Part 18

GUAYMAS, or SAN JOSE DE GUAYMAS, a seaport of Mexico, in the state of Sonora, on a small bay opening into the Gulf of California a few miles W. of the mouth of the Yaqui river, in lat. 27 deg. 58' N., long. 110 deg. 58' W. Pop. (1900) 8648. The harbour is one of the best on the W. coast of Mexico, and the port is a principal outlet for the products of the large state of Sonora. The town stands on a small, arid plain, nearly shut in by mountains, and has a very hot, dry climate. It is connected with the railways of the United States by a branch of the Southern Pacific from Benson, Arizona, and is 230 m. S. by W. of the frontier town of Nogales, where that line enters Mexico. The exports include gold, silver, hides and pearls.

GUBBIO (anc. _Iguvium_, q.v.; med. _Eugubium_), a town and episcopal see of Umbria, Italy, in the province of Perugia, from which it is 23 m. N.N.E. by road; by rail it is 13 m. N.W. of Fossato di Vico (on the line between Foligno and Ancona) and 70 m. E.S.E. of Arezzo. Pop. (1901) 5783 (town); 26,718 (commune). Gubbio is situated at the foot and on the steep slopes of Monte Calvo, from 1568 to 1735 ft. above sea-level, at the entrance to the gorge which ascends to Scheggia, probably on the site of the ancient Umbrian town. It presents a markedly medieval appearance. The most prominent building is the Palazzo dei Consoli, on the N. side of the Piazza della Signoria; it is a huge Gothic edifice with a tower, erected in 1332-1346, according to tradition, by Matteo di Giovanello of Gubbio, the name of Angelo da Orvieto occurs on the arch of the main door, but his work may be limited to the sculptures of this arch. It has two stories above the ground floor, and, being on the slope of the hill, is, like the whole piazza, raised on arched substructures. On the S. side of the piazza is the Palazzo Pretorio, or della Podesta, begun in 1349 and now the municipal palace. It contains the famous _Tabulae Iguvinae_, and a collection of paintings of the Umbrian school, of furniture and of majolica. On the E. side is the modern Palazzo Ranghiasci-Brancaleone, which until 1882 contained fine collections, now dispersed. Above the Piazza della Signoria, at the highest point of the town, is the Palazzo Ducale, erected by the dukes of Urbino in 1474-1480; the architect was, in all probability, Lucio da Laurana, to whom is due the palace at Urbino, which this palace resembles, especially in its fine colonnaded court. The Palazzo Beni, lower down, belongs to a somewhat earlier period of the 15th century. Pope Martin V. lodged here for a few days in 1420. The Palazzo Accoramboni, on the other hand, is a Renaissance structure, with a fine entrance arch. Here Vittoria Accoramboni was born in 1557. Opposite the Palazzo Ducale is the cathedral, dedicated to SS. Mariano e Jacopo, a structure of the 12th century, with a facade, adorned with contemporary sculptures, partly restored in 1514-1550. The interior contains some good pictures by Umbrian artists, a fine episcopal throne in carved wood, and a fine Flemish cope given by Pope Marcellus II. (1555) in the sacristy. The exterior of the Gothic church of S. Francesco, in the lower part of the town, built in 1259, preserves its original style, but the interior has been modernized; and the same fate has overtaken the Gothic churches of S. Maria Nuova and S. Pietro. S. Agostino, on the other hand, has its Gothic interior better preserved. The whole town is full of specimens of medieval architecture, the pointed arch of the 13th century being especially prevalent. A remarkable procession takes place in Gubbio on the 15th of May in each year, in honour of S. Ubaldo, when three colossal wooden pedestals, each over 30 ft. high, and crowned by statues of SS. Ubaldo, Antonio and Giorgio, are carried through the town, and then, in a wild race, up to the church of S. Ubaldo on the mountain-side (2690 ft.). See H. M. Bower, _The Elevation and Procession of the Ceri at Gubbio_ (Folk-lore Society, London, 1897).

After its reconstruction with the help of Narses (see IGUVIUM) the town remained subject to the exarchs of Ravenna, and, after the destruction of the Lombard kingdom in 774, formed part of the donation of Charlemagne to the pope. In the 11th century the beginnings of its independence may be traced. In the struggles of that time it was generally on the Ghibelline side. In 1151 it repelled an attack of several neighbouring cities, and formed from this time a republic governed by consuls. In 1155 it was besieged by the emperor Frederick I., but saved by the intervention of its bishop, S. Ubaldo, and was granted privileges by the emperor. In 1203 it had its first podesta, and from this period dates the rise of its importance. In 1387, after various political changes, it surrendered to Antonio da Montefeltro of Urbino, and remained under the dominion of the dukes of Urbino until, in 1624, the whole duchy was ceded to the pope.

Gubbio was the birthplace of Oderisio, a famous miniature painter (1240-1299), mentioned by Dante as the honour of his native town (_Purg._ xi. 80 "_l'onor d'Agobbio_"), but no authentic works by him exist. In the 14th and 15th centuries a branch of the Umbrian school of painting flourished here, the most famous masters of which were Guido Palmerucci (1280-1345?) and several members of the Nelli family, particularly Ottaviano (d. 1444), whose best work is the "Madonna del Belvedere" in S. Maria Nuova at Gubbio (1404), extremely well preserved, with bright colouring and fine details. Another work by him is the group of frescoes including a large "Last Judgment," and scenes from the life of St Augustine, in the church of S. Agostino, discovered in 1902 under a coating of whitewash. These painters seem to have been influenced by the contemporary masters of the Sienese school.

Gubbio occupies a far more important place in the history of majolica. In a decree of 1438 a _vasarius vasorum pictorum_ is mentioned, who probably was not the first of his trade. The art was brought to perfection by Giorgio Andreoli, whose father had emigrated hither from Pavia, and who in 1498 became a citizen of Gubbio. The works by his hand are remarkable for their ruby tint, with a beautiful metallic lustre; but only one small tazza remains in Gubbio itself. His art was carried on by his sons, Cencio and Ubaldo, but was afterwards lost, and only recovered in 1853 by Angelico Fabbri and Luigi Carocci.

Two miles outside Porta Metauro to the N.E. is the Bottaccione, a large water reservoir, constructed in the 12th or 14th century; the water is collected in the bed of a stream by a massive dam.

See A. Colasanti, _Gubbio_ (Bergamo, 1905); L. McCracken, _Gubbio_ (London, 1905). (T. As.)

GUBEN, a town of Germany, in the kingdom of Prussia, at the confluence of the Lubis with the Neisse, 28 m. S.S.E. of Frankfort-on-Oder, at the junction of railways to Breslau, Halle and Forst. Pop. (1875) 23,704; (1905) 36,666. It possesses three Evangelical churches, a Roman Catholic church, a synagogue, a gymnasium, a modern school, a museum and a theatre. The principal industries are the spinning and weaving of wool, dyeing, tanning, and the manufacture of pottery ware, hats, cloth, paper and machinery. The vine is cultivated in the neighbourhood to some extent, and there is also some trade in fruit and vegetables. Guben is of Wendish origin. It is mentioned in 1207 and received civic rights in 1235. It was surrounded by walls in 1311, about which time it came into the possession of the margrave of Brandenburg, from whom it passed to Bohemia in 1368. It was twice devastated by the Hussites, and in 1631 and 1642 it was occupied by the Swedes. By the peace of Prague in 1635 it came into the possession of the elector of Saxony, and in 1815 it was, with the rest of Lower Lusatia, united to Prussia.

GUBERNATIS, ANGELO DE, COUNT (1840- ), Italian man of letters, was born at Turin and educated there and at Berlin, where he studied philology. In 1862 he was appointed professor of Sanskrit at Florence, but having married a cousin of the Socialist Bakunin and become interested in his views he resigned his appointment and spent some years in travel. He was reappointed, however, in 1867; and in 1891 he was transferred to the university of Rome. He became prominent both as an orientalist, a publicist and a poet. He founded the _Italia letteraria_ (1862), the _Rivista orientale_ (1867), the _Civitta italiana_ and _Rivista europea_ (1869), the _Bollettino italiano degli studii orientali_ (1876) and the _Revue internationale_ (1883), and in 1887 became director of the _Giornale della societa asiatica_. In 1878 he started the _Dizionario biografico degli scrittori contemporanei_. His Oriental and mythological works include the _Piccola enciclopedia indiana_ (1867), the _Fonti vediche_ (1868), a famous work on zoological mythology (1872), and another on plant mythology (1878). He also edited the encyclopaedic _Storia universale della letteratura_ (1882-1885). His work in verse includes the dramas _Cato_, _Romolo_, _Il re Nala_, _Don Rodrigo_, _Savitri_, &c.

GUDBRANDSDAL, a district in the midlands of southern Norway, comprising the upper course of the river Lougen or Laagen from Lillehammer at the head of Lake Mjosen to its source in Lake Lesjekogen and tributary valleys. Lillehammer, the centre of a rich timber district, is 114 m. N. of Christiania by rail. The railway continues through the well-wooded and cultivated valley to Otta (70 m.). Several tracks run westward into the wild district of the Jotunheim. From Otto good driving routes run across the watershed and descend the western slope, where the scenery is incomparably finer than in Gudbrandsdal itself--(a) past Sorum, with the 13th-century churches of Vaagen and Lom (a fine specimen of the Stavekirke or timber-built church), Aanstad and Polfos, with beautiful falls of the Otta river, to Grotlid, whence roads diverge to Stryn on the Nordfjord, and to Marok on the Geirangerfjord; (b) past Domaas (with branch road north to Storen near Trondhjem, skirting the Dovrefjeld), over the watershed formed by Lesjekogen Lake, which drains in both directions, and down through the magnificent Romsdal.

GUDE (GUDIUS), MARQUARD (1635-1689), German archaeologist and classical scholar, was born at Rendsburg in Holstein on the 1st of February 1635. He was originally intended for the law, but from an early age showed a decided preference for classical studies. In 1658 he went to Holland in the hope of finding work as a teacher of classics, and in the following year, through the influence of J. F. Gronovius, he obtained the post of tutor and travelling companion to a wealthy young Dutchman, Samuel Schars. During his travels Gude seized the opportunity of copying inscriptions and MSS. At the earnest request of his pupil, who had become greatly attached to him, Gude refused more than one professional appointment, and it was not until 1671 that he accepted the post of librarian to Duke Christian Albert of Holstein-Gottorp. Schars, who had accompanied Gude, died in 1675, and left him the greater part of his property. In 1678 Gude, having quarrelled with the duke, retired into private life; but in 1682 he entered the service of Christian V. of Denmark as counsellor of the Schleswig-Holstein chancellery, and remained in it almost to the time of his death on the 26th of November 1689. Gude's great life-work, the collection of Greek and Latin inscriptions, was not published till 1731. Mention may also be made of his _editio princeps_ (1661) of the treatise of Hippolytus the Martyr on Antichrist, and of his notes on Phaedrus (with four new fables discovered by him) published in P. Burmann's edition (1698).

His correspondence (ed. P. Burmann, 1697) is the most important authority for the events of Gude's life, besides containing valuable information on the learning of the times. See also J. Moller, _Cimbria literata_, iii., and C. Bursian in _Allgemeine deutsche Biographie_, x.

GUDEMAN, ALFRED (1862- ), American classical scholar, was born in Atlanta, Georgia, on the 26th of August 1862. He graduated at Columbia University in 1883 and studied under Hermann Diels at the University of Berlin. From 1890 to 1893 he was reader in classical philology at Johns Hopkins University, from 1893 to 1902 professor in the University of Pennsylvania, and from 1902 to 1904 professor in Cornell University. In 1904 he became a member of the corps of scholars preparing the Wolfflin _Thesaurus linguae Latinae_--a unique distinction for an American Latinist, as was the publication of his critical edition, with German commentary, of Tacitus' _Agricola_ in 1902 by the Weidmannsche Buchhandlung of Berlin. He wrote _Latin Literature of the Empire_ (2 vols., _Prose and Poetry_, 1898-1899), a _History of Classical Philology_ (1902) and _Sources of Plutarch's Life of Cicero_ (1902); and edited Tacitus' _Dialogus de oratoribus_ (text with commentary, 1894 and 1898) and _Agricola_ (1899; with _Germania_, 1900), and Sallust's _Catiline_ (1903).

GUDGEON (_Gobio fluviatilis_), a small fish of the Cyprinid family. It is nearly related to the barbel, and has a small barbel or fleshy appendage at each corner of the mouth. It is the _gobione_ of Italy, _goujon_ of France (whence adapted in M. English as _gojon_), and _Grassling_ or _Grundling_ of Germany. Gudgeons thrive in streams and lakes, keeping to the bottom, and seldom exceeding 8 in. in length. In China and Japan there are varieties differing only slightly from the common European type.

GUDRUN (KUDRUN), a Middle High German epic, written probably in the early years of the 13th century, not long after the _Nibelungenlied_, the influence of which may be traced upon it. It is preserved in a single MS. which was prepared at the command of Maximilian I., and was discovered as late as 1820 in the Castle of Ambras in Tirol. The author was an unnamed Austrian poet, but the story itself belongs to the cycle of sagas, which originated on the shores of the North Sea. The epic falls into three easily distinguishable parts--the adventures of King Hagen of Ireland, the romance of Hettel, king of the Hegelingen, who woos and wins Hagen's daughter Hilde, and lastly, the more or less parallel story of how Herwig, king of Seeland, wins, in opposition to her father's wishes, Gudrun, the daughter of Hettel and Hilde. Gudrun is carried off by a king of Normandy, and her kinsfolk, who are in pursuit, are defeated in a great battle on the island of Wulpensand off the Dutch coast. The finest parts of the epic are those in which Gudrun, a prisoner in the Norman castle, refuses to become the wife of her captor, and is condemned to do the most menial work of the household. Here, thirteen years later, Herwig and her brother Ortwin find her washing clothes by the sea; on the following day they attack the Norman castle with their army and carry out the long-delayed retribution.

The epic of _Gudrun_ is not unworthy to stand beside the greater _Nibelungenlied_, and it has been aptly compared with it as the _Odyssey_ to the _Iliad_. Like the _Odyssey_, Gudrun is an epic of the sea, a story of adventure; it does not turn solely round the conflict of human passions; nor is it built up round one all-absorbing, all-dominating idea like the _Nibelungenlied_. Scenery and incident are more varied, and the poet has an opportunity for a more lyric interpretation of motive and character. _Gudrun_ is composed in stanzas similar to those of the _Nibelungenlied_, but with the essential difference that the last line of each stanza is identical with the others, and does not contain the extra accented syllable characteristic of the _Nibelungen_ metre.

_Gudrun_ was first edited by von der Hagen in vol. i. of his _Heldenbuch_ (1820). Subsequent editions by A. Ziemann and A. J. Vollmer followed in 1837 and 1845. The best editions are those by K. Bartsch (4th ed., 1880), who has also edited the poem for Kurschner's _Deutsche Nationalliteratur_ (vol. 6, 1885), by B. Symons (1883) and by E. Martin (2nd ed., 1901). L. Ettmuller first applied Lachmann's ballad-theory to the poem (1841), and K. Mullenhoff (_Kudrun, die echten Teile des Gedichts_, 1845) rejected more than three-quarters of the whole as "not genuine." There are many translations of the epic into modern German, the best known being that of K. Simrock (15th ed., 1884). A translation into English by M. P. Nichols appeared at Boston, U.S.A., in 1889.

See K. Bartsch, _Beitrage zur Geschichte und Kritik der Kudrun_ (1865); H. Keck, _Die Gudrunsage_ (1867); W. Wilmanns, _Die Entwickelung der Kudrundichtung_ (1873); A. Fecamp, _Le Poeme de Gudrun, ses origines, sa formation et son histoire_ (1892); F. Panzer, _Hilde-Gudrun_ (1901). For later versions and adaptations of the saga see O. Benedict, _Die Gudrunsage in der neueren Literatur_ (1902.)

GUEBRIANT, JEAN BAPTISTE BUDES, COMTE DE (1602-1643), marshal of France, was born at Plessis-Budes, near St Brieuc, of an old Breton family. He served first in Holland, and in the Thirty Years' War he commanded from 1638 to 1639 the French contingent in the army of his friend Bernard of Saxe-Weimar, distinguishing himself particularly at the siege of Breisach in 1638. Upon the death of Bernard he received the command of his army, and tried, in conjunction with J. Baner (1596-1641), the Swedish general, a bold attack upon Regensburg (1640). His victories of Wolfenbuttel on the 29th of June 1641 and of Kempen in 1642 won for him the marshal's baton. Having failed in an attempt to invade Bavaria in concert with Torstensson he seized Rottweil, but was mortally wounded there on the 17th of November 1643.

A biography was published by Le Laboureur, _Histoire du mareschal de Guebriant_, in 1656. See A. Brinzinger in _Wurttembergische Vierteljahrschrift fur Landesgeschichte_ (1902).

GUELDER ROSE, so called from Guelderland, its supposed source, termed also marsh elder, rose elder, water elder (Ger. _Wasserholder_, _Schneeball_; Fr. _viorne-obier_, _l'obier d'Europe_), known botanically as _Viburnum Opulus_, a shrub or small tree of the natural order Caprifoliaceae, a native of Britain, and widely distributed in the temperate and colder parts of Europe, Asia and North America. It is common in Ireland, but rare in Scotland. In height it is from 6 to 12 ft., and it thrives best in moist situations. The leaves are smooth, 2 to 3 in. broad, with 3 to 5 unequal serrate lobes, and glandular stipules adnate to the stalk. In autumn the leaves change their normal bright green for a pink or crimson hue. The flowers, which appear in June and July, are small, white, and arranged in cymes 2 to 4 in. in diameter. The outer blossoms in the wild plant have an enlarged corolla, 3/4 in. in diameter, and are devoid of stamens or pistils; in the common cultivated variety all the flowers are sterile and the inflorescence is globular, hence the term "snowball tree" applied to the plant, the appearance of which at the time of flowering has been prettily described by Cowper in his _Winter Walk at Noon_. The guelder rose bears juicy, red, elliptical berries, 1/3 in. long, which ripen in September, and contain each a single compressed seed. In northern Europe these are eaten, and in Siberia, after fermentation with flour, they are distilled for spirit. The plant has, however, emetic, purgative and narcotic properties; and Taylor (_Med. Jurisp._ i. 448, 2nd ed., 1873) has recorded an instance of the fatal poisoning of a child by the berries. Both they and the bark contain valerianic acid. The woody shoots of the guelder rose are manufactured into various small articles in Sweden and Russia. Another member of the genus, _Viburnum_, _Lantana_, wayfaring tree, is found in dry copses and hedges in England, except in the north.

GUELPH, a city of Ontario, Canada, 45 m. W. of Toronto, on the river Speed and the Grand Trunk and Canadian Pacific railways. Pop. (1901) 11,496. It is the centre of a fine agricultural district, and exports grain, fruit and live-stock in large quantities. It contains, in addition to the county and municipal buildings, the Ontario Agricultural College, which draws students from all parts of North and South America. The river affords abundant water-power for flour-mills, saw-mills, woollen-mills and numerous factories, of which agricultural implements, sewing machines and musical instruments are the chief.

GUELPHS AND GHIBELLINES. These names are doubtless Italianized forms of the German words Welf and Waiblingen, although one tradition says that they are derived from Guelph and Gibel, two rival brothers of Pistoia. Another theory derives Ghibelline from Gibello, a word used by the Sicilian Arabs to translate Hohenstaufen. However, a more popular story tells how, during a fight around Weinsberg in December 1140 between the German king Conrad III. and Welf, count of Bavaria, a member of the powerful family to which Henry the Lion, duke of Saxony and Bavaria, belonged, the soldiers of the latter raised the cry "Hie Welf!" to which the king's troops replied with "Hie Waiblingen!" this being the name of one of Conrad's castles. But the rivalry between Welf and Hohenstaufen, of which family Conrad was a member, was anterior to this event, and had been for some years a prominent fact in the history of Swabia and Bavaria, although its introduction into Italy--in a slightly modified form, however--only dates from the time of the Italian expeditions of the emperor Frederick I. It is about this time that the German chronicler, Otto of Freising, says, "Duae in Romano orbe apud Galliae Germaniaeve fines famosae familiae actenus fuere, una Heinricorum de Gueibelinga, alia Guelforum de Aldorfo, altera imperatores, altera magnos duces producere solita." Chosen German king in 1152, Frederick was not only the nephew and the heir of Conrad, he was related also to the Welfs; yet, although his election abated to some extent the rivalry between Welf and Hohenstaufen in Germany, it opened it upon a larger and fiercer scale in Italy.

During the long and interesting period covered by Frederick's Italian campaigns, his enemies, prominent among whom were the cities of the Lombard League, became known as Welfs, or Guelphs, while his partisans seized upon the rival term of Waiblingen, or Ghibelline, and the contest between these two parties was carried on with a ferocity unknown even to the inhabitants of southern Germany. The distracted state of northern Italy, the jealousies between various pairs of towns, the savage hatred between family and family, were some of the causes which fed this feud, and it reached its height during the momentous struggle between Frederick II. and the Papacy in the 13th century. The story of the contest between Guelph and Ghibelline, however, is little less than the history of Italy in the middle ages. At the opening of the 13th century it was intensified by the fight for the German and imperial thrones between Philip, duke of Swabia, a son of Frederick I., and the Welf, Otto of Brunswick, afterwards the emperor Otto IV., a fight waged in Italy as well as in Germany. Then, as the heir of Philip of Swabia and the rival of Otto of Brunswick, Frederick II. was forced to throw himself into the arms of the Ghibellines, while his enemies, the popes, ranged themselves definitely among the Guelphs, and soon Guelph and Ghibelline became synonymous with supporter of pope and emperor.