book ii
.
[190] Wood, Hist. Antiq. Un. Oxon. 1. 67. sub anno 1224; and Percy, Notes on his Essay on the Ancient Minstrels, p. 64.
[191] Froissart, vol. ii. c. 31. Writers on chivalry have too often affirmed, that the minstrels besides singing, reciting, and playing on musical instruments, added the entertainments of vaulting over ropes, playing with the pendent sword, and practising various other feats of juggling and buffoonery. That this was sometimes the case during all the ages of the minstrelsy art, is probable enough, for the inferior minstrels were in a dreadful state of indigence. But the disgraceful union of poetry and juggling was not common in the best ages of chivalry. Chaucer expressly separates the minstrel from the juggler.
"There mightest thou karols seen, And folk dance, and merry ben, And made many a fair tourning Upon the green grass springing. There mightest thou see these flouters. Minstrallis and eke jugelours." Romaunt of the Rose, l. 759, &c.
Other passages to the same effect are collected in Anstis Order of the Garter, vol. i. p. 304; and Warton, History of English poetry, vol. ii. p. 55. As chivalry declined, minstrelsy was discountenanced, and its professors, fallen in public esteem, were obliged to cultivate other arts besides those of poetry and music.
[192] Dunlop, History of Fiction, vol. i. p. 142.
[193] Wace, a canon of Bayeux, and one of the most prolific rhimers that ever practised the art of poetry, continually reminded the great of the benefits which accrued to themselves from patronising poets.
"Bien entend conuis e sai Que tuit morrunt, e clerc, e lai; E que mult ad curte decrée, En pres la mort lur renumee; Si per clerc ne est mis en livre, Ne poet par el dureement vivre.
* * * *
Suvent aveient des barruns, E des nobles dames beaus duns, Pur mettre lur nuns en estroire, Que tuz tens mais fust de eus memoire."
MS. Bib. Reg. iv. c. 11. cited by Mr. Turner, History of England, vol. i. p. 442. 4to.
[194] This description (Spenser's) of chivalric manners, has sadly puzzled his commentators. They are quite agreed, however, on one point, namely, that to kiss the hand of a fair lady (which the word basciomani signified) was not a custom indigenous to England, but that it was imported hither from Italy or Spain. A preux chevalier of the olden time would have been indignant at this insult to the originality of his gallantry.
[195] Froissart, vol. ii. c. 26.
[196] The Life of Ipomydon, Fytte, 1.
[197] Thus in the Romance of Perceforest (cited by Ellis, Notes to Way's Fabliaux, vol. i. p. 220) it is said, "There were eight hundred knights all seated at table, and yet there was not one who had not a dame or damsel at his plate!"
In the tale of the Mule without a Bridle, it is said,
"Fill'd with these views the attendant dwarf she sends: Before the knight the dwarf respectful bends; Kind greetings bears as to his lady's guest, And prays his presence to adorn her feast. The knight delays not; on a bed design'd With gay magnificence the fair reclin'd High o'er her head, on silver columns rais'd, With broidering gems her proud pavilion blaz'd. Herself, a paragon in every part, Seem'd sovereign beauty deck'd with comeliest art. With a sweet smile of condescending pride She seats the courteous Gawaine by her side, Scans with assiduous glance each rising wish, Feeds from her food the partner of her dish!"
[198] M. le Grand, in his valuable Histoire de la Vie Privée des Français, has given us some very curious information regarding the mode of dressing this distinguished bird. "It was generally," he says, "served up roasted. Instead of plucking the bird (observes the Complete Housekeeper of former times) skin it carefully so as not to damage the feathers; then cut off the feet, stuff the body with spices and sweet herbs; roll a cloth round the head, and then spit your bird. Sprinkle the cloth, all the time it is roasting, to preserve its crest. When it is roasted enough, tie the feet on again; remove the cloth; set up the crest; replace the skin; spread out the tail, and so serve it up. Some people, instead of serving up the bird in the feathers, carry their magnificence so far as to cover their peacock with leaf gold: others have a very pleasant way of regaling their guests. Just before they serve up, they cram the beak of their peacock with wool, rubbed with camphor: then, when the dish is placed upon the table, they set fire to the wool, and the bird instantly vomits out flames like a little volcano."
[199] Du Chesne, House of Montmorencí, liv. i. p. 29, &c. M. de Couci, (c. 7.) 664, &c. Olivier de la Marche, p. 412. Hist. de Boucicaut, ed. de Godefroi.
[200] Like Sir Guiscard Dangle, Earl of Huntingdon, who, according to Froissart, possessed all the noble virtues that a knight ought to have, for "he was merry, true, amourous, sage, sweet, liberal, preux, hardy, adventurous, and chivalrous," vol. i. c. 384.
[201] See the verses of Des Escas, a Troubadour at the court of the King of Arragon.
[202] Knight of the Tower, chap. "How goodly women ought to maintain themselves courteously."
[203] Sir Tristram, Fytte second, st. 13. and Scott's note.
[204] Squire of Low Degree.
[205] Sir Degore.
[206] Romance of Guy of Warwick.
[207] Knight of the Tower, chap. "How young maidens ought not lightly to turn their heads here and there."
[208] Knight of the Tower, chap. intitled, "Of them that will not wear their good clothes on high feasts and holy-days," and, "How the daughter of a knight lost her marriage." Memoires de Louis de la Tremouille, cap. xii. p. 169, &c. in the 14th vol. of the great collection of French Memoires.
[209] Fairy Queen,