Part 21
The dancing mania of the year 1374 was, in fact, no new disease, but a phenomenon well known in the Middle Ages, of which many wondrous stories were traditionally current among the people. In the year 1237, upward of a hundred children were said to have been suddenly seized with this disease at Erfurt, and to have proceeded dancing and jumping along the road to Arnstadt. When they arrived at that place they fell exhausted to the ground, and, according to an account of an old chronicle, many of them, after they were taken home by their parents, died, and the rest remained affected to the end of their lives with the permanent tremor. Another occurrence was related to have taken place on the Mosel bridge at Utrecht, on June 17, 1278, when two hundred fanatics began to dance, and would not desist until a priest passed who was carrying the host to a person that was sick, upon which, as if in punishment of their crime, the bridge gave way, and they were all drowned. A similar event also occurred, so early as the year 1027, near the convent church of Kolbig, not far from Bernburg. According to an oft-repeated tradition, eighteen peasants, some of whose names are still preserved, are said to have disturbed divine service on Christmas Eve by dancing and brawling in the church-yard, whereupon the priest, Ruprecht, inflicted a curse upon them, that they should dance and scream for a whole year without ceasing. This curse is stated to have been completely fulfilled, so that the unfortunate sufferers at length sank knee deep into the earth, and remained the whole time without nourishment, until they were finally released by the intercession of two pious bishops. It is said that upon this they fell into a deep sleep, which lasted three days, and that four of them died; the rest continuing to suffer all their lives from a trembling of their limbs.[62] It is not worth while to separate what may have been true and what the addition of crafty priests in this strangely distorted story. It is sufficient that it was believed, and related with astonishment and horror, throughout the Middle Ages, so that, when there was any exciting cause for this delirious raving, and wild rage for dancing, it failed not to produce its effects upon men whose thoughts were given up to a belief in wonders and apparitions.
This disposition of mind, altogether so peculiar to the Middle Ages, and which, happily for mankind, has yielded to an improved state of civilization and the diffusion of popular instruction, accounts for the origin and long duration of this extraordinary mental disorder. The good sense of the people recoiled with horror and aversion from this heavy plague, which, whenever malevolent persons wished to curse their bitterest enemies and adversaries, was long after used as a malediction.[63] The indignation also that was felt by the people at large against the immorality of the age was proved by their ascribing this frightful affliction to the inefficacy of baptism by unchaste priests, as if innocent children were doomed to atone, in after years, for this desecration of the sacrament administered by unholy hands. We have already mentioned what perils the priests in the Netherlands incurred from this belief. They now, indeed, endeavored to hasten their reconciliation with the irritated and at that time very degenerate people by exorcisms, which, with some, procured them greater respect than ever, because they thus visibly restored thousands of those who were affected. In general, however, there prevailed a want of confidence in their efficacy, and then the sacred rites had as little power in arresting the progress of this deeply rooted malady as the prayers and holy services subsequently had at the altars of the greatly revered martyr St. Vitus. We may, therefore, ascribe it to accident merely, and to a certain aversion to this demoniacal disease, which seemed to lie beyond the reach of human skill, that we meet with but few and imperfect notices of the St. Vitus' dance in the second half of the fifteenth century. The highly colored descriptions of the sixteenth century contradict the notion that this mental plague had in any degree diminished in its severity, and not a single fact is to be found which supports the opinion that any one of the essential symptoms of the disease, not even excepting the tympany, had disappeared, or that the disorder itself had become milder in its attacks. The physicians never, as it seems, throughout the whole of the fifteenth century, undertook the treatment of the dancing mania, which, according to the prevailing notions, appertained exclusively to the servants of the Church. Against demoniacal disorders they had no remedies, and though some at first did promulgate the opinion that the malady had its origin in natural circumstances, such as a hot temperament, and other causes named in the phraseology of the schools, yet these opinions were the less examined, as it did not appear worth while to divide with a jealous priesthood the care of a host of fanatical vagabonds and beggars.
It was not until the beginning of the sixteenth century that the St. Vitus' dance was made the subject of medical research, and stripped of its unhallowed character as a work of demons. This was effected by Paracelsus, that mighty, but as yet scarcely comprehended, reformer of medicine, whose aim it was to withdraw diseases from the pale of miraculous interpositions and saintly influences, and explain their causes upon principles deduced from his knowledge of the human frame. "We will not, however, admit that the saints have power to inflict diseases, and that these ought to be named after them, although many there are who in their theology lay great stress on this supposition, ascribing them rather to God than to nature, which is but idle talk. We dislike such nonsensical gossip as is not supported by symptoms, but only by faith, a thing which is not human, whereon the gods themselves set no value."
Such were the words which Paracelsus addressed to his contemporaries, who were as yet incapable of appreciating doctrines of this sort; for the belief in enchantment still remained everywhere unshaken, and faith in the world of spirits still held men's minds in so close a bondage that thousands were, according to their own conviction, given up as a prey to the devil; while, at the command of religion as well as of law, countless piles were lighted, by the flames of which human society was to be purified.
Paracelsus divides the St. Vitus' dance into three kinds: First, that which arises from imagination (_Vitista_, _chorea imaginativa_, _aestimativa_), by which the original dancing plague is to be understood; secondly, that which arises from sensual desires, depending on the will (_chorea lasciva_); thirdly, that which arises from corporeal causes (_chorea naturalis_, _coacta_), which, according to a strange notion of his own, he explained by maintaining that in certain vessels which are susceptible of an internal pruriency, and thence produce laughter, the blood is set in commotion, in consequence of an alteration in the vital spirits, whereby involuntary fits of intoxicating joy, and a propensity to dance, are occasioned. To this notion he was, no doubt, led from having observed a milder form of St. Vitus' dance, not uncommon in his time, which was accompanied by involuntary laughter, and which bore a resemblance to the hysterical laughter of the moderns, except that it was characterized by more pleasurable sensations, and by an extravagant propensity to dance. There was no howling, screaming, and jumping, as in the severer form; neither was the disposition to dance by any means insuperable. Patients thus affected, although they had not a complete control over their understandings, yet were sufficiently self-possessed, during the attack, to obey the directions which they received. There were even some among them who did not dance at all, but only felt an involuntary impulse to allay the internal sense of disquietude, which is the usual forerunner of an attack of this kind, by laughter, and quick walking carried to the extent of producing fatigue. This disorder, so different from the original type, evidently approximates to the modern chorea, or rather is in perfect accordance with it, even to the less essential symptom of laughter. A mitigation in the form of the dancing mania had thus clearly taken place at the commencement of the sixteenth century.
On the communication of the St. Vitus' dance by sympathy, Paracelsus, in his peculiar language, expresses himself with great spirit, and shows a profound knowledge of the nature of sensual impressions, which find their way to the heart--the seat of joys and emotions--which overpower the opposition of reason; and while "all other qualities and natures" are subdued, incessantly impel the patient, in consequence of his original compliance, and his all-conquering imagination, to imitate what he has seen. On his treatment of the disease we cannot bestow any great praise, but must be content with the remark that it was in conformity with the notions of the age in which he lived. For the first kind, which often originated in passionate excitement, he had a mental remedy, the efficacy of which is not to be despised, if we estimate its value in connection with the prevalent opinions of those times. The patient was to make an image of himself in wax or resin, and by an effort of thought to concentrate all his blasphemies and sins in it. "Without the intervention of any other person, to set his whole mind and thoughts concerning these oaths in the image;" and when he had succeeded in this, he was to burn the image, so that not a particle of it should remain.[64] In all this there was no mention made of St. Vitus, or any of the other mediatory saints, which is accounted for by the circumstance, that, at this time, an open rebellion against the Romish Church had begun, and the worship of saints was by many rejected as idolatrous. For the second kind of St. Vitus' dance, Paracelsus recommended harsh treatment and strict fasting. He directed that the patients should be deprived of their liberty, placed in solitary confinement, and made to sit in an uncomfortable place, until their misery brought them to their senses and to a feeling of penitence. He then permitted them gradually to return to their accustomed habits. Severe corporal chastisement was not omitted; but, on the other hand, angry resistance on the part of the patient was to be sedulously avoided, on the ground that it might increase his malady, or even destroy him; moreover, where it seemed proper, Paracelsus allayed the excitement of the nerves by immersion in cold water. On the treatment of the third kind we shall not here enlarge. It was to be effected by all sorts of wonderful remedies, composed of the quintessences; and it would require, to render it intelligible, a more extended exposition of peculiar principles than suits our present purpose.
About this time the St. Vitus' dance began to decline, so that milder forms of it appeared more frequently, while the severer cases became more rare; and even in these, some of the important symptoms gradually disappeared. Paracelsus makes no mention of the tympanites as taking place after the attacks, although it may occasionally have occurred; and Schenck von Graffenberg, a celebrated physician of the latter half of the sixteenth century, speaks of this disease as having been frequent only in the time of his forefathers.
ELECTION OF ANTIPOPE CLEMENT VII
Beginning of the Great Schism
A.D. 1378
HENRY HART MILMAN
In 1308 Pope Clement V, a Frenchman, under the influence of King Philip the Fair, of France, transferred the papal chair from Rome to Avignon, a possession of the holy see beyond the Alps, in Philip's dominions. The sojourn there of Clement and his successors, which continued until 1376, is known as the "Babylonish captivity" of the popes.
Rome, from the first, was angry at this loss of supremacy, and aimed at recovering her prestige; and throughout the Christian world--France alone excepted--it was regarded as a scandal that the chair of St. Peter should rest on any soil but that of the Eternal City; but the French kings, and the cardinals of France--outnumbering all others in the sacred college--were determined to retain the pontifical seat in their own territory.
During the pontificate of Gregory XI (1371-1378) Italy was torn by civil dissensions; the "free companies"--bands of organized marauders--ravaged the country with fire and sword, plundering Guelf and Ghibelline alike. Gregory's legates in the government of the ecclesiastical states rendered themselves so odious to the people by their immorality and rapacity that a league of the more powerful political factions was formed for throwing off the yoke of the "absentee" papal rulers. This was the beginning of the War of Liberation (1375) that was to shake the papal power in Italy to its very foundations.
Gregory saw that, in order to preserve even a vestige of temporal power in the Italian states, he must act with crushing vigor. He therefore sent the cardinal legate, Robert, of Geneva--afterward Antipope Clement VII--into Italy with a company of Breton adventurers dreaded for their ferocity, and trained to plunder in the terrible wars of France. In spite of the atrocities committed by Robert and his hirelings, the revolt continued with unabated fury, and at last Gregory was constrained to return in person to Italy with the purpose of pacifying the turbulent forces. He entered Rome, January 17, 1377; but after a year of futile effort he died, leaving the confusion worse than he found it.
Since, according to ecclesiastical law, the election of a new pope must be held at the place of the last pontiff's decease, great clamor arose among the Romans, whose demands were seconded throughout Europe, for the election of a Roman pope and the ending of the "Babylonish captivity." The history of the Great Schism and election of the rival pontiffs is nowhere to be found in better form of narrative than that of Milman, which here follows.
Gregory XI had hardly expired when Rome burst out into a furious tumult. A Roman pope, at least an Italian pope, was the universal outcry. The conclave must be overawed; the hateful domination of a foreign, a French pontiff, must be broken up, and forever. This was not unforeseen. Before his death Gregory XI had issued a bull conferring the amplest powers on the cardinals to choose, according to their wisdom, the time and the place for the election. It manifestly contemplated their retreat from the turbulent streets of Rome to some place where their deliberations would not be overborne, and the predominant French interest would maintain its superiority. On the other hand there were serious and not groundless apprehensions that the fierce Breton and Gascon bands, at the command of the French cardinals, might dictate to the conclave. The Romans not only armed their civic troops, but sent to Tivoli, Velletri, and the neighboring cities; a strong force was mustered to keep the foreigners in check.
Throughout the interval between the funeral of Gregory and the opening of the conclave, the cardinals were either too jealously watched, or thought it imprudent to attempt flight. Sixteen cardinals were present at Rome, one Spaniard, eleven French, four Italians. The ordinary measures were taken for opening the conclave in the palace near St. Peter's. Five Romans, two ecclesiastics and three laymen, and three Frenchmen were appointed to wait upon and to guard the conclave. The Bishop of Marseilles represented the great chamberlain, who holds the supreme authority during the vacancy of the popedom. The chamberlain, the Archbishop of Arles, brother of the Cardinal of Limoges, had withdrawn into the castle of St. Angelo, to secure his own person and to occupy that important fortress.
The nine solemn days fully elapsed, on the 7th of April they assembled for the conclave. At that instant (inauspicious omen!) a terrible flash of lightning, followed by a stunning peal of thunder, struck through the hall, burning and splitting some of the furniture. The hall of conclave was crowded by a fierce rabble, who refused to retire. After about an hour's strife, the Bishop of Marseilles, by threats, by persuasion, or by entreaty, had expelled all but about forty wild men, armed to the teeth. These ruffians rudely and insolently searched the whole building; they looked under the beds, they examined the places of retreat. They would satisfy themselves whether any armed men were concealed, whether there was any hole, or even drain through which the cardinals could escape. All the time they shouted: "A Roman pope! we will have a Roman pope!" Those without echoed back the savage yell. Before long appeared two ecclesiastics, announcing themselves as delegated by the commonalty of Rome; they demanded to speak with the cardinals. The cardinals dared not refuse. The Romans represented, in firm but not disrespectful language, that for seventy years the holy Roman people had been without their pastor, the supreme head of Christendom. In Rome were many noble and wise ecclesiastics equal to govern the Church: if not in Rome, there were such men in Italy.
They intimated that so great were the fury and determination of the people that, if the conclave should resist, there might be a general massacre, in which probably they themselves, assuredly the cardinals, would perish. The cardinals might hear from every quarter around them the cry: "A Roman pope! if not a Roman, an Italian!" The cardinals replied, that such aged and reverend men must know the rules of the conclave; that no election could be by requisition, favor, fear, or tumult, but by the interposition of the Holy Ghost. To reiterated persuasions and menaces they only said: "We are in your power; you may kill us, but we must act according to God's ordinance. To-morrow we celebrate the mass for the descent of the Holy Ghost; as the Holy Ghost directs, so shall we do." Some of the French uttered words which sounded like defiance. The populace cried: "If ye persist to do despite to Christ, if we have not a Roman pope, we will hew these cardinals and Frenchmen in pieces."
At length the Bishop of Marseilles was able to entirely clear the hall. The cardinals sat down to a plentiful repast; the doors were finally closed. But all the night through they heard in the streets the unceasing clamor: "A Roman pope, a Roman pope!" Toward the morning the tumult became more fierce and dense. Strange men had burst into the belfry of St. Peter's; the clanging bells tolled as if all Rome was on fire.
Within the conclave, the tumult, if less loud and clamorous, was hardly less general. The confusion without and terror within did not allay the angry rivalry, or suspend that subtle play of policy peculiar to the form of election. The French interest was divided; within this circle there was another circle. The single diocese of Limoges, favored as it had been by more than one pope, had almost strength to dictate to the conclave. The Limousins put forward the Cardinal de St. Eustache. Against these the leader was the Cardinal Robert of Geneva, whose fierce and haughty demeanor and sanguinary acts as legate had brought so much of its unpopularity on the administration of Gregory XI. With Robert were the four Italians and three French cardinals. Rather than a Limousin, Robert would even consent to an Italian. They on the one side, the Limousins on the other, had met secretly before the conclave: the eight had sworn not on any account to submit to the election of a traitorous Limousin.
All the sleepless night the cardinals might hear the din at the gate, the yells of the people, the tolling of the bells. There was constant passing and repassing from each other's chamber, intrigues, altercations, manoeuvres, proposals advanced and rejected, promises of support given and withdrawn. Many names were put up. Of the Romans within the conclave two only were named, the old Cardinal of St. Peter's, the Cardinal Jacobo Orsini. The Limousins advanced in turn almost every one of their faction; no one but himself thought of Robert of Geneva.
In the morning the disturbance without waxed more terrible. A vain attempt was made to address the populace by the three cardinal priors; they were driven from the windows with loud derisive shouts, "A Roman! A Roman!" For now the alternative of an Italian had been abandoned; a Roman, none but a Roman, would content the people. The madness of intoxication was added to the madness of popular fury. The rabble had broken open the Pope's cellar and drunk his rich wines. In the conclave the wildest projects were started. The Cardinal Orsini was to dress up a Minorite friar (probably a Spiritual) in the papal robes, to show him to the people, and so for themselves to effect their escape to some safe place and proceed to a legitimate election. The cardinals, from honor or from fear, shrunk from this trick.
At length both parties seemed to concur. Each claimed credit for first advancing the name--which most afterward repudiated--of the Archbishop of Bari, a man of repute for theologic and legal erudition, an Italian, but a subject of the Queen of Naples, who was also Countess of Provence. They came to the nomination. The Cardinal of Florence proposed the Cardinal of St. Peter's. The Cardinal of Limoges arose: "The Cardinal of St. Peter's is too old. The Cardinal of Florence is of a city at war with the holy see. I reject the Cardinal of Milan as the subject of the Visconti, the most deadly enemy of the Church. The Cardinal Orsini is too young, and we must not yield to the clamor of the Romans. I vote for Bartholomew Prignani, Archbishop of Bari." All was acclamation; Orsini alone stood out; he aspired to be the pope of the Romans.
But it was too late; the mob was thundering at the gates, menacing death to the cardinals, if they had not immediately a Roman pontiff. The feeble defences sounded as if they were shattering down; the tramp of the populace was almost heard within the hall. They forced or persuaded the aged Cardinal of St. Peter's to make a desperate effort to save their lives. He appeared at the window, hastily attired in what either was or seemed to be the papal stole and mitre. There was a jubilant and triumphant cry: "We have a Roman pope, the Cardinal of St. Peter's. Long live Rome! Long live St. Peter!" The populace became even more frantic with joy than before with wrath. One band hastened to the Cardinal's palace, and, according to the strange usage, broke in, threw the furniture into the streets, and sacked it from top to bottom. Those around the hall of conclave, aided by the connivance of some of the cardinals' servants within, or by more violent efforts of their own, burst in in all quarters. The supposed pope was surrounded by eager adorers; they were at his feet; they pressed his swollen, gouty hands till he shrieked from pain, and began to protest, in the strongest language, that he was not the pope.