Chapter 18 of 55 · 936 words · ~5 min read

XIX.

ACHROMATISM AND HYPERCHROMATISM.

285.

Formerly when much that is regular and constant in nature was considered as mere aberration and accident, the colours arising from refraction were but little attended to, and were looked upon as an appearance attributable to particular local circumstances.

286.

But after it had been assumed that this appearance of colour accompanies refraction at all times, it was natural that it should be considered as intimately and exclusively connected with that phenomenon; the belief obtaining that the measure of the coloured appearance was in proportion to the measure of the refraction, and that they must advance _pari passu_ with each other.

287.

If, again, philosophers ascribed the phenomenon of a stronger or weaker refraction, not indeed wholly, but in some degree, to the different density of the medium, (as purer atmospheric air, air charged with vapours, water, glass, according to their increasing density, increase the so-called refraction, or displacement of the object;) so they could hardly doubt that the appearance of colour must increase in the same proportion; and hence took it for granted, in combining different mediums which were to counteract refraction, that as long as refraction existed, the appearance of colour must take place, and that as soon as the colour disappeared, the refraction also must cease.

288.

Afterwards it was, however, discovered that this relation which was assumed to correspond, was, in fact, dissimilar; that two mediums can refract an object with equal power, and yet produce very dissimilar coloured borders.

289.

It was found that, in addition to the physical principle to which refraction was ascribed, a chemical one was also to be taken into the account. We propose to pursue this subject hereafter, in the chemical division of our inquiry, and we shall have to describe the particulars of this important discovery in our history of the doctrine of colours. What follows may suffice for the present.

290.

In mediums of similar or nearly similar refracting power, we find the remarkable circumstance that a greater and lesser appearance of colour can be produced by a chemical treatment; the greater effect is owing, namely, to acids, the lesser to alkalis. If metallic oxydes are introduced into a common mass of glass, the coloured appearance through such glasses becomes greatly increased without any perceptible change of refracting power. That the lesser effect, again, is produced by alkalis, may be easily supposed.

291.

Those kinds of glass which were first employed after the discovery, are called flint and crown glass; the first produces the stronger, the second the fainter appearance of colour.

292.

We shall make use of both these denominations as technical terms in our present statement, and assume that the refractive power of both is the same, but that flint-glass produces the coloured appearance more strongly by one-third than the crown-glass. The diagram (Plate 3, fig. 2,) may serve in illustration.

293.

A black surface is here divided into compartments for more convenient demonstration: let the spectator imagine five white squares between the parallel lines _a, b,_ and _c, d_. The square No. 1, is presented to the naked eye unmoved from its place.

294.

But let the square No. 2, seen through a crown-glass prism _g_, be supposed to be displaced by refraction three compartments, exhibiting the coloured borders to a certain extent; again, let the square No. 3, seen through a flint glass prism _h_, in like manner be moved downwards three compartments, when it will exhibit the coloured borders by about a third wider than No. 2.

295.

Again, let us suppose that the square No. 4, has, like No. 2, been moved downwards three compartments by a prism of crown-glass, and that then by an oppositely placed prism _h_, of flint-glass, it has been again raised to its former situation, where it now stands.

296.

Here, it is true, the refraction is done away with by the opposition of the two; but as the prism _h_, in displacing the square by refraction through three compartments, produces coloured borders wider by a third than those produced by the prism _g_, so, notwithstanding the refraction is neutralised, there must be an excess of coloured border remaining. (The position of this colour, as usual, depends on the direction of the apparent motion (204) communicated to the square by the prism _h_, and, consequently, it is the reverse of the appearance in the two squares 2 and 3, which have been moved in an opposite direction.) This excess of colour we have called Hyperchromatism, and from this the achromatic state may be immediately arrived at.

297.

For assuming that it was the square No. 5 which was removed three compartments from its first supposed place, like No. 2, by a prism of crown-glass _g_, it would only be necessary to reduce the angle of a prism of flint-glass _h_, and to connect it, reversed, to the prism _g_, in order to raise the square No. 5 two degrees or compartments; by which means the Hyperchromatism of the first case would cease, the figure would not quite return to its first position, and yet be already colourless. The prolonged lines of the united prisms, under No. 5, show that a single complete prism remains: again, we have only to suppose the lines curved, and an object-glass presents itself. Such is the principle of the achromatic telescopes.

298.

For these experiments, a small prism composed of three different prisms, as prepared in England, is extremely well adapted. It is to be hoped our own opticians will in future enable every friend of science to provide himself with this necessary instrument.