Part 10
Now that the King is crowned, he ascends the steps of the jube, and seats himself upon the throne. The religious silence, maintained to that moment, is broken by cries of "Long live the King!" which rise from all parts of the Cathedral. The ladies in the galleries wave their handkerchiefs. The enthusiasm reaches a paroxysm. Flourishes of trumpets resound. The people enter the Cathedral amid acclamations. Three salutes are fired by the infantry of the royal guard. The artillery responds from the city ramparts. The bells ring. The heralds-at-arms distribute the medals struck for the coronation. The people rush to get them. The keepers release the birds, which fly here and there beneath the vaulted roof, dazzled, terrified by the shining chandeliers. The Te Deum is sung. High Mass begins. At the offertory the King leaves the throne to go to the altar with the offerings. Reaching the front of the altar, he hands his sceptre to Marshal Soult, Duke of Dalmatia, the Main de Justice to Marshal Mortier, Duke of Treviso. Then, after having presented in succession the offerings,--viz. the wine in a vase of gold, the Pain d'Argent, the Pain d'Or,--he resumes his sceptre and his Main de Justice and returns to the throne.
After the benediction, the Grand Almoner goes and takes the kiss of peace from the Archbishop, and then goes and gives it to the King. The Dauphin, the Duke of Orleans, and the Duke of Bourbon, laying aside their ducal crowns, come and receive the kiss from the King.
After the domine salvum fac regem Charles X. again descends from the throne, and returns to the altar. There he removes his crown and retires behind the altar to his confessional, where he remains three minutes. During this time the holy table is prepared. The cloth is held on one side by the Bishop of Hermopolis, First Almoner of the King, and on the other by the Grand Almoner. Charles X. kneels on a cushion before the holy table, which is supported by the Dauphin and the Duke of Orleans. The King receives the communion in both kinds. The whole assembly kneels. The great crown of Charlemagne is handed to Marshal Jourdan, who bears it in front of the King. The Archbishop then places the diamond crown on the King's head, who resumes his sceptre and his Main de Justice, while the choir chants the exaudiat, and returns with his cortege to the Archbishop's palace, passing through the church and the covered gallery. It is half-past eleven in the morning. The ceremony of consecration is finished. It has lasted four hours.
Reaching his apartments, Charles X. passes the sceptre to Marshal Soult, the Main de Justice to Marshal Mortier. The shirt and the gloves touched by the holy unction must be burned. The great officers of the crown then escort the monarch to the royal banquet in the great hall. There he eats under a dais with the Dauphin, the Duke of Orleans, and the Duke of Bourbon, with their ducal crowns, and he with the diamond crown upon the head.
The royal insignia have been placed upon the table which is served by the great officers and the officers of the household. The marshals of France stand before the sovereign ready to resume the insignia. Around about are five other tables, where are placed the members of the diplomatic corps, the peers of France, the deputies, the cardinals, archbishops, and bishops. The royal banquet lasts half an hour to the sound of military music. In the evening the city of Rheims is everywhere illuminated.
XV
CLOSE OF THE SOJOURN AT RHEIMS
After his coronation Charles X. remained at Rheims during the 30th and 31st of May. On the 30th the ceremony of the Order of the Holy Spirit was celebrated in the Cathedral. The interior presented the same aspect as the day before. At 1 P.M. the order passed in procession through the covered gallery as follows: the usher, the herald, Marquis d'Aguessau, Grand Master of Ceremonies of the order, having at his right the Count Deseze, Commander Grand Treasurer, at his left Marquis de Villedeuil, Commander Secretary, the Chancellor, two columns of Knights of the Holy Spirit. In the right hand column, the Viscount of Chateaubriand, the Duke of San-Carlos, the Prince of Castelcicala, the Viscount Laine, the Marquis of Caraman, the Marquis Dessole, Marshal Marquis of Viomesnil, the Duke d'Avaray, the Marshal Duke of Ragusa, the Marshal Duke of Taranto, the Marshal Duke of Conegliano, the Duke of LEvis, the Duke of Duras, the Duke d'Aumont, the Duke of Luxembourg, the Prince of Hohenlohe, the Duke de La Vauguyon. In the left column, the Marquis of Talaru, the Duke of Doudeauville, the Count of Villele, the Marshal Marquis of Lauriston, the Count Charles de Damas, the Baron Pasquier, the Duke of Blacas d'Aulps, the Marquis of Riviere, the Marshal Duke of Reggio, the Duke of Dalberg, the Prince de Poix, the Duke de Gramont, Prince Talleyrand, the Duke de La Rochefoucauld. Then came the Dauphin, the Duke of Orleans, the Duke of Bourbon, the King.
The vestments of the monarch, of a silver stuff, were covered by a mantle of the order in black velvet, lined with green silk stitched with gold. His headdress was also in black velvet, surmounted by an aigrette of heron plumes. The knights of the order had their mantles with the Holy Spirit in silver spangles on the shoulder; the grand collar, the facings of their mantles, caught up in front, were of green velvet sown with gold flames. They made their entry into the Cathedral in two columns, which deployed on either side of the altar. The King, who followed them, seated himself on a throne in the choir and they arranged themselves in their stalls to the right and left. The princesses occupied the same gallery as the day before. The clergy chanted the vespers. Then the two columns formed in a double rank and the ceremony commenced. There was a long series of obeisances. The King made twenty himself, eleven before vespers, nine after. The reception began with the ecclesiastical commanders and the laymen came afterwards.
The solemnity was less imposing than that of the coronation. Count d'Haussonville remarked it: "The military array of so many marshals and generals clad in brilliant uniforms, the pomp of the ceremonies to the slow and majestic sound of the organ filling the vast nave of the church, had succeeded, the preceding day, in redeeming for the spectators, and for me particularly, whatever was a little superannuated in the minute observance of a ritual that had come down from the Middle Ages. I felt myself, on the contrary, rather surprised than edified by the character, partly religious, partly worldly, but far more worldly than religious, that I witnessed on the morrow. Most of these gentlemen were known to me. I had met nearly all of them in my mother's or grandmother's salon. I had not been insensible to the fine air given them by the cordon bleu (worn under the frock coat, usually, or on great occasions over a coat covered with gold lace and shining decorations), the traditional object of ambition for those most in favor at court; but they seemed to me to present a constrained figure, as I saw them soberly ranged in the stalls of the canons, clad in a costume of no particular epoch, wrapped in long mantles of motley color, and following, with a distracted air, the phases of a ceremony to which they were so little accustomed that they were constantly rising, sitting down, and kneeling at the wrong time."
The receptions took place as follows: the herald-at-arms of the order called in groups of four the new members from each column, and escorted them to the middle of the sanctuary. There the four knights, abreast, saluted together, first the altar, then the sovereign. Then they advanced in line toward the throne, and after a second obeisance, knelt, placed the right hand on the book of the Gospels spread out on the knees of the monarch, and took the oath. The King decorated each with his own hand. He passed over their coats, from right to left, the cordon bleu with the cross of gold suspended from it, placed the collar on the mantle, gave a book of hours and a decastich to each one, who kissed his hand, rose, and returned to his place.
By a curious coincidence, M. de Chateaubriand and M. de Villele, two inveterate adversaries, were one in the column on the right, the other in that on the left, and the herald-at-arms of the order called both at once to the foot of the throne. Listen to the author of the Memoires d'Outre--Tombe:--
"I found myself kneeling at the feet of the King at the moment that M. de Villdle was taking the oath. I exchanged a few words of politeness with my companion in knighthood, apropos of a plume detached from my hat. We quitted the knees of the King, and all was finished. The King, having had some trouble in removing his gloves to take my hands in his, had said to me, laughing, 'A gloved cat catches no mice.' It was thought that he had spoken to me for a long time, and the rumor spread of my nascent favor. It is likely that Charles X., thinking that the Archbishop had told me of his favorable sentiments, expected a word of thanks and that he was shocked at my silence."
The ceremony of the reception of the knights once finished, the King quitted his throne in the sanctuary, after having made the required obeisances. The completory was next sung. Then all the members of the order re-escorted the monarch to his apartments in the same order and with the same ceremony that he had been escorted to the Cathedral.
After the ceremony, Charles X. held a chapter of the order, in which he named twenty-one cordons bleus: the Dukes d'Uzes, de Chevreuse, de Boissac, de Mortemart, de Fitz-James, de Lorges, de Polignac, de Maille, de Castries, de Narbonne, the Marshal Count Jordan, the Marshal Duke of Dalmatia, the Marshal Duke of Treviso, the Marquis de la Suze, the Marquis de Bre'ze', Marquis de Pastoret, Count de La Ferronays, Viscount d'Agoult, Marquis d'Autichamp, Ravez, Count Juste de Noailles. By an ordinance of the same day he named to be Dukes, the Count Charles de Damas, Count d'Escars, and the Marquis de Riviere.
The next day, May 31, the King after having heard Mass in his apartments,--left the palace at ten o'clock with a brilliant cortege. Preceded by the hussars of the guard, and by the pages, and followed by a numerous staff, he was in the uniform of a general officer, on a white horse, whose saddle of scarlet velvet was ornamented with embroideries and fringe of gold. He had at his right the Dauphin on a white horse, and the Duke of Bourbon on a bay horse; at his left the Duke of Orleans, who wore the uniform of a colonel-general of hussars, and rode an iron-gray horse. Following the cortege was an open carriage; at the back the Dauphiness with the Duchess of Berry at her left, and in front the Duchess of Orleans and Madame of Orleans, her sister-in-law. The route lay through an immense crowd to the Hospital of Saint Marcoul. When he arrived there, the King dismounted and offered up a prayer in the chapel. Then he ascended to the halls, where were assembled one hundred and twenty-one scrofulous patients. He touched them, making a cross with his finger on the brow, while the first physician held the head and the captain of the guard the hand. The King said to each: "May God heal thee! The King touches thee!" Then he thanked the sisters who had charge of the hospital for all the care they gave to the solacing of suffering humanity. The pious sisters knelt at the feet of the sovereign, and begged his benediction, according to an ancient custom. The King gave it to them, and allowed them to kiss his hand. The holy women wept with joy.
Charles X., followed by his cortege, next proceeded to the abbey of Saint Remi, which dates from the eleventh century, and performed his devotions on the tomb of the saint whose shrine had been discovered. Then he remounted and went to review the troops of the camp of Saint Leonard, under the walls of the city, in a vast plain, along the river Vesle, on the right of the road to Chalons. In the midst of this plain rises a grassy hillock, above which was placed the portrait of the King; below, on a background of soil, was this inscription in bluets and marguerites,--
"A moment in the camp--always in our hearts."
Not far from there an altar had been erected under a tent before the royal tent. All the road from Chalons, opposite the lines, was covered with a shouting and cheering crowd. Charles X. was accompanied by the princes and a brilliant staff. The carriage of the princesses followed him. He distributed to the officers, sub-officers, and soldiers the crosses of the Legion of Honor which he had accorded to them. The review, which was magnificent, lasted from noon to 3 P.M. Before returning to the palace, the sovereign visited the bazaar established along the promenade of the lawn. He dismounted, and the princesses descended from their carriage to traverse the shops.
At five o'clock the cortege, which had set out at 10 A.M., returned to the palace. On each of the four nights that Charles X. passed at Rheims, the streets of the city were illuminated. It was clear weather, and by the light of the illuminations, amid the crowd in the streets, there were everywhere to be seen the generals, the officers of the King's household, and the great personages of the court in grand uniform. Charles X. set out from Rheims the morning of June 1, and the city, after some days of dazzling pomp, resumed its accustomed calm. Things had passed off well, and the monarch was fully satisfied.
The poets had tuned their lyres. Barthelemy, himself, the future author of the Nemesis, celebrated in enthusiastic verses the monarchical and religious solemnity; Lamartine, future founder of the Second Republic, published Le Chant du Sucre ou la Veille des Armes; Victor Hugo, the future idol of the democracy, sang his dithyrambic songs. Yet, in this concert of enthusiasm there were some discordant notes. Beranger circulated his ironic song Le Sacre de Charles le Simple.
As for Chateaubriand, the most illustrious of the royalist writers, he was to close his chapter of the MSmoires d'outre-tombe as follows:--
"So I have witnessed the last consecration of the successors of Clovis. I had brought it about by the pages in which in my pamphlet, LE ROI EST MART! VIVE LE ROI! I had described it and solicited it. Not that I had the least faith in the ceremony, but as everything was wanting to legitimacy, it had to be sustained by every means, whatever it might be worth."
XVI
THE RE-ENTRANCE INTO PARIS
Charles X. made a solemn re-entrance into Paris, June 6, 1825. According to the Moniteur, Paris was divided between a lively desire for the day to come and fear that the weather, constantly rainy, should spoil the splendor of the royal pomp. At the barrier of La Villette there had been erected amphitheatres and a triumphal arch. The streets were hung with white flags and the arms of the sovereign, with the inscription: "Long live Charles X.! Long live our well-beloved King!" The Rue Saint Denis, the Rue du Roule, the Rue Saint Honore, presented a picturesque spectacle. The merchants of these business streets had converted the facades of their houses into an exposition of the rich tissues of their shops, and the cortege was thus to traverse a sort of bazaar. What a pity if the rain was going to spoil so many fine preparations! By a good luck, on which every one congratulated himself, the weather in the morning ceased its gloomy look, and a merchant of the Rue Saint Denis inscribed on his balcony these two celebrated lines,--
"Nocte pluit tota, redeunt spectacula mane, Divisum imperium cum Jove Caesar habet."
At 1 P.M. a salvo of one hundred and one guns announced the arrival of the monarch at the barrier of La Villette. The Prefect of the Seine addressed him an allocution and presented him the keys of the city. The King responded: "I feel a great satisfaction in re-entering these walls. I always recall with lively emotion the reception given me eleven years ago when I preceded the King, my brother. I return here, having received the holy unction that has given me new strength. I consecrate it all, and all that I have of life and all my resources, to the happiness of France. It is my firm resolve, gentlemen, and I give you the assurance of it."
The cortege then took up its march. It was formed of a squadron of gendarmerie, several squadrons of the lancers and cuirassiers of the royal guard, the mounted National Guard of Paris, the staff of the garrison and of the first military division, a numerous group of general and superior officers.
The Count d'Haussonville wrote on the subject:--
"I was in the cortege, and as the staff of the National Guard followed pretty close to the royal carriage, I had occasion to note how far below what had been hoped was the reception at the gate of La Villette, where a triumphal arch had been erected. Some groups, plainly soldiers, after the discourse of the Prefect of Paris and the response of the King, uttered some huzzas that found no echo. When we approached the boulevards, the public warmed up a little. The windows were lined with women, of whom the greater number waved their handkerchiefs in sign of welcome. Around Notre-Dame, whither the cortege proceeded on its way to the Tuileries, the crowd was enormous behind the line of soldiers charged with restraining it. There was nothing offensive in their remarks; neither was there any emotion or sympathy. The magnificence of the equipages and the costumes, the beauty of the military uniforms,
## particularly of the CORPS D'ELITE, such as the Hundred Swiss and the
body-guard, were the only things spoken of. The spectators sought to guess and name to each other the prominent persons."
During the passage the King received bouquets offered him by the market men and women, as well as by a number of workmen's corporations preceded by their banners. At the entrance of the Cathedral he was congratulated by the Archbishop of Paris at the head of the clergy. A te Deum was sung and the Marche du Sacre of Lesueur was played. Then the King returned to his carriage and directed his course to the Tuileries.
As the cortege drew near to the Chateau, the welcome grew more and more cordial. The balconies of many of the houses were draped. Women of the court, in rich toilet, threw bouquets and flowers to the King. The Count d'Haussonville says:--
"The untiring good grace with which the King returned the salutations of the crowd, and by gestures full of Bonhomie and affability, responded to the cries of persons whom he recognized as he passed, added every moment to his personal success. In fact, when, June 6, 1825, at evening, he descended from the magnificent coronation coach, to mount the stairs of the palace of his fathers, Charles X. had reason to be content with the day. I doubt whether among the witnesses of the splendid fetes that had followed without interruption at Rheims and at Paris, there were many who would not have been strongly surprised if there had been announced to them by what a catastrophe, in five years only, an end was to be put to the reign inaugurated under the happiest auspices."
The 8th of June, the city of Paris offered to the King a fete at which there were eight thousand guests. The sovereign made his entry, having the Dauphiness on his right, and on the left the Duchess of Berry, who opened the ball. A cantata was sung with words by Alexandre Soumet, and the music by Lesueur.
The 10th of June, the King went to the Opera with the Dauphin, the Dauphiness, and the Duchess of Berry. The back of the stage opened and showed, in an immense perspective, the most illustrious kings of France; at the farthest line were the statue of Henry IV., Paris, its monuments, the Louvre. The 19th of June, Charles X. again accompanied by the family went to the Theatre-Italien. Il Viaggio A Reims was played. Le Moniteur, apropos of this work, said:--
"It is an opera of a mould which, under the forms of the Opera Buffa, presents some ideas not destitute of comedy, in which homage of love and respect is at times expressed with an art that French taste cannot disavow. The author, M. Bellochi, has conceived the praiseworthy idea of introducing personages of all the nations of Europe, joining with the French in their prayers for the happiness of our country and of the august family that governs us. The composer is M. Rossini. The Morceaux are worthy of the reputation of this celebrated master. Madame Pasta displayed all the resources of her admirable talent. Bouquets of roses and lilies were distributed to the ladies."
There was an endless series of fetes, receptions, balls at court, at the houses of the ministers of the foreign ambassador, theatrical representations retracing the incidents of the coronation. The cities of the provinces imitated the example of Paris. All this movement stimulated business, and France appeared happy. But to an acute observer it was plain that the pomps of the coronation and the fetes that followed it pleased the people of the court more than the bourgeoisie. The Count d'Haussonville says, apropos of the nobility at that time:--
"I had the feeling--educated as I was at college, and provided early with a sort of precocious experience, the precious fruit of public education--that the nobility was a world a little apart. I instinctively perceived how much the preoccupations of the persons with whom I was then passing my time were of a nature particular, special to their class, not opposed--that would be saying too much certainly--but a little foreign to the great currents that swayed the opinion of their contemporaries. They had their way of loving the King and their country which was not very comprehensible, nor even, perhaps, very acceptable, to the mass of the people and the bourgeois classes, who were rather inclined to remain cold or even sullen in the presence of certain manifestations of an ultra-royalism, the outward signs of which were not always at this time entirely circumspect."
To one regarding the horizon attentively there were already some dark spots on the bright azure of the heavens. The struggles of the rival classes of French society existed in a latent state. The white flag had not made the tricolor forgotten. Charles X., consecrated by an archbishop, did not efface the memory of Napoleon crowned by a pope, and beneath royalist France were pressing upward already Bonapartist France and Revolutionary France.
XVII
THE JUBILEE OF 1826