Part 33

X. To establish still further his character, he declared, "that he designed to govern according to the model of Augustus;" and omitted no opportunity of showing his generosity, clemency, and complaisance. The more burthensome taxes he either entirely took off, or diminished. The rewards appointed for informers by the Papian law, he reduced to a fourth part, and distributed to the people four hundred sesterces a man. To the noblest of the senators who were much reduced in their circumstances, he granted annual allowances, in some cases as much as five hundred thousand sesterces; and to the pretorian cohorts a monthly allowance of corn gratis. When called upon to subscribe the sentence, according to custom, of a criminal condemned to die, "I wish," said he, "I had never learnt to read and write." He continually saluted people of the several orders by name, without a prompter. When the senate returned him their thanks for his good government, he replied to them, "It will be time enough to do so when I shall have deserved it." He admitted the common people to see him perform his exercises in the Campus Martius. He frequently declaimed in public, and recited verses of his own composing, not only at home, but in the theatre; so much to the joy of all the people, that public prayers were appointed to be put up to the gods upon that account; and the verses which had been publicly read, were, after being written in gold letters, consecrated to Jupiter Capitolinus.

(344) XI. He presented the people with a great number and variety of spectacles, as the Juvenal and Circensian games, stage-plays, and an exhibition of gladiators. In the Juvenal, he even admitted senators and aged matrons to perform parts. In the Circensian games, he assigned the equestrian order seats apart from the rest of the people, and had races performed by chariots drawn each by four camels. In the games which he instituted for the eternal duration of the empire, and therefore ordered to be called Maximi, many of the senatorian and equestrian order, of both sexes, performed. A distinguished Roman knight descended on the stage by a rope, mounted on an elephant. A Roman play, likewise, composed by Afranius, was brought upon the stage. It was entitled, "The Fire;" and in it the performers were allowed to carry off, and to keep to themselves, the furniture of the house, which, as the plot of the play required, was burnt down in the theatre. Every day during the solemnity, many thousand articles of all descriptions were thrown amongst the people to scramble for; such as fowls of different kinds, tickets for corn, clothes, gold, silver, gems, pearls, pictures, slaves, beasts of burden, wild beasts that had been tamed; at last, ships, lots of houses, and lands, were offered as prizes in a lottery.

XII. These games he beheld from the front of the proscenium. In the show of gladiators, which he exhibited in a wooden amphitheatre, built within a year in the district of the Campus Martius [569], he ordered that none should be slain, not even the condemned criminals employed in the combats. He secured four hundred senators, and six hundred Roman knights, amongst whom were some of unbroken fortunes and unblemished reputation, to act as gladiators. From the same orders, he engaged persons to encounter wild beasts, and for various other services in the theatre. He presented the public with the representation of a naval fight, upon sea-water, with huge fishes swimming in it; as also with the Pyrrhic dance, performed by certain youths, to each of whom, after the performance was over, he granted the freedom of Rome. During this diversion, a bull covered Pasiphae, concealed within a wooden statue of a cow, as many of the spectators believed. Icarus, upon his first attempt to fly, fell on the stage close to (345) the emperor's pavilion, and bespattered him with blood. For he very seldom presided in the games, but used to view them reclining on a couch, at first through some narrow apertures, but afterwards with the Podium [570] quite open. He was the first who instituted [571], in imitation of the Greeks, a trial of skill in the three several exercises of music, wrestling, and horse-racing, to be performed at Rome every five years, and which he called Neronia. Upon the dedication of his bath [572] and gymnasium, he furnished the senate and the equestrian order with oil. He appointed as judges of the trial men of consular rank, chosen by lot, who sat with the praetors. At this time he went down into the orchestra amongst the senators, and received the crown for the best performance in Latin prose and verse, for which several persons of the greatest merit contended, but they unanimously yielded to him. The crown for the best performer on the harp, being likewise awarded to him by the judges, he devoutly saluted it, and ordered it to be carried to the statue of Augustus. In the gymnastic exercises, which he presented in the Septa, while they were preparing the great sacrifice of an ox, he shaved his beard for the first time [573], and putting it up in a casket of gold studded with pearls of great price, consecrated it to Jupiter Capitolinus. He invited the Vestal Virgins to see the (346) wrestlers perform, because, at Olympia, the priestesses of Ceres are allowed the privilege of witnessing that exhibition.

XIII. Amongst the spectacles presented by him, the solemn entrance of Tiridates [574] into the city deserves to be mentioned. This personage, who was king of Armenia, he invited to Rome by very liberal promises. But being prevented by unfavourable weather from showing him to the people upon the day fixed by proclamation, he took the first opportunity which occurred; several cohorts being drawn up under arms, about the temples in the forum, while he was seated on a curule chair on the rostra, in a triumphal dress, amidst the military standards and ensigns. Upon Tiridates advancing towards him, on a stage made shelving for the purpose, he permitted him to throw himself at his feet, but quickly raised him with his right hand, and kissed him. The emperor then, at the king's request, took the turban from his head, and replaced it by a crown, whilst a person of pretorian rank proclaimed in Latin the words in which the prince addressed the emperor as a suppliant. After this ceremony, the king was conducted to the theatre, where, after renewing his obeisance, Nero seated him on his right hand. Being then greeted by universal acclamation with the title of Emperor, and sending his laurel crown to the Capitol, Nero shut the temple of the two-faced Janus, as though there now existed no war throughout the Roman empire.

XIV. He filled the consulship four times [575]: the first for two months, the second and last for six, and the third for four; the two intermediate ones he held successively, but the others after an interval of some years between them.

XV. In the administration of justice, he scarcely ever gave his decision on the pleadings before the next day, and then in writing. His manner of hearing causes was not to allow any adjournment, but to dispatch them in order as they stood. When he withdrew to consult his assessors, he did not debate the matter openly with them; but silently and privately reading over their opinions, which they gave separately in writing, (347) he pronounced sentence from the tribunal according to his own view of the case, as if it was the opinion of the majority. For a long time he would not admit the sons of freedmen into the senate; and those who had been admitted by former princes, he excluded from all public offices. To supernumerary candidates he gave command in the legions, to comfort them under the delay of their hopes. The consulship he commonly conferred for six months; and one of the two consuls dying a little before the first of January, he substituted no one in his place; disliking what had been formerly done for Caninius Rebilus on such an occasion, who was consul for one day only. He allowed the triumphal honours only to those who were of quaestorian rank, and to some of the equestrian order; and bestowed them without regard to military service. And instead of the quaestors, whose office it properly was, he frequently ordered that the addresses, which he sent to the senate on certain occasions, should be read by the consuls.

XVI. He devised a new style of building in the city, ordering piazzas to be erected before all houses, both in the streets and detached, to give facilities from their terraces, in case of fire, for preventing it from spreading; and these he built at his own expense. He likewise designed to extend the city walls as far as Ostia, and bring the sea from thence by a canal into the old city. Many severe regulations and new orders were made in his time. A sumptuary law was enacted. Public suppers were limited to the Sportulae [576]; and victualling-houses restrained from selling any dressed victuals, except pulse and herbs, whereas before they sold all kinds of meat. He likewise inflicted punishments on the Christians, a sort of people who held a new and impious [577] superstition.

(348) He forbad the revels of the charioteers, who had long assumed a licence to stroll about, and established for themselves a kind of prescriptive right to cheat and thieve, making a jest of it. The

## partisans of the rival theatrical performers were banished, as well as

the actors themselves.

XVII. To prevent forgery, a method was then first invented, of having writings bored, run through three times with a thread, and then sealed. It was likewise provided that in wills, the two first pages, with only the testator's name upon them, should be presented blank to those who were to sign them as witnesses; and that no one who wrote a will for another, should insert any legacy for himself. It was likewise ordained that clients should pay their advocates a certain reasonable fee, but nothing for the court, which was to be gratuitous, the charges for it being paid out of the public treasury; that causes, the cognizance of which before belonged to the judges of the exchequer, should be transferred to the forum, and the ordinary tribunals; and that all appeals from the judges should be made to the senate.

XVIII. He never entertained the least ambition or hope of augmenting and extending the frontiers of the empire. On the contrary, he had thoughts of withdrawing the troops from Britain, and was only restrained from so doing by the fear of appearing to detract from the glory of his father [578]. All (349) that he did was to reduce the kingdom of Pontus, which was ceded to him by Polemon, and also the Alps [579], upon the death of Cottius, into the form of a province.

XIX. Twice only he undertook any foreign expeditions, one to Alexandria, and the other to Achaia; but he abandoned the prosecution of the former on the very day fixed for his departure, by being deterred both by ill omens, and the hazard of the voyage. For while he was making the circuit of the temples, having seated himself in that of Vesta, when he attempted to rise, the skirt of his robe stuck fast; and he was instantly seized with such a dimness in his eyes, that he could not see a yard before him. In Achaia, he attempted to make a cut through the Isthmus [580]; and, having made a speech encouraging his pretorians to set about the work, on a signal given by sound of trumpet, he first broke ground with a spade, and carried off a basket full of earth upon his shoulders. He made preparations for an expedition to the Pass of the Caspian mountains [581]; forming a new legion out of his late levies in Italy, of men all six feet high, which he called the phalanx of Alexander the Great. These transactions, in part unexceptionable, and in part highly commendable, I have brought into one view, in order to separate them from the scandalous and criminal part of his conduct, of which I shall now give an account.

XX. Among the other liberal arts which he was taught in his youth, he was instructed in music; and immediately after (350) his advancement to the empire, he sent for Terpnus, a performer upon the harp [582], who flourished at that time with the highest reputation. Sitting with him for several days following, as he sang and played after supper, until late at night, he began by degrees to practise upon the instrument himself. Nor did he omit any of those expedients which artists in music adopt, for the preservation and improvement of their voices. He would lie upon his back with a sheet of lead upon his breast, clear his stomach and bowels by vomits and clysters, and forbear the eating of fruits, or food prejudicial to the voice. Encouraged by his proficiency, though his voice was naturally neither loud nor clear, he was desirous of appearing upon the stage, frequently repeating amongst his friends a Greek proverb to this effect: "that no one had any regard for music which they never heard." Accordingly, he made his first public appearance at Naples; and although the theatre quivered with the sudden shock of an earthquake, he did not desist, until he had finished the piece of music he had begun. He played and sung in the same place several times, and for several days together; taking only now and then a little respite to refresh his voice. Impatient of retirement, it was his custom to go from the bath to the theatre; and after dining in the orchestra, amidst a crowded assembly of the people, he promised them in Greek [583], "that after he had drank a little, he would give them a tune which would make their ears tingle." Being highly pleased with the songs that were sung in his praise by some Alexandrians belonging to the fleet just arrived at Naples [584], he sent for more of the like singers from Alexandria. At the same time, he chose young men of the equestrian order, and above five thousand robust young fellows from the common people, on purpose to learn various kinds of applause, called bombi, imbrices, and testae [585], which they were to practise in his favour, whenever he performed. They were (351) divided into several parties, and were remarkable for their fine heads of hair, and were extremely well dressed, with rings upon their left hands. The leaders of these bands had salaries of forty thousand sesterces allowed them.

XXI. At Rome also, being extremely proud of his singing, he ordered the games called Neronia to be celebrated before the time fixed for their return. All now becoming importunate to hear "his heavenly voice," he informed them, "that he would gratify those who desired it at the gardens." But the soldiers then on guard seconding the voice of the people, he promised to comply with their request immediately, and with all his heart. He instantly ordered his name to be entered upon the list of musicians who proposed to contend, and having thrown his lot into the urn among the rest, took his turn, and entered, attended by the prefects of the pretorian cohorts bearing his harp, and followed by the military tribunes, and several of his intimate friends. After he had taken his station, and made the usual prelude, he commanded Cluvius Rufus, a man of consular rank, to proclaim in the theatre, that he intended to sing the story of Niobe. This he accordingly did, and continued it until nearly ten o'clock, but deferred the disposal of the crown, and the remaining part of the solemnity, until the next year; that he might have more frequent opportunities of performing. But that being too long, he could not refrain from often appearing as a public performer during the interval. He made no scruple of exhibiting on the stage, even in the spectacles presented to the people by private persons, and was offered by one of the praetors, no less than a million of sesterces for his services. He likewise sang tragedies in a mask; the visors of the heroes and gods, as also of the heroines and goddesses, being formed into a resemblance of his own face, and that of any woman he was in love with. Amongst the rest, he sung "Canace in Labour," [586] "Orestes the Murderer of his Mother," "Oedipus (352) Blinded," and "Hercules Mad." In the last tragedy, it is said that a young sentinel, posted at the entrance of the stage, seeing him in a prison dress and bound with fetters, as the fable of the play required, ran to his assistance.

XXII. He had from his childhood an extravagant passion for horses; and his constant talk was of the Circensian races, notwithstanding it was prohibited him. Lamenting once, among his fellow-pupils, the case of a charioteer of the green party, who was dragged round the circus at the tail of his chariot, and being reprimanded by his tutor for it, he pretended that he was talking of Hector. In the beginning of his reign, he used to amuse himself daily with chariots drawn by four horses, made of ivory, upon a table. He attended at all the lesser exhibitions in the circus, at first privately, but at last openly; so that nobody ever doubted of his presence on any particular day. Nor did he conceal his desire to have the number of the prizes doubled; so that the races being increased accordingly, the diversion continued until a late hour; the leaders of parties refusing now to bring out their companies for any time less than the whole day. Upon this, he took a fancy for driving the chariot himself, and that even publicly. Having made his first experiment in the gardens, amidst crowds of slaves and other rabble, he at length performed in the view of all the people, in the Circus Maximus, whilst one of his freedmen dropped the napkin in the place where the magistrates used to give the signal. Not satisfied with exhibiting various specimens of his skill in those arts at Rome, he went over to Achaia, as has been already said, principally for this purpose. The several cities, in which solemn trials of musical skill used to be publicly held, had resolved to send him the crowns belonging to those who bore away the prize. These he accepted so graciously, that he not only gave the deputies who brought them an immediate audience, but even invited them to his table. Being requested by some of them to sing at supper, and prodigiously applauded, he said, "the Greeks were the only people who has an ear for music, and were the only good judges of him and his attainments." Without delay he commenced his journey, and on his arrival at Cassiope [587], (352) exhibited his first musical performance before the altar of Jupiter Cassius.

XXIII. He afterwards appeared at the celebration of all public games in Greece: for such as fell in different years, he brought within the compass of one, and some he ordered to be celebrated a second time in the same year. At Olympia, likewise, contrary to custom, he appointed a public performance in music: and that he might meet with no interruption in this employment, when he was informed by his freedman Helius, that affairs at Rome required his presence, he wrote to him in these words: "Though now all your hopes and wishes are for my speedy return, yet you ought rather to advise and hope that I may come back with a character worthy of Nero." During the time of his musical performance, nobody was allowed to stir out of the theatre upon any account, however necessary; insomuch, that it is said some women with child were delivered there. Many of the spectators being quite wearied with hearing and applauding him, because the town gates were shut, slipped privately over the walls; or counterfeiting themselves dead, were carried out for their funeral. With what extreme anxiety he engaged in these contests, with what keen desire to bear away the prize, and with how much awe of the judges, is scarcely to be believed. As if his adversaries had been on a level with himself, he would watch them narrowly, defame them privately, and sometimes, upon meeting them, rail at them in very scurrilous language; or bribe them, if they were better performers than himself. He always addressed the judges with the most profound reverence before he began, telling them, "he had done all things that were necessary, by way of preparation, but that the issue of the approaching trial was in the hand of fortune; and that they, as wise and skilful men, ought to exclude from their judgment things merely accidental." Upon their encouraging him to have a good heart, he went off with more assurance, but not entirely free from anxiety; interpreting the silence and modesty of some of them into sourness and ill-nature, and saying that he was suspicious of them.

XXIV. In these contests, he adhered so strictly to the rules, (354) that he never durst spit, nor wipe the sweat from his forehead in any other way than with his sleeve. Having, in the performance of a tragedy, dropped his sceptre, and not quickly recovering it, he was in a great fright, lest he should be set aside for the miscarriage, and could not regain his assurance, until an actor who stood by swore he was certain it had not been observed in the midst of the acclamations and exultations of the people. When the prize was adjudged to him, he always proclaimed it himself; and even entered the lists with the heralds. That no memory or the least monument might remain of any other victor in the sacred Grecian games, he ordered all their statues and pictures to be pulled down, dragged away with hooks, and thrown into the common sewers. He drove the chariot with various numbers of horses, and at the Olympic games with no fewer than ten; though, in a poem of his, he had reflected upon Mithridates for that innovation. Being thrown out of his chariot, he was again replaced, but could not retain his seat, and was obliged to give up, before he reached the goal, but was crowned notwithstanding. On his departure, he declared the whole province a free country, and conferred upon the judges in the several games the freedom of Rome, with large sums of money. All these favours he proclaimed himself with his own voice, from the middle of the Stadium, during the solemnity of the Isthmian games.