Part 11

Mrs. Palmer belonged to one of the oldest families in England, and traced her descent to Pagan de Villiers, in the days of William Rufus, and a good deal farther among the nobles of Normandy. She was the daughter of William, second Viscount Grandison, and rejoiced in the appropriate name of Barbara, for she _could_ be savage occasionally. She was very beautiful, and very wicked, and soon became Charles's mistress. On the Restoration she joined the king in England, and when the poor neglected queen came over was foisted upon her as a bedchamber-woman, in spite of all the objections of that ill used wife. It was necessary to this end that she should be the wife of a peer; and her husband accepted the title of Earl of Castlemaine, well knowing to what he owed it. Pepys, who admired Lady Castlemaine more than any woman in England, describes the husband and wife meeting at Whitehall with a cold ceremonial bow: yet the husband _was_ there. A quarrel between the two, strangely enough on the score of religion, her ladyship insisting that her child should be christened by a Protestant clergyman, while his lordship insisted on the ceremony being performed by a Romish priest, brought about a separation, and from that time Lady Castlemaine, lodged in Whitehall, began her empire over the king of England. That man, 'who never said a foolish thing, and never did a wise one,' was the slave of this imperious and most impudent of women. She forced him to settle on her an immense fortune, much of which she squandered at the basset-table, often staking a thousand pounds at a time, and sometimes losing fifteen thousand pounds a-night.

Nor did her wickedness end here. We have some pity for one, who, like La Vallière, could be attracted by the attentions of a handsome, fascinating prince: we pity though we blame. But Lady Castlemaine was vicious to the very marrow: not content with a king's favour, she courted herself the young gallant of the town. Quarrels ensued between Charles and his mistress, in which the latter invariably came off victorious, owing to her indomitable temper; and the scenes recorded by De Grammont--when she threatened to burn down Whitehall, and tear her children in pieces--are too disgraceful for insertion. She forced the reprobate monarch to consent to all her extortionate demands: rifled the nation's pockets as well as his own; and at every fresh difference, forced Charles to give her some new pension. An intrigue with Jermyn, discovered and objected to by the King, brought on a fresh and more serious difference, which was only patched up by a patent of the Duchy of Cleveland. The Duchess of Cleveland was even worse than the Countess of Castlemaine. Abandoned in time by Charles, and detested by all people of any decent feeling, she consoled herself for the loss of a real king by taking up with a stage one. Hart and Goodman, the actors, were successively her cavalieri; the former had been a captain in the army; the latter a student at Cambridge. Both were men of the coarsest minds and most depraved lives. Goodman, in after-years was so reduced that, finding, as Sheridan advised his son to do, a pair of pistols handy, a horse saddled, and Hounslow Heath not a hundred miles distance, he took to the pleasant and profitable pastime of which Dick Turpin is the patron saint. He was all but hanged for his daring robberies, but unfortunately not quite so. He lived to suffer such indigence, that he and another rascal had but one under-garment between them, and entered into a compact that one should lie in bed while the other wore the article in question. Naturally enough the two fell out in time, and the end of Goodman--sad misnomer--was worse than his beginning: such was the gallant whom the imperious Duchess of Cleveland vouchsafed to honour.

The life of the once beautiful Barbara Villiers grew daily more and more depraved: at the age of thirty she retired to Paris, shunned and disgraced. After numerous intrigues abroad and at home, she put the crowning point to her follies by falling in love with the handsome Fielding, when she herself numbered sixty-five summers.

Whether the Beau still thought of fortune, or whether having once tried matrimony, he was so enchanted with it as to make it his cacoëthes, does not appear: the legend explains not for what reason he married the antiquated beauty only three weeks after he had been united to the supposed widow. For a time he wavered between the two, but that time was short: the widow discovered his second marriage, claimed him, and in so doing revealed the well-kept secret that she was not a widow; indeed, not even the relict of John Deleau, Esq., of Whaddon, but a wretched adventurer of the name of Mary Wadsworth, who had shared with Mrs. Villars the plunder of the trick. The Beau tried to preserve his dignity, and throw over his duper, but in vain. The first wife reported the state of affairs to the second: and the duchess, who had been shamefully treated by Master Fielding, was only too glad of an opportunity to get rid of him. She offered Mary Wadsworth a pension of £100 a year, and a sum of £200 in ready money, to prove the previous marriage. The case came on, and Beau Fielding had the honour of playing a part in a famous state trial.

With his usual impudence he undertook to defend himself at the Old Bailey, and hatched up some old story to prove that the first wife was married at the time of their union to one Brady; but the plea fell to the ground, and the fine gentleman was sentenced to be burned in the hand. His interest in certain quarters saved him this ignominious punishment which would, doubtless, have spoiled a limb of which he was

## particularly proud. He was pardoned: the real widow married a far more

honourable gentleman, in spite of the unenviable notoriety she had acquired; the sham one was somehow quieted, and the duchess died some four years later, the more peacefully for being rid of her tyrannical mate.

Thus ended a petty scandal of the day, in which all the parties were so disreputable that no one could feel any sympathy for a single one of them. How the dupe himself ended is not known. The last days of fops and beaux are never glorious. Brummell died in slovenly penury; Nash in contempt. Fielding lapsed into the dimmest obscurity; and as far as evidence goes, there is as little certainty about his death as of that of the Wandering Jew. Let us hope that he is not still alive: though his friends seemed to have cared little whether he were so or not, to judge from a couple of verses written by one of them:--

'If Fielding is dead, And rests under this stone, Then he is not alive You may bet two to one.

'But if he's alive, And does not lie there-- Let him live till he's hanged, For which no man will care.'

OF CERTAIN CLUBS AND CLUB-WITS UNDER ANNE.

The Origin of Clubs.--The Establishment of Coffee-houses.--The October Club.--The Beef-steak Club.--Of certain other Clubs.--The Kit-kat Club.--The Romance of the Bowl.--The Toasts of the Kit-kat.--The Members of the Kit-kat.--A good Wit, and a bad Architect.--'Well-natured Garth.'--The Poets of the Kit-kat.--Charles Montagu, Earl of Halifax.--Chancellor Somers.--Charles Sackville, Lord Dorset.--Less celebrated Wits.

I suppose that, long before the building of Babel, man discovered that he was an associative animal, with the universal motto, '_L'union c'est la force_;' and that association, to be of any use, requires talk. A history of celebrated associations, from the building society just mentioned down to the thousands which are represented by an office, a secretary, and a brass-plate, in the present day, would give a curious scheme of the natural tendencies of man; while the story of their failures--and how many have not failed, sooner or later!--would be a pretty moral lesson to your anthropolaters who Babelize now-a-days, and believe there is nothing which a company with capital cannot achieve. I wonder what object there is, that two men can possibly agree in desiring, and which it takes more than one to attain, for which an association of some kind has not been formed at some time or other, since first the swarthy savage learned that it was necessary to unite to kill the lion which infested the neighbourhood! Alack for human nature! I fear by far the larger proportion of the objects of associations would be found rather evil than good, and, certes, nearly all of them might be ranged under two heads, according as the passions of hate or desire found a common object in several hearts. Gain on the one hand--destruction on the other--have been the chief motives of clubbing in all time.

A delightful exception is to be found, though--to wit, in associations for the purpose of talking. I do not refer to parliaments and philosophical academies, but to those companies which have been formed for the sole purpose of mutual entertainment by interchange of thought.

Now, will any kind reader oblige me with a derivation of the word 'Club?' I doubt if it is easy to discover. But one thing is certain, whatever its origin, it is, in its present sense, purely English in idea and in existence. Dean Trench points this out, and, noting the fact that no other nation (he might have excepted the Chinese) has any word to express this kind of association, he has, with very pardonable natural pride, but unpardonably bad logic, inferred that the English are the most sociable people in the world. The contrary is true; nay, _was_ true, even in the days of Addison, Swift, Steele--even in the days of Johnson, Walpole, Selwyn; ay, at all time since we have been a nation. The fact is, we are not the most sociable, but the most associative race; and the establishment of clubs is a proof of it. We cannot, and never could, talk freely, comfortably, and generally, without a company for talking. Conversation has always been with us as much a business as railroad-making, or what not. It has always demanded certain accessories, certain condiments, certain stimulants to work it up to the proper pitch. 'We all know' we are the cleverest and wittiest people under the sun; but then our wit has been stereotyped. France has no 'Joe Miller;' for a bon-mot there, however good, is only appreciated historically. Our wit is printed, not spoken; our best wits behind an inkhorn have sometimes been the veriest logs in society. On the Continent clubs were not called for, because society itself was the arena of conversation. In this country, on the other hand, a man could only chat when at his ease; could only be at his ease among those who agreed with him on the main points of religion and politics, and even then wanted the aid of a bottle to make him comfortable. Our want of sociability was the cause of our clubbing, and therefore the word 'club' is purely English.

This was never so much the case as after the Restoration. Religion and politics never ran higher than when a monarch, who is said to have died a papist because he had no religion at all during his life, was brought back to supplant a furious puritanical Protectorate. Then, indeed, it was difficult for men of opposite parties to meet without bickering; and society demanded separate meeting-places for those who differed. The origin of clubs in this country is to be traced to two causes--the vehemence of religious and political partisanship, and the establishment of coffee-houses. These certainly gave the first idea of clubbery. The taverns which preceded them had given the English a zest for public life in a small way. 'The Mermaid' was, virtually, a club of wits long before the first real club was opened, and, like the clubs of the eighteenth century, it had its presiding geniuses in Shakespeare and Rare Ben.

The coffee-houses introduced somewhat more refinement and less exclusiveness. The oldest of these was the 'Grecian.' 'One Constantine, a Grecian,' advertised in 'The Intelligencer' of January 23rd, 1664-5, that 'the right coffee bery or chocolate,' might be had of him 'as cheap and as good as is anywhere to be had for money,' and soon after began to sell the said 'coffee bery' in small cups at his own establishment in Devereux Court, Strand. Some two years later we have news of 'Will's,' the most famous, perhaps, of the coffee-houses. Here Dryden held forth with pedantic vanity: and here was laid the first germ of that critical acumen which has since become a distinguishing feature in English literature. Then, in the City, one Garraway, of Exchange Alley, first sold 'tea in leaf and drink, made according to the directions of the most knowing, and travellers into those eastern countries;' and thus established the well-known 'Garraway's,' whither, in Defoe's day, 'foreign banquiers' and even ministers resorted, to drink the said beverage. 'Robin's,' 'Jonathan's,' and many another, were all opened about this time, and the rage for coffee-house life became general throughout the country.

In these places the company was of course of all classes and colours; but, as the conversation was general, there was naturally at first a good deal of squabbling, till, for the sake of peace and comfort, a man chose his place of resort according to his political principles; and a little later there were regular Whig and Tory coffee-houses. Thus, in Anne's day, 'The Cocoa-nut,' in St. James's Street, was reserved for Jacobites, while none but Whigs frequented 'The St James's.' Still there was not sufficient exclusiveness; and as early as in Charles II.'s reign men of peculiar opinions began to appropriate certain coffee-houses at certain hours, and to exclude from them all but approved members. Hence the origin of clubs.

The October Club was one of the earliest, being composed of some hundred and fifty rank Tories, chiefly country members of Parliament. They met at the 'Bell,' in King Street, Westminster, that street in which Spenser starved, and Dryden's brother kept a grocer's shop. A portrait of Queen Anne, by Dahl, hung in the club-room. This and the Kit-kat, the great Whig club, were chiefly reserved for politics; but the fashion of clubbing having once come in, it was soon followed by people of all fancies. No reader of the 'Spectator' can fail to remember the ridicule to which this was turned by descriptions of imaginary clubs for which the qualifications were absurd, and of which the business, on meeting, was preposterous nonsense of some kind. The idea of such fraternities, as the Club of Fat Men, the Ugly Club, the Sheromp Club, the Everlasting Club, the Sighing Club, the Amorous Club, and others, could only have been suggested by real clubs almost as ridiculous. The names, too, were almost as fantastical as those of the taverns in the previous century, which counted 'The Devil,' and 'The Heaven and Hell,' among their numbers. Many derived their titles from the standing dishes preferred at supper, the Beef-steak and the Kit-kat (a sort of mutton-pie), for instance.

The Beef-steak Club, still in existence, was one of the most famous established in Anne's reign. It had at that time less of a political than a jovial character. Nothing but that excellent British fare, from which it took its name, was, at first, served at the supper-table. It was an assemblage of wits of every station, and very jovial were they supposed to be when the juicy dish had been discussed. Early in the century, Estcourt, the actor, was made provider to this club, and wore a golden gridiron as a badge of office, and is thus alluded to in Dr. King's 'Art of Cookery' (1709):--

'He that of honour, wit, and mirth partakes, May be a fit companion o'er beef-stakes; His name may be to future times enrolled In Estcourt's book, whose gridiron's framed of gold.'

Estcourt was one of the best mimics of the day, and a keen satirist to boot; in fact he seems to have owed much of his success on the stage to his power of imitation, for while his own manner was inferior, he could at pleasure copy exactly that of any celebrated actor. He _would_ be a player. At fifteen he ran away from home, and joining a strolling company, acted Roxana in woman's clothes: his friends pursued him, and, changing his dress for that of a girl of the time, he tried to escape them, but in vain. The histrionic youth was captured, and bound apprentice in London town; the 'seven long years' of which did not cure him of the itch for acting. But he was too good a wit for the stage, and amused himself, though not always his audience, by interspersing his part with his own remarks. The great took him by the hand, and old Marlborough especially patronized him: he wrote a burlesque of the Italian operas then beginning to be in vogue; and died in 1712-13. Estcourt was not the only actor belonging to the Beef-steak, nor even the only one who had concealed his sex under emergency; Peg Woffington, who had made as good a boy as he had done a girl, was afterwards a member of this club.

In later years the beef-steak was cooked in a room at the top of Covent Garden Theatre, and counted many a celebrated wit among those who sat around its cheery dish. Wilkes the blasphemer, Churchill, and Lord Sandwich, were all members of it at the same time. Of the last, Walpole gives us information in 1763 at the time of Wilkes's duel with Martin in Hyde Park. He tells us that at the Beef-steak Club Lord Sandwich talked so profusely, 'that he drove harlequins out of the company.' To the honour of the club be it added, that his lordship was driven out after the harlequins, and finally expelled: it is sincerely to be hoped that Wilkes was sent after his lordship. This club is now represented by one held behind the Lyceum, with the thoroughly British motto, 'Beef and Liberty:' the name was happily chosen and therefore imitated. In the reign of George II. we meet with a 'Rump-steak, or Liberty Club;' and somehow steaks and liberty seem to be the two ideas most intimately associated in the Britannic mind. Can any one explain it?

Other clubs there were under Anne,--political, critical, and hilarious--but the palm is undoubtedly carried off by the glorious Kit-kat.

It is not every eating-house that is immortalized by a Pope, though Tennyson has sung 'The Cock' with its 'plump head-waiter,' who, by the way, was mightily offended by the Laureate's verses--or pretended to be so--and thought it 'a great liberty of Mr. ----, Mr. ----, what is his name? to put respectable private characters into his books.' Pope, or some say Arbuthnot, explained the etymology of this club's extraordinary title:--

'Whence deathless Kit-kat took its name, Few critics can unriddle: Some say from pastrycook it came, And some from Cat and Fiddle.

'From no trim beaux its name it boasts, Grey statesmen or green wits; But from the pell-mell pack of toasts Of old cats and young kits.'

Probably enough the title was hit on a hap-hazard, and retained because it was singular, but as it has given a poet a theme, and a painter a name for pictures of a peculiar size, its etymology has become important. Some say that the pastry cook in Shire Lane, at whose house it was held, was named Christopher Katt. Some one or other was certainly celebrated for the manufacture of that forgotten delicacy, a mutton-pie, which acquired the name of a Kit-kat.

'A Kit-kat is a supper for a lord,'

says a comedy of 1700, and certes it afforded at this club evening nourishment for many a celebrated noble profligate of the day. The supposed sign of the Cat and Fiddle (Kitt), gave another solution, but after all, Pope's may be satisfactorily received.

The Kit-kat was, _par excellence_, the Whig Club of Queen Anne's time: it was established at the beginning of the eighteenth century, and was then composed of thirty-nine members, among whom were the Dukes of Marlborough, Devonshire, Grafton, Richmond, and Somerset. In later days it numbered the greatest wits of the age, of whom anon.

This club was celebrated more than any for its _toasts_.

Now, if men must drink--and sure the vine was given us for use, I do not say for abuse--they had better make it an occasion of friendly intercourse; nothing can be more degraded than the solitary sanctimonious toping in which certain of our northern brethren are known to indulge. They had better give to the quaffing of that rich gift, sent to be a medicine for the mind, to raise us above the perpetual contemplation of worldly ills, as much of romance and elegance as possible. It is the opener of the heart, the awakener of nobler feelings of generosity and love, the banisher of all that is narrow, and sordid, and selfish; the herald of all that is exalted in man. No wonder that the Greeks made a god of Bacchus, that the Hindu worshipped the mellow Soma, and that there has been scarce a poet who has not sung its praise. There was some beauty in the feasts of the Greeks, when the goblet was really wreathed with flowers; and even the German student, dirty and drunken as he may be, removes half the stain from his orgies with the rich harmony of his songs, and the hearty good-fellowship of his toasts. We drink still, perhaps we shall always drink till the end of time, but all the romance of the bowl is gone; the last trace of its beauty went with the frigid abandonment of the toast.

There was some excuse for wine when it brought out that now forgotten expression of good-will. Many a feud was reconciled in the clinking of glasses; just as many another was begun when the cup was drained too deeply. The first quarter of the last century saw the end of all the social glories of the wassail in this country, and though men drank as much fifty years later, all its poetry and romance had then disappeared.

It was still, however, the custom at that period to call on the name of some fair maiden, and sing her praises over the cup as it passed. It was a point of honour for all the company to join the health. Some beauties became celebrated for the number of their toasts; some even standing toasts among certain sets. In the Kit-kat Club the custom was carried out by rule, and every member was compelled to name a beauty, whose claims to the honour were then discussed, and if her name was approved, a separate bowl was consecrated to her, and verses to her honour engraved on it. Some of the most celebrated toasts had even their portraits hung in the club-room, and it was no slight distinction to be the favourite of the Kit-kat. When only eight years old, Lady Mary Wortley Montagu enjoyed this privilege. Her father, the Lord Dorchester, afterwards Evelyn, Duke of Kingston, in a fit of caprice, proposed 'the pretty little child' as his toast. The other members, who had never seen her, objected; the Peer sent for her, and there could no longer be any question. The forward little girl was handed from knee to knee, petted, probably, by Addison, Congreve, Vanbrugh, Garth, and many another famous wit. Another celebrated toast of the Kit-kat, mentioned by Walpole, was Lady Molyneux, who, he says, died smoking a pipe.