Part 7

Wallis Budge is apparently the hero of the tale; at any rate, the author devotes most space to him--some hundred and twenty lines or so. He does not appear until page 341, by which time we are on familiar terms with some two or three thousand of the less important characters. It is typical of the writer that, once he has described a character to us, has (so to speak) set him on his feet, he appears to lose interest in his creation, and it is only rarely that further reference is made to him. Alfred Budd, for instance, who became British Vice-Consul of San Sebastian in 1907, and resides, as the intelligent reader will have guessed, at the San Sebastian British Vice-Consulate, obtains the M.V.O. in 1908. Nothing is said, however, of the resultant effect on his character, nor is any adequate description given--either then or later--of the San Sebastian scenery. On the other hand, Bucy, who first appears on page 340, turns up again on page 644 as the Marquess de Bucy, a Grandee of Spain. I was half-expecting that the body would be discovered about this time, but the author is still busy over his protagonists, and only leaves the Marquess in order to introduce to us his three musketeers, de Bunsen, de Burgh, and de Butts.

But it is time that I returned to our hero, Dr. Wallis Budge. Although Budge is a golfer of world-wide experience, having "conducted excavations in Egypt, the Island of Meroe, Nineveh and Mesopotamia," it is upon his mental rather than his athletic abilities that the author dwells most lovingly. The fact that in 1886 he wrote a pamphlet upon The Coptic History of Elijah the Tishbite, and followed it up in 1888 with one on The Coptic Martyrdom of George of Cappadocia (which is, of course, in every drawing-room) may not seem at first to have much bearing upon the tremendous events which followed later. But the author is artistically right in drawing our attention to them; for it is probable that, had these popular works not been written, our hero would never have been encouraged to proceed with his Magical Texts of Za-Walda-Hawaryat, Tasfa Maryam, Sebhat-Le'ab, Gabra Shelase Tezasu, Aheta-Mikael, which had such a startling effect on the lives of all the other characters, and led indirectly to the finding of the blood-stain on the bath-mat. My own suspicions fell immediately upon Thomas Rooke, of whom we are told nothing more than "R.W.S.," which is obviously the cabbalistic sign of some secret society.

One of the author's weaknesses is a certain carelessness in the naming of his characters. For instance, no fewer than two hundred and forty-one of them are called Smith. True, he endeavours to distinguish between them by giving them such different Christian names as John, Henry, Charles, and so forth, but the result is bound to be confusing. Sometimes, indeed, he does not even bother to distinguish between their Christian names. Thus we have three Henry Smiths, who appear to have mixed themselves up even in the author's mind. He tells us that Colonel Henry's chief recreation is "the study of the things around him," but it sounds much more like that of the Reverend Henry, whose opportunities in the pulpit would be considerably greater. It is the same with the Thomsons, the Williamses and others. When once he hits upon one of these popular names, he is carried away for several pages, and insists on calling everybody Thomson. But occasionally he has an inspiration. Temistocle Zammit is a good name, though the humour of calling a famous musician Zimbalist is perhaps a little too obvious.

In conclusion, one can say that while our author's merits are many, his faults are of no great moment. Certainly he handles his love-scenes badly. Many of his characters are married but he tells us little of the early scenes of courtship, and says nothing of any previous engagements which were afterwards broken off. Also, he is apparently incapable of describing a child, unless it is the offspring of titled persons and will itself succeed to the title; even then he prefers to dismiss it in a parenthesis. But as a picture of the present-day Englishman his novel can hardly be surpassed. He is not a writer who is only at home with one class. He can describe the utterly unknown and unimportant with as much gusto as he describes the genius or the old nobility. True, he overcrowds his canvas, but one must recognize this as his method. It is so that he expresses himself best; just as one painter can express himself best in a rendering of the whole Town Council of Slappenham, while another only requires a single haddock on a plate.

His future will be watched with interest. He hints in his introduction that he has another volume in preparation, in which he will introduce to us several entirely new C.B.E.'s, besides carrying on the histories (in the familiar manner of our modern novelists) of many of those with whom we have already made friends. Who's Who, 1920, it is to be called, and I, for one, shall look out for it with the utmost eagerness.

A Day at Lord's

When one has been without a certain pleasure for a number of years, one is accustomed to find on returning to it that it is not quite so delightful as one had imagined. In the years of abstinence one had built up too glowing a picture, and the reality turns out to be something much more commonplace. Pleasant, yes; but, after all, nothing out of the ordinary. Most of us have made this discovery for ourselves in the last few months of peace. We have been doing the things which we had promised ourselves so often during the war, and though they have been jolly enough, they are not quite all that we dreamed in France and Flanders. As for the negative pleasures, the pleasure of not saluting or not attending medical boards, they soon lose their first freshness.

Yet I have had one pre-war pleasure this week which carried with it no sort of disappointment. It was as good as I had thought it would be. I went to Lord's and watched first-class cricket again.

There are people who want to "brighten cricket." They remind me of a certain manager to whom I once sent a play. He told me, more politely than truthfully, how much he had enjoyed reading it, and then pointed out what was wrong with the construction. "You have two brothers here," he said. "They oughtn't to have been brothers, they should have been strangers. Then one of them marries the heroine. That's wrong; the other one ought to have married her. Then there's Aunt Jane--she strikes me as a very colourless person. If she could have been arrested in the second act for bigamy--- And then I should leave out your third act altogether, and put the fourth act at Monte Carlo, and let the heroine be blackmailed by-- what's the fellow's name? See what I mean?" I said that I saw. "You don't mind my criticizing your play?" he added carelessly. I said that he wasn't criticizing my play. He was writing another one--one which I hadn't the least wish to write myself.

And this is what the brighteners of cricket are doing. They are inventing a new game, a game which those of us who love cricket have not the least desire to watch. If anybody says that he finds Lord's or the Oval boring, I shall not be at all surprised; the only thing that would surprise me would be to hear that he found it more boring than I find Epsom or Newmarket. Cricket is not to everybody's taste; nor is racing. But those who like cricket like it for what it is, and they don't want it brightened by those who don't like it. Lord Lonsdale, I am sure, would hate me to brighten up Newmarket for him.

Lord's as it is, which is as it was five years ago, is good enough for me. I would not alter any of it. To hear the pavilion bell ring out again was to hear the most musical sound in the world. The best note is given at 11.20 in the morning; later on it lacks something of its early ecstasy. When people talk of the score of this or that opera I smile pityingly to myself. They have never heard the true music. The clink of ice against glass gives quite a good note on a suitable day, but it has not the magic of the Lord's bell.

As was my habit on these occasions five years ago, I bought a copy of The Daily Telegraph on entering the ground. In the ordinary way I do not take in this paper, but I have always had a warm admiration for it, holding it to have qualities which place it far above any other London journal of similar price. For the seats at Lord's are uncommonly hard, and a Daily Telegraph, folded twice and placed beneath one, brings something of the solace which good literature will always bring. My friends had noticed before the war, without being able to account for it, that my views became noticeably more orthodox as the summer advanced, only to fall away again with the approach of autumn. I must have been influenced subconsciously by the leading articles.

It rained, and play was stopped for an hour or two. Before the war I should have been annoyed about this, and I should have said bitterly that it was just my luck. But now I felt that I was indeed lucky thus to recapture in one day all the old sensations. It was delightful to herald again a break in the clouds, and to hear the crowd clapping hopefully as soon as ever the rain had ceased; to applaud the umpires, brave fellows, when they ventured forth at last to inspect the pitch; to realize from the sudden

## activity of the groundsmen that the decision was a favourable

one; to see the umpires, this time in their white coats, come out again with the ball and the bails; and so to settle down once more to the business of the day.

Perhaps the cricket was slow from the point of view of the follower of league football, but I do not feel that this is any condemnation of it. An essay of Lamb's would be slow to a reader of William le Queux's works, who wanted a new body in each chapter. I shall not quarrel with anyone who holds that a day at Lord's is a dull day; if he thinks so, let him take his amusement elsewhere. But let him not quarrel with me, because I keep to my opinion, as firmly now as before the war, that a day at Lord's is a joyous day. If he will leave me the old Lord's, I will promise not to brighten his football for him.

By the Sea

It is very pleasant in August to recline in Fleet Street, or wherever stern business keeps one, and to think of the sea. I do not envy the millions at Margate and Blackpool, at Salcombe and Minehead, for I have persuaded myself that the sea is not what it was in my day. Then the pools were always full of starfish; crabs--really big crabs--stalked the deserted sands; and anemones waved their feelers at you from every rock.

Poets have talked of the unchanging sea (and they may be right as regards the actual water), but I fancy that the beach must be deteriorating. In the last ten years I don't suppose I have seen more than five starfishes, though I have walked often enough by the margin of the waves --and not only to look for lost golf balls. There have been occasional belated little crabs whom I have interrupted as they were scuttling home, but none of those dangerous monsters to whom in fearful excitement, and as a challenge to one's companion, one used to offer a forefinger. I refuse regretfully your explanation that it is my finger which is bigger; I should like to think that it were indeed so, and that the boys and girls of to-day find their crabs and starfishes in the size and quantity to which I was accustomed. But I am afraid we cannot hide it from ourselves that the supply is giving out. It is in fact obvious that one cannot keep on taking starfishes home and hanging them up in the hall as barometers without detriment to the coming race.

We had another amusement as children, in which I suppose the modern child is no longer able to indulge. We used to wait until the tide was just beginning to go down, and then start to climb round the foot of the cliffs from one sandy bay to another. The waves lapped the cliffs, a single false step would have plunged us into the sea, and we had all the excitement of being caught by the tide without any of the danger. We had the further excitement, if we were lucky, of seeing frantic people waving to us from the top of the cliff, people of inconceivable ignorance, who thought that the tide was coming up and that we were in desperate peril. But it was a very special day when that happened.

I have done a little serious climbing since those days, but not any which was more enjoyable. The sea was never more than a foot below us and never more than two feet deep, but the shock of falling into it would have been momentarily as great as that of falling down a precipice. You had therefore the two joys of climbing--the physical pleasure of the accomplished effort, and the glorious mental reaction when your heart returns from the middle of your throat to its normal place in your chest. And you had the additional advantages that you couldn't get killed, and that, if an insuperable difficulty presented itself, you were not driven back, but merely waited five minutes for the tide to lower itself and disclose a fresh foothold.

But, as I say, these are not joys for the modern child. The tide, I dare say, is not what it was --it does not, perhaps, go down so certainly. Or the cliffs are of a different and of an inferior shape. Or people are no longer so ignorant as to mistake the nature of your position. One way or another I expect I do better in Fleet Street. I shall stay and imagine myself by the sea; I shall not disappoint myself with the reality.

But I imagine myself away from bands and piers; for a band by a moonlit sea calls you to be very grown-up, and the beach and the crabs --such as are left--call you to be a child; and between the two you can very easily be miserable. I can see myself with a spade and bucket being extraordinarily happy. The other day I met a lucky little boy who had a pile of sand in his garden to play with, and I was fortunate enough to get an order for a tunnel. The tunnel which I constructed for him was a good one, but not so good that I couldn't see myself building a better one with practice. I came away with an ambition for architecture. If ever I go to the sea again I shall build a proper tunnel; and afterwards-- well, we shall see. At the moment I feel in tremendous form. I feel that I could do a cathedral.

There is one joy of childhood, however, which one can never recapture, and that is the joy of getting wet in the sea. There is a statue not so far from Fleet Street of the man who introduced Sunday schools into England, but the man whom boys and girls would really like to commemorate in lasting stone is the doctor who first said that salt water couldn't give you a cold. Whether this was true or not I do not know, but it was a splendid and never-failing retort to anxious grown-ups, and added much to the joys of the seaside. But it is a joy no longer possible to one who is his own master. I, for instance, can get my feet wet in fresh water if I like; to get them wet in salt water is no special privilege.

Feeling as I do, writing as I have written, it is sad for me to know that if I really went to the sea this August it would not be with a spade and a bucket but with a bag of golf clubs; that even my evenings would be spent, not on the beach, but on a bicycle riding to the nearest town for a paper. Yet it is useless for you to say that I do not love the sea with my old love, that I am no longer pleased with the old childish things. I shall maintain that it is the sea which is not what it was, and that I am very happy in Fleet Street thinking of it as it used to be.

Golden Fruit

Of the fruits of the year I give my vote to the orange. In the first place it is a perennial--if not in actual fact, at least in the greengrocer's shop. On the days when dessert is a name given to a handful of chocolates and a little preserved ginger, when macedoine de fruits is the title bestowed on two prunes and a piece of rhubarb, then the orange, however sour, comes nobly to the rescue; and on those other days of plenty when cherries and strawberries and raspberries and gooseberries riot together upon the table, the orange, sweeter than ever, is still there to hold its own. Bread and butter, beef and mutton, eggs and bacon, are not more necessary to an ordered existence than the orange.

It is well that the commonest fruit should be also the best. Of the virtues of the orange I have not room fully to speak. It has properties of health-giving, as that it cures influenza and establishes the complexion. It is clean, for whoever handles it on its way to your table but handles its outer covering, its top coat, which is left in the hall. It is round, and forms an excellent substitute with the young for a cricket ball. The pips can be flicked at your enemies, and quite a small piece of peel makes a slide for an old gentleman.

But all this would count nothing had not the orange such delightful qualities of taste. I dare not let myself go upon this subject. I am a slave to its sweetness. I grudge every marriage in that it means a fresh supply of orange blossom, the promise of so much golden fruit cut short. However, the world must go on.

Next to the orange I place the cherry. The cherry is a companionable fruit. You can eat it while you are reading or talking, and you can go on and on, absent-mindedly as it were, though you must mind not to swallow the stone. The trouble of disengaging this from the fruit is just sufficient to make the fruit taste sweeter for the labour. The stalk keeps you from soiling your fingers; it enables you also to play bob cherry. Lastly, it is by means of cherries that one penetrates the great mysteries of life--when and whom you will marry, and whether she really loves you or is taking you for your worldly prospects. (I may add here that I know a girl who can tie a knot in the stalk of a cherry with her tongue. It is a tricky business, and I am doubtful whether to add it to the virtues of the cherry or not.)

There are only two ways of eating strawberries. One is neat in the strawberry bed, and the other is mashed on the plate. The first method generally requires us to take up a bent position under a net--in a hot sun very uncomfortable, and at any time fatal to the hair. The second method takes us into the privacy of the home, for it demands a dressing-gown and no spectators. For these reasons I think the strawberry an overrated fruit. Yet I must say that I like to see one floating in cider cup. It gives a note of richness to the affair, and excuses any shortcomings in the lunch itself.

Raspberries are a good fruit gone wrong. A raspberry by itself might indeed be the best fruit of all; but it is almost impossible to find it alone. I do not refer to its attachment to the red currant; rather to the attachment to it of so many of our dumb little friends. The instinct of the lower creatures for the best is well shown in the case of the raspberry. If it is to be eaten it must be picked by the hand, well shaken, and then taken.

When you engage a gardener the first thing to do is to come to a clear understanding with him about the peaches. The best way of settling the matter is to give him the carrots and the black currants and the rhubarb for himself, to allow him a free hand with the groundsel and the walnut trees, and to insist in return for this that you should pick the peaches when and how you like. If he is a gentleman he will consent. Supposing that some satisfactory arrangement were come to, and supposing also that you had a silver-bladed pocket-knife with which you could peel them in the open air, then peaches would come very high in the list of fruits. But the conditions are difficult.

Gooseberries burst at the wrong end and smother you; melons--as the nigger boy discovered--make your ears sticky; currants, when you have removed the skin and extracted the seeds, are unsatisfying; blackberries have the faults of raspberries without their virtues; plums are never ripe. Yet all these fruits are excellent in their season. Their faults are faults which we can forgive during a slight acquaintance, which indeed seem but pleasant little idiosyncrasies in the stranger. But we could not live with them.

Yet with the orange we do live year in and year out. That speaks well for the orange. The fact is that there is an honesty about the orange which appeals to all of us. If it is going to be bad-- for even the best of us are bad sometimes --it begins to be bad from the outside, not from the inside. How many a pear which presents a blooming face to the world is rotten at the core. How many an innocent-looking apple is harbouring a worm in the bud. But the orange has no secret faults. Its outside is a mirror of its inside, and if you are quick you can tell the shopman so before he slips it into the bag.

Signs of Character