at Prince's. Here is Miss Lucinda Stebbins; she's engaged to Babcock, millionaire sport and man about town, but he's taking part in a flying race over the Rocky Mountains tonight, and so Lucinda feels bored, and she knows the vaudeville show is going to be tiresome, but still she doesn't want to meet any freaks. She has just said to her mother that she can't see why a person in her mother's position can't be content to meet proper people, but always has to be getting herself into the newspapers with some new sort of nut.”

“My Gawd, Billy!” cried Maw. “You got a dictaphone on dem people?”

“No, but I know the type so well, I can tell by their looks. Lucinda is thinking about their big new palace on Grand Avenue, and she regards everyone outside her set as a burglar trying to break in. And then there's Bertie Stebbins, who's thinking about a new style of collar he saw advertised to-day, and how it would look on him, and what impression it would make on his newest girl.”

It was Mary who spoke now: “I know that little toad. I've seen him dancing at the Palace with Dorothy Doodles, or whatever her name is.”

“Well,” said I, “Mrs. Stebbins runs the newer set--those who hunt sensations, and make a splurge in the papers. It costs like smoke, of course--” And suddenly I stopped. “Look out!” I whispered. “Here she comes!”

XVIII

I heard Maw catch her breath, and I heard Maw's husband give a grunt. Then I rose. “How are you, Billy?” gurgled a voice--one of those voices made especially for social occasions. “Wretched boy, why do you never come to see us?”

“I was coming to-morrow,” I said--for who could prove otherwise? “Mrs. Stebbins, permit me to introduce Mrs. Tszchniczklefritszch.”

“Charmed to meet you, I'm sure,” said Mrs. Stebbins. “I've heard my husband speak of your husband so often. How well you are looking, Mrs.--”

She stopped; and Maw, knowing the terrors of her name, made haste to say something agreeable. “Yes, ma'am; dis country agrees vit me fine. Since I come here, I've rode and et, shoost rode and et.”

“And Mr. T-S,” said I.

“Howdydo, Mr. T-S?”

“Pretty good, ma'am,” said T-S. He had been caught with his mouth full, and was making desperate efforts to swallow.

A singular thing is the power of class prestige! Here was Maw, a good woman, according to her lights, who had worked hard all her life, and had achieved a colossal and astounding success. She had everything in the world that money could buy; her hair was done by the best hair-dresser, her gown had been designed by the best costumer, her rings and bracelets selected by the best jeweller; and yet nothing was right, no power on earth could make it right, and Maw knew it, and writhed the consciousness of it. And here was Mrs. Parmelee Stebbins, who had never done a useful thing in all her days--except you count the picking out of a rich husband; yet Mrs. Stebbins was “right,” and Maw knew it, and in the presence of the other woman she was in an utter panic, literally quivering in every nerve. And here was old T-S, who, left to himself, might have really meant what he said, that Mrs. Stebbins could go to hell; but because he was married, and loved his wife, he too trembled, and gulped down his food!

Mrs. Stebbins is one of those American matrons who do not allow marriage and motherhood to make vulgar physical impressions upon them. Her pale blue gown might have been worn by her daughter; her cool grey eyes looked out through a face without a wrinkle from a soul without a care. She was a patroness of art and intellect; but never did she forget her fundamental duty, the enhancing of the prestige of a family name. When she was introduced to a screen-actress, she was gracious, but did not forget the difference between an actress and a lady. When she was introduced to a strange man who did not wear trousers, she took it quite as an everyday matter, revealing no trace of vulgar human curiosity.

There came Bertie, full grown, but not yet out of the pimply stage, and still conscious of the clothes which he had taken such pains to get right. Bertie's sister remained in her seat, refusing naughtily to be compromised by her mother's vagaries; but Bertie had a purpose, and after I had introduced him round, I saw what he wanted--Mary Magna! Bertie had a vision of himself as a sort of sporting prince in this movie world. His social position would make conquests easy; it was a sort of Christmas-tree, all a-glitter with prizes.

I was standing near, and heard the beginning of their conversation. “Oh, Miss Magna, I'm so pleased to meet you. I've heard so much about you from Miss Dulles.”

“Miss Dulles?”

“Yes; Dorothy Dulles.”

“I'm sorry. I don't think I ever heard of her.”

“What? Dorothy Dulles, the screen actress?”

“No, I can't place her.”

“But--but she's a star!”

“Well, but you know, Mr. Stebbins--there are so many stars in the heavens, and not all of them visible to the eye.”

I turned to Bertie's mamma. She had discovered that Carpenter looked even more thrilling on a close view; he was not a stage figure, but a really grave and impressive personality, exactly the thing to thrill the ladies of the Higher Arts Club at their monthly luncheon, and to reflect prestige upon his discoverer. So here she was, inviting the party to share her box at the theatre; and here was T-S explaining that it couldn't be done, he had got to see his French revolution pictures took, dey had five tousand men hired to make a mob. I noted that Mrs. Stebbins received the “advertising” figures on the production!