CHAPTER XXIII. Contemporary European Porcelain, 387
EXPLANATION OF THE MARKS ON THE PLATES, 395
MARKS ON PORCELAIN, 400
INDEX, 405
LIST OF ILLUSTRATIONS
I. JAPANESE, Imari porcelain (‘Old Japan’). (H. c. 19 in.) Vase, slaty-blue under glaze, iron-red of various shades and gold over glaze. Early eighteenth century. Salting collection......(_Frontispiece._)
II. CHINESE, Ming porcelain. (H. c. 15 in.) Jar with blue-black ground and thin, skin-like glaze. Decoration in relief slightly counter-sunk, pale yellow and greenish to turquoise blue. Probably fifteenth century. Salting collection......(_To face p. 44._)
III. (1) CHINESE. (H. c. 9 in.) Figure of the Teaching Buddha. Celadon glaze, the hair black. Uncertain date. British Museum.
(2) CHINESE, probably Ming dynasty. (H. 11¼ in.) Vase with open-work body, enclosing plain inner vessel. Thick celadon glaze. Victoria and Albert Museum......(_To face p. 64._)
IV. CHINESE, Sung porcelain. (H. c. 12 in.) Small jar with thick pale-blue glaze, and some patches of copper-red; faintly crackled. _Circa_ 1200. British Museum......(_To face p. 71._)
V. CHINESE, Ming porcelain. Three small bowls with apple-green glaze. Fifteenth or sixteenth century. British Museum.
(1) Floral design in gold on green ground. (Diam. 4¾ in.) On base a coin-like mark, inscribed _Chang ming fu kwei_--‘long life, riches, and honour.’
(2) Similar decoration and identical inscription to above (diam. 4¾ in.), set in a German silver-gilt mounting of sixteenth century.
(3) Shallow bowl (diam. 5¼ in.). Inside, apple-green band with gold pattern similar to above; in centre, cranes among clouds--blue under glaze. .....(_To face p. 81._)
VI. CHINESE. Ming porcelain. (H. 7¾ ins.) Spherical vase, floral decoration of Persian type in blue under glaze; the neck has probably been removed for conversion into base of hookah. Probably sixteenth century. Bought in Persia. Victoria and Albert Museum......(_To face p. 84._)
VII. (1) CHINESE. Ming porcelain. (H. c. 18 in.) Baluster-shaped vase; greyish crackle ground, painted over the glaze with turquoise blue flowers (with touches of cobalt), green leaves and manganese purple scrolls; a little yellow in places, and around neck cobalt blue band _under glaze_. On base, mark of Cheng-hua, possibly of as early a date (1464-87). British Museum.
(2) CHINESE. Ming porcelain. (H. c. 19 in.) Vase of square section with four mask handles, imitating old bronze form. Enamelled with dragons and phœnixes; copper-green and iron-red over glaze with a few touches of yellow, combined with cobalt blue under glaze. Inscription, under upper edge, ‘Dai Ming Wan-li nien shi.’ _Circa_ 1600. British Museum......(_To face p. 90._)
VIII. CHINESE. Ming porcelain. Covered inkslab (L. 9¾ in.), pen-rest (L. 9 in.), and spherical vessel (H. 8 in.). Decorated with scroll-work in cobalt blue under the glaze. Persian inscriptions in cartels, relating to literary pursuits. Mark of Cheng-te (1505-21). Obtained in Pekin. British Museum......(_To face p. 94._)
IX. CHINESE, turquoise ware. Probably early eighteenth century. Salting collection.
(1) Pear-shaped vase (H. 8½ in.), decorated with phœnix in low relief. Six-letter mark of Cheng-hua.
(2) Plate with pierced margin (diam. 11 in.). Filfot in centre encircled by cloud pattern, in low relief.
(3) Small spherical incense-burner (H. 5 in.). Floral design in low relief......(_To face p. 98._)
X. CHINESE, _famille verte_. (H. 18 in.) Vase of square section, decorated with flowers of the four seasons. Green, purple, and yellow enamels and white, as reserve, on a black ground. Mark of Cheng-hua. _Circa_ 1700. Salting collection. .....(_To face p. 100._)
XI. CHINESE, _famille verte_. (H. 26 in.) Baluster-shaped vase, decorated with dragons with four claws and snake-like bodies amid clouds. Poor yellow, passing into white, green of two shades, and manganese purple upon a black ground. A very thin skin of glaze, with dullish surface. Probably before 1700. Salting collection. (_To face p. 102._)
XII. _Chinese_, egg-shell porcelain. _Famille rose._
(1) Plate (diam. 8¼ in.). On border, vine with grapes, in gold. In centre, lady on horseback, accompanied by old man and boy carrying scrolls. 1730-50. British Museum.
(2) Plate (diam. 8½ in.) In centre the arms of the Okeover family with elaborate mantling. Initials of Luke Okeover and his wife on margin. Early _famille rose_, the _rouge d’or_ only sparingly applied. _Circa_ 1725. British Museum. .....(_To face p. 108._)
XIII. (1) CHINESE, _famille verte_. Long-necked, globular vase (H. 17 in.), enamelled with figures of Taoist sages, etc.: green, iron-red, yellow, purple, and opaque blue, all over the glaze. Early eighteenth century. Salting collection.
(2) CHINESE. Tall cylindrical vase (H. 18 in.). Red fish among eddies of gold on blue ground. Early eighteenth century. Salting collection.
(3) CHINESE. Spindle-shaped vase (H. 18 in.). Pure white, chalky ground; three fabulous animals seated. 1720-40. Salting collection. .....(_To face p. 110._)
XIV. JAPANESE. Imari porcelain. Large dish (diam. 20 in.). Painted under the glaze with cobalt blue in various shades, relieved with gold. In centre, landscape with Baptism of Christ. Below, in panel on margin--Mat. 3 16. Seventeenth century. Victoria and Albert Museum. .....(_To face p. 133._)
XV. (1) CHINESE. Open-work cylinder (H. 5¼ in.) formed of nine interlacing dragons; the top pierced with nine holes. Plain white ware, with greyish white glaze. Probably Ting ware of Ming period. Victoria and Albert Museum.
(2) CHINESE. Ming porcelain. Water-vessel for base of hookah (H. 4¾ in.). Cobalt blue under glaze. Chinese sixteenth century; made for the Persian market. Victoria and Albert Museum. .....(_To face p. 142._)
XVI. CHINESE. Two vases for flowers (H. 11¼ and 10½ in.). Floral design in white slip upon a _fond laque_ or ‘dead leaf’ ground. Seventeenth century. Bought in Persia. Victoria and Albert Museum......(_To face p. 146._)
XVII. CHINESE. Three vases, examples of _flambé_ or ‘transmutation’ glazes. First half eighteenth century. Salting collection.
(1) Vase with monster handles (H. 9 in.); glaze irregularly crackled.
(2) Cylindrical vase, made in a mould (H. 10 in.).
(3) Small pear-shaped vase (H. 7½ in.), mottled red and blue......(_To face p. 150._)
XVIII. (1) CHINESE ‘blue and white.’ Small vase (H. 7½ in.). The paste pierced before glazing to form an open-work pattern filled up by glaze. Eighteenth century. British Museum.
(2) CHINESE ‘blue and white.’ Mortar-shaped vase (H. 10 in.). Scattered figures of Taoist sages in pale blue. Chinese, probably sixteenth century. British Museum. .....(_To face p. 154._)
XIX. CHINESE, Ming porcelain. Vase (H. 9½ in.), shaped into vertical, convex panels. The top has been ground down. Very thick paste, showing marks of juncture of moulds. Decoration of kilins and pine-trees in exceptionally brilliant cobalt blue under glaze. Probably fifteenth century. Victoria and Albert Museum. .....(_To face p. 157._)
XX. CHINESE. Globular vase with long neck (H. 17¾ in.). Design built up of lines of iron-red and gold. _Circa_ 1720. Bought in Persia. Victoria and Albert Museum......(_To face p. 162._)
XXI. CHINESE armorial porcelain. Octagonal plate (diam. 16 in.). Talbot arms in centre surrounded by design of books, scrolls, etc.--all in blue under glaze. Early eighteenth century. British Museum......(_To face p. 164._)
XXII. CHINESE porcelain from Siam. Three covered bowls, probably enamelled in Canton for the Siamese market. Early nineteenth century. Victoria and Albert Museum.
(1) Floral design in iron-red, green and yellow over glaze. (H. 6½ in.)
(2) Buddhist divinities in panels amid flame-like ground. Opaque enamels--iron-red, pink, yellow and black. (H. 9 in.)
(3) Floral design in cobalt blue under glaze. (H. 6¼ in.) Brass rim and foot. Said to be a cinerary urn. (_Tho-khôt._).....(_To face p. 174._)
XXIII. JAPANESE, Kakiyemon ware. _Circa_ 1650. British Museum.
(1) Saucer or plate with scalloped edge (diam. 9¾ in.). Prunus springing from straw hedge, Chinese boy and tigers. Enamels--green, yellow, iron-red and blue, all over glaze.
(2) Four-sided bottle (H. 8¾ in.). Formally treated flowers in iron-red, green and blue, all over glaze.
(3) Octagonal saucer (diam. 5¾ in.). Decoration of quails and flowers in iron-red, green and gold over glaze, with cobalt blue under glaze. .....(_To face p. 184._)
XXIV. (1) CHINESE. Covered bowl (H. 8 in.). Floral rosette with fourteen lobes in imitation of the Japanese _kiku-mon_. Iron-red, green and gold over glaze with deep cobalt blue under glaze. Early eighteenth century; made at King-te-chen in imitation of the contemporary Imari ware. Salting collection.
(2) JAPANESE, Imari ware. Bowl with scalloped edge (diam. 9 in.). Chrysanthemum flowers in low relief; iron-red, green and gold over glaze and cobalt blue under glaze. _Circa_ 1700. Salting collection. .....(_To face p. 186._)
XXV. JAPANESE, Imari ware. Large plate (diam. 22 in.). On margin, mandarin ducks, cranes and doves in panels amid flowers; in centre, two eagles. Iron-red of various shades, gold and a few touches of green over glaze with deep cobalt blue under glaze. Late seventeenth century. Salting collection......(_To face p. 188._)
XXVI. JAPANESE, Kutani ware. Jar (H. 13 in.); on a greyish white, somewhat crackled ground, grotesque dancing figures; iron-red, manganese purple, yellow, green, and blue, all over glaze. Seventeenth century. British Museum. .....(_To face p. 204._)
XXVII. JAPANESE. Kutani, kaolinic stoneware. Octagonal bottle, in shape of double gourd (H. 12 in.). Thick enamels--green (predominant), iron-red, purple and blue, all over glaze. _Circa_ 1700. Victoria and Albert Museum. .....(_To face p. 206._)
XXVIII. CHINESE ‘blue and white.’ Two bowls, set in copper-gilt mounts of English make, _circa_ 1600-1620. From a set of five pieces long preserved at Burleigh House. Pierpont Morgan collection.
(1) Shallow bowl (diam. 9 in.), in centre medallion with phœnix. Mark of Wan-li (1572-1619).
(2) Bowl, with deer in panels (diam. 10 in.). _Circa_ 1600......(_To face p. 222._)
XXIX. MEDICI porcelain. Late sixteenth century. Victoria and Albert Museum.
(1) Pear-shaped vase (H. 6⅞ in.). Floral design in cobalt blue, outlined with manganese black, both under glaze.
(2) Double-necked cruet (H. 6 in.). Design in pale blue under glaze. On the neck, A and O, for _aceto_ and _oglio_......(_To face p. 236._)
XXX. MEDICI porcelain. Plate or shallow bowl (diam. 7 in.). Floral design in somewhat Persian style, in cobalt blue under glaze. On back, the dome of Sta. Maria del fiore and the letter F. Late sixteenth century. Fitzhenry collection......(_To face p. 238._)
XXXI. MEISSEN porcelain. Hexagonal vase with cover (H. 12 in.). Floral design in coloured enamels of the Kakiyemon style. Mark, the crossed swords in blue. 1730-50. Franks collection (Bethnal Green)......(_To face p. 253._)
XXXII. (1) MEISSEN porcelain. Plate with wavy edge (diam. 9 in.). Claret border with gold sprigs. Humming-bird in centre. Mark, the crossed swords with dot in blue. 1763-74, in imitation of Chelsea ware. Victoria and Albert Museum, ex Bernal collection.
(2) LUDWIGSBURG porcelain. Plate (diam. 9¼ in.). Scrolls in low relief in white round margin; scattered flowers in lilac _camaïeu_. Mark, double C under crown, for Carl, Duke of Würtemberg. 1760-70. Victoria and Albert Museum......(_To face p. 266._)
XXXIII. (1) ROUEN porcelain. Cup (H. 3¼ in.). Conventional design, in dark blue under glaze, in style of seventeenth century. Thin and very translucent body. Probably before 1700. Fitzhenry collection.
(2) SAINT-CLOUD porcelain. Ewer with cover (H. 7¾ in.). Scale pattern in relief. Celadon glaze of sagy-green tint. Mounted with thumb-piece and rim of engraved silver. _Circa_ 1700. Fitzhenry collection.
(3) SAINT-CLOUD porcelain. Ewer with cover (H. 5¼ in.). Conventional design, in blue under glaze, in style of seventeenth century. _Circa_ 1700. Fitzhenry collection. .....(_To face p. 282._)
XXXIV. CHANTILLY porcelain. Two cylindrical vases with covers (H. 7 in.). Rims mounted in silver (one gilt). Enamelled over the glaze in the Kakiyemon style-Chinese landscape and boys playing. Mark, hunting-horn in red. _Circa_ 1730-40. Fitzhenry collection. .....(_To face p. 286._)
XXXV. (1) SÈVRES, white biscuit-ware (H. 6½ in.). Young girl seated with a _sabot_ in her lap, a child crouching beside her. Mark, F incised (perhaps for Falconet or for the year 1758). Franks collection (Bethnal Green).
(2) MENNECY, white glazed ware. Figure of bagpiper (H. 9½ in.). _Circa_ 1750. (From an engraving by J. Dumont le Rom, 1739.) Franks collection (Bethnal Green). .....(_To face p. 288._)
XXXVI. (1) VINCENNES or EARLY SÈVRES porcelain. Ewer with cover (H. 4¾ in.). _Gros bleu_ ground with birds and flowers in white reserves. Mark, double L with three dots, in blue under glaze. _Circa_ 1750. Victoria and Albert Museum; Jones collection.
(2) and (3) SÈVRES porcelain. Two small _sucriers_ (H. 3 in.). _Gros bleu_ and green ground, with birds on branches painted in white reserves. No mark, but early. Victoria and Albert Museum; Jones collection. .....(_To face p. 294._)
XXXVII. SÈVRES porcelain. Vase (H. 10¾ in.), one of a pair, decorated with wreaths of flowers on a white ground. Mark, the letter I, for 1761. Victoria and Albert Museum; Jones collection. .....(_To face p. 296._)
XXXVIII. SÈVRES porcelain. _Écuelle_ and saucer (diam. 5 in. and 7½ in.). Turquoise ground; panels with pastoral scenes. Mark, the letter Q for 1768, and _ch._ for the painter Chabry. Victoria and Albert Museum; Jones collection. .....(_To face p. 298._)
XXXIX. SÈVRES porcelain. _Sucrier_, saucer and caddy from _Cabaret_ (H. 4 in., 4¾ in., and 3 in.). _Rose carné_ ground; flowers, etc., painted on white reserves. Mark, the letter H for 1760, and an anchor for the painter Buteux père. Victoria and Albert Museum; Jones collection. .....(_To face p. 300._)
XL. SÈVRES porcelain. Covered cup (H. 3¾ in.) and saucer (diam. 5 in.). Jewelled decoration on white ground. Studs of opaque white and turquoise and transparent ruby, connected by foliage of transparent green lined by gold. 1780-86. No mark. Currie collection. .....(_To face p. 302._)
XLI. (1) and (2) VENETIAN porcelain. Tall cup (H. 4⅜ in.) and saucer (diam. 5⅛ in.). Birds and vines in blue under glaze with slight gilding. Mark, Ven^{a} on cup, the same in script on saucer. Probably the work of the Vezzi family (1719-40). Franks collection (Bethnal Green).
(3) MEISSEN porcelain. Pot-pourri with cover (H. 5½ in.). Fluted sides, flowers in high relief enamelled in colours. Mark, crossed swords in blue. _Circa_ 1750. From the Strawberry Hill collection. Franks collection (Bethnal Green).
(4) FRANKENTHAL porcelain. Ewer and cover (H. 6⅝ in.). Painted in lilac _camaïeu_ with landscape (signed--Magnus pi.) Gilt borders. 1761-78. Mark, C. T. under crown in blue. Franks collection (Bethnal Green). .....(_To face p. 316._)
XLII. (1) CAPO DI MONTE porcelain. Scent bottle (H. 3⅞ in.). Child in swaddling-clothes of blue and lilac. _Circa_ 1750. Victoria and Albert Museum.
(2) CAPO DI MONTE porcelain. Siren (H. 2⅝ in.), plain white, made for stand of vessel. _Circa_ 1750. From the Bandinel collection. Victoria and Albert Museum.
(3) CAPO DI MONTE porcelain. Triton (H. 2⅞ in.). Plaque in low relief, made for application. _Circa_ 1750. Victoria and Albert Museum.
(4) DOCCIA porcelain. Cup with cover (H. 4⅜ in.). Plain white, vine branches in relief. Victoria and Albert Museum. .....(_To face p. 320._)
XLIII. CHELSEA porcelain. Saucer (diam. 4½ in.), sugar-basin (H. 4 in.), and cream-jug (H. 2¾ in.), forming part of an extensive tea equipage. Claret ground with rich gilding; pastoral figures in reserve panels. _Circa_ 1760. Victoria and Albert Museum; Thomson bequest. .....(_To face p. 340._)
XLIV. CHELSEA porcelain. Two figures of minuet dancers (H. 11½ in. and 10¾ in.). Enamelled with winy-red, pale opaque turquoise, and a little green and iron-red--the lady’s stays lavender. These figures seem to have been suggested by the principal dancers in Watteau’s _Fête Champêtre_ now at Edinburgh (engraved by Laurent Carrs, 1734, as _Fêtes Venitiennes_). _Circa_ 1760. Victoria and Albert Museum; Schreiber collection......(_To face p. 342._)
XLV. (1) CHELSEA porcelain. Plate (diam. 8 in.) with wavy edge. Enamelled with shades of iron-red and green, with blue under glaze and gilding, in imitation of brocaded Imari ware. 1750-60. Victoria and Albert Museum.
(2) BOW porcelain. Octagonal plate (diam. 9 in.). In centre, two fighting cocks, in the Kakiyemon style; the wreaths of flowers suggested rather by Dresden. Iron-red, claret, and an opaque, poor blue enamel, laid on thickly, with gilding. _Circa_ 1760. Victoria and Albert Museum......(_To face p. 346._)
XLVI. WORCESTER porcelain. Tea-poy (H. 6½ in.), sugar-basin (H. 4¾ in.), and milk-jug (H. 5 in.) from a tea equipage. Trellis design. _Circa_ 1780. Victoria and Albert Museum. .....(_To face p. 362._)
XLVII. WATER-COLOUR DRAWING (17 in. by 18½ in.), by Thomas Baxter, junior; signed and dated 1810. The studio of Thomas Baxter, senior, 1 Gough Square. Porcelain painters at work. A price-list of Coalport white china is seen on the wall. Victoria and Albert Museum. .....(_To face p. 366._)
XLVIII. (1) PLYMOUTH porcelain. Market-woman with flower-basket (H. 10 in.). Plain white, with lines of dirty brown in folds of drapery and stand. _Circa_ 1770. Victoria and Albert Museum; Schreiber collection.
(2) BRISTOL porcelain. Female figure, ‘Autumn’ (H. 10 in.). Belt with signs of zodiac. Enamels--green, lilac, iron-red, and yellowish-green, with gilding. _Circa_ 1775. Victoria and Albert Museum; Schreiber collection. .....(_To face p. 380._)
XLIX. (1) BRISTOL biscuit-ware. Medallion (max. diam. of plaque, 6 in.) with head of Washington in centre, from a contemporary medal (‘General of the Continental Armies’). _Circa_ 1778. British Museum.
(2) BRISTOL porcelain. Ink-stand (H. 7½ in.), in plain white ware, supported by three griffins. Victoria and Albert Museum. .....(_To face p. 382._)
SELECTED LIST OF WORKS ON PORCELAIN
ALPHABETICAL LIST OF AUTHORS
ALEXANDRA PALACE: _Catalogue of Collection of English Porcelain and Pottery on Loan in 1873._
BACHELIER ET GOUELLAIN: _Mémoire Historique sur la Porcelaine de la France, ré-édité avec préface, par G. G._ Paris, 1878.
BARBER (E. A.): _Pottery and Porcelain in the United States._ New York, 1901.
BEMROSE (W.): _Bow, Chelsea, and Derby Porcelain._ London, 1898.
BERTIN (HENRI): _Catalogue and Notice of ‘Cabinet Chinois.’_ Paris, 1815.
BING (M. S.): _La Céramique Japonaise_ (in Gonze’s _Art Japonais_). Paris, 1883.
BINNS (R. W.):--
_A Century of Potting in the City of Worcester._ Worcester, 1883.
_Catalogue of Collection of Porcelain at Royal Porcelain Works._ Worcester, 1882.
BRINCKMANN (J.): _Hamburgisches Museum für Kunst und Gewerbe. Beschreibung des Europäischen Porzellans._ Hamburg, 1894.
BRINKLEY (F.): _History of Japanese Ceramics_ (_Chrysanthemum_, iii., 1883). Yokohama.
BRONGNIART (ALEXANDRE): _Traité des Arts Céramiques._ 2 vols. and Atlas. Paris, 1844, 1854, and 1857 (with additions by A. Salvétat).
BRONGNIART ET RIOCREUX: _Sèvres, Musée Céramique._ Paris, 1845.
BURTON (W.):--
_History of English Ceramics._ 1902.
_The Influence of Material on Design of Pottery._ Cantor Lectures, 1897.
BURLINGTON FINE ARTS CLUB:--
_English and Continental Porcelain._ 1873.
_Blue and White Oriental China._ 1895.
_Coloured Chinese Porcelain._ 1896.
BUSHELL (S. W.):--
_Oriental Ceramic Art, illustrated by selections from the Collection of W. T. Walters._ Folio. New York, 1897; Text Edition, 8vo., 1899.
_Chinese Porcelain before the present Dynasty._ Pekin, 1886.
CHAFFERS (W.):--
_The Ceramic Gallery, with 500 Illustrations._ 1872.
_Marks and Monograms on Pottery and Porcelain._ 9th edition. 1900.
CHAMPFLEURY: _Bibliographie Céramique._ Paris, 1881.
CHANTILLY: _La Manufacture de Porcelaine de C._ Paris, 1892.
CHURCH (A. H.):--
_English Earthenware_ (South Kensington Art Handbook). 1884.
_English Porcelain_ (South Kensington Art Handbook). 1885 and 1898.
_Scientific and Artistic Aspects of Pottery._ Cantor Lectures, 1881.
D’ENTRECOLLES (PÈRE): _Lettres Édifiantes et Curieuses._
DAVILLIER (J. C.):--
_Les Origines de la Porcelaine en Europe._ Paris, 1882.
_Les Porcelaines de Sèvres et Mme. du Barry._ Paris, 1870.
DRAKE (SIR W.): _Notes on Venetian Ceramics._ Privately printed, 1868.
DUBREUIL: _La Porcelaine._ Part 42 of Fremy’s _Encyclopédie Chimique_. Paris, 1885.
ENGELHARDT (C. A.): _J. F. Böttger, Erfinder des Sächsischen Porzellans._ Leipsic, 1837.
FALKE (Jacob von): _Die K.K. Wiener Porzellan Fabrik._ Vienna, 1887.
FRANKS (SIR A. W.):--
_Catalogue of Oriental Pottery and Porcelain._ 1878.
_Catalogue of Continental Porcelain._ 1896.
_Japanese Pottery_ (South Kensington Handbook). 1880.
_The Manufacture of Porcelain at Chelsea. Archæological Journal._ 1862.
GARNIER (ÉDOUARD):--
_Histoire de la Céramique._ Tours, 1882.
_The Soft-Paste Porcelain of Sèvres._ 50 Plates. 1892.
_Copenhagen, Manufacture Royale de Porcelaine_ (_Bulletin de l’Art et de l’Industrie_). Paris, 1894.
GARNIER ET GASNAULT: _Musée National, Limoges, Catalogue._ 1881.
GASNAULT ET GARNIER: _French Pottery_ (South Kensington Handbook). 1884.
GEOLOGICAL MUSEUM: _See_ REEKS, T.
GERSAINT: _Catalogue of the Fonspertuis Collection._ Paris, 1747.
GINORI (MARCHESE CARLO): _La Manifattura Ginori a Doccia._ Florence, 1867.
GONZE (LOUIS): _L’Art Japonais._ Paris, 1886.
GOUELLAIN: _see_ BACHELIER.
GRAESSE (J. G. T.): _Guide de l’amateur de Porcelaine et de Potterie._ Dresden, 4th edition, 1873.
GRANDIDIER (E.): _La Céramique Chinoise._ Paris, 1894.
GRIGGS (W.): _Examples of Armorial China._ Folio. 1887.
GULLAND (W. G.): _Chinese Porcelain_ (notes by T. J. Larkin). 1898 and 1903.
HASLEM (JOHN): _The Old Derby China Factory._ 1876.
HIPPISLEY (ALFRED): _Ceramic Art in China_ (Smithsonian Institute). Washington, 1890.
HIRTH (F.): _Ancient Chinese Porcelain._ Leipsic, 1888.
HOFFMANN: _Mémoire sur la Céramique du Japon_ (Appendix to Juliens work).
HOUDOY (JULES): _Histoire de la Céramique Lilloise._ Paris, 1869.
JACQUEMART (A.) ET LE BLANC (E.): _Histoire de la Porcelaine._ Folio; etchings by Jules Jacquemart. Paris, 1862.
JACQUEMART (A.):--
_Histoire de la Céramique._ Paris, 1873. English translation by Mrs. Palliser. 1873.
_Les Merveilles de la Céramique._ Paris, 1866-69.
JAENNICKE (FRIEDRICH):--
_Grundriss der Keramik._ Stuttgart, 1878-79.
_Die Gesammte Keramische Litteratur._ Stuttgart, 1882.
JEWITT (LL.):--
_The Ceramic Art of Great Britain._ 1883.
_A History of the Coalport Porcelain Works._ 1862.
JULIEN (STANISLAS): _Histoire et Fabrication de la Porcelaine Chinoise._ Translated from the Chinese. Notes by Salvétat; and memoir on Japanese Porcelain by Hoffmann. Paris, 1856.
KOLBE (G.): _Geschichte der K. Porzellan Manufactur zu Berlin._ Berlin, 1863.
LITCHFIELD (FRED.): _Pottery and Porcelain._ 1900.
MACON (G.): _Les Arts dans la Maison de Condé._ Paris, 1903.
MARRYAT (JOSEPH): _History of Pottery and Porcelain._ 3rd edition, 1868.
METEYARD (ELIZA): _Life of Josiah Wedgwood._ 1865.
MEYER (A. B.): _Lung-chüan yao, oder alter Seladon Porzellan._ Berlin, 1889.
MILLY (COMTE DE): _L’Art de la Porcelaine._ Paris, 1771.
MONKHOUSE (COSMO): _History and Description of Chinese Porcelain._ (Notes by S. W. Bushell.) 1901.
NIGHTINGALE (J. E.): _Contributions towards the History of English Porcelain, from contemporary sources._ Salisbury, 1881.
OWEN (HUGH): _Two Centuries of Ceramic Art at Bristol._ 1873.
PARIS (Exposition Universelle, 1900): _Histoire de l’art de Japon._
PATENT OFFICE: _Patents relating to Pottery and Porcelain._ 1863.
PIOT (EUGÈNE): _Histoire de la Porcelaine_ (Cabinet de l’Amateur). Paris, 1863.
RANDALL (JOHN): _A History of Madeley, including Coalport_, etc. Madeley, 1880.
REEKS (T.), and RUDLER (F. W.): _Catalogue of English Pottery in the Museum of Practical Geology._ 1893.
RIAÑO (DON JUAN): _Handbook of Spanish Arts_ (South Kensington). 1879.
RICCIO: _La Fabbrica della Porcellana in Napoli._ Naples, 1878.
RIS-PAQUOT (O. E.): _Dictionnaire des Marques et Monogrammes de Porcelaines._ Paris, 1880 and 1893.
SALVÉTAT (A.): _Leçons de Céramique._ Paris, 1857.
SARTEL (O. DU): _La Porcelaine de Chine._ Paris, 1881.
SCHREIBER COLLECTION, _Catalogue of_. 1885.
SEIDLITZ (W. VON): _Die Meissner Porzellan Manufactur unter Böttger_ (_Society of Saxon History_, vol. ix.)
SOIL, EUGÈNE: _Recherches sur les Anciennes Porcelaines de Tournay._ Paris, 1883.
SOLON (M. L.): _History of Old English Porcelain._ 1903.
SOUTH KENSINGTON MUSEUM:--
_List of Books on Pottery and Porcelain in the National Library._ 2nd edition, 1885.
_Classified Catalogue of Printed Books, Ceramics._ 1895.
STEGMANN (H.): _Die Fürstliche Braunschweigische Porzellan Manufactur zu Fürstenberg._ Brunswick, 1893.
STRÅLE (G. H.): _Rörstrand et Marieberg. Céramiques Suédoises du dix-huitième Siècle._ Stockholm, 1872.
THIANCOURT et DAVILLIER: _L’Art de Restaurer les Porcelaines._ Paris, 1865.
TIFFEN (W. F.): _A Chronograph of the Bow, Chelsea, and Derby China Manufactories._ Salisbury, 1875.
TURNER (W.): _The Ceramics of Swansea and Nantgarw._ 1897.
UYEDA, TOKUNOSUKE. _La Céramique Japonaise._ Paris, 1895.
VERNADSKY. _Molecular Composition of Porcelain._ ‘_Comptes Rendus_,’ 1890, p. 1377.
VOGT (GEORGES): _La Porcelaine._ Paris, 1893.
WALLACE COLLECTION (Hertford House): _Catalogue of Porcelain_, etc. 1902.
WALPOLE (HORACE): _Ædes Strawberrianæ: Catalogue of the Strawberry Hill Collection._ Privately printed, 1784.
WURTZ (HENRY): _Chemistry and Composition of Porcelain and Porcelain Rocks in Japan._ Philadelphia Exhibition Reports, 1877.
ZAIS (E.): _Die Kurmainzische Porzellan-Manufactur zu Höchst._ Mainz, 1887.
KEY TO THE BIBLIOGRAPHICAL LIST
ALPHABETICAL LIST OF TOPOGRAPHY AND SUBJECT
_America._ Barber.
_Berlin._ Kolbe.
_Bibliography._ Champfleury, Jaennicke, South Kensington.
_Bow._ Bemrose, Tiffen.
_Bristol._ Owen.
_Buen Retiro._ Riaño.
_Capo di Monte._ Riccio.
_Catalogues._ Burlington Fine Arts Club, Bertin, Binns, Franks, Garnier, Schreiber, Walpole, Wallace.
_Chantilly._ Chantilly, Gasnault, Macon.
_Chelsea._ Bemrose, Franks, Tiffen.
_China._ Burlington Fine Arts Club, Bushell, D’Entrecolles, Franks, Griggs, Gulland, Grandidier, Hirth, Hippisley, Julien, Meyer, Monkhouse, Du Sartel.
_Coalport._ Randall.
_Composition and Chemistry._ Brongniart, Church, Reeks, Vernadsky.
_Continental Porcelain._ Brinckmann, Franks, Garnier.
_Derby._ Bemrose, Haslem, Tiffen.
_Doccia._ Ginori.
_Dresden._ See _Meissen_.
_English Porcelain._ Alexandra Palace, Burton, Church, Jewitt, Nightingale, Reeks, Solon.
_Fürstenberg._ Stegmann.
_General._ Chaffers, Garnier, Jacquemart, Jaennicke, Litchfield, Marryat, Piot, Vogt.
_Höchst._ Zais.
_Japan._ Brinkley, Bushell, Bing, Franks, Gonze, Hoffmann, Paris Exhibition, Uyeda, Wurtz.
_Korea._ Bushell.
_Lille._ Houdoy.
_Manufacture._ See _Technology_.
_Marks._ Chaffers, Franks, Jaennicke, Ris-Paquot.
_Medici._ Davillier.
_Meissen._ Brinckmann, Engelhardt, Grässe, Seidlitz.
_Nantgarw._ Turner.
_Plymouth._ Owen.
_Repairing._ Thiancourt.
_Saint-Cloud._ Lister, Gasnault.
_Saxony._ See _Meissen_.
_Sèvres._ Bachelier, Davillier, Garnier, Gasnault, Vogt.
_Swansea._ Turner.
_Sweden._ Stråle.
_Technology._ Brongniart, Burton, Bushell, D’Entrecolles, Dubreuil, Julien, Reeks, Salvétat, Vogt, Wurtz.
_Tournay._ Soil.
_Venice._ Davillier, Drake.
_Vienna._ Falke.
_Wedgwood._ Meteyard.
_Worcester._ Binns.
LIST OF WORKS ON OTHER SUBJECTS REFERRED TO IN THE TEXT
BORLASE. _Natural History of Cornwall._ Oxford, 1758.
CHARDIN. _Voyages en Perse._ Amsterdam, 1686.
DAVIS (SIR JOHN): _The Chinese._ 1857.
GERTZ. _Les Produits de la Nature Chinoise et Japonaise._ Yokohama.
HIRTH (F.):--
_China and the Roman Orient._ 1855.
_Fremde Einflüsse in der Chinesischen Kunst._ Leipsic, 1896.
_Chinesische Studien._ Munich, 1890.
LISTER (DR. MARTIN): _Journey to Paris._ London, 1699.
POLO (MARCO):--
_Le Livre de M. P._ Edited by M. G. Pauthier. Paris, 1865.
_The Book of Ser M. P._ Edited by H. Yule, 1871.
PALÉOLOGUE: _L’Art Chinois._ Paris, 1887.
PLOT (DR.): _Natural History of Oxfordshire._ Oxford, 1677.
REIN (J. J.): _Industries of Japan._ 1889.
RICHTHOFEN (FERDINAND V.): _China._ Berlin, 1877.
YULE (H.): _Cathay and the Way Thither._ 1866.
PORCELAIN