Part 3

There is seen approaching, the banner in his hand, an old man, slight, lame, clad in satin and covered with embroidery, in gold and jewelled decorations. It is the unfrocked priest who said the Mass of the Champ-de-Mars, for the Fete de la Federation; it is the diplomat who directed the Ministry of Foreign Affairs at the time of the murder of the Duke d'Enghien; it is the courtier, who, before he was Grand Chamberlain of Louis XVIII. and Charles X., was that of Napoleon. The banner is presented before the vault only by one end. It is inclined over the opening of the crypt, but is not cast in, salutes, for the last time, the dead King, then rises as if to proclaim that the noble banner of France dies not, and that the royalty sheltered beneath its folds descends not into the tomb.

The King-at-Arms again cries:--

"Monsieur the Duke d'Uzes, charged with the functions of Grand Master of France, come and perform your duty." Then the maitres de l'hotel, the chambellans de l'hotel, and the first maitre de l'hotel approach the vault, break their batons, cast them in, and return to their places.

The King-at-Arms summons the persons bearing the insignia of royalty.

"Monsieur the Duke of Bressac, bring la main de justice.

"Monsieur the Duke of Chevreuse, bring the sceptre.

"Monsieur the Duke of la Tremoille, bring the crown."

These three insignia are taken down into the vault, as were the flag and the four standards.

Then the Duke d'Uzes, putting the end of the baton of Grand Master of France within the vault, cries out: "The King is dead!"

The King-at-Arms withdraws three paces, and repeats in a low voice: "The King is dead! the King is dead! the King is dead!" Then turning to the assembly he says: "Pray for the repose of his soul!"

At this moment the clergy and all the assistants throw themselves upon their knees, pray, and rise again. The Duke d'Uzes withdraws his baton from the vault, and brandishing it, calls out: "Long live the King!"

The King-at-Arms repeats: "Long live the King! long live the King! long live the King! Charles, tenth of the name, by the grace of God, King of France and Navarre, very Christian, very august, very puissant, our very honored lord and good master, to whom God grant long and happy life! Cry ye all: Long live the King!" Then the trumpets, drums, fifes, and instruments of the military bands break into a loud fanfare, and their sound is mingled with the prolonged acclamations of the assembly, whose cries "Long live the King! long live Charles X.!" contrast with the silence of the tombs.

"To this outburst of the public hopes," says the Moniteur, "succeeded the return of pious and mournful duties; the tomb is closed over the mortal remains of the monarch whose subjects, restored to happiness, greeted him on his return from the land of exile with the name of Louis le Desire, and who twice reconciled his people with Europe. This imposing ceremony being ended, the princes were again escorted into the Abbey to their apartments, by the Grand Master, the Master of Ceremonies and his aides, preceded by the Master-at-Arms, and the Heralds-at-Arms, who had resumed their caps, coats-of-arms, and rods. Then the crowd slowly dispersed. We shall not try to express the sentiments to which this imposing and mournful ceremony must give rise. With the regrets and sorrow caused by the death of a prince so justly wept, mingle the hopes inspired by a King already the master of all hearts. This funeral ceremony when, immediately after the burial of a monarch whom God had called to Himself, were heard cries of 'Long live Charles X.,'--the new King greeted at the tomb of his august predecessor,--this inauguration, amid the pomps of death, must have left impressions not to be rendered, and beyond the power of imagination to represent."

Reader, if this recital has interested you, go visit the Church of Saint-Denis. There is not, perhaps, in all the world, a spectacle more impressive than the sight of the ancient necropolis of kings. Enter the basilica, admirably restored under the Second Empire. By the mystic light of the windows, faithful reproductions of those of former centuries,--the funerals of so many kings, the profanations of 1793, the restoration of the tombs,--all this invades your thought and inspires you with a dim religious impression of devotion. These stones have their language. Lapides clamabunt. They speak amid the sepulchral silence. Listen to the echo of a far-away voice. There, under these arches, centuries old, the 21st of August, 1670, Bossuet pronounced the funeral oration of Madame Henriette of England. He said:--

"With whatever haughty distinction men may flatter themselves, they all have the same origin, and this origin insignificant. Their years follow each other like waves; they flow unceasingly, and though the sound of some is slightly greater and their course a trifle longer than those of others, they are together confounded in an abyss where are known neither princes nor kings nor the proud distinctions of men, as the most boasted rivers mingle in the ocean, nameless and inglorious with the least known streams."

Is not the Church of Saint-Denis itself a funeral discourse in stone more grandiose and eloquent than that of the reverend orator? Regard on either side of the nave these superb mausoleums, these pompous tombs that are but an empty show, and since their dead dwell not in them, contemplate these columns that seem to wish to bear to heaven the splendid testimony of our nothingness! There, at the right of the main altar, descend the steps that lead to the crypt. There muse on all the kings, the queens, the princes, and princesses, whose bones have been replaced at hazard within these vaults, after their bodies had been, in 1793, cast into a common ditch in the cemetery of the Valois to be consumed by quicklime. The great ones of the earth, dispossessed of their sepulchres, could they not say, in the region of shades, in the mournful words of the Sermonnaire:--

"Death does not leave us body enough to require room, and it is only the tombs that claim the sight; our body takes another name; even that of corpse, since it implies something of the human form, remains to it but a little time; it becomes a something nameless in any tongue, so truly does everything die in it, even the funeral terms by which its unhappy remains are designated. Thus the Power divine, justly angered by our pride, reduces it to nothingness, and, to level all conditions forever, makes common ashes of us all."

The remains of so many sovereigns and princes are no longer even corpses. The corpses have perished as ruins perish. You may no longer see the coffins of the predecessors of Louis XVI. But those of the Martyr-King, of the Queen Marie Antoinette, of the Duke of Berry, of Louis XVIII., are there before you in the crypt. Pause. Here is the royal vault of the Bourbons. Your glance can enter only a narrow grated window, through which a little twilight filters. If a lamp were not lighted at the back, the eye would distinguish nothing. By the doubtful gleam of this sepulchral lamp, you succeed in making out in the gloom the coffins placed on trestles of iron; to the left that of the Duke of Berry, then the two little coffins of his children, dead at birth; then in two rows those of Mesdames Adelaide and Victoire, daughters of Louis XV., those of Louis XVI. and Marie Antoinette, those of the two last Princes of Conde, died in 1818 and in 1830, and on the right, at the very extremity of the vault, that of the only sovereign who, for the period of a century, died upon the throne, Louis XVIII.

The royal vault of the Bourbons was diminished more than half to make room for the imperial vault constructed under Napoleon III. The former entrance, on the steps of which stand the Heralds-at-Arms at the obsequies of the kings, has been suppressed. The coffin of Louis XVIII. was not placed on the iron trestles, where it rests to-day, at the time of his funeral. It was put at the threshold of the vault, where it was to have been replaced by that of Charles X.; for by the ancient tradition, when a king of France dies, as his successor takes his place on the throne, so he, in death, displaces his predecessor. But Louis XVIII. waited in vain for Charles X. in the royal vault of the Bourbons; the last brother of Louis XVI. reposes in the chapel of the Franciscans at Goritz.

Charles X. is not alone in being deprived of his rights in his tomb; the Duke and Duchess of Angouleme and the Count of Chambord were so, and also Napoleon III. The second Emperor and Prince Imperial, his son, sleep their sleep in England; for the Bonapartes, like the Bourbons, have been exiled from Saint-Denis. By a decree of the 18th of November, 1858, the man who had re-established the Empire decided that the imperial dynasty should have its sepulture in the ancient necropolis of the kings. Napoleon III. no more, realized his dream than Napoleon I. He had completed under his reign the magnificent vault destined for himself and his race. But once more was accomplished the Sic vos non vobis, and no imperial corpse has ever taken its place in the still empty Napoleonic vault. The opening situated in the church, near the centre of the nave, is at present closed by enormous flagstones framed in copper bands; and as there is no inscription on these, many people whose feet tread them in visiting the church do not suspect that they have beneath them the stairway of six steps leading down to the vault that was to be the burial place of emperors. "Oh, vanity! Oh, nothingness! Oh, mortals ignorant of their destinies!" It is not enough that contending dynasties dispute each other's crowns; their covetousness and rivalry must extend to their tombs. Not enough that sovereigns have been exiled from their country; they must be exiled from their graves. Disappointments in life and in death. This is the last word of divine anger, the last of the lessons of Providence.

V

THE KING

Born at Versailles, the 9th of October, 1757, Charles X., King of France and Navarre, was entering his sixty-eighth year at the time of his accession to the throne. According to the portrait traced by Lamartine, "he had kept beneath the first frosts of age the freshness, the stature, the suppleness, and beauty of youth." His health was excellent, and but for the color of his hair--almost white--he would hardly have been given more than fifty years. As alert as his predecessor was immobile, an untiring hunter, a bold rider, sitting his horse with the grace of a young man, a kindly talker, an affable sovereign, this survivor of the court of Versailles, this familiar of the Petit-Trianon, this friend of Marie Antoinette, of the Princess of Lamballe, of the Duchess of Polignac, of the Duke of Lauzun, of the Prince de Ligne, preserved, despite his devotedness, a great social prestige. He perpetuated the traditions of the elegance of the old regime. Having lived much in the society of women, his politeness toward them was exquisite. This former voluptuary preserved only the good side of gallantry.

The Count d'Haussonville writes in his book entitled Ma Jeunesse:--

"I have often seen Charles X. on horseback reviewing troops or following the chase; I have heard him, seated on his throne, and surrounded with all the pomp of an official cortege, pronounce the opening discourse of the session; I have many times been near him at the little select fetes that the Duchess of Berry used to give, of a morning, in the Pavilion de Marsan, to amuse the Children of France, as they were then called, and to extend their acquaintance with the young people of their own age. One day when I was visiting with my parents some exposition of objects of art or flowers in one of the lower halls of the Louvre, I saw him approach my mother--whom he had known in England--with a familiarity at once respectful and charming. He plainly wished to please those whom he addressed, and he had the gift of doing so. In that kind of success he was rarely wanting, especially with women. His physiognomy as well as his manner helped. It was open and benevolent, always animated by an easy, perhaps a slightly commonplace smile, that of a man conscious that he was irresistible, and that he could, with a few amiable words, overcome all obstacles."

The fiercest adversaries of Charles X. never denied the attraction emanating from his whole personality, the chief secret of which was kindliness. In his constant desire to charm every one that approached him, he had a certain something like feminine coquetry. The Count of Puymaigre, who, being the Prefect of the Oise, saw him often at the Chateau of Compiegne, says:--

"If the imposing tone of Louis XVIII. intimidated, it was not so with Charles X.; there was rather danger of forgetting, pacing the room with him, that one was talking with a king."

Yet, whatever may be asserted, the new monarch never dreamed of restoring the old regime. We do not believe that for a single instant he had the insensate idea of putting things back to where they were before 1789. His favorite minister, M. de Villele, was not one of the great nobles, and the men who were to take the chief parts in the consecration were of plebeian origin. The impartial historian of the Restoration, M. de Viel-Castel, remarked it:--

"Charles X. by this fact alone, that for three years he had actively shared in affairs and saw the difficulty of them better, by the fact that he was no longer exasperated by the heat of the struggle and by impatience at the political nullity to which events had so long condemned him, had laid aside a part of his former exaggeration. In the lively satisfaction he felt in entering at last, at the age of sixty-seven, upon the enjoyment of the supreme power by the perspective of which his imagination had been so long haunted, he was disposed to neglect nothing to capture public favor, and thus gain the chance to realize the dreams of his life. His kindliness and natural courtesy would have inspired these tactics, even if policy had not suggested them."

The dignity of the private life of the King added to the respect inspired by his personality. His morals were absolutely irreproachable. His wife, Marie Therese of Savoy, died the 2d of June, 1805; he never remarried, and his conduct had been wholly edifying. The sacrifice he made to God, in renouncing the love of women, after he lost his well-beloved Countess of Polastron by death in 1803, was the more meritorious, because, apart from the prestige of his birth and rank, he remained attractive longer than men of his age. No such scandals as had dishonored the court of nearly all his predecessors occurred in his, and the most malevolent could not charge him with having a favorite. In his home he was a man as respectable as he was attractive, a tender father, a grandfather even more tender, an affectionate uncle, a gentle, indulgent master for his servants. None of the divisions that existed in the family of Louis XVIII. appeared in that of his successor; perfect harmony reigned in the court of the Tuileries.

Of a mind more superficial than profound, Charles X. did not lack either in tact or in intelligence. He sincerely desired to do right, and his errors were made in good faith, in obedience to the mandates of his conscience. Lamartine, who had occasion to see him near at hand, thus sums up his character:--

"A man of heart, and impulsive, all his qualities were gifts of nature; hardly any were the fruit acquired by labor and meditation. He had the spirit of the French race, superficial, rapid, spontaneous, and happy in the hazard of repartee, the smile kindly and communicative, the glance open, the hand outstretched, the attitude cordial, an ardent thirst for popularity, great confidence in his relations with others, a constancy in friendship rare upon the throne, true modesty, a restless seeking for good advice, a conscience severe for himself and indulgent for others, a piety without pettiness, a noble repentance for the sole weaknesses of his life, his youthful amours, a rational and sincere love for his people, an honest and religious desire to make France happy and to render his reign fruitful in the moral improvement and the national grandeur of the country confided to him by Providence. All these loyal dispositions were written on his physiognomy. A lively frankness, majesty, kindness, honesty, candor, all revealed therein a man born to love and to be loved. Depth and solidity alone were wanting in this visage; looking at it, you were drawn to the man, you felt doubts of the King."

This remark, just enough at the end of Charles X.'s reign, was hardly so at the outset. In 1824 people had no doubts of the man or of the King. The French were content with Charles X., and Charles X. was content with himself.

The new King said to himself that his policy was the right one, because, from the moment of his accession, all hatreds were appeased. With the absolute calm enjoyed by France he compared the agitations, plots, violence, the troubles and the fury of which it had been the theatre under the Decazes ministry. From the day the Right had assumed power, and Louis XVIII. had allowed his brother to engage in public affairs, the victory of royalty had been complete and manifest. Charles X. thought then that the results had sustained him; that foresight, virtue, political sense, were on his side. Needless to say, every one about him supported him in that idea, that he believed in all conscience that he was in the right, obeying the voice of honor and

## acting like a king and a Christian. Any other policy than his own would

have seemed to him foolish and cowardly. To hear his courtiers, one would have said that the age of gold had returned in France; the felicitations offered him took an idyllic tone. The Count of Chabrol, Prefect of the Seine, said to him, January 1, 1825, at the grand reception at the Tuileries:--

"At your accession, Sire, a prestige of grace and power calmed, in the depths of all hearts, the last murmur of the storm, and the peace that we enjoy to-day is embellished by a charm that is yours alone."

The same day the Drapeau Blanc said:--

"Why is there an unusual crowd passing about the palace of the cherished monarch and princes? It is watching with affection for a glance or smile from Charles! These are the new-year gifts for the people moved by love for the noble race of its kings. This glance, expressing only goodness, this smile so full of grace, they long for everywhere and always before their eyes. His classic and cherished features are reproduced in every form; every public place has its bust, every hut its image; they are the domestic gods of a worship that is pure and without superstition, brought to our families by peace and happiness." The aurora of Charles X.'s reign was like that of his brother Louis XVI. The two brothers resembled travellers who, deceived by the early morning sun and the limpid purity of the sky, set forth full of joy and confidence, and are suddenly surprised by a frightful tempest. The new James II. imagined that his royalty had brought his trials to an end. It was, on the contrary, only a halt in the journey of misfortune and exile. He believed the Revolution finished, and it had but begun.

VI

THE DAUPHIN AND DAUPHINESS

At the accession of Charles X., the royal family, properly speaking, consisted of six persons only,--the King, the Duke and Duchess of Angouleme, the Duchess of Berry and her two children (the Duke of Bordeaux and Mademoiselle). By the traditions of the monarchy, the Duke of Angouleme, as son and heir of the King, took the title of Dauphin, and his wife that of Dauphiness. The Duchess of Berry, who, under the reign of Louis XVIII. was called Madame the Duchess of Berry, was by right, henceforward, called simply Madame, a privilege that belonged to the Duchess of Angouleme before she was Dauphiness. That is why the Gymnase, the theatre under the special protection of the Duchess of Berry, was called, after the new reign began, the Theatre de Madame.

Born at Versailles the 5th of August, 1775, the Duke of Angouleme had just entered on his fiftieth year. A tender and respectful son, an irreproachable husband, a brave soldier, he was lacking in both brilliant and solid qualities. His awkward air, his bashfulness, his myopia, his manners rather bourgeois than princely, were against him. He had nothing of the charm and grace of his father. But when one knew him, it was easy to see that he had unquestioned virtues and real worth. To Charles X. he was a most faithful subject and the best of sons. In contrast with so many heirs apparent, who openly or secretly combat the political ideas of their fathers, he was always the humble and docile supporter of the throne. The Spanish expedition brought him credit. In it he showed courage and zeal. The army esteemed him, and he gave serious attention to military matters. A man of good sense and good faith, he held himself aloof from all exaggerations. At the time of the reaction of the White Terror, he had repudiated the fury of the ultras, and distinguished himself by a praiseworthy moderation. He had great piety, with out hypocrisy, bigotry, or fanaticism. The Count of Puymaigre, in his curious Souvenirs, says:--

"The Duke of Angouleme appeared to me to be always subordinated to the will of the King, and he said to me one day very emphatically that his position forbade any manifestation of personal sentiment, because it was unbecoming in the heir apparent to sustain the opposition. Though very religious, he did not share the exaggerated ideas of what was then called the 'congregation,' and I recall that one day he asked me brusquely: 'Are you a partisan of the missions?' As I hesitated to reply, he insisted. 'No, my lord, in nowise; I think that one good cure suffices for a commune, and that missionaries, by treating the public mind with an unusual fervor, often bring trouble with them and at the same time often lessen the consideration due to the resident priest.'"