Part 21
“I have great joy in Dr. Young, whom I disturbed in a reverie. At first he started, then bowed, then fell back into a surprise; then began a speech, relapsed into his astonishment two or three times, forgot what he had been saying; began a new subject, and so went on. I told him your grace desired he would write longer letters; to which he cried ‘Ha!’ most emphatically, and I leave you to interpret what it meant. He has made a friendship with one person here, whom I believe you would not imagine to have been made for his bosom friend. You would, perhaps, suppose it was a bishop or dean, a prebend, a pious preacher, a clergyman of exemplary life, or, if a layman, of most virtuous conversation, one that had paraphrased St. Matthew, or wrote comments on St. Paul. . . . You would not guess that this associate of the doctor’s was—old Cibber! Certainly, in their religious, moral, and civil character, there is no relation; but in their dramatic capacity there is some.—Mrs. Montagu was not aware that Cibber, whom Young had named not disparagingly in his Satires, was the brother of his old school-fellow; but to return to our hero. ‘The waters,’ says Mrs. Montagu, ‘have raised his spirits to a fine pitch, as your grace will imagine, when I tell you how sublime an answer he made to a very vulgar question. I asked him how long he stayed at the Wells; he said, ‘As long as my rival stayed;—as long as the sun did.’ Among the visitors at the Wells were Lady Sunderland (wife of Sir Robert Sutton), and her sister, Mrs. Tichborne. ‘He did an admirable thing to Lady Sunderland: on her mentioning Sir Robert Sutton, he asked her where Sir Robert’s lady was; on which we all laughed very heartily, and I brought him off, half ashamed, to my lodgings, where, during breakfast, he assured me he had asked after Lady Sunderland, because he had a great honor for her; and that, having a respect for her sister, he designed to have inquired after her, if we had not put it out of his head by laughing at him. You must know, Mrs. Tichborne sat next to Lady Sunderland. It would have been admirable to have had him finish his compliment in that manner.’ . . . ‘His expressions all bear the stamp of novelty, and his thoughts of sterling sense. He practises a kind of philosophical abstinence. . . . He carried Mrs. Rolt and myself to Tunbridge, five miles from hence, where we were to see some fine old ruins. First rode the doctor on a tall steed, decently caparisoned in dark gray; next, ambled Mrs. Rolt on a hackney horse; . . . then followed your humble servant on a milk-white palfrey. I rode on in safety, and at leisure to observe the company, especially the two figures that brought up the rear. The first was my servant, valiantly armed with two uncharged pistols; the last was the doctor’s man, whose uncombed hair so resembled the mane of the horse he rode, one could not help imagining they were of kin, and wishing, for the honor of the family, that they had had one comb betwixt them. On his head was a velvet cap, much resembling a black saucepan, and on his side hung a little basket. At last we arrived at the King’s Head, where the loyalty of the doctor induced him to alight; and then, knight-errant-like, he took his damsels from off their palfreys, and courteously handed us into the inn.’ . . . The party returned to the Wells; and ‘the silver Cynthia held up her lamp in the heavens’ the while. ‘The night silenced all but our divine doctor, who sometimes uttered things fit to be spoken in a season when all nature seems to be hushed and hearkening. I followed, gathering wisdom as I went, till I found, by my horse’s stumbling, that I was in a bad road, and that the blind was leading the blind. So I placed my servant between the doctor and myself; which he not perceiving, went on in a most philosophical strain, to the great admiration of my poor clown of a servant, who, not being wrought up to any pitch of enthusiasm, nor making any answer to all the fine things he heard, the doctor, wondering I was dumb, and grieving I was so stupid, looked round and declared his surprise.’”
Young’s oddity and absence of mind are gathered from other sources besides these stories of Mrs. Montagu’s, and gave rise to the report that he was the original of Fielding’s “Parson Adams;” but this Croft denies, and mentions another Young, who really sat for the portrait, and who, we imagine, had both more Greek and more genuine simplicity than the poet. His love of chatting with Colley Cibber was an indication that the old predilection for the stage survived, in spite of his emphatic contempt for “all joys but joys that never can expire;” and the production of “The Brothers,” at Drury Lane in 1753, after a suppression of fifteen years, was perhaps not entirely due to the expressed desire to give the proceeds to the Society for the Propagation of the Gospel. The author’s profits were not more than £400—in those days a disappointing sum; and Young, as we learn from his friend Richardson, did not make this the limit of his donation, but gave a thousand guineas to the Society. “I had some talk with him,” says Richardson, in one of his letters, “about this great
## action. ‘I always,’ said he, ‘intended to do something handsome for the
Society. Had I deferred it to my demise, I should have given away my son’s money. All the world are inclined to pleasure; could I have given myself a greater by disposing of the sum to a different use, I should have done it.’” Surely he took his old friend Richardson for “Lorenzo!”
His next work was “The Centaur not Fabulous; in Six Letters to a Friend, on the Life in Vogue,” which reads very much like the most objurgatory parts of the “Night Thoughts” reduced to prose. It is preceded by a preface which, though addressed to a lady, is in its denunciations of vice as grossly indecent and almost as flippant as the epilogues written by “friends,” which he allowed to be reprinted after his tragedies in the latest edition of his works. We like much better than “The Centaur,” “Conjectures on Original Composition,” written in 1759, for the sake, he says, of communicating to the world the well-known anecdote about Addison’s deathbed, and with the exception of his poem on Resignation, the last thing he ever published.
The estrangement from his son, which must have embittered the later years of his life, appears to have begun not many years after the mother’s death. On the marriage of her second daughter, who had previously presided over Young’s household, a Mrs. Hallows, understood to be a woman of discreet age, and the daughter (a widow) of a clergyman who was an old friend of Young’s, became housekeeper at Welwyn. Opinions about ladies are apt to differ. “Mrs. Hallows was a woman of piety, improved by reading,” says one witness. “She was a very coarse woman,” says Dr. Johnson; and we shall presently find some indirect evidence that her temper was perhaps not quite so much improved as her piety. Servants, it seems, were not fond of remaining long in the house with her; a satirical curate, named Kidgell, hints at “drops of juniper” taken as a cordial (but perhaps he was spiteful, and a teetotaller); and Young’s son is said to have told his father that “an old man should not resign himself to the management of anybody.” The result was, that the son was banished from home for the rest of his father’s life-time, though Young seems never to have thought of disinheriting him.
Our latest glimpses of the aged poet are derived from certain letters of Mr. Jones, his curate—letters preserved in the British Museum, and happily made accessible to common mortals in Nichols’s “Anecdotes.” Mr. Jones was a man of some literary activity and ambition—a collector of interesting documents, and one of those concerned in the “Free and Candid Disquisitions,” the design of which was “to point out such things in our ecclesiastical establishment as want to be reviewed and amended.” On these and kindred subjects he corresponded with Dr. Birch, occasionally troubling him with queries and manuscripts. We have a respect for Mr. Jones. Unlike any person who ever troubled _us_ with queries or manuscripts, he mitigates the infliction by such gifts as “a fat pullet,” wishing he “had anything better to send; but this depauperizing vicarage (of Alconbury) too often checks the freedom and forwardness of my mind.” Another day comes a “pound canister of tea,” another, a “young fatted goose.” Clearly, Mr. Jones was entirely unlike your literary correspondents of the present day; he forwarded manuscripts, but he had “bowels,” and forwarded poultry too. His first letter from Welwyn is dated June, 1759, not quite six years before Young’s death. In June, 1762, he expresses a wish to go to London “this summer. But,” he continues:
“My time and pains are almost continually taken up here, and . . . I have been (I now find) a considerable loser, upon the whole, by continuing here so long. The consideration of this, and the inconveniences I sustained, and do still experience, from my late illness, obliged me at last to acquaint the Doctor (Young) with my case, and to assure him that I plainly perceived the duty and confinement here to be too much for me; for which reason I must (I said) beg to be at liberty to resign my charge at Michaelmas. I began to give him these notices in February, when I was very ill; and now I perceive, by what he told me the other day, that he is in some difficulty: for which reason he is at last (he says) resolved to advertise, _and even_ (_which is much wondered at_) _to raise the salary considerably __higher_. (What he allowed my predecessors was 20_l._ per annum; and now he proposes 50_l._, as he tells me.) I never asked him to raise it for me, though I well knew it was not equal to the duty; nor did I say a word about myself when he lately suggested to me his intentions upon this subject.”
In a postscript to this letter he says:
“I may mention to you farther, as a friend that may be trusted, that in all likelihood the poor old gentleman will not find it a very easy matter, unless by dint of money, _and force upon himself_, to procure a man that he can like for his next curate, _nor one that will stay with him so long as I have done_. Then, his great age will recur to people’s thoughts; and if he has any foibles, either in temper or conduct, they will be sure not to be forgotten on this occasion by those who know him; and those who do not will probably be on their guard. On these and the like considerations, it is by no means an eligible office to be seeking out for a curate for him, as he has several times wished me to do; and would, if he knew that I am now writing to you, wish your assistance also. But my best friends here, _who well foresee the probable consequences_, and wish me well, earnestly dissuade me from complying: and I will decline the office with as much decency as I can: but high salary will, I suppose, fetch in somebody or other, soon.”
In the following July he writes:
“The old gentleman here (I may venture to tell you freely) seems to me to be in a pretty odd way of late—moping, dejected, self-willed, and as if surrounded with some perplexing circumstances. Though I visit him pretty frequently for short intervals, I say very little to his affairs, not choosing to be a party concerned, especially in cases of so critical and tender a nature. There is much mystery in almost all his temporal affairs, as well as in many of his speculative theories. Whoever lives in this neighborhood to see his exit will probably see and hear some very strange things. Time will show;—I am afraid, not greatly to his credit. There is thought to be _an irremovable obstruction to his happiness within his walls_, _as well as another without them_; but the former is the more powerful, and like to continue so. He has this day been trying anew to engage me to stay with him. No lucrative views can tempt me to sacrifice my liberty or my health, to such measures as are proposed here. _Nor do I like to __have to do with persons whose word and honor cannot be depended on_. So much for this very odd and unhappy topic.”
In August Mr. Jones’s tone is slightly modified. Earnest entreaties, not lucrative considerations, have induced him to cheer the Doctor’s dejected heart by remaining at Welwyn some time longer. The Doctor is, “in various respects, a very unhappy man,” and few know so much of these respects as Mr. Jones. In September he recurs to the subject:
“My ancient gentleman here is still full of trouble, which moves my concern, though it moves only the secret laughter of many, and some untoward surmises in disfavor of him and his household. The loss of a very large sum of money (about 200_l._) is talked of; whereof this vill and neighborhood is full. Some disbelieve; others says, ‘_It is no wonder_, _where about eighteen or more servants are sometimes taken and dismissed in the course of a year_.’ The gentleman himself is allowed by all to be far more harmless and easy in his family than some one else who hath too much the lead in it. This, among others, was one reason for my late motion to quit.”
No other mention of Young’s affairs occurs until April 2d, 1765, when he says that Dr. Young is very ill, attended by two physicians.
“Having mentioned this young gentleman (Dr. Young’s son), I would acquaint you next, that he came hither this morning, having been sent for, as I am told, by the direction of Mrs. Hallows. Indeed, she intimated to me as much herself. And if this be so, I must say, that it is one of the most prudent Acts she ever did, or could have done in such a case as this; as it may prove a means of preventing much confusion after the death of the Doctor. I have had some little discourse with the son: he seems much affected, and I believe really is so. He earnestly wishes his father might be pleased to ask after him; for you must know he has not yet done this, nor is, in my opinion, like to do it. And it has been said farther, that upon a late application made to him on the behalf of his son, he desired that no more might be said to him about it. How true this may be I cannot as yet be certain; all I shall say is, it seems not improbable . . . I heartily wish the ancient man’s heart may prove tender toward his son; _though_, _knowing him so well_, _I can scarce hope to hear such desirable news_.”
Eleven days later he writes:
“I have now the pleasure to acquaint you, that the late Dr. Young, though he had for many years kept his son at a distance from him, yet has now at last left him all his possessions, after the payment of certain legacies; so that the young gentleman (who bears a fair character, and behaves well, as far as I can hear or see) will, I hope, soon enjoy and make a prudent use of a handsome fortune. The father, on his deathbed, and since my return from London, was applied to in the tenderest manner, by one of his physicians, and by another person, to admit the son into his presence, to make submission, intreat forgiveness, and obtain his blessing. As to an interview with his son, he intimated that he chose to decline it, as his spirits were then low and his nerves weak. With regard to the next
## particular, he said, ‘_I heartily forgive him_;’ and upon ‘mention of
this last, he gently lifted up his hand, and letting it gently fall, pronounced these words, ‘_God bless him_!’ . . . I know it will give you pleasure to be farther informed that he was pleased to make respectful mention of me in his will; expressing his satisfaction in my care of his parish, _bequeathing to me a handsome legacy_, and appointing me to be one of his executors.”
So far Mr. Jones, in his confidential correspondence with a “friend, who may be trusted.” In a letter communicated apparently by him to the _Gentleman’s Magazine_, seven years later, namely, in 1782, on the appearance of Croft’s biography of Young, we find him speaking of “the ancient gentleman” in a tone of reverential eulogy, quite at variance with the free comments we have just quoted. But the Rev. John Jones was probably of opinion, with Mrs. Montagu, whose contemporary and retrospective letters are also set in a different key, that “the interests of religion were connected with the character of a man so distinguished for piety as Dr. Young.” At all events, a subsequent quasi-official statement weighs nothing as evidence against contemporary, spontaneous, and confidential hints.
To Mrs. Hallows, Young left a legacy of £1000, with the request that she would destroy all his manuscripts. This final request, from some unknown cause, was not complied with, and among the papers he left behind him was the following letter from Archbishop Secker, which probably marks the date of his latest effort after preferment:
“DEANERY OF ST. PAUL’S, July 8, 1758.
“Good DR. YOUNG: I have long wondered that more suitable notice of your great merit hath not been taken by persons in power. But how to remedy the omission I see not. No encouragement hath ever been given me to mention things of this nature to his Majesty. And therefore, in all likelihood, the only consequence of doing it would be weakening the little influence which else I may possibly have on some other occasions. _Your fortune and your reputation set you above the need of advancement_; _and your sentiments above that concern for it_, _on your own account_, which, on that of the public, is sincerely felt by
“Your loving Brother,
“THO. CANT.”
The loving brother’s irony is severe!
Perhaps the least questionable testimony to the better side of Young’s character is that of Bishop Hildesley, who, as the vicar of a parish near Welwyn, had been Young’s neighbor for upward of twenty years. The affection of the clergy for each other, we have observed, is, like that of the fair sex, not at all of a blind and infatuated kind; and we may therefore the rather believe them when they give each other any extra-official praise. Bishop Hildesley, then writing of Young to Richardson, says:
“The impertinence of my frequent visits to him was amply rewarded; forasmuch as, I can truly say, he never received me but with agreeable open complacency; and I never left him but with profitable pleasure and improvement. He was one or other, the most modest, the most patient of contradiction, and the most informing and entertaining I ever conversed with—at least, of any man who had so just pretensions to pertinacity and reserve.”
Mr. Langton, however, who was also a frequent visitor of Young’s, informed Boswell—
“That there was an air of benevolence in his manner; but that he could obtain from him less information than he had hoped to receive from one who had lived so much in intercourse with the brightest men of what had been called the Augustan age of England; and that he showed a degree of eager curiosity concerning the common occurrences that were then passing, which appeared somewhat remarkable in a man of such intellectual stores, of such an advanced age, and who had retired from life with declared disappointment in his expectations.”
The same substance, we know, will exhibit different qualities under different tests; and, after all, imperfect reports of individual impressions, whether immediate or traditional, are a very frail basis on which to build our opinion of a man. One’s character may be very indifferently mirrored in the mind of the most intimate neighbor; it all depends on the quality of that gentleman’s reflecting surface.
But, discarding any inferences from such uncertain evidence, the outline of Young’s character is too distinctly traceable in the well-attested facts of his life, and yet more in the self-betrayal that runs through all his works, for us to fear that our general estimate of him may be false. For, while no poet seems less easy and spontaneous than Young, no poet discloses himself more completely. Men’s minds have no hiding-place out of themselves—their affectations do but betray another phase of their nature. And if, in the present view of Young, we seem to be more intent on laying bare unfavorable facts than on shrouding them in “charitable speeches,” it is not because we have any irreverential pleasure in turning men’s characters “the seamy side without,” but because we see no great advantage in considering a man as he was _not_. Young’s biographers and critics have usually set out from the position that he was a great religious teacher, and that his poetry is morally sublime; and they have toned down his failings into harmony with their conception of the divine and the poet. For our own part, we set out from precisely the opposite conviction—namely, that the religious and moral spirit of Young’s poetry is low and false, and we think it of some importance to show that the “Night Thoughts” are the reflex of the mind in which the higher human sympathies were inactive. This judgment is entirely opposed to our youthful predilections and enthusiasm. The sweet garden-breath of early enjoyment lingers about many a page of the “Night Thoughts,” and even of the “Last Day,” giving an extrinsic charm to passages of stilted rhetoric and false sentiment; but the sober and repeated reading of maturer years has convinced us that it would hardly be possible to find a more typical instance than Young’s poetry, of the mistake which substitutes interested obedience for sympathetic emotion, and baptizes egoism as religion.
* * * * *