Part 11
Such a report of the situation of things, you may suppose, was not likely to retard my journey. I put off delivering my letters to another opportunity; ran up a tall slender tower as high as the Campanile di San Marco, by way of exercise; and proceeded immediately after dinner towards the mountains. We were soon in the midst of crags and stony channels, that stream with ten thousand rills in the winter season, but during the summer months reflect every sunbeam, and harbour half the scorpions in the country.
For many a toilsome league our prospect consisted of nothing but dreary hillocks and intervening wastes, more barren and mournful than those to which Mary Magdalene retired. Sometimes a crucifix or chapel peeped out of the parched fern and grasses, with which these desolate fields are clothed; and now and then we met a goggle-eyed pilgrim trudging along, and staring about him as if he waited only for night and opportunity to have additional reasons for hurrying to Jerusalem.
During three or four hours that we continued ascending, the scene increased in sterility and desolation; but, at the end of our second post, the landscape began to alter for the better: little green valleys at the base of tremendous steeps, discovered themselves, scattered over with oaks, and freshened with running waters, which the nakedness of the impending rocks set off to advantage. The sides of the cliffs in general consist of rude misshapen masses; but their summits are smooth and verdant, and continually browsed by herds of white goats, which were gambolling on the edge of the precipices as we passed beneath.
I joined one of these frisking assemblies, whose shadows were stretched by the setting sun along the level herbage. There I sat a few minutes whilst they shook their beards at me, and tried to scare me with all their horns; but I was not to be frightened, and would offer up my adorations to departing day, in spite of their caperings. Being tired with skipping and butting at me in vain, the whole herd trotted away, and I after them. They led me a dance from crag to crag and from thicket to thicket.
It was growing dusky apace, and wreaths of smoke began to ascend from the mysterious depths of the valleys. I was ignorant what monster inhabited such retirements, so gave over my pursuit, lest some Polypheme or other might make me repent it. I looked around, the carriage was out of sight; but hearing the neighing of horses at a distance, I soon came up with them, and mounted another rapid ascent, whence an extensive tract of cliff and forest land was discernible.
The rocks here formed a spacious terrace; along which I continued surveying the distant groves, and marking the solemn approach of night. The sky was hung with storms, and a pale moon seemed to advance with difficulty amongst broken and tempestuous clouds. It was an hour to reap plants with brazen sickles, and to meditate upon revenge.
A chill wind blew from the highest peak of the Apennines, inspiring evil, and making a dismal rustle amongst the woods of chestnut that hung on the mountain’s side, through which we were forced to pass. I never heard such fatal murmurs; nor felt myself so gloomily. I walked out of the sound of the carriage, where the glimmering moonlight prevailed, and began interpreting the language of the leaves, not greatly to my own advantage or that of any being in the universe. I was no prophet of good, but full of melancholy bodings, and something that bordered upon despair. Had I but commanded an oracle, as ancient visionaries were wont, I should have thrown whole nations into dismay.
How long I continued in this strange temper I cannot pretend to say, but believe it was midnight before we emerged from the oracular forest, and saw faintly before us the huts of Lognone, where we were to sleep. This blessed hamlet is suspended on the brow of a bleak mountain, and every gust that stirs shakes the whole village to its foundations. At our approach two hags stalked forth with lanterns and invited us with a grin, which I shall always remember, to a dish of mustard and crow’s gizzards, a dish I was more than half afraid of tasting, lest it should change me to some bird of darkness, condemned to mope eternally on the black rafters of the cottage.
After repeated supplications we procured a few eggs, and some faggots to make a fire. Its blaze gave me courage to hear the hollow blasts that whistled in the crevices; and pitching my bed in a warm corner, I soon fell asleep, and forgot all my cares and inquietudes.
_September_ 14_th_.—The sun had not been long above the horizon, before we set forward upon a craggy pavement hewn out of the rough bosom of the cliffs and precipices. Scarce a tree was visible, and the few that presented themselves began already to shed their leaves. The raw nipping air of this desert with difficulty spares a blade of vegetation; and in the whole range of these extensive eminences I could not discover a single corn-field or pasture. Inhabitants, you may guess, there were none. I would defy even a Scotch highlander to find means of subsistence in so rude a soil.
Towards midday, we had surmounted the dreariest part of our journey, and began to perceive a milder landscape. The climate improved as well as the prospect, and after a continual descent of several hours, we saw groves and villages in the dips of the hills, and met a string of mules and horses laden with fruit. I purchased some figs and peaches from this little caravan, and spreading my repast upon a bank, baked in the sunshine, and gathered large spikes of lavender in full bloom.
Continuing our route, we bid adieu to the realms of poverty and barrenness, and entered a cultivated vale sheltered by woody acclivities. Among these we wound along, the peasants singing upon the hill, and driving their cattle to springs by the road’s side; near one of which we dined in a patriarchal manner, and afterwards pursued our course through a grove of taper cypresses, waving with the cool gales of the evening. The heights were suffused with a ruddy glow, proceeding from the light pink clouds which floated on the horizon. No others were to be seen. All nature seemed in a happy tranquil state; the herds penned in their folds, and every rustic going to repose. I shared the general calm for the first time this many a tedious hour; and traversed the dales in peace, abandoned to flattering hopes and gay illusions. The full moon shone propitiously upon me as I ascended a hill, and discovered Florence at a distance, surrounded with gardens and terraces, rising one above another. The serene moonlight on the pale grey tints of the olive, gave an Elysian, visionary appearance to the landscape. I never beheld so mild a sky, nor such soft gleams: the mountains were veiled in azure mists, which concealed their rugged summits; and the plains in vapours, that smoothed their irregularities, and diffused a faint aërial hue, to which no description can render justice. I could have contemplated such scenery for hours, and was sorry when I found myself shut up from it by the gates of Florence. We passed several lofty palaces of the true Tuscan order, with rustic arcades and stout columns, whose solidity and magnificence were not diminished by the shades of midnight. Whilst these grand masses lay dark and solemn, the smooth flagstone, with which every street is paved, received a chequered gleam, and the Arno, the brightest radiance. Though tired with my jumble over the Apennines, I could not resist the temptation of walking upon the banks of so celebrated a river, and crossing its bridges, which still echoed with music and conversation. Having gratified the first impulse of curiosity, I returned to Vaninis, and slept as well as my impatience would allow, till it was time next morning (September 15th), to visit the gallery, and worship the Venus de Medicis. I felt, upon entering this world of taste and elegance, as if I could have taken up my abode in it for ever; but confused with the multitude of objects, I knew not where to turn myself, and ran childishly by the ample ranks of sculptures, like a butterfly in a parterre, that skims before it fixes, over ten thousand flowers.
Having taken my course down one side of the gallery, I turned the angle and discovered another long perspective, equally stored with prodigies of bronze and marble; paintings on the walls, on the ceilings, in short, everywhere. A minute brought me, vast as it was, to the extremity of this range; then, flying down a third, adorned in the same delightful manner, I paused under the bust of Jupiter Olympius; and began to reflect a little more maturely upon the company in which I found myself. Opposite, appeared the majestic features of Minerva, breathing divinity; and Cybele, the mother of the gods.
I bowed low to these awful powers, but seeing a black figure just by, whose attitude seemed to announce the deity of sleep, I made immediately up to it. You know my fondness for this drowsy personage, and that it is not the first time I have quitted the most splendid society for him. I found him, at present, of touchstone, with the countenance of a towardly brat, sleeping ill through indigestion. The artist had not conceived such high ideas of the god as live in my bosom, or else he never would have represented him with so little grace or dignity.
Displeased at finding my favourite subject profaned, I perceived the lively transports of enthusiasm began in some degree to be dissipated, and I felt myself calm enough to follow the herd of guides and spectators from chamber to chamber and cabinet to cabinet, without falling into errors of rapture and inspiration. We were led slowly and moderately through the large rooms, containing the portraits of painters, good, bad, and indifferent, from Raffaelle to Liotard; then into a museum of bronzes, which would afford both amusement and instruction for years.
To one who can never behold an ancient lamp or tripod without the associations of those who sacrificed on the one and meditated by the other, imagine what pleasures such a repository must have communicated.
When I had alarmed, not satisfied, my curiosity by rapidly running over this multitude of candelabra, urns, and sacred utensils, we entered a small luminous apartment, surrounded with cases richly decorated, and filled with the most exquisite models of workmanship in bronze and various metals, classed in exact order. Here are crowds of diminutive deities and tutelary lars, to whom the superstition of former days attributed those midnight murmurs which were believed to presage the misfortunes of a family. Amongst these now neglected images are preserved a vast number of talismans, cabalistic amulets, and other grotesque relics of ancient credulity.
In the centre of the room, I remarked a table, beautifully formed of polished gems, and, hard by it, the statue of a genius with his familiar serpent, and all his attributes; the guardian of the treasured antiquities. From this chamber we were conducted into another, which opens to that part of the gallery where the busts of Adrian and Antinous are placed. Two pilasters, delicately carved in trophies and clusters of ancient armour, stand on each side of the entrance; within are several perfumed cabinets of miniatures, and a single column of Oriental alabaster about ten feet in height,
“Lucido e terso, e bianco, più che latte.”
I put my guide’s patience to the proof, by remaining much longer than any one else ever did, in admiring the pillar, and rummaging the drawers of the cabinets. At last, the musk with which they are impregnated obliged me to desist, and I moved on to a suite of saloons, with low arched roofs, glittering with arabesque, in azure and gold. Several medallions appear amongst the wreaths of foliage, tolerably well painted, with representations of splendid feasts and tournaments for which Florence was once so famous.
A vast collection of small pictures, most of them Flemish, covers the walls of these apartments. But nothing struck me more than a Medusa’s head by that surprising genius Leonardo da Vinci. It appears just severed from the body, and cast on the damp pavement of a cavern: a deadly paleness covers the countenance, and the mouth exhales a pestilential vapour: the snakes, which fill almost the whole picture, beginning to untwist their folds; one or two seemed already crept away, and crawling up the rock in company with toads and other venomous reptiles.
The colouring of these disgustful objects is faithful to a great degree; the effect of light, prodigious; the whole so masterly that I could not help entering into this description; though I fear to little purpose, as words at best convey but a weak idea of objects addressed to the sight alone.
Here are a great many Polemburgs: one in particular, the strangest I ever beheld. Instead of those soft scenes of woods and waterfalls he is in general so fond of representing, he has chosen for his subject Virgil ushering Dante into the regions of eternal punishment, amidst the ruins of flaming edifices that glare across the infernal waters. These mournful towers harbour innumerable shapes, all busy in preying upon the damned. One capital devil, in the form of an enormous lobster, seems very strenuously employed in mumbling a miserable mortal, who sprawls, though in vain, to escape from his claws. This performance, whimsical as it is, retains all that softness of tint and delicacy of pencil for which Polemburg is so renowned.
Had not the subject so palpably contradicted the execution as to become remarkable, I should have passed it over, like a thousand more, and brought you immediately to the Tribune. I dare say our sensations were similar on entering this apartment. Need I say I was enchanted the moment I set my feet within it, and saw full before me the Venus de Medicis? The warm ivory hue of the original marble is a beauty no copy has ever imitated, and the softness of the limbs exceeded the liveliest idea I had formed to myself of their perfection.
Their symmetry every artist is acquainted with; but do you recollect a faint ruddy cast in the hair, which admirably relieves the whiteness of the forehead? This circumstance, though perhaps accidental, struck me as peculiarly charming; it increased the illusion, and helped me to imagine I beheld a breathing divinity.
When I had taken my eyes reluctantly from this beautiful object, I cast them upon a Morpheus of white marble, which lies slumbering at the feet of the goddess in the form of a graceful child. A dormant lion serves him for a pillow: two ample wings, carved with the utmost delicacy, are gathered under him; two others, budding from his temples, half concealed by a flow of lovely ringlets. His languid hands scarce hold a bunch of poppies: near him creeps a lizard, just yielding to his influence. Nothing can be more just than the expression of sleep in the countenance of the little divinity. His lion too seems perfectly lulled, and rests his muzzle upon his fore-paws as quiet as a domestic mastiff. I contemplated the god with infinite satisfaction, till I felt an agreeable sleepiness steal over my senses, and should have liked very well to doze away a few hours by his side. My ill-humour at seeing this deity so grossly sculptured in the gallery, was dissipated by the gracefulness of his appearance in the Tribune. I was now contented, for the artist, (to whom the Lord give a fair seat in paradise!) had realized my ideas; and, if I may venture my opinion, sculpture never arrived to higher perfection, or, at the same time, kept more justly within its province. Sleeping figures with me always produce the finest illusion. I easily persuade myself that I behold the very personage, cast into the lethargic state which is meant to be represented, and I can gaze whole hours upon them with complacency. But when I see an archer in the very act of discharging his arrow, a dancer with one foot in the air, or a gladiator extending his fist to all eternity, I grow tired, and ask, When will they perform what they are about? When will the bow twang? the foot come to the ground? or the fist meet its adversary? Such wearisome attitudes I can view with admiration, but never with pleasure. The wrestlers, for example, in the same apartment, filled me with disgust: I cried out, For heaven’s sake! give the throw, and have done. In taking my turn round the enchanted circle, I discovered still, another Morpheus; stretched carelessly on a mantle, with poppies in his hands; but no wings grow from his temples, nor lion supports his head. A moth just issuing from his chrysalis is the only being which seems to have felt his soporific influence; whereas the other god I have mentioned may vaunt the glory of subduing the most formidable of animals.
The morning was gone before I could snatch myself from the Tribune. In my way home, I looked into the cathedral, an enormous fabric, inlaid with the richest marbles, and covered with stars and chequered work, like an old-fashioned cabinet. The architect seems to have turned his building inside out; nothing in art being more ornamented than the exterior, and few churches so simple within. The nave is vast and solemn, the dome amazingly spacious, with the high altar in its centre, inclosed by a circular arcade near two hundred feet in diameter. There is something imposing in this decoration, as it suggests the idea of a sanctuary, into which none but the holy ought to penetrate. However profane I might feel myself, I took the liberty of entering, and sat myself down in a niche. Not a ray of light reaches this sacred inclosure, but through the medium of narrow windows, high in the dome and richly painted. A sort of yellow tint predominates, which gives additional solemnity to the altar, and paleness to the votary before it. I was sensible of the effect, and obtained at least the colour of sanctity.
Having remained some time in this pious hue, I returned home and feasted upon grapes and ortolans with great edification; then walked to one of the bridges across the Arno, and surveyed the hills at a distance, purpled by the declining sun. Its mild beams tempted me to the garden of Boboli, which lies behind the Palazzo Pitti, stretched out on the side of a mountain. I ascended terrace after terrace, robed by a thick underwood of hay and myrtle, above which rise several nodding towers, and a long sweep of venerable wall, almost entirely concealed by ivy. You would have been enraptured with the broad masses of shade and dusky alleys that opened as I advanced, with white statues of fauns and sylvans glimmering amongst them; some of which pour water into sarcophagi of the purest marble, covered with antique relievos. The capitals of columns and ancient friezes are scattered about as seats.
On these I reposed myself, and looked up to the cypress groves spiring above the thickets; then, plunging into their retirements, I followed a winding path, which led me by a series of steep ascents to a green platform overlooking the whole extent of wood, with Florence deep beneath, and the tops of the hills which encircle it, jagged with pines; here and there a convent, or villa, whitening in the sun. This scene extends as far as the eye can reach.
Still ascending I attained the brow of the mountain, and had nothing but the fortress of Belvedere, and two or three open porticos above me. On this elevated situation, I found several walks of trellis-work, clothed with luxuriant vines, that produce to my certain knowledge the most delicious clusters. A colossal statue of Ceres, her hands extended in the act of scattering fertility over the prospect, crowns the summit, where I lingered to mark the landscape fade, and the bright skirts of the western sun die gradually away.
Then descending alley after alley, and bank after bank, I came to the orangery in front of the palace, disposed in a grand amphitheatre, with marble niches relieved by dark foliage, out of which spring tall aërial cypresses. This spot brought the scenery of an antique Roman garden full into my mind. I expected every instant to be called to the table of Lucullus hard by, in one of the porticoes, and to stretch myself on his purple triclinias; but waiting in vain for a summons till the approach of night, I returned delighted with a ramble that had led me so far into antiquity.
_Friday_, _September_ 16_th_.—My impatience to hear Pacchierotti called me up with the sun. I blessed a day which was to give me the greatest of musical pleasures, and travelled gaily towards Lucca, along a fertile plain, bounded by rocky hills, and scattered over with towns and villages. We passed Pistoia in haste, and about three in the afternoon entered the Lucchese territory, by a clean, paved road, which runs through some of the pleasantest copses imaginable, bordered with a variety of heaths and broom in blossom. Sometimes it conducted us down slopes, overgrown with shrubby chestnuts and arbor vitæ; sometimes between groves of cypresses and pines laden with cones: a red soil peeping forth from the vegetation adds to the richness of the landscape, which swells all the way into gentle acclivities: and at about seven or eight miles from the city spreads into mountains, green to their very summits, and diversified with gardens and palaces. A more pleasing scenery can with difficulty be imagined: I was quite charmed with beholding it, as I knew very well that the opera would keep me a long while chained down in its neighbourhood.
Happy for me that the environs of Lucca were so beautiful; since I defy almost any city to contain more ugliness within its walls. Narrow streets and dismal alleys; wide gutters and cracked pavements; everybody in black, like mourners for the gloom of their habitations, which, however, are large and lofty enough of conscience; but having all grated windows, they convey none but dark and dungeon-like ideas. My spirits fell many degrees upon entering this sable capital; and when I found Friday was meagre day, in every sense of the word, with its inhabitants, and no opera to be performed, I grew terribly out of humour, and shut myself up in a chamber of the inn, which, to complete my misfortune, was crowded with human lumber. Instead of a delightful symphony, I heard nothing for some time but the clatter of plates and the swearing of waiters.
Amongst the number of my tormentors was a whole Genoese family of distinction; very fat and sleek, and terribly addicted to the violin. Hearing of my fondness for music, they speedily got together a few scrapers, and began such an academia as drove me to one end of the room, whilst they possessed the other. The hopes and heir of the family—a coarse chubby dolt of about eighteen—played out of all time, and during the interval of repose he gave his elbow, burst out into a torrent of commonplace, which completed, you may imagine, my felicity.