Part 27

"I guess that bird wasn't sober yet, after all, because he thought he was funny.

"'Can the comedy,' I sez, 'and you go tell the widow that Father Dempsey, the head chaplain of the U.S. Navy, has consented to perform this afternoon. Now, get it straight, and for Gawd's sake don't go and laugh or I'll put you in the brig.'

"Well, Rathbone looks at me like I was goin' to my death.

"'Good-by, chief,' he sez. 'Wait till the admiral hears of this.'

"'Haw,' I sez--'if he does I'll get decorated.'

"Well, I give Reilly the high sign and out comes the coffin on the doughboys' shoulders. Napoleon One leads the way, and Rathbone and the widow step in after the coffin, and I see that they is talkin' together _beaucoup_ earnestly.

"When we get to the grave the doughboys set down the coffin beside it and all forms in a circle with me and the widow facin' each other. And then there's an anxious silence. I'll say right here that I was the most anxious, and I was sweatin' more than I guess any chaplain oughta sweat. But, by luck, I happen to think that I have my old logarithm-book in my pocket--you know, the one that's bound in black patent-leather. Looks sorta as if it might be a prayer-book or somethin' like that. Anyway, the widow, bein' a frawg widow, I figgered how she'd think maybe it was a Yank Bible issued special to the A.E.F. and condensed like malted milk or somethin'.

"So I draw the old logarithm-book outa my coat and ease up gently to the edge of the grave. The doughboys and the gobs, all except Rathbone, who is wise, acourse, begin to nudge each other and snicker. I oughta warned 'em what was comin', but I didn't have no time, it come to me so quick. So I pretended to read from the book, and sez, in a low voice and very solemn, like I was openin' the funeral, 'If any you birds here starts laughin' I'll see him after the show and I'll knock the daylight outa him.'

"'Amen,' sez Rathbone, very piously.

"'We've come here to-day,' I sez, always like I was readin' from the book--'we've come here to-day to plant a frawg soldier who's the only son of his mother and her a widow. And she's so broke that there ain't no regular priest or no regular cemetery that'll offer their services. So I'm the priest, and it's goin' to make a lotta difference to that poor widow's feelin's when she thinks her son's got a swell U. S. Navy priest administering the rites. Now, get that straight and don't start whinnyin' like a buncha horses and gum the game.'

"Well, I stop there for breath, and Rathbone, who's right on the job, comes across with another 'Amen,' and Reilly, who's a good Catholic, sez, _'Pax vobiscum_.'

"So that's all right, and I give her the gun and go ahead.

"'This here _poiloo_,' I sez, 'I don't know much about him, but he was a regular fellow and a good old bird and treated his mother swell and everything, and I guess if we was wise to everything he'd done we'd be proud to be here and we'd 'a' brung a lotta flowers and things. He most likely was at the battle of the Marne and the Soam and Verdun, and maybe he was at Château-Teery. Anyway, he was a grand fighter, and done his bit all the time and kep' the Huns from passin'."

'And I wanta tell you that we gotta hand it to these French, because they may be little guys, but they carry the longest bayonets I ever see in any man's army.'

"'Amen,' sez all the doughboys and the gobs, except one that yells, 'Alleluia!' He musta been from the South or somewheres.

"'And so,' I sez, 'we're proud to give this frawg a good send-off, and even if we ain't got a real chaplain and the guns to fire a salute with, we're doin' the poor widow a lotta good, and that's somethin'--I'll say it is.'

"'Amen,' sez the audience.

"Then I sez, 'Glory be,' and cross myself and signal the doughboys to lower away on the coffin, and I flung a handfula dirt in on top like I see 'em do always.

"Well, the poor old widow near collapsed and Rathbone and the marine had to hold hard to keep her on her pins. But Reilly created a diversion by startin' up the motor-bike, and it back-fired like a buncha rookies tryin' to fire a volley. If we'd hadda bugle we coulda sounded taps, and the musical accompaniment woulda been complete.

"Napoleon One come up and shake hands with me like I'd won the Medeye Militaire, and, before I could side-step, the widow had her arms round my neck and was kissin' me on both cheeks. Napoleon sez it was a '_Beau geste_' which I thought meant a fine joke, and I was afraid the bird was wise, but Rathbone sez no, that it meant a swell

## action; and the widow sez, over and over again, '_Ces braves

Americains--ces braves Americains_!' The cordial entente was pretty cordial on the whole! I'll say it was."

At this point Steve Dempsey paused and glanced about as who should say, "Are there any comments or questions?" For a while there was none forthcoming, but finally Lieutenant Erskine ventured a remark.

"This occurred last Sunday?" he inquired, mildly.

"Yes, sir," said Steve--"last Sunday."

"Um," said Erskine, and without further remarks left the office.

On his return he bore a copy of _Le Matin_ in his hand. He sat down and leisurely and silently unfolded the sheet. Steve had resumed his work, but I noticed that he kept an eye on Erskine.

"I wonder," said Erskine, smoothing out the newspaper on his knees-- "I wonder, Steve, if you happened to see this very interesting article."

"No, sir," said Steve. "I don't read French like I speak it."

"Well," said Erskine, "I'll translate. This paper is dated last Monday, and on page two occurs the following announcement:"

"_American soldiers, sailors, and marines attend funeral of notorious apache. Jean the Rat, convicted murderer and suicide and denied the offices of the Catholic Church, is buried by stalwart Americans. Department of Foreign Affairs reluctant to file protest at present time. Strange demonstration believed to be unofficial and without U.S. government sanction, although U. S. Navy chaplain delivers eloquent peroration in English_."

Erskine put aside the paper in silence, and we all turned to watch Steve. He was very red, even to his ears.

"Gawd!" he spluttered. "Does it really say that, sir? Honest?"

Erskine nodded. "Yes," he said. "We'll be lucky if we avoid international complications."

"An apache murderer," Steve groaned--"and me thinkin' it was a frawg hero. Will I get a court martial for it, sir?"

"I doubt it," said Erskine, "but I don't think you'll get the Congressional Medal or the Legion of Honour, either. Maybe, though, the President, in recognition of your services toward cementing the entente, will appoint you the next ambassador to France."

"Well, anyway," said Steve, still violently red about the face and ears--"well, anyway, I don't care. Even if it weren't a first-class corpse, it was a first-class funeral."

FOOTFALLS

BY WILBUR DANIEL STEELE

From _The Pictorial Review_

This is not an easy story; not a road for tender or for casual feet. Better the meadows. Let me warn you, it is as hard as that old man's soul and as sunless as his eyes. It has its inception in catastrophe, and its end in an act of almost incredible violence; between them it tells barely how one long blind can become also deaf and dumb.

He lived in one of those old Puritan sea towns where the strain has come down austere and moribund, so that his act would not be quite unbelievable. Except that the town is no longer Puritan and Yankee. It has been betrayed; it has become an outpost of the Portuguese islands.

This man, this blind cobbler himself, was a Portuguese from St. Michael, in the Western Islands, and his name was Boaz Negro.

He was happy. An unquenchable exuberance lived in him. When he arose in the morning he made vast, as it were uncontrollable, gestures with his stout arms. He came into his shop singing. His voice, strong and deep as the chest from which it emanated, rolled out through the doorway and along the street, and the fishermen, done with their morning work and lounging and smoking along the wharfs, said, "Boaz is to work already." Then they came up to sit in the shop.

In that town a cobbler's shop is a club. One sees the interior always dimly thronged. They sit on the benches watching the artizan at his work for hours, and they talk about everything in the world. A cobbler is known by the company he keeps.

Boaz Negro kept young company. He would have nothing to do with the old. On his own head the gray hairs set thickly.

He had a grown son. But the benches in his shop were for the lusty and valiant young, men who could spend the night drinking, and then at three o'clock in the morning turn out in the rain and dark to pull at the weirs, sing songs, buffet one another among the slippery fish in the boat's bottom, and make loud jokes about the fundamental things, love and birth and death. Harkening to their boasts and strong prophecies his breast heaved and his heart beat faster. He was a large, full-blooded fellow, fashioned for exploits; the flame in his darkness burned higher even to hear of them.

It is scarcely conceivable how Boaz Negro could have come through this much of his life still possessed of that unquenchable and priceless exuberance; how he would sing in the dawn; how, simply listening to the recital of deeds in gale or brawl, he could easily forget himself a blind man, tied to a shop and a last; easily make of himself a lusty young fellow breasting the sunlit and adventurous tide of life.

He had had a wife, whom he had loved. Fate, which had scourged him with the initial scourge of blindness, had seen fit to take his Angelina away. He had had four sons. Three, one after another, had been removed, leaving only Manuel, the youngest. Recovering slowly, with agony, from each of these recurrent blows, his unquenchable exuberance had lived. And there was another thing quite as extraordinary. He had never done anything but work, and that sort of thing may kill the flame where an abrupt catastrophe fails. Work in the dark. Work, work, work! And accompanied by privation; an almost miserly scale of personal economy. Yes, indeed, he had "skinned his fingers," especially in the earlier years. When it tells most.

How he had worked! Not alone in the daytime, but also sometimes, when orders were heavy, far into the night. It was strange for one, passing along that deserted street at midnight, to hear issuing from the black shop of Boaz Negro the rhythmical tap-tap-tap of hammer on wooden peg.

Nor was that sound all: no man in town could get far past that shop in his nocturnal wandering unobserved. No more than a dozen footfalls, and from the darkness Boaz's voice rolled forth, fraternal, stentorian, "Good night, Antone!" "Good night to you, Caleb Snow!"

To Boaz Negro it was still broad day.

Now, because of this, he was what might be called a substantial man. He owned his place, his shop, opening on the sidewalk, and behind it the dwelling-house with trellised galleries upstairs and down.

And there was always something for his son, a "piece for the pocket," a dollar-, five-, even a ten-dollar bill if he had "got to have it." Manuel was "a good boy." Boaz not only said this, he felt that he was assured of it in his understanding, to the infinite peace of his heart.

It was curious that he should be ignorant only of the one nearest to him. Not because he was physically blind. Be certain he knew more of other men and of other men's sons than they or their neighbours did. More, that is to say, of their hearts, their understandings, their idiosyncrasies, and their ultimate weight in the balance-pan of eternity.

His simple explanation of Manuel was that Manuel "wasn't too stout." To others he said this, and to himself. Manuel was not indeed too robust. How should he be vigorous when he never did anything to make him so? He never worked. Why should he work, when existence was provided for, and when there was always that "piece for the pocket"? Even a ten-dollar bill on a Saturday night! No, Manuel "wasn't too stout."

In the shop they let it go at that. The missteps and frailties of every one else in the world were canvassed there with the most shameless publicity. But Boaz Negro was a blind man, and in a sense their host. Those reckless, strong young fellows respected and loved him. It was allowed to stand at that. Manuel was "a good boy." Which did not prevent them, by the way, from joining later in the general condemnation of that father's laxity--"the ruination of the boy!"

"He should have put him to work, that's what."

"He should have said to Manuel, 'Look here, if you want a dollar, go earn it first.'"

As a matter of fact, only one man ever gave Boaz the advice direct. That was Campbell Wood. And Wood never sat in that shop.

In every small town there is one young man who is spoken of as "rising." As often as not he is not a native, but "from away."

In this town Campbell Wood was that man. He had come from another part of the state to take a place in the bank. He lived in the upper story of Boaz Negro's house, the ground floor now doing for Boaz and the meagre remnant of his family. The old woman who came in to tidy up for the cobbler looked after Wood's rooms as well.

Dealing with Wood, one had first of all the sense of his incorruptibility. A little ruthless perhaps, as if one could imagine him, in defence of his integrity, cutting off his friend, cutting off his own hand, cutting off the very stream flowing out from the wellsprings of human kindness. An exaggeration, perhaps.

He was by long odds the most eligible young man in town; good looking in a spare, ruddy, sandy-haired Scottish fashion; important, incorruptible, "rising." But he took good care of his heart. Precisely that; like a sharp-eyed duenna to his own heart. One felt that here was the man, if ever was the man, who held his destiny in his own hand. Failing, of course, some quite gratuitous and unforeseeable catastrophe.

Not that he was not human, or even incapable of laughter or passion. He was, in a way, immensely accessible. He never clapped one on the shoulder; on the other hand, he never failed to speak. Not even to Boaz.

Returning from the bank in the afternoon, he had always a word for the cobbler. Passing out again to supper at his boarding-place, he had another, about the weather, the prospects of rain. And if Boaz were at work in the dark when he returned from an evening at the Board of Trade, there was a "Good night, Mr. Negro!"

On Boaz's part, his attitude toward his lodger was curious and paradoxical. He did not pretend to anything less than reverence for the young man's position; precisely on account of that position he was conscious toward Wood of a vague distrust. This was because he was an uneducated fellow.

To the uneducated the idea of large finance is as uncomfortable as the idea of the law. It must be said for Boaz that, responsive to Wood's unfailing civility, he fought against this sensation of dim and somehow shameful distrust.

Nevertheless his whole parental soul was in arms that evening, when, returning from the bank and finding the shop empty of loungers, Wood paused a moment to propose the bit of advice already referred to.

"Haven't you ever thought of having Manuel learn the trade?"

A suspicion, a kind of premonition, lighted the fires of defence.

"Shoemaking," said Boaz, "is good enough for a blind man."

"Oh, I don't know. At least it's better than doing nothing at all."

Boaz's hammer was still. He sat silent, monumental. Outwardly. For once his unfailing response had failed him, "Manuel ain't too stout, you know." Perhaps it had become suddenly inadequate.

He hated Wood; he despised Wood; more than ever before, a hundredfold more, quite abruptly, he distrusted Wood.

How could a man say such things as Wood had said? And where Manuel himself might hear!

Where Manuel _had_ heard! Boaz's other emotions--hatred and contempt and distrust--were overshadowed. Sitting in darkness, no sound had come to his ears, no footfall, no infinitesimal creaking of a floor-plank. Yet by some sixth uncanny sense of the blind he was aware that Manuel was standing in the dusk of the entry joining the shop to the house.

Boaz made a Herculean effort. The voice came out of his throat, harsh, bitter, and loud enough to have carried ten times the distance to his son's ears.

"Manuel is a good boy!"

"Yes--h'm--yes--I suppose so."

Wood shifted his weight. He seemed uncomfortable.

"Well. I'll be running along, I----ugh! Heavens!"

Something was happening. Boaz heard exclamations, breathings, the rustle of sleeve-cloth in large, frantic, and futile graspings--all without understanding. Immediately there was an impact on the floor, and with it the unmistakable clink of metal. Boaz even heard that the metal was minted, and that the coins were gold. He understood. A coin-sack, gripped not quite carefully enough for a moment under the other's overcoat, had shifted, slipped, escaped, and fallen.

And Manuel had heard!

It was a dreadful moment for Boaz, dreadful in its native sense, as full of dread. Why? It was a moment of horrid revelation, ruthless clarification. His son, his link with the departed Angelina, that "good boy"--Manuel, standing in the shadow of the entry, visible alone to the blind, had heard the clink of falling gold, and-- _and Boaz wished that he had not_!

There, amazing, disconcerting, destroying, stood the sudden fact.

Sitting as impassive and monumental as ever, his strong, bleached hands at rest on his work, round drops of sweat came out on Boaz's forehead. He scarcely took the sense of what Wood was saying. Only fragments.

"Government money, understand--for the breakwater workings--huge--too many people know here, everywhere--don't trust the safe--tin safe--'Noah's Ark'--give you my word--Heavens, no!"

It boiled down to this--the money, more money than was good for that antiquated "Noah's Ark" at the bank--and whose contemplated sojourn there overnight was public to too many minds--in short, Wood was not only incorruptible, he was canny. To what one of those minds, now, would it occur that he should take away that money bodily, under casual cover of his coat, to his own lodgings behind the cobbler-shop of Boaz Negro? For this one, this important night!

He was sorry the coin-sack had slipped, because he did not like to have the responsibility of secret sharer cast upon any one, even upon Boaz, even by accident. On the other hand, how tremendously fortunate that it had been Boaz and not another. So far as that went, Wood had no more anxiety now than before. One incorruptible knows another.

"I'd trust you, Mr. Negro" (that was one of the fragments which came and stuck in the cobbler's brain), "as far as I would myself. As long as it's only you. I'm just going up here and throw it under the bed. Oh, yes, certainly."

Boaz ate no supper. For the first time in his life food was dry in his gullet. Even under those other successive crushing blows of Fate the full and generous habit of his functionings had carried on unabated; he had always eaten what was set before him. To-night, over his untouched plate, he watched Manuel with his sightless eyes, keeping track of his every mouthful, word, intonation, breath. What profit he expected to extract from this catlike surveillance it is impossible to say.

When they arose from the supper-table Boaz made another Herculean effort. "Manuel, you're a good boy!"

The formula had a quality of appeal, of despair, and of command.

"Manuel, you should be short of money, maybe. Look, what's this? A tenner? Well, there's a piece for the pocket; go and enjoy yourself."

He would have been frightened had Manuel, upsetting tradition, declined the offering. With the morbid contrariness of the human imagination, the boy's avid grasping gave him no comfort.

He went out into the shop, where it was already dark, drew to him his last, his tools, mallets, cutters, pegs, leather. And having prepared to work, he remained idle. He found himself listening.

It has been observed that the large phenomena of sunlight and darkness were nothing to Boaz Negro. A busy night was broad day. Yet there was a difference; he knew it with the blind man's eyes, the ears.

Day was a vast confusion, or rather a wide fabric, of sounds; great and little sounds all woven together, voices, footfalls, wheels, far-off whistles and foghorns, flies buzzing in the sun. Night was another thing. Still there were voices and footfalls, but rarer, emerging from the large, pure body of silence as definite, surprising, and yet familiar entities.

To-night there was an easterly wind, coming off the water and carrying the sound of waves. So far as other fugitive sounds were concerned it was the same as silence. The wind made little difference to the ears. It nullified, from one direction at least, the other two visual processes of the blind, the sense of touch and the sense of smell. It blew away from the shop, toward the living-house.

As has been said, Boaz found himself listening, scrutinizing with an extraordinary attention, this immense background of sound. He heard footfalls. The story of that night was written, for him, in footfalls.

He heard them moving about the house, the lower floor, prowling here, there, halting for long spaces, advancing, retreating softly on the planks. About this aimless, interminable perambulation there was something to twist the nerves, something led and at the same time driven like a succession of frail and indecisive charges.

Boaz lifted himself from his chair. All his impulse called him to make a stir, join battle, cast in the breach the re-enforcement of his presence, authority, good will. He sank back again; his hands fell down. The curious impotence of the spectator held him.

He heard footfalls, too, on the upper floor, a little fainter, borne to the inner rather than the outer ear, along the solid causeway of

## partitions and floor, the legs of his chair, the bony framework of

his body. Very faint indeed. Sinking back easily into the background of the wind. They, too, came and went, this room, that, to the passage, the stair-head, and away. About them too there was the same quality of being led and at the same time of being driven.

Time went by. In his darkness it seemed to Boaz that hours must have passed. He heard voices. Together with the footfalls, that abrupt, brief, and (in view of Wood's position) astounding interchange of sentences made up his history of the night. Wood must have opened the door at the head of the stair; by the sound of his voice he would be standing there, peering below perhaps; perhaps listening.