Chapter 20 of 44 · 3994 words · ~20 min read

Part 20

It was about four o'clock in the afternoon. A July sun, a sun of melting silver, spread a long luminous pathway of rays upon the waters. In the air was a tremulous reverberation, a mist of light, through which appeared the gleaming light of the river, active and silent, flashing upon the sight with the rapidity of a mirage. Dimly seen sails high in the air, which in this dazzling hour seem pale as flax, pass in the distance as if in flight. They were great barges coming from Noirmoutiers, laden to the very edge with white salt sparkling all over with shining spangles, and worked by picturesque crews; men with the great three-cornered hat of the Breton salt-worker, and women whose great cushioned caps with butterfly wings were as white and glittering as the salt. Then there were coasting vessels like floating drays, their decks piled with sacks of flour and casks; tugs dragging interminable lines of barges, or perhaps some three-master of Nantes arriving from the other side of the world, returning to the native land after two years' absence, and moving up the river with a slow, almost solemn motion, as if bearing within it a silent contemplation of the old country, and the mysterious poetry belonging to all things that come from afar. Notwithstanding the July heat, a strong breeze blew freshly over the lovely scene, for the wind came up from the coast with the cheerful freshness of the open sea, and let it be guessed that a little further away, beyond those hurrying waves already abandoned by the calm tranquillity of still waters, lay the deep green of the limitless ocean, with its billows, its fogs, and its tempests.

"And Indret? where is it?" asks Jack.

"There, that island in front of us."

In the silvery mist which enveloped the island, Jack saw confusedly lines of great poplars and tall chimneys, whence issued a thick filthy smoke, spreading over all, blackening even the sky above it. At the same time he heard a clamorous and resounding din, hammers falling on wrought and sheet iron, dull sounds, ringing sounds, variously re-echoed by the sonority of the water; and over everything a continuous and perpetual droning, as if the island had been a great steamer, stopped, and murmuring, moving its paddles while at anchor, and its machinery while yet motionless.

As the boat approached the shore, slowly and yet more slowly,--for the tide ran strongly and was hard to fight against,--the child began to distinguish long buildings with low roofs, blackened walls extending on all sides with uniform dreariness; then, on the banks of the river as far as the eye could reach, long lines of enormous boilers painted with red lead, the startling color giving a wildly fantastic effect. Government transports, steam launches, ranged alongside the quay, lay waiting till these boilers should be put on board by means of a great crane near at hand, which viewed from a distance looked like a gigantic gibbet.

At the foot of this gallows stood a man watching the approach of the boat.

"It is Roudic," said the singer; and from the deepest depths he brought forth a formidable "hurrah!" which made itself heard even in the midst of all the din of forging and hammering.

"Is that you, young 'un?"

"Yes, by Jove, it is I; are there two such notes as mine in the whole world?"

The boat touched the shore, and the two brothers sprang into each other's arms with a mighty greeting.

They were alike; but Roudic was much older, and wanting in that embonpoint so quickly acquired by singers in the exercise of trills and sustained notes. Instead of the pointed beard of his brother, he was shaven, sunburnt; and his sailor's cap, a blue wool knitted cap, shaded a true Breton face, tanned by the sea, cut in granite, with small eyes, and a keen glance sharpened by the minute work of a fitter and adjuster.

"And how are all at home?" asked Labassindre. "Clarisse, Zenaide, every one?"

"Every one is quite well, thank Heaven. Ah, ah! this is our new apprentice. He looks like a nice little chap; only he doesn't look over strong."

"Strong as a horse, my dear fellow, and warranted by the Paris doctors."

"So much the better, then, for ours is a roughish trade. And now, if you are ready, let us go and see the manager."

They followed a long alley of fine trees that soon changed into a street, such as is found in small towns, bordered by white houses, clean and all alike. Here lived a certain number of the factory workmen, the foremen, and first hands. The others were located on the opposite bank, at Montagne or at Basse Indre.

At this hour all was silent, life and movement being concentrated within the iron works; and had it not been for the linen drying at the windows, the flower-pots ranged near the panes, the occasional cry of a child, or the rhythmical rocking of a cradle heard through some half-opened door, the place might have been deemed uninhabited.

"Oh! the flag's down," said the singer, as they reached the gate leading to the workshops. "What frights that confounded flag has given me before now."

And he explained to his "old Jack," that five minutes after the arrival of the workmen for the opening hour, the flag over the gate was lowered, and thus it was announced that the doors were closed. So much the worse for those who were late; they were marked down as absent, and at the third offense dismissed.

While he was giving these explanations, his brother conferred with the gate-keeper, and they were admitted within the doors of the establishment. The din was frightful; whistlings, groanings, grindings, varying but never diminishing, were re-echoed from many vast triangular-roofed sheds, standing at intervals on a sloping ground intersected by numerous railways.

An iron city!

Their footsteps rang upon plates of metal incrusted in the earth. They picked their way amid heaps of bar iron, pig iron, ingots of copper; between rows of worn-out guns brought hither to be melted down, rusty outside, all black within and almost smoking still, venerable masters of fire about to perish by fire.

Roudic, as they passed along, pointed out the various quarters of the establishment: "This is the setting-up room, these the workshops of the great lathe and little lathe, the braziery, the forges, the foundry." He had to shout, so deafening was the noise.

Jack, half dazed, looked with surprise through the workshop doors, nearly all open on account of the heat, at a swarming of upraised arms, of blackened faces, of machinery in motion in a cave-like darkness, dull and deep, lit up by brief flashes of red light.

Out poured the hot air, with mingled odors of coal, burned clay, molten iron and the impalpable black dust, sharp and burning, which in the sunlight had a metallic sparkle, the glitter of coal that may become diamond.

But what gave a special character to these formidable works was the perpetual commotion of both earth and air, a continual trepidation, something like the striving of a huge beast imprisoned beneath the foundry, whose groans and burning breath burst hissing out through the yawning chimneys. Jack, fearful of appearing too much of a novice, dared not ask what it was made this noise, which even at a distance had so impressed him....

As they talked, they passed along the streets of the iron-works laid with rails, crowded at this hour, the working day just at an end, with a concourse of men of all kinds and sizes and trades; a motley of blouses, pilot jackets, the coats of the designers mixing with the uniforms of the overseers.

The gravity with which this deliverance from toil was effected struck Jack forcibly. He compared this scene with the cries, the jostling on the pavements which in Paris enliven the exit from the workshops, and make it as noisy as that of a school. Here, rule and discipline were sensibly felt, just as on board a man-of-war.

A warm mist of steam floated over this mass of human beings, a steam that the sea breeze had not yet dispersed, and which hung like a heavy cloud in the stillness of this July evening. From the now silent workshops evaporated the odors of the forge. Steam whistled forth in the gutters, sweat stood on all the foreheads, and the panting that had puzzled Jack a little while ago had given place to a breath of relief from these two thousand chests wearied with the day's labor.

As he passed through the crowd, Labassindre was soon recognized.

"Hullo! young 'un, how are you?"

He was surrounded, his hand eagerly shaken, and from one to another passed the words:--

"Here, look at Roudic's brother, the fellow who makes four thousand pounds a year just by singing."

Every one wished to see him, for one of the legends of the workshops was this supposed fortune of the quondam blacksmith, and since his departure more than one young fellow-worker had searched to the very bottom of his larynx, to try if the famous note, the note worth millions, were not by some happy chance to be found there.

In the midst of this cortege of admirers, whom his theatrical costume impressed still more, the singer walked along with his head in the air, talking and laughing, casting "Good morning, Father So-and-so! Good morning, Mother What-'s-your-name!" towards the little houses enlivened by women's faces looking out, towards the public-houses and cook-shops which were frequent in this part of Indret; where also hawkers of all kinds held sway, exposing their merchandise in the open air: blouses, shoes, hats, kerchiefs, all the ambulating trumpery to be found in the neighborhood of camps, barracks, and factories.

As they made their way through this display of wares, Jack imagined he saw a familiar face, a smile, parting the various groups to reach him; but it was only a lightning flash, a mere vision swept away at once by the ever changing tide of the mass flowing away and dispersing through the great industrial city, and spreading itself over to the other side of the river in long ferry-boats, active, numerous, heavily laden, as if it were the passage of an army.

Evening was closing in over the dispersing crowd. The sun went down. The wind freshened, moving the poplars like palms; and the spectacle was imposing of the toiling island in its turn sinking to repose, restored to nature for the night. As the smoke cleared, masses of verdure became visible between the workshops. The river could be heard lapping the banks; and the swallows, skimming the water with tiny twitter, fluttered around the great boilers ranged along the quay.

THE WRATH OF A QUEEN

From 'Kings in Exile'

All the magic beauty of that June night poured in through the wide-open casement in the great hall. A single lighted candelabrum scarcely disturbed the mystery of the moonlight, which streamed in like a "milky way." On the table, across some dusty old papers, lay a crucifix of oxydized silver. By the side of the crucifix was a thick broad sheet of parchment, covered with a big and tremulous writing. It was the death-warrant of royalty, wanting nothing but the signature, one stroke of the pen, and a strong and violent effort of will to give this; and that was the reason why this weak King hesitated, sitting motionless, his elbows resting on the table, by the lighted candles prepared for the royal seal.

Near him, anxious, prying, yet soft and smooth, like a night-moth or the black bat that haunts ruins, Lebeau, the confidential valet, watched him and silently encouraged him; for they had arrived at the decisive moment that the gang had for months expected, with alternate hopes and fears, with all the trepidation, all the uncertainty attending a business dependent upon such a puppet as this King. Notwithstanding the magnetism of this overpowering desire, Christian, pen in hand, could not bring himself to sign. Sunk down in his arm-chair, he gazed at the parchment, and was lost in thought. It was not that he cared for that crown, which he had neither wished for nor loved, which as a child he had found too heavy, and that later in life had bowed him down and crushed him by its terrible responsibilities. He had felt no scruple in laying it aside, leaving it in the corner of a room which he never entered, forgetting it as much as possible when he was out; but he was scared at the sudden determination, the irrevocable step he was about to take. However, there was no other way of procuring money for his new existence, no other means of meeting the hundred and twenty thousand pounds' worth of bills he had signed, on which payment would soon be due, and which the usurer, a certain Pichery, picture-dealer, refused to renew. Could he allow an execution to be put in at Saint-Mande? And the Queen, the royal child; what would become of them in that case? If he must have a scene--for he foresaw the terrible clamor his cowardice must rouse--was it not better to have it now, and brave once for all anger and recriminations? And then--all this was not really the determining reason.

He had promised the Comtesse to sign this renunciation; and on the faith of this promise, Sephora had consented to let her husband start alone for London, and had accepted the mansion Avenue de Messine, and the title and name that published her to the world as the king's mistress, reserving, however, anything further till the day when Christian himself would bring her the deed, signed by his own hand. She assigned for this conduct the reasons of a woman in love: he might, later on, return to Illyria, abandon her for the throne and power; she would not be the first person whom these terrible State reasons have made tremble and weep. D'Axel, Wattelet, all the _gommeux_ of the Grand Club little guessed when the king, quitting the Avenue de Messine, rejoined them at the club with heavy fevered eyes, that he had spent the evening on a divan, by turns repulsed or encouraged, his feelings played upon, his nerves unstrung by the constant resistance; rolling himself at the feet of an immovable, determined woman, who with a supple opposition abandoned to his impassioned embrace only the cold little Parisian hands, so skillful in defense and evasion, while she imprinted on his lips the scorching flame of the enrapturing words:--"Oh! when you have ceased to be king, I shall be all yours--all yours!" She made him pass through all the dangerous phases of passion and coldness; and often at the theatre, after an icy greeting and a rapid smile, would slowly draw off her gloves and cast him a tender glance; then, putting her bare hand in his, she would seem to offer it up to his ardent kiss.

"Then you say, Lebeau, that Pichery will not renew?"

"He will not, sire. If the bills are not paid, the bailiffs will be put in."

How well he emphasized with a despairing moan the word "bailiffs," so as to convey the feeling of all the sinister formalities that would follow: bills protested, an execution, the royal hearth desecrated, the family turned out of doors. Christian saw nothing of all this. His imagination carried him far away to the Avenue de Messine: he saw himself arriving there in the middle of the night, eager and quivering; ascending with stealthy and hurried step the heavily carpeted stairs, entering the room where the night-light burned, mysteriously veiled under lace:--"It is done--I am no longer king. You are mine, mine." And the loved one held out her hand.

"Come," he exclaimed, starting out of his fleeting dream.

And he signed.

The door opened and the Queen appeared. Her presence in Christian's rooms at such an hour was so unforeseen, so unexpected, they had lived so long apart, that neither the King in the act of signing his infamy, nor Lebeau, who stood watching him, turned round at the slight noise she made. They thought it was Boscovich coming up from the garden. Gliding lightly like a shadow, she was already near the table, and had reached the two accomplices, when Lebeau saw her. With her finger on her lips she motioned him to be silent, and continued to advance, wishing to convict the king in the very act of his treachery, and avoid all evasion, subterfuge, or useless dissimulation; but the valet set her order at defiance and gave the alarm, "The Queen, sire!"

The Dalmatian, furious, struck straight in the face of this malevolent caitiff with the powerful hand of a woman accustomed to handle the reins; and drawing herself up erect, waited till the wretch had disappeared before she addressed the king.

"What has happened, my dear Frederique? and to what am I indebted for--?"

Standing bent over the table that he strove to hide, in a graceful attitude that showed off his silk jacket embroidered in pink, he smiled, and although his lips were rather pale, his voice remained calm, his speech easy, with that polished elegance which never left him when addressing his wife, and which placed a barrier between them like a hard lacquer screen adorned with flowery and intricate arabesques. With one word, one gesture, she put aside the barrier behind which he would fain have sheltered himself.

"Oh! no phrases, no grimacing--if you please. I know what you were writing there. Do not try to give me the lie."

Then drawing nearer, overwhelming his timorous objection by her haughty bearing:--

"Listen to me, Christian," and there was something in her tone that gave an impression of solemnity to her words; "listen to me: you have made me suffer cruelly since I became your wife. I have never said anything but once--the first time, you remember. After that, when I saw that you had ceased to love me, I left you to yourself. Not that I was ignorant of anything you did--not one of your infidelities, not one of your follies remained unknown to me. For you must indeed be mad, mad like your father, who died of exhaustion, mad with love for Lola; mad like your grandfather John, who died in a shameful delirium, foaming and framing kisses with the death-rattle in his throat, and uttering words that made the Sisters of Charity grow pale. Yes, it is the same fevered blood, the same hellish passion that devours you. At Ragusa, on the nights of the sortie, it was at Foedora's that they sought you. I knew it, I knew that she had left her theatre to follow you. I never uttered a single reproach. The honor of your name was saved. And when the King was absent from the ramparts, I took care his place should not be empty. But here in Paris--"

Till now she had spoken slowly, coldly, in a tone of pity and maternal reproof, as though inspired thereto by the downcast eyes and pouting mouth of the King, who looked like a vicious child receiving a scolding. But the name of Paris exasperated her. A city without faith, a city cynical and accursed, its blood-stained stones ever ready for sedition and barricades! What possessed these poor fallen kings, that they came to take refuge in this Sodom! It was Paris, it was its atmosphere tainted by carnage and vice that completed the ruin of the historical houses; it was this that had made Christian lose what the maddest of his ancestors had always known how to preserve--the respect and pride of their race. Oh! When on the very day of their arrival, the first night of their exile, she had seen him so excited, so gay, while all around him were secretly weeping, Frederique had guessed the humiliation and shame she would have to undergo. Then in one breath, without pausing, with cutting words that lashed the pallid face of the royal rake, and striped it red as with a whip, she recalled one after the other all his follies, his rapid descent from pleasure to vice, and vice to crime.

"You have deceived me under my very eyes, in my own house; adultery has sat at my table, it has brushed against my dress. When you were tired of that dollish little face who had not even the grace to conceal her tears, you went to the gutter, wallowing shamelessly in the slime and mud of the streets, and bringing back the dregs of your orgies, of your sickly remorse, all the pollution of the mire. Remember how I saw you totter and stammer on that morning, when for the second time you lost your throne. What have you not done! Holy Mother of angels! What have you not done! You have traded with the royal seal, you have sold crosses and titles."

And in a lower tone, as though she feared lest the stillness and silence of the night might hear, she added:--

"You have stolen, yes, stolen! Those diamonds, those stones torn from the crown--it was you who did it, and I allowed my faithful Greb to be suspected and dismissed. The theft being known, it was necessary to find a sham culprit to prevent the real one ever being discovered. For this has been my one, my constant preoccupation: to uphold the King, to keep him untouched; to accept everything for that purpose, even the shame which in the eyes of the world will end by sullying me. I had adopted a watchword that sustained me, and encouraged me in my hours of trial: 'All for the crown!' And now you want to sell it--that crown that has cost me such anguish and such tears; you want to barter it for gold, for the lifeless mask of that Jewess, whom you had the indecency to bring face to face with me to-day."

Crushed, bending low his head, he had hitherto listened without a word, but the insult directed against the woman he loved roused him. Looking fixedly at the queen, his face bearing the traces of her cutting words, he said politely, but very firmly:--

"Well, no, you are mistaken. The woman you mention has had nothing to do with the determination I have taken. What I am doing is done for you, for me, for our common happiness. Tell me, are you not weary of this life of privations and expedients? Do you think that I am ignorant of what is going on here; that I do not suffer when I see you harassed by a pack of tradespeople and duns? The other day when that man was shouting in the yard I was coming in and heard him. Had it not been for Rosen I would have crushed him under the wheels of my phaeton. And you--you were watching his departure behind the curtains of your window. A nice position for a Queen. We owe money to every one. There is a universal outcry against us. Half the servants are unpaid. The tutor even has received nothing for the last ten months. Madame de Silvis pays herself by majestically wearing your old dresses. And there are days when my councilor, the keeper of the royal seals, borrows from my valet the wherewithal to buy snuff. You see I am well acquainted with the state of things. And you do not know my debts yet. I am over head and ears in debt. Everything is giving way around us. A pretty state of things, indeed; you will see that diadem of yours sold one day at the corner of a street with old knives and forks."