Part 40

FRERET, NICOLAS (1688-1749), French scholar, was born at Paris on the 15th of February 1688. His father was _procureur_ to the parlement of Paris, and destined him to the profession of the law. His first tutors were the historian Charles Rollin and Father Desmolets (1677-1760). Amongst his early studies history, chronology and mythology held a prominent place. To please his father he studied law and began to practise at the bar; but the force of his genius soon carried him into his own path. At nineteen he was admitted to a society of learned men before whom he read memoirs on the religion of the Greeks, on the worship of Bacchus, of Ceres, of Cybele and of Apollo. He was hardly twenty-six years of age when he was admitted as pupil to the Academy of Inscriptions. One of the first memoirs which he read was a learned and critical discourse, _Sur l'origine des Francs_ (1714). He maintained that the Franks were a league of South German tribes and not, according to the legend then almost universally received, a nation of free men deriving from Greece or Troy, who had kept their civilization intact in the heart of a barbarous country. These sensible views excited great indignation in the Abbe Vertot, who denounced Freret to the government as a libeller of the monarchy. A _lettre de cachet_ was issued, and Freret was sent to the Bastille. During his three months of confinement he devoted himself to the study of the works of Xenophon, the fruit of which appeared later in his memoir on the _Cyropaedia_. From the time of his liberation in March 1715 his life was uneventful. In January 1716 he was received associate of the Academy of Inscriptions, and in December 1742 he was made perpetual secretary. He worked without intermission for the interests of the Academy, not even claiming any property in his own writings, which were printed in the _Recueil de l'academie des inscriptions_. The list of his memoirs, many of them posthumous, occupies four columns of the _Nouvelle Biographie generale_. They treat of history, chronology, geography, mythology and religion. Throughout he appears as the keen, learned and original critic; examining into the comparative value of documents, distinguishing between the mythical and the historical, and separating traditions with an historical element from pure fables and legends. He rejected the extreme pretensions of the chronology of Egypt and China, and at the same time controverted the scheme of Sir Isaac Newton as too limited. He investigated the mythology not only of the Greeks, but of the Celts, the Germans, the Chinese and the Indians. He was a vigorous opponent of the theory that the stories of mythology may be referred to historic originals. He also suggested that Greek mythology owed much to the Phoenicians and Egyptians. He was one of the first scholars of Europe to undertake the study of the Chinese language; and in this he was engaged at the time of his committal to the Bastille. He died in Paris on the 8th of March 1749.

Long after his death several works of an atheistic character were falsely attributed to him, and were long believed to be his. The most famous of these spurious works are the _Examen critique des apologistes de la religion chretienne_ (1766), and the _Lettre de Thrasybule a Leucippe_, printed in London about 1768. A very defective and inaccurate edition of Freret's works was published in 1796-1799. A new and complete edition was projected by Champollion-Figeac, but of this only the first volume appeared (1825). It contains a life of Freret. His manuscripts, after passing through many hands, were deposited in the library of the Institute. The best account of his works is "Examen critique des ouvrages composes par Freret" in C. A. Walckenaer's _Recueil des notices_, &c. (1841-1850). See also Querard's _France litteraire_.

FRERON, ELIE CATHERINE (1719-1776), French critic and controversialist, was born at Quimper in 1719. He was educated by the Jesuits, and made such rapid progress in his studies that before the age of twenty he was appointed professor at the college of Louis-le-Grand. He became a contributor to the _Observations sur les ecrits modernes_ of the abbe Guyot Desfontaines. The very fact of his collaboration with Desfontaines, one of Voltaire's bitterest enemies, was sufficient to arouse the latter's hostility, and although Freron had begun his career as one of his admirers, his attitude towards Voltaire soon changed. Freron in 1746 founded a similar journal of his own, entitled _Lettres de la Comtesse de_.... It was suppressed in 1749, but he immediately replaced it by _Lettres sur quelques ecrits de ce temps_, which, with the exception of a short suspension in 1752, on account of an attack on the character of Voltaire, was continued till 1754, when it was succeeded by the more ambitious _Annee litteraire_. His death at Paris on the 10th of March 1776 is said to have been hastened by the temporary suppression of this journal. Freron is now remembered solely for his attacks on Voltaire and the Encyclopaedists, and by the retaliations they provoked on the part of Voltaire, who, besides attacking him in epigrams, and even incidentally in some of his tragedies, directed against him a virulent satire, _Le Pauvre diable_, and made him the principal personage in a comedy _L'Ecossaise_, in which the journal of Freron is designated _L'Ane litteraire_. A further attack on Freron entitled _Anecdotes sur Freron_ ... (1760), published anonymously, is generally attributed to Voltaire.

Freron was the author of _Ode sur la bataille de Fontenoy_ (1745); _Histoire de Marie Stuart_ (1742, 2 vols.); and _Histoire de l'empire d'Allemagne_, (1771, 8 vols.). See Ch. Nisard, _Les Ennemis de Voltaire_ (1853); Despois, _Journalistes et journaux du XVIII^e siecle_; Barthelemy, _Les confessions de Freron_: Ch. Monselet, _Freron, ou l'illustre critique_ (1864); _Freron, sa vie, souvenirs_, &c. (1876).

FRERON, LOUIS MARIE STANISLAS (1754-1802), French revolutionist, son of the preceding, was born at Paris on the 17th of August 1754. His name was, on the death of his father, attached to _L'Annee litteraire_, which was continued till 1790 and edited successively by the abbes G. M. Royou and J. L. Geoffroy. On the outbreak of the revolution Freron, who was a schoolfellow of Robespierre and Camille Desmoulins, established the violent journal _L'Orateur du peuple_. Commissioned, along with Barras in 1793, to establish the authority of the convention at Marseilles and Toulon, he distinguished himself in the atrocity of his reprisals, but both afterwards joined the Thermidoriens, and Freron became the leader of the _jeunesse doree_ and of the Thermidorian reaction. He brought about the accusation of Fouquier-Tinville, and of J. B. Carrier, the deportation of B. Barere, and the arrest of the last _Montagnards_. He made his paper the official journal of the reactionists, and being sent by the Directory on a mission of peace to Marseilles he published in 1796 _Memoire historique sur la reaction royale et sur les malheurs du midi_. He was elected to the council of the Five Hundred, but not allowed to take his seat. Failing as suitor for the hand of Pauline Bonaparte, one of Napoleon's sisters, he went in 1799 as commissioner to Santo Domingo and died there in 1802. General V. M. Leclerc, who had married Pauline Bonaparte, also received a command in Santo Domingo in 1801, and died in the same year as his former rival.

FRESCO (Ital. for _cool_, "fresh"), a term introduced into English, both generally (as in such phrases as _al fresco_, "in the fresh air"), and more especially as a technical term for a sort of mural painting on plaster. In the latter sense the Italians distinguished painting _a secco_ (when the plaster had been allowed to dry) from _a fresco_ (when it was newly laid and still wet). The nature and history of fresco-painting is dealt with in the article PAINTING.

FRESCOBALDI, GIROLAMO (1583-1644), Italian musical composer, was born in 1583 at Ferrara. Little is known of his life except that he studied music under Alessandro Milleville, and owed his first reputation to his beautiful voice. He was organist at St Peter's in Rome from 1608 to 1628. According to Baini no less than 30,000 people flocked to St Peter's on his first appearance there. On the 20th of November 1628 he went to live in Florence, becoming organist to the duke. From December 1633 to March 1643 he was again organist at St Peter's. But in the last year of his life he was organist in the parish church of San Lorenzo in Monte. He died on the 2nd of March 1644, being buried at Rome in the Church of the Twelve Apostles. Frescobaldi also excelled as a teacher, Frohberger being the most distinguished of his pupils. Frescobaldi's compositions show the consummate art of the early Italian school, and his works for the organ more especially are full of the finest devices of fugal treatment. He also wrote numerous vocal compositions, such as canzone, motets, hymns, &c., a collection of madrigals for five voices (Antwerp, 1608) being among the earliest of his published works.

FRESENIUS, KARL REMIGIUS (1818-1897), German chemist, was born at Frankfort-on-Main on the 28th of December 1818. After spending some time in a pharmacy in his native town, he entered Bonn University in 1840, and a year later migrated to Giessen, where he acted as assistant in Liebig's laboratory, and in 1843 became assistant professor. In 1845 he was appointed to the chair of chemistry, physics and technology at the Wiesbaden Agricultural Institution, and three years later he became the first director of the chemical laboratory which he induced the Nassau government to establish at that place. Under his care this laboratory continuously increased in size and popularity, a school of pharmacy being added in 1862 (though given up in 1877) and an agricultural research laboratory in 1868. Apart from his administrative duties Fresenius occupied himself almost exclusively with analytical chemistry, and the fullness and accuracy of his text-books on that subject (of which that on qualitative analysis first appeared in 1841 and that on quantitative in 1846) soon rendered them standard works. Many of his original papers were published in the _Zeitschrift fur analytische Chemie_, which he founded in 1862 and continued to edit till his death. He died suddenly at Wiesbaden on the 11th of June 1897. In 1881 he handed over the directorship of the agricultural research station to his son, Remigius Heinrich Fresenius (b. 1847), who was trained under H. Kolbe at Leipzig. Another son, Theodor Wilhelm Fresenius (b. 1856), was educated at Strassburg and occupied various positions in the Wiesbaden laboratory.

FRESHWATER, a watering place in the Isle of Wight, England, 12 m. W. by S. of Newport by rail. Pop.(1901) 3306. It is a scattered township lying on the peninsula west of the river Var, which forms the western extremity of the island. The portion known as Freshwater Gate fronts the English Channel from the strip of low-lying coast interposed between the cliffs of the peninsula and those of the main part of the island. The peninsula rises to 397 ft. in Headon Hill, and the cliffs are magnificent. The western promontory is flanked on the north by the picturesque Alum Bay, and the lofty detached rocks known as the Needles lie off it. Farringford House in the parish was for some time the home of Alfred, Lord Tennyson, who is commemorated by a tablet in All Saints' church and by a great cross on the high downs above the town. There are golf links on the downs.

FRESNEL, AUGUSTIN JEAN (1788-1827), French physicist, the son of an architect, was born at Broglie (Eure) on the 10th of May 1788. His early progress in learning was slow, and when eight years old he was still unable to read. At the age of thirteen he entered the Ecole Centrale in Caen, and at sixteen and a half the Ecole Polytechnique, where he acquitted himself with distinction. Thence he went to the Ecole des Ponts et Chaussees. He served as an engineer successively in the departments of Vendee, Drome and Ille-et-Villaine; but his espousal of the cause of the Bourbons in 1814 occasioned, on Napoleon's reaccession to power, the loss of his appointment. On the second restoration he obtained a post as engineer in Paris, where much of his life from that time was spent. His researches in optics, continued until his death, appear to have been begun about the year 1814, when he prepared a paper on the aberration of light, which, however, was not published. In 1818 he read a memoir on diffraction for which in the ensuing year he received the prize of the Academie des Sciences at Paris. He was in 1823 unanimously elected a member of the academy, and in 1825 he became a member of the Royal Society of London, which in 1827, at the time of his last illness, awarded him the Rumford medal. In 1819 he was nominated a commissioner of lighthouses, for which he was the first to construct compound lenses as substitutes for mirrors. He died of consumption at Ville-d'Avray, near Paris, on the 14th of July 1827.

The undulatory theory of light, first founded upon experimental demonstration by Thomas Young, was extended to a large class of optical phenomena, and permanently established by his brilliant discoveries and mathematical deductions. By the use of two plane mirrors of metal, forming with each other an angle of nearly 180 deg., he avoided the diffraction caused in the experiment of F. M. Grimaldi (1618-1663) on interference by the employment of apertures for the transmission of the light, and was thus enabled in the most conclusive manner to account for the phenomena of interference in accordance with the undulatory theory. With D. F. J. Arago he studied the laws of the interference of polarized rays. Circularly polarized light he obtained by means of a rhomb of glass, known as "Fresnel's rhomb," having obtuse angles of 126 deg., and acute angles of 54 deg. His labours in the cause of optical science received during his lifetime only scant public recognition, and some of his papers were not printed by the Academie des Sciences till many years after his decease. But, as he wrote to Young in 1824, in him "that sensibility, or that vanity, which people call love of glory" had been blunted. "All the compliments," he says, "that I have received from Arago, Laplace and Biot never gave me so much pleasure as the discovery of a theoretic truth, or the confirmation of a calculation by experiment."

See Duleau, "Notice sur Fresnel," _Revue ency._ t. xxxix.; Arago, _OEuvres completes_, t. i.; and Dr G. Peacock, _Miscellaneous Works of Thomas Young_, vol. i.

FRESNILLO, a town of the state of Zacatecas, Mexico, 37 m. N.W. of the city of Zacatecas on a branch of the Santiago river. Pop. (1900) 6309. It stands on a fertile plain between the Santa Cruz and Zacatecas ranges, about 7700 ft. above sea-level, has a temperate climate, and is surrounded by an agricultural district producing Indian corn and wheat. It is a clean, well-built town, whose chief distinction is its school of mines founded in 1853. Fresnillo has large amalgam works for the reduction of silver ores. Its silver mines, located in the neighbouring Proano hill, were discovered in 1569, and were for a time among the most productive in Mexico. Since 1833, when their richest deposits were reached, the output has greatly decreased. There is a station near on the Mexican Central railway.

FRESNO, a city and the county-seat of Fresno county, California, U.S.A., situated in the San Joaquin valley (altitude about 300 ft.) near the geographical centre of the state. Pop. (1880) 1112; (1890) 10,818; (1900) 12,470, of whom 3299 were foreign-born and 1279 were Asiatics; (1910 census) 24,892. The city is served by the Southern Pacific and the Atchison, Topeka & Santa Fe railways. The county is mainly a vast expanse of naturally arid plains and mountains. The valley is the scene of an extensive irrigation system, water being brought (first in 1872-1876) from King's river, 20 m. distant; in 1905 500 sq. m. were irrigated. Fresno is in a rich farming country, producing grains and fruit, and is the only place in America where Smyrna figs have been grown with success; it is the centre of the finest raisin country of the state, and has extensive vineyards and wine-making establishments. The city's principal manufacture is preserved (dried) fruits, particularly raisins; the value of the fruits thus preserved in 1905 was $6,942,440, being 70.5% of the total value of the factory product in that year ($9,849,001). In 1900-1905 the factory product increased 257.9%, a ratio of increase greater than that of any other city in the state. In the mountains, lumbering and mining are important industries; lumber is carried from Shaver in the mountains to Clovis on the plains by a V-shaped flume 42 m. long, the waste water from which is ditched for irrigation. The petroleum field of the county is one of the richest in California. Fresno is the business and shipping centre of its county and of the surrounding region. The county was organized in 1856. In 1872 the railway went through, and Fresno was laid out and incorporated. It became the county-seat in 1874 and was chartered as a city in 1885.

FRESNOY, CHARLES ALPHONSE DU (1611-1665), French painter and writer on his art, was born in Paris, son of an apothecary. He was destined for the medical profession, and well educated in Latin and Greek; but, having a natural propensity for the fine arts, he would not apply to his intended vocation, and was allowed to learn the rudiments of design under Perrier and Vouet. At the age of twenty-one he went off to Rome, with no resources; he drew ruins and architectural subjects. After two years thus spent he re-encountered his old fellow-student Pierre Mignard, and by his aid obtained some amelioration of his professional prospects. He studied Raphael and the antique, went in 1633 to Venice, and in 1656 returned to France. During two years he was now employed in painting altar-pieces in the chateau of Raincy, landscapes, &c. His death was caused by an attack of apoplexy followed by palsy; he expired at Villiers le Bel, near Paris. He never married. His pictorial works are few; they are correct in drawing, with something of the Caracci in design, and of Titian in colouring, but wanting fire and expression, and insufficient to keep his name in any eminent repute. He is remembered now almost entirely as a writer rather than painter. His Latin poem, _De arte graphica_, was written during his Italian sojourn, and embodied his observations on the art of painting; it may be termed a critical treatise on the practice of the art, with general advice to students. The precepts are sound according to the standard of his time; the poetical merits slender enough. The Latin style is formed chiefly on Lucretius and Horace. This poem was first published by Mignard, and has been translated into several languages. In 1684 it was turned into French by Roger de Piles; Dryden translated the work into English prose; and a rendering into verse by Mason followed, to which Sir Joshua Reynolds added some annotations.

FRET. (1) (From O. Eng. _fretan_, a word common in various forms to Teutonic languages; cf. Ger. _fressen_, to eat greedily), properly to devour, hence to gnaw, so used of the slow corroding action of chemicals, water, &c., and hence, figuratively, to chafe or irritate. Possibly connected with this word, in sense of rubbing, is the use of "fret" for a bar on the fingerboard of a banjo, guitar, or similar musical instruments to mark the fingering. (2) (Of doubtful origin; possibly from the O. Eng. _fraetive_, ornaments, but its use is paralleled by the Fr. _frette_, trellis or lattice), network, a term used in heraldry for an interlaced figure, but best known as applied to the decoration used by the Greeks in their temples and vases: the Greek fret consists of a series of narrow bands of different lengths, placed at right angles to one another, and of great variety of design. It is an ornament which owes its origin to woven fabrics, and is found on the ceilings of the Egyptian tombs at Benihasan, Siout and elsewhere. In Greek work it was painted on the abacus of the Doric capital and probably on the architraves of their temples; when employed by the Romans it was generally carved; the Propylaea of the temple at Damascus and the temple at Atil being examples of the 2nd century. It was carved in large dimensions on some of the Mexican temples, as for instance on the palace at Mitla with other decorative bands, all of which would seem to have been reproductions of woven patterns, and had therefore an independent origin. It is found in China and Japan, and in the latter country when painted on lacquer is employed as a fret-diaper, the bands not being at right angles to one another but forming acute and obtuse angles. In old English writers a wider signification was given to it, as it was applied to raised patterns in plaster oh roofs or ceilings, which were not confined to the geometrical fret but extended to the modelling of flowers, leaves and fruit; in such cases the decoration was known as fret-work. In France the fret is better known as the "meander."

FREUDENSTADT, a town of Germany, in the kingdom of Wurttemberg, on the right bank of the Murg, 40 m. S.W. from Stuttgart, on the railway to Hochdorf. Pop. 7000. It has a Protestant and a Roman Catholic church, some small manufactures of cloth, furniture, knives, nails and glass, and is frequented as a climatic health resort. It was founded in 1599 by Protestant refugees from Salzburg.

FREUND, WILHELM (1806-1894), German philologist and lexicographer, was born at Kempen in the grand duchy of Posen on the 27th of January 1806. He studied at Berlin, Breslau and Halle, and was for twenty years chiefly engaged in private tuition. From 1855-1870 he was director of the Jewish school at Gleiwitz in Silesia, and subsequently retired to Breslau, where he died on the 4th of June 1894. Although chiefly known for his philological labours, Freund took an important part in the movement for the emancipation of his Prussian co-religionists, and the _Judengesetz_ of 1847 was in great measure the result of his efforts. The work by which he is best known is his _Worterbuch der lateinischen Sprache_ (1834-1845), practically the basis of all Latin-English dictionaries. His _Wie studiert man klassische Philologie?_ (6th ed., 1903) and _Triennium philologicum_ (2nd ed., 1878-1885) are valuable aids to the classical student.