Part 21

On the dispersion of the Jesuits the Bollandists were authorized to continue their work, and remained at Antwerp until 1778, when they were transferred to Brussels, to the monastery of canons regular of Coudenberg. Here they published vol. iv. of October in 1780, and vol. v. of October in 1786, when the monastery of Coudenberg was suppressed. In 1788 the work of the Bollandists ceased. The remains of their library were acquired by the Premonstratensians of Tongerloo, who endeavoured to continue the work, and in their abbey vol. vi. of October appeared in 1794.

After the re-establishment of the Society of Jesus in Belgium the work was again taken up in 1837, at the suggestion of the Academie Royale of Belgium and with the support of the Belgian government, and the Bollandists were installed at the college of St Michael in Brussels. In 1845 appeared vol. vii. of October, the first of the new series, which reached vol. xiii. of October in 1883. In this series the Jesuit fathers Joseph van der Moere, Joseph van Hecke, Benjamin Bossue, Victor and Remi de Buck, Ant. Tinnebroeck, Edu. Carpentier and Henr. Matagne collaborated. Father John Martinov of Theazan was entrusted with the editing of the _Annus Graeco-Slavicus_, which appeared in the beginning of vol. xi. of October in 1864.

In 1882 the activities of the Bollandists were exerted in a new direction, with a view to bringing the work more into line with the progress of historical methods. A quarterly review was established under the title of _Analecta Bollandiana_ by the Jesuit fathers C. de Smedt, G. van Hooff and J. de Backer. This reached its 25th volume in 1906, and was edited by the Bollandists de Smedt, F. van Ontroy, H. Delehaye, A. Porcelet and P. Peeters. This review contains studies in preparation for the continuation and remoulding of the _Acta Sanctorum_, inedited texts, dissertations, and, since 1892, a _Bulletin des publications hagiographiques_, containing criticisms of recent works on hagiographic questions. In addition to this review, the Bollandists undertook the analysis of the hagiographic MSS. in the principal libraries. Besides numerous library catalogues published in the _Analecta_ (e.g. those of Chartres, Namur, Ghent, Messina, Venice, etc.), separate volumes were devoted to the Latin MSS. in the Bibliotheque Royale at Brussels (2 vols., 1886-1889), to the Latin and Greek MSS. in the Bibliotheque Nationale at Paris (5 vols., 1889-1896), to the Greek MSS. in the Vatican (1899), and to the Latin MSS. in the libraries of Rome (1905 seq.). They also prepared inventories of the hagiographic texts hitherto published, and of these there have appeared the _Bibliotheca hagiographica graeca_ (1895), the _Bibliotheca hagiographica latina_ (1899) and the _Bibliotheca hagiographica Orientalis_. These indispensable works delayed the publication of the principal collection, but tended to give it a more solid basis and a strictly scientific stamp. In 1887 appeared vol. i. for November; in 1894, vol. ii., preceded by the _Martyrologium Hieronymianum_ by J.B. de Rossi and the abbe Louis Duchesne; in 1902, the _Propylaeum ad Acta Sanctorum Novembris_, comprising the _Synaxarium ecclesiae Constantinopolitanae_.

There are three editions of the _Acta Sanctorum_: the original edition (Antwerp, Tongerloo and Brussels, 63 vols., 1643-1902); the Venice edition, stopping at vol. v. of September (1734-1770); and the Paris edition, stopping at vol. xiii. of October (61 vols., 1863-1883). In addition to these, there is a volume of tables, edited by the abbe Rigollot.

See _Acta Sanctorum apologelicis libris ... vindicata_ (Antwerp, 1755); L.P. Gachard, _Memoire historique sur les Bollandistes_ (Brussels, 1835); van Hecke, "De ratione operis Bollandiani" (_Acta Sanctorum Octobris_, vii.); and Cardinal J.B. Pitra, _Etudes sur la collection des Actes des Saints_ (Paris, 1880). (H. De.)

BOLOGNA, GIOVANNI DA (1524-1608) [Ital. for his real name, JEAN BOLOGNE or BOULLONGNE], French sculptor, was born at Douai in 1524. His early training as a sculptor was conducted at Antwerp, but at the age of twenty-five he went to Italy and he settled in 1553 in Florence, where his best works still remain. His two most celebrated productions are the single bronze figure of Mercury, poised on one foot, resting on the head of a zephyr, as if in the act of springing into the air (in the Bargello gallery), and the marble group known as the Rape of the Sabines, which was executed for Francesco de' Medici and received this name, Lanzi informs us, after it was finished. It is now in the Loggia de Lanzi of the ducal piazza. Giovanni was also employed at Genoa, where he executed various excellent works, chiefly in bronze. Most of his pieces are characterized by great spirit and elegance. His great fountain at Bologna (1563-1567) is remarkable for beauty of proportion. Noteworthy also are his two fountains in the Boboli gardens, one completed in 1576 and the other in 1585. He also cast the fine bronze equestrian statue of Cosimo de' Medici at Florence and the very richly decorated west door of Pisa cathedral. One of Bologna's best works, a group of two nude figures fighting, is now lost. A fine copy in lead was at one time in the front quadrangle of Brasenose College, Oxford. In 1881 it was sold for old lead by the principal and fellows of the college, and was melted down by the plumber who bought it.

See _La Vie et l'oeuvre de Jean Bologne, par Abel Desjardins, d'apres les manuscrits--recueillis par Foucques de Vagnonville_ (1883, numerous illustrations; list of works).

BOLOGNA, a city and archiepiscopal see of Emilia, Italy, the capital of the province of Bologna, and headquarters of the VI. army corps. It is situated at the edge of the plain of Emilia, 180 ft. above sea-level at the base of the Apennines, 82 m. due N. of Florence by rail, 63 m. by road and 50 m. direct, and 134 m. S.E. of Milan by rail. Pop. (1901) town, 102,122; commune, 153,501. The more or less rectangular Roman city, orientated on the points of the compass, with its streets arranged at right angles, can be easily distinguished from the outer city, which received its fortifications in 1206 (see G. Gozzadini, _Studi archeologico-topografici sulla citta di Bologna_, Bologna, 1868). The streets leading to the gates of the latter radiate from the outskirts, and not from the centre, of the former. Some of the oldest churches, however, lie outside the limits of the Roman city (of which no buildings remain above ground) such as S. Stefano, S. Giovanni in Monte and SS. Vitale ed Agricola. The first consists of a group of no less than seven different buildings, of different dates; the earliest of which, the former cathedral of SS. Pietro e Paolo, was constructed about the middle of the 4th century, in part with the debris of Roman buildings; while S. Sepolcro, a circular church with ornamentation in brick and an imitation of _opus reticulatum_, should probably be attributed to the 6th or 7th centuries. The present cathedral (S. Pietro), erected in 910, is now almost entirely in the baroque style. The largest church in the town, however, is that of S. Petronio, the patron saint of Bologna, which was begun in 1390; only the nave and aisles as far as the transepts were, however, completed, but even this is a fine fragment, in the Gothic style, measuring 384 ft. long, and 157 wide, whereas the projected length of the whole (a cruciform basilica) was over 700 ft., with a breadth across the transepts of 460 ft., and a dome 500 ft. high over the crossing (see F. Cavazza in _Rassegna d' Arte_, 1905, 161). The church of S. Domenico, which contains the body of the saint, who died here in 1221, is unfinished externally, while the interior was remodelled in the 18th century. There are many other churches of interest, among them S. Francesco, perhaps the finest medieval building in Bologna, begun in 1246 and finished in 1260; it has a fine brick campanile of the end of the 14th century. It was restored to sacred uses in 1887, and has been carefully liberated from later alterations (U. Berti in _Rassegna d' Arte_, 1901, 55). The church of Corpus Dominii has fine 15th-century terra cottas on the facade (F. Malaguzzi Valeri in _Archivio Storico dell' Arte_, ser. ii. vol. ii. (Rome, 1896), 72). The centre of the town is formed by the Piazza Vittorio Emanuele (formerly Piazza Maggiore), and the Piazza del Nettuno, which lie at right angles to one another. Here are the church of S. Petronio, the massive Palazzo Comunale, dating from 1245, the Palazzo del Podesta, completed in the same year, and the fine bronze statue of Neptune by Giovanni da Bologna (Jean Bologne of Douai).

The famous university of Bologna was founded in the 11th century (its foundation by Theodosius the Great in A.D. 425 is legendary), and acquired a European reputation as a school of jurisprudence under Pepo, the first known teacher at Bologna of Roman law (about 1076), and his successor Irnerius and their followers the glossators. The students numbered between three and five thousand in the 12th to the 15th century, and in 1262, it is said, nearly ten thousand (among them were both Dante and Petrarch). Anatomy was taught here in the 14th century. But despite its fame, the university, though an autonomous corporation, does not seem to have had any fixed residence: the professors lectured in their own houses, or later in rooms hired or lent by the civic authorities. It was only in 1520 that the professors of law were given apartments in a building belonging to the church of S. Petronio; and in 1562, by order of Pius IV., the university itself was constructed close by, by Carlo Borromeo, then cardinal legate. The reason of this measure was no doubt partly disciplinary, Bologna itself having in 1506 passed under the dominion of the papacy. Shortly after this, in 1564, Tasso was a student there, and was tried for writing a satirical poem. One of the most famous professors was Marcello Malpighi, a great anatomist of the 17th century. The building has served as the communal library since 1838. Its courtyard contains the arms of those students who were elected as representatives of their respective nations or faculties. The university has since 1803 been established in the (16th century) Palazzo Poggi. Between 1815 and 1848 the number of students sank to about a hundred in some years, chiefly owing to the political persecutions of the government: in 1859 the number had risen to 355. It now possesses four faculties and is attended by some 1700 students. Among its professors women have more than once been numbered.

The Museo Civico is one of the most important museums in Italy, containing especially fine collections of antiquities from Bologna and its neighbourhood. The picture gallery is equally important in its way, affording a survey both of the earlier Bolognese paintings and of the works of the Bolognese eclectics of the 16th and 17th centuries, the Caracci, Guido Reni, Domenichino, Guercino, &c. The primitive masters are not of great excellence, but the works of the masters of the 15th century, especially those of Francesco Francia (1450-1517) and Lorenzo Costa of Ferrara (1460-1535), are of considerable merit. The great treasure of the collection is, however, Raphael's S. Cecilia, painted for the church of S. Giovanni in Monte, about 1515.

The two leaning towers, the Torre Asinelli and the Torre Garisenda, dating from 1109 and 1110 respectively, are among the most remarkable structures in Bologna: they are square brick towers, the former being 320 ft. in height and 4 ft. out of the perpendicular, the latter (unfinished) 163 ft. high and 10 ft. out of the perpendicular. The town contains many fine private palaces, dating from the 13th century onwards. The streets are as a rule arcaded, and this characteristic has been preserved in modern additions, which have on the whole been made with considerable taste, as have also the numerous restorations of medieval buildings. A fine view may be had from the Madonna di S. Luca, on the south-west of the town (938 ft.).

Among the specialities of Bologna may be noted the _salami_ or _mortadella_ (Bologna sausage), _tortellini_ (a kind of macaroni) and liqueurs.

Bologna is an important railway centre, just as the ancient Bononia was a meeting-point of important roads. Here the main line from Milan divides, one portion going on parallel to the line of the ancient Via Aemilia (which it has followed from Piacenza downwards) to Rimini, Ancona and Brindisi, and the other through the Apennines to Florence and thence to Rome. Another line runs to Ferrara and Padua, another (eventually to be prolonged to Verona) to S. Felice sul Panaro, and a third to Budrio and Portomaggiore (a station on the line from Ferrara to Ravenna). Steam tramways run to Vignola, Pieve di Cento and Malalbergo.

Bologna was only for a short while subject to the Lombards, remaining generally under the rule of the exarchate of Ravenna, until this in 756 was given by Pippin to the papacy. It was sacked by the Hungarians in 902, but otherwise its history is little known, and it is uncertain when it acquired its freedom and its motto _Libertas_. But the first "constitution" of the commune of Bologna dates from about 1123, and at that time we find it a free and independent city. From the 12th to the 14th century it was very frequently at war, and strongly supported the Guelph cause against Frederick II. and against the neighbouring cities of Romagna and Emilia; indeed, in 1249 the Bolognese took Enzio, the emperor's son, prisoner, and kept him in confinement for the rest of his life. But the struggles between Guelphs and Ghibellines in Bologna itself soon followed, and the commune was so weakened that in 1337 Taddeo de' Pepoli made himself master of the town, and in 1350 his son sold it to Giovanni Visconti of Milan. Ten years later it was given to the papacy, but soon revolted and recovered its liberty. In 1401 Giovanni Bentivoglio made himself lord of Bologna, but was killed in a rebellion of 1402. It then returned to the Visconti, and after various struggles with the papacy was again secured in 1438 by the Bentivoglio, who held it till 1506, when Pope Julius II. drove them out, and brought Bologna once more under the papacy, under the sway of which it remained (except in the Napoleonic period between 1796 and 1815 and during the revolutions of 1821 and 1831) until in 1860 it became part of the kingdom of Italy.

Among the most illustrious natives of Bologna may be noted Luigi Galvani (1737-1798), the discoverer of galvanism, and Prospero Lambertini (Pope Benedict XIV.).

See C. Ricci, _Guida di Bologna_ (3rd ed., Bologna, 1900). (T. As.)

BOLSENA (anc. _Volsinii_),[1] a town of the province of Rome, Italy, 12 m. W.S.W. of Orvieto by road, situated on the north-east bank of the lake of Bolsena. Pop. (1901) 3286. The town is dominated by a picturesque medieval castle, and contains the church of S. Christina (martyred by drowning in the lake, according to the legend, in 278) which dates from the 11th century and contains some frescoes, perhaps of the school of Giotto. It has a fine Renaissance facade, constructed about 1500 by Cardinal Giovanni de' Medici (afterwards Pope Leo X.), and some good terra cottas by the Della Robbia. Beneath the church are catacombs, with the tomb of the saint, discovered in 1880 (E. Stevenson in _Notizie degli Scavi_, 1880, 262; G.B. de Rossi in _Bullettino d'Archeologia Cristiana_, 1880, 109). At one of the altars in this crypt occurred the miracle of Bolsena in 1263. A Bohemian priest, sceptical of the doctrine of transubstantiation, was convinced of its truth by the appearance of drops of blood on the host he was consecrating. In commemoration of this Pope Urban IV. instituted the festival of Corpus Christi, and ordered the erection of the cathedral of Orvieto. The miracle forms the subject of a celebrated fresco by Raphael in the Vatican.

The Lake of Bolsena (anc. _Lacus Volsiniensis_), 1000 ft. above sea-level, 71 sq. m. in area, and 480 ft. deep, is almost circular, and was the central point of a large volcanic district, though it is probably not itself an extinct crater. Its sides show fine basaltic formation in places. It abounds in fish, but its banks are somewhat deserted and not free from malaria. It contains two islands, Bisentina and Martana, the former containing a church constructed by Vignola, the latter remains of the castle where Amalasuntha, the daughter of Theodoric, was imprisoned and strangled. (T. As.)

FOOTNOTE:

[1] According to the theory now generally adopted, the Etruscan Volsinii occupied the site of Orvieto, which was hence called _Urbs vetus_ in late classical and medieval times, while the Roman Volsinii was transferred to Bolaena (see VOLSINII).

BOLSOVER, an urban district in the north-eastern parliamentary division of Derbyshire, England, 5-1/2 m. E. of Chesterfield, on branch lines of the Midland and the Great Central railways. Pop. (1901) 6844. It lies at a considerable height on a sharp slope above a stream tributary to the river Rother. The castle round which the town grew up was founded shortly after the Conquest by William Peveril, but the existing building, a fine castellated residence, was erected on its site in 1613. The town itself was fortified, and traces of early works remain. The church of St Mary is of Norman and later date; it contains some interesting early stone-carving, and monuments to the family of Cavendish, who acquired the castle in the 16th century. Coal-mining and quarrying are carried on in the neighbourhood of Bolsover.

BOLSWARD, a town in the province of Friesland, Holland, 6-1/2 m. W.N.W. of Sneek. A steam-tramway connects it with Sneek, Makkum, Harlingen and Franeker. Pop. (1900) 6517. The Great church, or St Martin's (1446-1466) is a large building containing some good carving, a fine organ and the tombs of many Frisian nobles. The so-called Small church, dating from about 1280, also contains fine carving and tombstones; and is the remnant of a Franciscan convent which once existed here. Bolsward also possesses a beautiful renaissance town-hall (1614-1618) and various educational and charitable institutions, including a music and a drawing school. It has an active trade in agricultural produce, and some spinning-mills and tile and pottery works. The town is mentioned in 725, when it was situated on the Middle Sea. When this receded, a canal was cut to the Zuider Zee, and in 1422 it was made a Hansa town.

The medieval constitution of Bolsward, though in its government by eight _scabini_, with judicial, and four councillors with administrative functions, it followed the ordinary type of Dutch cities, was in some ways peculiar. The family of Jongema had certain hereditary rights in the administration, which, though not mentioned in the town charter of 1455, were defined in that of 1464. According to this the head of the family sat for two years with the _scabini_ and the third year with the councillors, and had the right to administer an oath to one of each body. More singular was the influential position assigned, in civic legislation and administration, to the clergy, to whom in conjunction with the councillors, there was even, in certain cases, an appeal from the judgment of the _scabini_.

See C. Hegel, _Stadte u. Gilden der germanischen Volker im Mittelalter_ (Leipzig, 1891).

BOLT, an O. Eng. word (compare Ger. _Bolz_, an arrow), for a "quarrel" or cross-bow shaft, or the pin which fastened a door. From the swift flight of an arrow comes the verb "to bolt," as applied to a horse, &c., and such expressions as "bolt upright," meaning straight upright; also the American use of "bolt" for refusing to support a candidate nominated by one's own party. In the sense of a straight pin for a fastening, the word has come to mean various sorts of appliances. From the sense of "fastening together" is derived the use of the word "bolt" as a definite length (in a roll) of a fabric (40 ft. of canvas, &c.).

From another "bolt" or "boult," to sift (through O. Fr. _buleter_, from the Med. Lat. _buretare_ or _buletare_), come such expressions as in Shakespeare's _Winter's Tale_, "The fann'd snow, That's bolted by the northern blasts twice o'er," or such a figurative use as in Burke's "The report of the committee was examined and sifted and bolted to the bran." From this sense comes that of to moot, or discuss, as in Milton's _Comus_, "I hate when vice can bolt her arguments."

BOLTON, DUKES OF. The title of duke of Bolton was held in the family of Powlett or Paulet from 1689 to 1794. Charles Powlett, the 1st duke (c. 1625-1699), who became 6th marquess of Winchester on his father's death in 1675, had been member of parliament for Winchester and then for Hampshire from 1660 to 1675. Having supported the claim of William and Mary to the English throne in 1688, he was restored to the privy council and to the office of lord-lieutenant of Hampshire, and was created duke of Bolton in April 1689. An eccentric man, hostile to Halifax and afterwards to Marlborough, he is said to have travelled during 1687 with four coaches and 100 horsemen, sleeping during the day and giving entertainments at night. He died in February 1699, and was succeeded by his elder son, Charles, 2nd duke of Bolton (1661-1722), who had also been a member of parliament for Hampshire and a supporter of William of Orange. He was lord-lieutenant of Hampshire and of Dorset, a commissioner to arrange the union of England and Scotland; and was twice a lord justice of the kingdom. He was also lord chamberlain of the royal household; governor of the Isle of Wight; and for two short periods was lord-lieutenant of Ireland. His third wife was Henrietta (d. 1730), a natural daughter of James, duke of Monmouth. According to Swift this duke was "a great booby." His eldest son, Charles, 3rd duke of Bolton (1685-1754), was a member of parliament from 1705 to 1717, when he was made a peer as Baron Pawlet of Basing. He filled many of the public offices which had been held by his father, and also attained high rank in the British army. Having displeased Sir Robert Walpole he was deprived of several of his offices in 1733; but some of them were afterwards restored to him, and he raised a regiment for service against the Jacobites in 1745. He was a famous gallant, and married for his second wife the singer, Lavinia Fenton (d. 1760), a lady who had previously been his mistress. He died in August 1754, and was succeeded as 4th duke by his brother Harry (c. 1690-1759), who had been a member of parliament for forty years, and who followed the late duke as lord-lieutenant of Hampshire. The 4th duke's son, Charles (c. 1718-1765), who became 5th duke in October 1759, committed suicide in London in July 1765, and was succeeded by his brother Harry (c. 1719-1794), an admiral in the navy, on whose death without sons, in December 1794, the dukedom became extinct. The other family titles descended to a kinsman, George Paulet (1722-1800), who thus became 12th marquess of Winchester. In 1778 Thomas Orde (1746-1807) married Jean Mary (d. 1814), a natural daughter of the 5th duke of Bolton, and this lady inherited Bolton Castle and other properties on the death of the 6th duke. Having taken the additional name of Powlett, Orde was created Baron Bolton in 1797, and the barony has descended to his heirs.