Part 3

The _Pneumatica_, _Automatopoietica_, _Belopoiica_ and _Cheiroballistra_ of Hero were published in Greek and Latin in Thevenot's _Veterum mathematicorum opera graece et latine pleraque nunc primum edita_ (Paris, 1693); the first important critical researches on Hero were G. B. Venturi's _Commentari sopra la storia e la teoria dell'ottica_ (Bologna, 1814) and H. Martin's "Recherches sur la vie et les ouvrages d'Heron d'Alexandrie disciple de Ctesibius et sur tous les ouvrages mathematiques grecs conserves ou perdus, publies ou inedits, qui ont ete attribues a un auteur nomme Heron" (_Mem. presentes a l'Academie des Inscriptions et Belles-Lettres_, i. serie, iv., 1854). The geometrical works (except of course the _Metrica_) were edited (Greek only) by F. Hultsch (_Heronis Alexandrini geometricorum et stereometricorum reliquiae_, 1864), the _Dioptra_ by Vincent (_Extraits des manuscrits relatifs a la geometrie pratique des Grecs, Notices et extraits des manuscrits de la Bibliotheque Imperiale_, xix. 2, 1858), the treatises on _Engines of War_ by C. Wescher (_Poliorcetique des Grecs_, Paris, 1867). The _Mechanics_ was first published by Carra de Vaux in the _Journal asiatique_ (ix. serie, ii., 1893). In 1899 began the publication in Teubner's series of _Heronis Alexandrini opera quae supersunt omnia_. Vol. i. and Supplement (by W. Schmidt) contains the _Pneumatica_ and _Automata_, the fragment on _Water Clocks_, the _De ingeniis spiritualibus_ of Philon of Byzantium and extracts on Pneumatics by Vitruvius. Vol. ii. pt. i., by L. Nix and W. Schmidt, contains the _Mechanics_ in Arabic, Greek fragments of the same, the _Catoptrica_ in Latin with appendices of extracts from Olympiodorus, Vitruvius, Pliny, &c. Vol. iii. (by Hermann Schone) contains the _Metrica_ (in three books) and the _Dioptra_. A German translation is added throughout. The approximation to square roots in Hero has been the subject of papers too numerous to mention. But reference should be made to the exhaustive studies on Hero's arithmetic by Paul Tannery, "L'Arithmetique des Grecs dans Heron d'Alexandrie" (_Mem. de la Soc. des sciences phys. et math. de Bordeaux_, ii. serie, iv., 1882), "La Stereometrie d'Heron d'Alexandrie" and "Etudes Heroniennes" (_ibid._ v., 1883), "Questions Heroniennes" (_Bulletin des sciences math._, ii. serie, viii., 1884), "Un Fragment des Metriques d'Heron" (_Zeitschrift fur Math. und Physik_, xxxix., 1894; _Bulletin des sciences math._, ii. serie, xviii., 1894). A good account of Hero's works will be found in M. Cantor's _Geschichte der Mathematik_, i.^2 (1894), chapters 18 and 19, and in G. Loria's studies, _Le Scienze esatte nell' antica Grecia_, especially libro iii. (Modena, 1900), pp. 103-128. (T. L. H.)

HERO, THE YOUNGER, the name given without any sufficient reason to a Byzantine land-surveyor who wrote (about A.D. 938) a treatise on land-surveying modelled on the works of Hero of Alexandria, especially the _Dioptra_.

See "Geodesie de Heron de Byzance," published by Vincent in _Notices et extraits des manuscrits de la Bibliotheque Imperiale_, xix. 2 (Paris, 1858), and T. H. Martin in _Memoires presentes a l' Academie des Inscriptions_, 1st series, iv. (Paris, 1854).

HEROD, the name borne by the princes of a dynasty which reigned in Judaea from 40 B.C.

HEROD (surnamed THE GREAT), the son of Antipater, who supported Hyrcanus II. against Aristobulus II. with the aid first of the Nabataean Arabs and then of Rome. The family seems to have been of Idumaean origin, so that its members were liable to the reproach of being half-Jews or even foreigners. Justin Martyr has a tradition that they were originally Philistines of Ascalon (_Dial._ c. 52), and on the other hand Nicolaus of Damascus (_apud_ Jos. _Ant._ xiv. 1. 3) asserted that Herod, his royal patron, was descended from the Jews who first returned from the Babylonian Captivity. The tradition and the assertion are in all probability equally fictitious and proceed respectively from the foes and the friends of the Herodian dynasty.

Antipas (or Antipater), the father of Antipater, had been governor of Idumaea under Alexander Jannaeus. His son allied himself by marriage with the Arabian nobility and became the real ruler of Palestine under Hyrcanus II. When Rome intervened in Asia in the person of Pompey, the younger Antipater realized her inevitable predominance and secured the friendship of her representative. After the capture of Jerusalem in 63 B.C. Pompey installed Hyrcanus, who was little better than a figurehead, in the high-priesthood; and when in 55 B.C. the son of Aristobulus renewed the civil war in Palestine, the Roman governor of Syria in the exercise of his jurisdiction arranged a settlement "in accordance with the wishes of Antipater" (Jos. _Ant._ xiv. 6. 4). To this policy of dependence upon Rome Antipater adhered, and he succeeded in commending himself to Mark Antony and Caesar in turn. After the battle of Pharsalia Caesar made him procurator and a Roman citizen.

At this point Herod appears on the scene as ruler of Galilee (Jos. _Ant._ xiv. 9. 2) appointed by his father at the age of fifteen or, since he died at seventy, twenty-five. In spite of his youth he soon found an opportunity of displaying his mettle; for he arrested Hezekiah the arch-brigand, who had overrun the Syrian border, and put him to death. The Jewish nobility at Jerusalem seized upon this high-handed action as a pretext for satisfying their jealousy of their Idumaean rulers. Herod was cited in the name of Hyrcanus to appear before the Sanhedrin, whose prerogative he had usurped in executing Hezekiah. He appeared with a bodyguard, and the Sanhedrin was overawed. Only Sameas, a Pharisee, dared to insist upon the legal verdict of condemnation. But the governor of Syria had sent a demand for Herod's acquittal, and so Hyrcanus adjourned the trial and persuaded the accused to abscond. Herod returned with an army, but his father prevailed upon him to depart to Galilee without wreaking his vengeance upon his enemies. About this time (47-46 B.C.) he was created _strategus_ of Coelesyria by the provincial governor. The episode is important for the light which it throws upon Herod's relations with Rome and with the Jews.

In 44 B.C. Cassius arrived in Syria for the purpose of filling his war-chest: Antipater and Herod collected the sum of money at which the Jews of Palestine had been assessed. In 43 B.C. Antipater was poisoned at the instigation of one Malichus, who was perhaps a Jewish patriot animated by hatred of the Herods and their Roman patrons.

With the connivance of Cassius Herod had Malichus assassinated; but the country was in a state of anarchy, thanks to the extortions of Cassius and the encroachments of neighbouring powers. Antony, who became master of the East after Philippi, was ready to support the sons of his friend Antipater; but he was absent in Egypt when the Parthians invaded Palestine to restore Antigonus to the throne of his father Aristobulus (40 B.C.). Herod escaped to Rome: the Arabians, his mother's people, had repudiated him. Antony had made him tetrarch, and now with the assent of Octavian persuaded the Senate to declare him king of Judaea.

In 39 B.C. Herod returned to Palestine and, when the presence of Antony put the reluctant Roman troops entirely at his disposal, he was able to lay siege to Jerusalem two years later. Secure of the support of Rome he was concerned also to legitimize his position in the eyes of the Jews by taking, for love as well as policy, the Hasmonaean princess Mariamne to be his second wife. Jerusalem was taken by storm; the Roman troops withdrew to behead Antigonus the usurper at Antioch. In 37 B.C. Herod was king of Judaea, being the client of Antony and the husband of Mariamne.

The Pharisees, who dominated the bulk of the Jews, were content to accept Herod's rule as a judgment of God. Hyrcanus returned from his prison: mutilated, he could no longer hold office as high-priest; but his mutilation probably gave him the prestige of a martyr, and his influence--whatever it was worth--seems to have been favourable to the new dynasty. On the other hand Herod's marriage with Mariamne brought some of his enemies into his own household. He had scotched the faction of Hasmonaean sympathizers by killing forty-five members of the Sanhedrin and confiscating their possessions. But so long as there were representatives of the family alive, there was always a possible pretender to the throne which he occupied; and the people had not lost their affection for their former deliverers. Mariamne's mother used her position to further her plots for the overthrow of her son-in-law; and she found an ally in Cleopatra of Egypt, who was unwilling to be spurned by him, even if she was not weary of his patron, Antony.

The events of Herod's reign indicate the temporary triumphs of his different adversaries. His high-priest, a Babylonian, was deposed in order that Aristobulus III., Mariamne's brother, might hold the place to which he had some ancestral right. But the enthusiasm with which the people received him at the Feast of Tabernacles convinced Herod of the danger; and the youth was drowned by order of the king at Jericho. Cleopatra had obtained from Antony a grant of territory adjacent to Herod's domain and even part of it. She required Herod to collect arrears of tribute. So it fell out that, when Octavian and the Senate declared war against Antony and Cleopatra, Herod was preoccupied in obedience to her commands and was thus prevented from fighting against the future emperor of Rome.

After the battle of Actium (31 B.C.) Herod executed Hyrcanus and proceeded to wait upon the victorious Octavian at Rhodes. His position was confirmed and his territories were restored. On his return he took in hand to heal with the Hasmonaeans, and in 25 B.C. the old intriguers, their victims like Mariamne, and all pretenders were dead. From this time onwards Herod was free to govern Palestine, as a client-prince of the Roman Empire should govern his kingdom. In order to put down the brigands who still infested the country and to check the raids of the Arabs on the frontier, he built or rebuilt fortresses, which were of material assistance to the Jews in the great revolt against Rome. Within and without Judaea he erected magnificent buildings and founded cities. He established games in honour of the emperor after the ancient Greek model in Caesarea and Jerusalem and revived the splendour of the Olympic games. At Athens and elsewhere he was commemorated as a benefactor; and as Jew and king of the Jews he restored the temple at Jerusalem. The emperor recognized his successful government by putting the districts of Ulatha and Panias under him in 20 B.C.

But Herod found new enemies among the members of his household. His brother Pheroras and sister Salome plotted for their own advantage and against the two sons of Mariamne. The people still cherished a loyalty to the Hasmonaean lineage, although the young princes were also the sons of Herod. The enthusiasm with which they were received fed the suspicion, which their uncle instilled into their father's mind, and they were strangled at Sebaste. On his deathbed Herod discovered that his eldest son, Antipater, whom Josephus calls a "monster of iniquity," had been plotting against him. He proceeded to accuse him before the governor of Syria and obtained leave from Augustus to put him to death. The father died five days after his son in 4 B.C. He had done much for the Jews, thanks to the favour he had won and kept in spite of all from the successive heads of the Roman state; he had observed the Law publicly--in fact, as the traditional epigram of Augustus says, "it was better to be Herod's _swine_ than a _son_ of Herod."

Josephus, _Ant._ xv., xvi., xvii. 1-8, _B.J._ i. 18-33; Schurer, _Gesch. d. jud. Volk._, 4th ed., i. pp. 360-418.

HEROD ANTIPAS, son of Herod the Great by the Samaritan Malthace, and full brother of Archelaus, received as his share of his father's dominions the provinces of Galilee and Peraea, with the title of tetrarch. Like his father, Antipas had a turn for architecture: he rebuilt and fortified the town of Sepphoris in Galilee; he also fortified Betharamptha in Peraea, and called it Julias after the wife of the emperor. Above all he founded the important town of Tiberias on the west shore of the Sea of Galilee, with institutions of a distinctly Greek character. He reigned 4 B.C.-A.D. 39. In the gospels he is mentioned as Herod. He it was who was called a "fox" by Christ (Luke xiii. 32). He is erroneously spoken of as a king in Mark vi. 14. It was to him that Jesus was sent by Pilate to be tried. But it is in connexion with his wife Herodias that he is best known, and it was through her that his misfortunes arose. He was married first of all to a daughter of Aretas, the Arabian king; but, making the acquaintance of Herodias, the wife of his brother Philip (not the tetrarch), during a visit to Rome, he was fascinated by her and arranged to marry her. Meantime his Arabian wife discovered the plan and escaped to her father, who made war on Herod, and completely defeated his army. John the Baptist condemned his marriage with Herodias, and in consequence was put to death in the way described in the gospels and in Josephus. When Herodias's brother Agrippa was appointed king by Caligula, she was determined to see her husband attain to an equal eminence, and persuaded him, though naturally of a quiet and unambitious temperament, to make the journey to Rome to crave a crown from the emperor. Agrippa, however, managed to influence Caligula against him. Antipas was deprived of his dominions and banished to Lyons, Herodias voluntarily sharing his exile.

HEROD PHILIP, son of Herod the Great by Cleopatra of Jerusalem, received the tetrarchate of Ituraea and other districts to E. and N.E. of the Lake of Galilee, the poorest part of his father's kingdom. His subjects were mainly Greeks or Syrians, and his coins bear the image of Augustus or Tiberius. He is described as an excellent ruler, who loved peace and was careful to maintain justice, and spent his time in his own territories. He was also a builder of cities, one of which was Caesarea Philippi, and another was Bethsaida, which he called Julias. He died after a reign of thirty-seven years (4 B.C.-A.D. 34); and his dominions were incorporated in the province of Syria. (J. H. A. H.)

HERODAS (Gr. [Greek: Herodas]), or HERONDAS (the name is spelt differently in the few places where he is mentioned), Greek poet, the author of short humorous dramatic scenes in verse, written under the Alexandrian empire in the 3rd century B.C. Apart from the intrinsic merit of these pieces, they are interesting in the history of Greek literature as being a new species, illustrating Alexandrian methods. They are called [Greek: Mimiamboi], "Mimeiambics." Mimes were the Dorian product of South Italy and Sicily, and the most famous of them--from which Plato is said to have studied the drawing of character--were the work of Sophron. These were scenes in popular life, written in the language of the people, vigorous with racy proverbs such as we get in other reflections of that region--in Petronius and the _Pentamerone_. Two of the best known and the most vital among the _Idylls_ of Theocritus, the 2nd and the 15th, we know to have been derived from mimes of Sophron. What Theocritus is doing there, Herodas, his younger contemporary, is doing in another manner--casting old material into novel form, upon a small scale, under strict conditions of technique. The method is entirely Alexandrian: Sophron had written in a peculiar kind of rhythmical prose; Theocritus uses the hexameter and Doric, Herodas the _scazon_ or "lame" iambic (with a dragging spondee at the end) and the old Ionic dialect with which that curious metre was associated. That, however, hardly goes beyond the choice and form of words; the structure of the sentences is close-knit Attic. But the grumbling metre and quaint language suit the tone of common life which Herodas aims at realizing; for, as Theocritus may be called idealist, Herodas is a realist unflinching. His persons talk in vehement exclamations and emphatic turns of speech, with proverbs and fixed phrases; and occasionally, where it is designed as proper to the part, with the most naked coarseness of expression.

The scene of the second and the fourth is laid at Cos, and the speaking characters in each are never more than three. In Mime I. the old nurse, now the professional go-between or bawd, calls on Metriche, whose husband has been long away in Egypt, and endeavours to excite her interest in a most desirable young man, fallen deeply in love with her at first sight. After hearing all the arguments Metriche declines with dignity, but consoles the old woman with an ample glass of wine, this kind being always represented with the taste of Mrs Gamp. II. is a monologue by the [Greek: Pornoboskos] ("Whoremonger") prosecuting a merchant-trader for breaking into his establishment at night and attempting to carry off one of the inmates, who is produced in court. The vulgar blackguard, who is a stranger to any sort of shame, remarking that he has no evidence to call, proceeds to a peroration in the regular oratorical style, appealing to the Coan judges not to be unworthy of their traditional glories. In fact, the whole oration is also a burlesque in every detail of an Attic speech at law; and in this case we have the material from which to estimate the excellence of the parody. In III. a desperate mother brings to the schoolmaster a truant urchin, with whom neither she nor his incapable old father can do anything. In a voluble stream of interminable sentences she narrates his misdeeds and implores the schoolmaster to flog him. The boy accordingly is hoisted on another's back and flogged; but his spirit does not appear to be subdued, and the mother resorts to the old man after all. IV. is a visit of two poor women with an offering to the temple of Asclepius at Cos. While the humble cock is being sacrificed, they turn, like the women in the _Ion_ of Euripides, to admire the works of art; among them a small boy strangling a vulpanser--doubtless the work of Boethus that we know--and a sacrificial procession by Apelles, "the Ephesian," of whom we have an interesting piece of contemporary eulogy. The oily sacristan is admirably painted in a few slight strokes. V. brings us very close to some unpleasant facts of ancient life. The jealous woman accuses one of her slaves, whom she has made her favourite, of infidelity; has him bound and sent degraded through the town to receive 2000 lashes; no sooner is he out of sight than she recalls him to be branded "at one job." The only pleasing person in the piece is the little maidservant--permitted liberties as a _verna_ brought up in the house--whose ready tact suggests to her mistress an excuse for postponing execution of a threat made in ungovernable fury. VI. is a friendly chat or a private conversation. The subject is an ugly one, but the dialogue is as clever and amusing as the rest, with some delicious touches. Our interest is engaged here in a certain Kerdon, the artistic shoemaker, to whom we are introduced in VII. (the name had already become generic for the shoemaker as the typical representative of retail trade), a little bald man with a fluent tongue, complaining of hard times, who bluffs and wheedles by turns. VII. opens with a mistress waking up her maids to listen to her dream; but we have only the beginning, and the other fragments are very short.

Within the limits of 100 lines or less Herodas presents us with a highly entertaining scene and with characters definitely drawn. Some of these had been perfected no doubt upon the Attic stage, where the tendency in the 4th century had been gradually to evolve accepted types--not individuals, but generalizations from a class, an art in which Menander's was esteemed the master-hand. The [Greek: Pornoboskos] and the [Greek: Mastropos] we can piece together from succeeding literature, and see how skilfully the established traits are indicated here. This is achieved by true dramatic means, with touches never wasted and the more delightful often because they do not clamour for attention. The execution has the qualities of first-rate Alexandrian work in miniature, such as the epigrams of Asclepiades possess, the finish and firm outlines; and these little pictures bear the test of all artistic work--they do not lose their freshness with familiarity, and gain in interest as one learns to appreciate their subtle points.

The papyrus MS., obtained from the Fayum, is in the possession of the British Museum, and was first printed by F. G. Kenyon in 1891. Editions by O. Crusius (1905, text only, in Teubner series) and J. A. Nairn (1904), with introduction, notes and bibliography. There is an English verse translation of the mimes by H. Sharpley (1906) under the title _A Realist of the Aegean_. (W. G. H.)

HERODIANS ([Greek: Herodianoi]), a sect or party mentioned in Scripture as having on two occasions--once in Galilee, and again in Jerusalem--manifested an unfriendly disposition towards Jesus (Mark iii. 6, xii. 13; Matt. xxii. 6; cf. also Mark viii. 15). In each of these cases their name is coupled with that of the Pharisees. According to many interpreters the courtiers or soldiers of Herod Antipas ("Milites Herodis," Jerome) are intended; but more probably the Herodians were a public political party, who distinguished themselves from the two great historical parties of post-exilian Judaism by the fact that they were and had been sincerely friendly to Herod the Great and to his dynasty (cf. such formations as "Caesariani," "Pompeiani"). It is possible that, to gain adherents, the Herodian party may have been in the habit of representing that the establishment of a Herodian dynasty would be favourable to the realization of the theocracy; and this in turn may account for Tertullian's (_De praescr._) allegation that the Herodians regarded Herod himself as the Messiah. The sect was called by the Rabbis Boethusians as being friendly to the family of Boethus, whose daughter Mariamne was one of Herod the Great's wives. (J. H. A. H.)

HERODIANUS, Greek historian, flourished during the third century A.D. He is supposed to have been a Syrian Greek. In 203 he was in Rome, where he held some minor posts. He does not appear to have attained high official rank; the statement that he was imperial procurator and legate of the Sicilian provinces rests upon conjecture only. His historical work ([Greek: Herodianou tes meta Markon basileias historion biblia okto]) narrates the events of the fifty-eight years between the death of Marcus Aurelius and the proclamation of Gordianus III. (180-238). The narrative is of special value as supplementing Dion Cassius, whose history ends with Alexander Severus. His work has the value that attaches to a record written by one chronicling the events of his own times, gifted with ordinary powers of observation, indubitable candour and independence of view. But while he gives a lively account of external events--such as the death of Commodus and the assassination of Pertinax--the barbarian invasions, the spread of Christianity, the extension of the franchise by Caracalla are unnoticed. The dates are often wrong, and little attention is paid to geographical details, which makes the narrative of military expeditions beyond the borders of the empire difficult to understand. Herodian has been accused of prejudice against Alexander Severus. His style, modelled on that of Thucydides and unreservedly praised by Photius, is on the whole pure, though somewhat rhetorical and showing a fondness for Latinisms.