Part 20
Art--The early colonists found little time for engaging in the arts. Nevertheless, a beginning in art was made. For example, John White (sometimes referred to as Johannes Wyth), the grandfather of Virginia Dare, made water color sketches portraying the life of the native Indians in the area.
Various handicrafts were pursued from time to time. When Sir Christopher Newport came to Virginia, he included in his group some Polish and Dutch glassmakers. When the terrible winter of 1610 caused the death of a majority of the colonists at Jamestown, glassmaking came temporarily to an end. Another early attempt was the making of glass beads as a bartering item for the Indians, but the massacre of 1622 ended these ventures. Other handicrafts generally introduced in the colony included weaving, potterymaking, wigmaking, tanning, pewter making and cobbling. Williamsburg eventually became the center of such handicrafts.
In the Eighteenth Century, numerous European artists visited America. As they toured from one colony to another, they often made prolonged visits in communities where their artistic talents were appreciated. Not only did they sometimes sell their personal paintings, but they were often hired to paint important personages in such communities and members of individual families. In 1734, Charles Bridges, an English artist, arrived in Williamsburg: his reputation for portrait painting spread rapidly after he had painted portraits of the children of William Byrd II. He also painted a picture of Reverend James Blair, the first President of the College of William and Mary.
John Wollaston, Jr., another British artist, came to Williamsburg and earned the title, "The Almond-Eyed Artist," because he painted the eyes of his subjects with a peculiar slant toward the nose. Portraits of Betty Washington Lewis, sister of George Washington, and her husband, Colonel Fielding Lewis, and of Lawrence Washington, half-brother of George Washington were drawn by Wollaston.
In 1785, Jean Antoine Houdon, a distinguished French sculptor, arrived at Mount Vernon to fulfill a commission of the Virginia State Legislature to make a statue of George Washington. After a year of personal observation of Washington at Mount Vernon and an analysis of Washington's facial characteristics, he created a life mask of Washington's face and made specific measurements of his body. Washington was 53 years old at this time and was six feet, two inches in height. Houdon then returned to France and proceeded to carve a Carrara marble statue of his subject. In 1796, the "Figure of George Washington" was placed beneath the dome of the rotunda of the State Capitol. This statue portrays Washington dressed in military uniform with small battle weapons and a plowshare located at his feet and with his left arm on a fasces (a bundle of rods enclosing an ax to symbolize power or authority). This particular pose is believed to have been selected by Houdon after he had observed Washington in a bargaining bout for a yoke of oxen. When Washington heard what he considered an outrageous price requested for the oxen, he exclaimed loudly his opinion of this proposal with his arm outstretched on a fence post. Houdon is said to have witnessed this incident and to have tried immediately to capture this pose of Washington's facial characteristics for his statue. A statue of LaFayette sculptured by Houdon is also included in one of the niches in the encircling wall of the rotunda section and a bust of Washington by Houdon is also located at Mount Vernon.
After Washington had become a member of the Masonic Lodge in Alexandria, the lodge members asked William Williams, a New Yorker, to paint Washington "as he is." The pastel portrait which he painted caused much controversy: some individuals considered it cruel and unartistic, others considered it realistic and the only true likeness of Washington. Williams had even included the scars on Washington's face which were remnants of a scarlet fever siege which Washington had endured. This portrait is in the Masonic Museum in the Masonic Temple Lodge in Alexandria. Williams also made a portrait of "Light Horse Harry" Lee, but this one did not cause controversy as did the one of Washington.
After the Revolutionary War had ended in America, the artists of Virginia and the other ex-colonies of England were influenced by classicism in art in Europe. Many of America's foremost artists of this time traveled to Europe to study this new art movement and were taught by Benjamin West who had set up a school in London. One of his best known students was Charles Willson Peale, who painted a full-length portrait of William Pitt. Peale came to Virginia and soon became well known for his individual and group portraits, silhouettes and miniatures of outstanding Virginians. His portraits of William Henry Harrison and of Lafayette are considered artistic gems. Peale's most famous portrait is his painting of George Washington, clothed in the military garb of a colonel.
Gilbert Stuart is usually considered the finest American painter of the post-Colonial period. Important Virginians whom he painted were George Washington, Colonel John Tayloe, John Randolph of Roanoke and James and Dolly Madison. Most of his paintings were done at Washington soon after it became the national capital city.
In 1807, a Frenchman, Julien F. de Saint-Memin, visited Richmond for approximately one year. He used a machine called a physionotrace which enabled him to make profile drawing in white chalk and in crayon. He acquired the technique of getting these drawings etched on copper plates which allowed him to make fine miniature engravings. One of his most famous art works is an etched view of the waterfront at Richmond.
Benjamin West Clinedinst, a native of Woodstock, is particularly remembered by Virginians for his great panorama painting of the Battle of New Market. Since he had received his education at the Virginia Military Institute, he had a very strong esprit de corps for this battle in which 257 cadets from V. M. I, helped General John Breckinridge at the cost of ten students killed and forty-seven wounded. Over the rostrum of the Stonewall Jackson Memorial Hall at the Virginia Military Institute is a huge canvas painting by Clinedinst portraying a panorama of the charge of the cadet corps at this historic Battle of New Market. In addition to his portrait painting, Clinedinst furnished numerous book and magazine illustrations.
Sculpture--Sculpture did not really develop fully in Virginia until the Nineteenth Century. Alexander Galt of Norfolk was one of the earliest sculptors in this region. Although he died before his artistic ability had been fully developed, his memorable life-size white marble figure of Thomas Jefferson is located inside the Rotunda at the University of Virginia.
In 1865, Edward Virginius Valentine, a native of Richmond who had traveled and studied throughout Europe, came back to his home town. He created not only great sculptures but many unusual sculptures: the bronze figure of General Hugh Mercer in Fredericksburg, a bronze bust of Commodore Matthew Fontaine Maury located in the Virginia State Library at Richmond, a bust of John Jasper, a Negro preacher, located in the Sixth Mt. Zion Baptist Church in Richmond, a marble statue of Thomas Jefferson in the lobby of a Richmond hotel, an ornate bronze statue of Jefferson Davis in a speaking position on Monument Avenue in Richmond and a bronze statue of "Stonewall" Jackson at the grave of "Stonewall" Jackson in the Lexington Presbyterian Cemetery. At Washington and Lee University located in Lexington is the Lee Memorial Chapel. Behind the altar in this chapel is an internationally famous white marble, recumbent "Figure of Lee" which Valentine created. Because of its recumbent position, symbolic of General Lee resting on a battlefield cot, this statue is considered most unique. For thirty years, Valentine used the original carriage house of the Mann S. Valentine House in Richmond as an art studio. When the Valentine House was acquired by the City of Richmond and was finally opened to the public for visitation, many of Valentine's original sculptures were grouped in the collection, including the plaster cast of his famous recumbent statue of Robert E. Lee.
Sir Moses Ezekiel, a sculptor and a soldier, was a native Virginian, but he studied and maintained his residence abroad for most of his life. However, there are many examples of his fine artistic talent in his native state. In the center of the Rotunda at the University of Virginia is a bronze figure of Thomas Jefferson placed upon a pedestal which is in the shape of the Liberty Bell; thus, the work of Sir Ezekiel is called the Liberty Bell Statue of Thomas Jefferson. Ezekiel has another bronze statue on the same campus known as the Statue of Homer which portrays a boy with a lyre sitting against the knee of Homer. Major John Warwick Daniel was a United States Senator from Virginia who was noted for his great oratorical ability. After he was severely wounded in the Battle of the Wilderness, he became a cripple and was nicknamed "The Lame Lion of Lynchburg." Ezekiel designed a statue located at Lynchburg in honor of Major Daniel which shows him seated and holding a crutch. Ezekiel, like Clinedinst, was a cadet at the Virginia Military Institute during the War between the States and was present at the Battle of New Market in which the V. M. I. Cadets participated. In front of the Nichols Engineering Hall at the Virginia Military Institute is a bronze seated figure of "Virginia Mourning Her Dead," known also as the "New Market Monument." Ezekiel is buried in Arlington National Cemetery, not far from the "Confederate Memorial" monument of bronze which he created.
William Ludwell Sheppard, a sculptor, created numerous well-known statues, including a bronze one of Governor William Smith located on the north side of Capitol Square in Richmond, "The Color-Bearer," a bronze haut-relief, the "Soldiers' and Sailors'" Monument and the Statue of General A. P. Hill--all located in Richmond.
Augustus Lukeman, a Richmonder who later moved to New York City, made the portrait bust of Jefferson Davis in the United States Capitol. A Norfolk native, William Couper, molded a bronze statue of Captain John Smith at Jamestown and a bronze statue of Dr. Hunter H. McGuire, a brilliant Winchester doctor, on the north side of Capitol Square in Richmond. He also designed a Norfolk Confederate Soldier Monument.
Many sculptors who were born outside of Virginia have used events and personalities of Virginia as their subjects. Charles Keck executed a bronze group of statues of Meriwether Lewis and William Clark, the two explorers of the Northwest, which may be seen at Charlottesville. Lewis and Clark are shown gazing at the horizon, with their famous woman guide, Sacajawea, not far behind them. At Monument Terrace in Lynchburg is another bronze statue designed by Keck, "Statue of a Doughboy," representing the forty-seven soldiers from Lynchburg killed in World War I. Keck also created the statue of John Tyler located in the Capitol Rotunda at Richmond.
There is a George Rogers Clark Memorial in Charlottesville designed by Robert Aitken. It consists of a bronze equestrian statue of George Rogers Clark surrounded by a group of Indians and scouts.
Six statues depicting the Virginia-born Presidents of the United States found in the Capitol Rotunda are "William Henry Harrison" carved by Charles Beach, "Woodrow Wilson" by Harriet Frishmuth, "James Monroe" and "Thomas Jefferson" by Attilio Piccirilli and "James Madison" and "Zachary Taylor" by F. William Sievers.
Piccirilli also created a 16-foot marble "Statue of Monroe" located at the entrance of Ash Lawn, the home of James Monroe, near Charlottesville. An interesting fact about this statue is that, after the government of Venezuela had commissioned Piccirilli to create this statue of Monroe, a revolution occurred in Venezuela which caused a new slate of officials to succeed in office. Since some of these officials were not pro-Monroe in their regard for the Monroe Doctrine, the statue remained in a studio in New York City from the latter part of the 1800's until 1931. Sievers also designed the bronze figure of "Stonewall" Jackson astride his horse, Little Sorrel, for the "Stonewall" Jackson Monument on Monument Avenue in Richmond.
Sculptural contributions of Thomas Crawford and Randolph Rogers, both New Yorkers, may be found in Capitol Square, Richmond. The Washington Monument here is considered an outstanding sculptural group. Robert Mills designed the base and pedestal. The monument depicts a bronze equestrian statue of George Washington on a stone base surrounded by huge figures of Patrick Henry, Thomas Jefferson, General Andrew Lewis, John Marshall, George Mason and Thomas Nelson. Female figures are seated on trophies of victory around the base of the monument. All the figures were created by Crawford except Lewis and Nelson which were created by Rogers after Crawford had died.
Virginians were encouraged to appreciate the Fine Arts even as early as 1786 when a Frenchman, Chevalier de Beaurepaire, founded in Richmond the Academy of Sciences and Fine Arts of the United States of America. This organization marked the formal beginning of Richmond as a cultural center in Virginia. In 1936, the Virginia Museum of Fine Arts in Richmond became the first state-supported art museum in the United States. At present, the Museum Building, its equipment and the salaries of the staff are provided by the Commonwealth; other sources of revenue come from endowments, gifts, membership, rental and admission fees. There are numerous traveling exhibitions, slide sets, films and filmstrips, permanent famous art collections, temporary loan exhibits and an Art-mobile equipped with a comprehensive art display which travels to specific areas on a scheduled basis. There is also a Museum Theater where a variety of performances in the Fine Arts including the dance, music, drama and motion pictures is presented.
In 1913, the Battle Abbey was constructed in Richmond. It is noted for its large wall murals painted by the French artist, Charles Hoffbauer and portraying the key battles of the War between the States. Battle Abbey also includes valuable collections of paintings of Confederate leaders, of battle flags and of military weapons used during the War between the States.
The White House of the Confederacy in Richmond, known also as the Confederate Museum, is the beautiful old Brockenbrough Mansion leased for the home of Jefferson Davis and his family during the War between the States. In 1893, the Confederate Memorial Literary Society established the house as a Confederate historical museum. Such historical treasures as the sword of Robert E. Lee, military equipment of "J. E. B." Stuart, T. J. Jackson and Joseph E. Johnston and individual sections housing battle mementoes of each Confederate State are located in this structure.
The Valentine house in Richmond, bequeathed to the city by Mann S. Valentine in 1892, was opened to the public as a museum in 1930. In addition to its specialized exhibits on Richmond historical treasures, this museum has some of the original casts of Edward V. Valentine (the sculptor), several rare books concerning Virginia and exhibits on world history and civilizations. Another famous museum which was constructed in 1930 is the Mariners' Museum at Newport News. A personal comprehensive collection of over 45,000 nautical articles (including ship models, figureheads and pictorial material) owned by Archer M. Huntington is housed in this museum.
The skills and techniques of painting are currently taught in the schools, colleges and art clubs, as well as by private tutors, throughout Virginia. Thus, the Commonwealth offers excellent opportunities for the encouragement of, and appreciation for, meaningful art and sculpture.
_Architecture_
Architecture is often defined as the science and art of designing and constructing buildings or structures. Historically, architecture in Virginia is considered to have begun in 1611-1615 with the building of the first frame row houses at Jamestown and at Henrico. Previous to this period, only crude dwellings had been constructed. The typical early row house, however, was a timber structure usually two stories high with an upper garret often included. Some of the early colonists were bricklayers, brickmakers and carpenters. Often, the Virginia colonists built a typical English timber cottage as similar as possible to those in their homeland insofar as the availability of materials in Virginia would allow. A gabled shingled roof was commonly used; wherever they could be afforded, dormer windows were added. Such a frame house usually measured one room deep and two rooms wide or two rooms deep and a passage-way wide. In the latter type, huge chimneys were usually constructed at each end.
One of the first types of Seventeenth Century brick houses is exemplified by the "Adam Thoroughgood" House built between 1636 and 1640 in Princess Anne County near Cape Henry. It has one complete story topped by a steep gabled roof with dormers and with two T-shaped chimneys. Like many of the early houses in Virginia, its interior is finished in pine paneling. Winona, in Northampton County, is another illustration of the early architectural house in Virginia. It consists of a story and a half structure with brick walls. One of the unique features of the house has been hidden from public view by a frame addition: a buttressed chimney surpassed by three extremely tall stacks.
The houses in Virginia whose construction is believed to have been directly affected by the English Renaissance or Georgian Period of architecture were built after 1720. Since the College of William and Mary had been established at Williamsburg and the colonial capital had been changed from Jamestown to Williamsburg, this area had become the greatest cultural center as well as the seat of government of Virginia. It is commonly believed that the important buildings in Williamsburg in 1720--namely, the Wren Building at the College of William and Mary, the Governor's Palace and the Capitol--actually set the pattern for architectural designs for private homes and public buildings throughout the colony.
The Wren Building is the only structure in America designed by the great Sir Christopher Wren and is the oldest academic hall in the United States. The original design of Wren had to be altered slightly because of the terrain of the country-side. The building, consisting of the commonly used sandy pink brick foundation material, is a two-and-one-half storied rectangular building with a steep roof which includes twelve dormer windows. The roof is topped by a plain cupola in the center with two huge chimneys on either side. Although the Wren Building was burned and rebuilt on three different occasions, in 1928 some of the original walls were used as the basis for the restoration and repair of the Wren Building as part of the Williamsburg Restoration Project.
The Governor's Palace illustrates another Georgian architectural design in Williamsburg. It consists of two stories rising to a cornice topped by a steep, many-dormered roof. Atop the roof is a platform with a lantern-cupola. There are narrow sash windows on the façade and a plain square-transomed doorway with a center wrought-iron balcony overhead. There are separate buildings for the smokehouse, dairy, kitchen and laundry. Above the doorway of the Governor's Palace is the carved coat of arms of George II and Britain's Royal Lion and Unicorn. The fine paneled woodwork in the interior of the palace and the antique tooled leather walls of the library are also noteworthy.
The Capitol at Williamsburg, originally completed in 1704 and later reconstructed on the original foundations, is a two-storied H-shaped brick structure with semicircular bays on either end and a connecting gallery in the center over an arched porch. The roof of the gallery is topped with a cupola which has the arms of Queen Anne, a clock and the Union Jack, one above the other. The Capitol was restored in 1920.
The George Wythe House in Williamsburg is considered one of the purest Georgian Colonial architectural structures in America. George Wythe was the first law professor at the College of William and Mary. The house was a gift from his father-in-law. Although this structure was a town house, it had numerous separate buildings--kitchen, smokehouse, laundry, stable--similar to a plantation. The house is rectangular in shape, constructed of brick and has two built-in chimneys. Under the restoration project, the original paint colors in many of the rooms have been matched, and it is now furnished with appropriate furniture of that period.
Other houses built about this time reveal the similarity of designs of private estates to the Governor's Palace. Westover (1733), home of Colonel William Byrd II on the James River, is considered by many historians and architects as the finest example of colonial grandeur and Georgian stateliness in Virginia. English wrought-iron gates are fastened to posts at the top of which are two leaden eagles with half-spread wings. The mansion house is constructed of red brick with a center section two stories high. On either side of the center section is a wing a story and a half high connected by passageways. At both ends of the house are pairs of tall chimneys. Elaborate entrances, paneled walls, an open-string staircase and black and white marble mantels imported from Italy are some of the elegant features still found in the mansion at the present time.
Christ Church in Lancaster County was erected about the same time as Westover. This structure is an example of a Greek-cruciform colonial church. The church is constructed of brick, has three wide brick doors, oval windows and has the unusual history of having been built solely with funds furnished by one individual, the wealthy "King" Carter.
Stratford Hall (1725-1730) in Westmoreland County, the home of Thomas Lee and the birthplace of Robert E. Lee, exemplifies another H-shaped house of beauty and grandeur. Constructed of brick and dominated by two groups of four chimneys, Stratford consists of the H-plan with four large attached buildings at the corners. A unique feature of this house is its exceptionally long flight of stairs which one must ascend before reaching the main floor. The main floor consists of five large rooms with a huge hall which forms the bar of the "H." Each wing also has a pair of rooms connected by passages.
Carter's Grove (1751) in James City County is another Georgian type house, planned and partially constructed by Carter Burwell in 1751. The main unit of the mansion was constructed by the English builder, Richard Bayliss, and another Britisher, David Minitree. The mansion consists of two-and-a-half stories with wings on each side of one story. It is particularly noteworthy for its almost perfect symmetry. The main unit has a very high roof with a pair of large square chimneys. There are several dormer windows and the entire structure is 200 feet long. The interior as well as the exterior is beautiful with extensive pine paneling, a graceful arch across the middle of the main hall and exquisitely carved walnut railings along the stairway. Some officers of Lt. Col. Banaster Tarleton's troops used this place as headquarters in 1781. When Tarleton suddenly needed his troops, he rode horseback up the beautiful carved stairway. The horse's hoofprints are still observable on the stairway steps.
Mount Airy in Richmond County was constructed by Colonel John Tayloe in 1758. This house is unusual because it was built entirely of stone, a rarity because the Tidewater area did not have an extensive amount of stone. Mount Airy is built of brown stone and trimmed with light stone furnishing a colorful contrast.