CHAPTER XVIII.--Chords, Cadences, etc. 87

196. Chord. Triad. Root. 197. Major, minor, diminished, augmented triads. 198. The Common chords. 199. Fundamental position. First inversion. Second inversion. 200. Figured bass. 201. Seventh-chord. Ninth chord. 202. Cadence. 203. Authentic cadence. 204. Perfect authentic. Imperfect authentic. 205. Plagal cadence. 206. Half-cadence. 207. Deceptive cadence. 208. Sequence. 209. Modulation, harmonic and melodic: Dominant Seventh. 210. Suspension. 211. Retardation. 212. Anticipation. 213. Pedal point. 214. Close and open position. 215. Transposition.