Part 39
reckoned good scholars, though they know pretty accurately the governments of Athens and Rome, are totally ignorant of the constitution of any one country now in Europe, even of their own. Read just Latin and Greek enough to keep up your classical learning, which will be an ornament to you while young, and a comfort to you when old. But the true useful knowledge, and especially for you, is the modern knowledge above mentioned. It is that must qualify you both for domestic and foreign business, and it is to that, therefore, that you should principally direct your attention; and I know, with great pleasure, that you do so. I would not thus commend you to yourself, if I thought commendations would have upon you those ill effects, which they frequently have upon weak minds. I think you are much above being a vain coxcomb, overrating your own merit, and insulting others with the superabundance of it. On the contrary, I am convinced that the consciousness of merit makes a man of sense more modest, though more firm. A man who displays his own merit is a coxcomb, and a man who does not know it is a fool. A man of sense knows it, exerts it, avails himself of it, but never boasts of it; and always SEEMS rather to under than over value it, though in truth, he sets the right value upon it. It is a very true maxim of La Bruyere's (an author well worth your studying), 'qu'on ne vaut dans ce monde, que ce que l'on veut valoir'. A man who is really diffident, timid, and bashful, be his merit what it will, never can push himself in the world; his despondency throws him into inaction; and the forward, the bustling, and the petulant, will always get the better of him. The manner makes the whole difference. What would be impudence in one manner, is only a proper and decent assurance in another. A man of sense, and of knowledge in the world, will assert his own rights, and pursue his own objects, as steadily and intrepidly as the most impudent man living, and commonly more so; but then he has art enough to give an outward air of modesty to all he does. This engages and prevails, while the very same things shock and fail, from the overbearing or impudent manner only of doing them. I repeat my maxim, 'Suaviter in modo, sed fortiter in re'. Would you know the characters, modes and manners of the latter end of the last age, which are very like those of the present, read La Bruyere. But would you know man, independently of modes, read La Rochefoucault, who, I am afraid, paints him very exactly.
Give the inclosed to Abbe Guasco, of whom you make good use, to go about with you, and see things. Between you and me, he has more knowledge than parts. 'Mais un habile homme sait tirer parti de tout', and everybody is good for something. President Montesquieu is, in every sense, a most useful acquaintance. He has parts, joined to great reading and knowledge of the world. 'Puisez dans cette source tant que vous pourrez'.
Adieu. May the Graces attend you! for without them 'ogni fatica e vana'. If they do not come to you willingly, ravish them, and force them to accompany you in all you think, all you say, and all you do.
LETTER CXXXI
LONDON, February 11, O. S. 1751
MY DEAR FRIEND: When you go to the play, which I hope you do often, for it is a very instructive amusement, you must certainly have observed the very different effects which the several parts have upon you, according as they are well or ill acted. The very best tragedy of, Corneille's, if well spoken and acted, interests, engages, agitates, and affects your passions. Love, terror, and pity alternately possess you. But, if ill spoken and acted, it would only excite your indignation or your laughter. Why? It is still Corneille's; it is the same sense, the same matter, whether well or ill acted. It is, then, merely the manner of speaking and
## acting that makes this great difference in the effects. Apply this to
yourself, and conclude from it, that if you would either please in a private company, or persuade in a public assembly, air, looks, gestures, graces, enunciation, proper accents, just emphasis, and tuneful cadences, are full as necessary as the matter itself. Let awkward, ungraceful, inelegant, and dull fellows say what they will in behalf of their solid matter and strong reasonings; and let them despise all those graces and ornaments which engage the senses and captivate the heart; they will find (though they will possibly wonder why) that their rough, unpolished matter, and their unadorned, coarse, but strong arguments, will neither please nor persuade; but, on the contrary, will tire out attention, and excite disgust. We are so made, we love to be pleased better than to be informed; information is, in a certain degree, mortifying, as it implies our previous ignorance; it must be sweetened to be palatable.
To bring this directly to you: know that no man can make a figure in this country, but by parliament. Your fate depends upon your success there as a speaker; and, take my word for it, that success turns much more upon manner than matter. Mr. Pitt and Mr. Murray the solicitor-general, uncle to Lord Stormount, are, beyond comparison, the best speakers; why? only because they are the best orators. They alone can inflame or quiet the House; they alone are so attended to, in that numerous and noisy assembly, that you might hear a pin fall while either of them is speaking. Is it that their matter is better, or their arguments stronger, than other people's? Does the House expect extraordinary informations from them? Not, in the least: but the House expects pleasure from them, and therefore attends; finds it, and therefore approves. Mr. Pitt,
## particularly, has very little parliamentary knowledge; his matter is
generally flimsy, and his arguments often weak; but his eloquence is superior, his action graceful, his enunciation just and harmonious; his periods are well turned, and every word he makes use of is the very best, and the most expressive, that can be used in that place. This, and not his matter, made him Paymaster, in spite of both king and ministers. From this draw the obvious conclusion. The same thing holds full as true in conversation; where even trifles, elegantly expressed, well looked, and accompanied with graceful action, will ever please, beyond all the homespun, unadorned sense in the world. Reflect, on one side, how you feel within yourself, while you are forced to suffer the tedious, muddy, and ill-turned narration of some awkward fellow, even though the fact may be interesting; and, on the other hand, with what pleasure you attend to the relation of a much less interesting matter, when elegantly expressed, genteelly turned, and gracefully delivered. By attending carefully to all these agremens in your daily conversation, they will become habitual to you, before you come into parliament; and you will have nothing then, to do, but to raise them a little when you come there. I would wish you to be so attentive to this object, that I, would not have you speak to your footman, but in the very best words that the subject admits of, be the language what it will. Think of your words, and of their arrangement, before you speak; choose the most elegant, and place them in the best order. Consult your own ear, to avoid cacophony, and, what is very near as bad, monotony. Think also of your gesture and looks, when you are speaking even upon the most trifling subjects. The same things, differently expressed, looked, and delivered, cease to be the same things. The most passionate lover in the world cannot make a stronger declaration of love than the 'Bourgeois gentilhomme' does in this happy form of words, 'Mourir d'amour me font belle Marquise vos beaux yeux'. I defy anybody to say more; and yet I would advise nobody to say that, and I would recommend to you rather to smother and conceal your passion entirely than to reveal it in these words. Seriously, this holds in everything, as well as in that ludicrous instance. The French, to do them justice, attend very minutely to the purity, the correctness, and the elegance of their style in conversation and in their letters. 'Bien narrer' is an object of their study; and though they sometimes carry it to affectation, they never sink into inelegance, which is much the worst extreme of the two. Observe them, and form your French style upon theirs: for elegance in one language will reproduce itself in all. I knew a young man, who, being just elected a member of parliament, was laughed at for being discovered, through the keyhole of his chamber-door, speaking to himself in the glass, and forming his looks and gestures. I could not join in that laugh; but, on the contrary, thought him much wiser than those who laughed at him; for he knew the importance of those little graces in a public assembly, and they did not. Your little person (which I am told, by the way, is not ill turned), whether in a laced coat or a blanket, is specifically the same; but yet, I believe, you choose to wear the former, and you are in the right, for the sake of pleasing more. The worst-bred man in Europe, if a lady let fall her fan, would certainly take it up and give it her; the best-bred man in Europe could do no more. The difference, however, would be considerable; the latter would please by doing it gracefully; the former would be laughed at for doing it awkwardly. I repeat it, and repeat it again, and shall never cease repeating it to you: air, manners, graces, style, elegance, and all those ornaments, must now be the only objects of your attention; it is now, or never, that you must acquire them. Postpone, therefore, all other considerations; make them now your serious study; you have not one moment to lose. The solid and the ornamental united, are undoubtedly best; but were I reduced to make an option, I should without hesitation choose the latter.
I hope you assiduously frequent Marcell--[At that time the most celebrated dancing-master at Paris.]--and carry graces from him; nobody had more to spare than he had formerly. Have you learned to carve? for it is ridiculous not to carve well. A man who tells you gravely that he cannot carve, may as well tell you that he cannot blow his nose: it is both as necessary, and as easy.
Make my compliments to Lord Huntingdon, whom I love and honor extremely, as I dare say you do; I will write to him soon, though I believe he has hardly time to read a letter; and my letters to those I love are, as you know by experience, not very short ones: this is one proof of it, and this would have been longer, if the paper had been so. Good night then, my dear child.
LETTER CXXXII
LONDON, February 28, O. S. 1751.
MY DEAR FRIEND: This epigram in Martial--
"Non amo te, Sabidi, nec possum dicere quare; Hoc tantum possum dicere, non amo te"--
[OR: "I do not love thee Dr. Fell The reason why I cannot tell. But this I know and know full well: I do not love thee Dr. Fell." D.W.]
has puzzled a great many people, who cannot conceive how it is possible not to love anybody, and yet not to know the reason why. I think I conceive Martial's meaning very clearly, though the nature of epigram, which is to be short, would not allow him to explain it more fully; and I take it to be this: O Sabidis, you are a very worthy deserving man; you have a thousand good qualities, you have a great deal of learning; I esteem, I respect, but for the soul of me I cannot love you, though I cannot particularly say why. You are not aimable: you have not those engaging manners, those pleasing attentions, those graces, and that address, which are absolutely necessary to please, though impossible to define. I cannot say it is this or that particular thing that hinders me from loving you; it is the whole together; and upon the whole you are not agreeable.
How often have I, in the course of my life, found myself in this situation, with regard to many of my acquaintance, whom I have honored and respected, without being able to love. I did not know why, because, when one is young, one does not take the trouble, nor allow one's self the time, to analyze one's sentiments and to trace them up to their source. But subsequent observation and reflection have taught me why. There is a man, whose moral character, deep learning, and superior parts, I acknowledge, admire, and respect; but whom it is so impossible for me to love, that I am almost in a fever whenever I am in his company. His figure (without being deformed) seems made to disgrace or ridicule the common structure of the human body. His legs and arms are never in the position which, according to the situation of his body, they ought to be in, but constantly employed in committing acts of hostility upon the Graces. He throws anywhere, but down his throat, whatever he means to drink, and only mangles what he means to carve. Inattentive to all the regards of social life, he mistimes or misplaces everything. He disputes with heat, and indiscriminately, mindless of the rank, character, and situation of those with whom he disputes; absolutely ignorant of the several gradations of familiarity or respect, he is exactly the same to his superiors, his equals, and his inferiors; and therefore, by a necessary consequence, absurd to two of the three. Is it possible to love such a man? No. The utmost I can do for him, is to consider him as a respectable Hottentot.--[This 'mot' was aimed at Dr. Johnson in retaliation for his famous letter.]
I remember, that when I came from Cambridge, I had acquired, among the pedants of that illiberal seminary, a sauciness of literature, a turn to satire and contempt, and a strong tendency to argumentation and contradiction. But I had been but a very little while in the world, before I found that this would by no means do; and I immediately adopted the opposite character; I concealed what learning I had; I applauded often, without approving; and I yielded commonly without conviction. 'Suaviter in modo' was my law and my prophets; and if I pleased (between you and me) it was much more owing to that, than to any superior knowledge or merit of my own. Apropos, the word PLEASING puts one always in mind of Lady Hervey; pray tell her, that I declare her responsible to me for your pleasing; that I consider her as a pleasing Falstaff, who not only pleases, herself, but is the cause of pleasing in others; that I know she can make anything of anybody; and that, as your governess, if she does not make you please, it must be only because she will not, and not because she cannot. I hope you are 'dubois don't on en fait'; and if so, she is so good a sculptor, that I am sure she can give you whatever form she pleases. A versatility of manners is as necessary in social, as a versatility of parts is in political life. One must often yield, in order to prevail; one must humble one's self, to be exalted; one must, like St. Paul, become all things to all men, to gain some; and, by the way, men are taken by the same means, 'mutatis mutandis', that women are gained--by gentleness, insinuation, and submission: and these lines of Mr. Dryden will hold to a minister as well as to a mistress:
"The prostrate lover, when he lowest lies, But stoops to conquer, and but kneels to rise."
In the course of the world, the qualifications of the chameleon are often necessary; nay, they must be carried a little further, and exerted a little sooner; for you should, to a certain degree, take the hue of either the man or the woman that you want, and wish to be upon terms with. 'A propos', have you yet found out at Paris, any friendly and hospitable Madame de Lursay, 'qui veut bien se charger du soin de vous eduquer'? And have you had any occasion of representing to her, 'qu'elle faisoit donc des noeuds'? But I ask your pardon, Sir, for the abruptness of the question, and acknowledge that I am meddling with matters that are out of my department. However, in matters of less importance, I desire to be 'de vos secrets le fidele depositaire'. Trust me with the general turn and color of your amusements at Paris. Is it 'le fracas du grand monde, comedies, bals, operas, cour,' etc.? Or is it 'des petites societes, moins bruyantes, mais pas pour cela moins agreables'? Where are you the most 'etabli'? Where are you 'le petit Stanhope? Voyez vous encore jour, a quelque arrangement honnete? Have you made many acquaintances among the young Frenchmen who ride at your Academy; and who are they? Send to me this sort of chit-chat in your letters, which, by the bye, I wish you would honor me with somewhat oftener. If you frequent any of the myriads of polite Englishmen who infest Paris, who are they? Have you finished with Abbe Nolet, and are you 'au fait' of all the properties and effects of air? Were I inclined to quibble, I would say, that the effects of air, at least, are best to be learned of Marcel. If you have quite done with l'Abbes Nolet, ask my friend l'Abbe Sallier to recommend to you some meagre philomath, to teach you a little geometry and astronomy; not enough to absorb your attention and puzzle your intellects, but only enough not to be grossly ignorant of either. I have of late been a sort of 'astronome malgre moi', by bringing in last Monday into the House of Lords a bill for reforming our present Calendar and taking the New Style. Upon which occasion I was obliged to talk some astronomical jargon, of which I did not understand one word, but got it by heart, and spoke it by rote from a master. I wished that I had known a little more of it myself; and so much I would have you know. But the great and necessary knowledge of all is, to know, yourself and others: this knowledge requires great attention and long experience; exert the former, and may you have the latter! Adieu!
P. S. I have this moment received your letters of the 27th February, and the 2d March, N. S. The seal shall be done as soon as possible. I am, glad that you are employed in Lord Albemarle's bureau; it will teach you, at least, the mechanical part of that business, such as folding, entering, and docketing letters; for you must not imagine that you are let into the 'fin fin' of the correspondence, nor indeed is it fit that you should, at, your age. However, use yourself to secrecy as to the letters you either read or write, that in time you may be trusted with SECRET, VERY SECRET, SEPARATE, APART, etc. I am sorry that this business interferes with your riding; I hope it is seldom; but I insist upon its not interfering with your dancing-master, who is at this time the most useful and necessary of all the masters you have or can have.
LETTER CXXXIII
MY DEAR FRIEND: I mentioned to you, some time ago a sentence which I would most earnestly wish you always to retain in your thoughts, and observe in your conduct. It is 'suaviter in modo, fortiter in re' [gentleness of manners, with firmness of mind D.W.]. I do not know any one rule so unexceptionably useful and necessary in every part of life. I shall therefore take it for my text to-day, and as old men love preaching, and I have some right to preach to you, I here present you with my sermon upon these words. To proceed, then, regularly and PULPITICALLY, I will first show you, my beloved, the necessary connection of the two members of my text 'suaviter in modo: fortiter in re'. In the next place, I shall set forth the advantages and utility resulting from a strict observance of the precept contained in my text; and conclude with an application of the whole. The 'suaviter in modo' alone would degenerate and sink into a mean, timid complaisance and passiveness, if not supported and dignified by the 'fortiter in re', which would also run into impetuosity and brutality, if not tempered and softened by the 'suaviter in modo': however, they are seldom united.
The warm, choleric man, with strong animal spirits, despises the 'suaviter in modo', and thinks to, carry all before him by the 'fortiter in re'. He may, possibly, by great accident, now and then succeed, when he has only weak and timid people to deal with; but his general fate will be, to shock offend, be hated, and fail. On the other hand, the cunning, crafty man thinks to gain all his ends by the 'suaviter in modo' only; HE BECOMES ALL THINGS TO ALL MEN; he seems to have no opinion of his own, and servilely adopts the present opinion of the present person; he insinuates himself only into the esteem of fools, but is soon detected, and surely despised by everybody else. The wise man (who differs as much from the cunning, as from the choleric man) alone joins the 'suaviter in modo' with the 'fortiter in re'. Now to the advantages arising from the strict observance of this precept: