Part 7

'Why?' asked the Count.

'Why, faith, because we are cheating you,' was the reply.

The Chevalier turned round impatiently, 'Sieur Matta,' he cried, 'do you suppose it can be any amusement to Monsieur le Comte to be plagued with your ill-timed jests? For my part, I am so weary of the game, that I swear by Jupiter I can scarcely play any more.' Nothing is more distasteful to a losing gamester than a hint of leaving off; so the Count entreated the Chevalier to continue, and assured him that 'Monsieur Matta might say what he pleased, for it did not give him the least uneasiness to continue.'

The Chevalier allowed the Count to play upon credit, and that act of courtesy was taken very kindly: the dupe lost 1,500 pistoles, which he paid the next morning, when Matta was sharply reprimanded for his interference.

'Faith,' he answered, 'it was a point of conscience with me; besides, it would have given me pleasure to have seen his Horse engaged with my Infantry, if he had taken anything amiss.'

The sum thus gained set the spendthrifts up; and De Grammont satisfied his conscience by giving it away, to a certain extent, in charity. It is singular to perceive in the history of this celebrated man that moral taint of character which the French have never lost: this total absence of right reasoning on all points of conduct, is coupled in our Gallic neighbours with the greatest natural benevolence, with a generosity only kept back by poverty, with impulsive, impressionable dispositions, that require the guidance of a sound Protestant faith to elevate and correct them.

The Chevalier hastened, it is related, to find out distressed comrades, officers who had lost their baggage, or who had been ruined by gaming; or soldiers who had been disabled in the trenches; and his manner of relieving them was as graceful and as delicate as the bounty he distributed was welcome. He was the darling of the army. The poor soldier knew him personally, and adored him; the general was sure to meet him in the scenes of action, and to seek his company in those of security.

And, having thus retrieved his finances, the gay-hearted Chevalier used, henceforth, to make De Cameran go halves with him in all games in which the odds were in his own favour. Even the staid Calvinist, Turenne, who had not then renounced, as he did in after-life, the Protestant faith, delighted in the off-hand merriment of the Chevalier. It was towards the end of the siege of Trino, that De Grammont went to visit that general in some new quarters, where Turenne received him, surrounded by fifteen or twenty officers. According to the custom of the day, cards were introduced, and the general asked the Chevalier to play.

'Sir,' returned the young soldier, 'my tutor taught me that when a man goes to see his friends it is neither prudent to leave his own money behind him nor civil to take theirs.'

'Well,' answered Turenne, 'I can tell you you will find neither much money nor deep play among us; but that it cannot be said that we allowed you to go off without playing, suppose we each of us stake a horse.'

De Grammont agreed, and, lucky as ever, won from the officers some fifteen or sixteen horses, by way of a joke; but seeing several faces pale, he said, 'Gentlemen, I should be sorry to see you go away from your general's quarters on foot; it will do very well if you all send me to-morrow your horses, except one, which I give for the cards.'

The _valet-de-chambre_ thought he was jesting. 'I am serious,' cried the Chevalier. '_Parole d'honneur_ I give a horse for the cards; and what's more, take which you please, only don't take mine.'

'Faith,' said Turenne, pleased with the novelty of the affair, 'I don't believe a horse was ever before given for the cards.'

Young people, and indeed old people, can perhaps hardly remember the time when, even in England, money used to be put under the candlesticks 'for the cards,' as it was said, but in fact for the servants, who waited. Winner or loser, the tax was to be paid, and this custom of vails was also prevalent in France.

Trino at last surrendered, and the two friends rushed from their campaigning life to enjoy the gaieties of Turin, at that time the centre of pleasure; and resolved to perfect their characters as military heroes--by falling in love, if respectably, well; if disreputably, well too, perhaps all the more agreeable, and venturesome, as they thought.

The court of Turin was then presided over by the Duchess of Savoy, _Madame Royale_, as she was called in France, the daughter of Henry IV. of France, the sister of Henrietta Maria of England. She was a woman of talent and spirit, worthy of her descent, and had certain other qualities which constituted a point of resemblance between her and her father; she was, like him, more fascinating than respectable.

The customs of Turin were rather Italian than French. At that time every lady had her professed lover, who wore the liveries of his mistress, bore her arms, and sometimes assumed her very name. The office of the lover was, never to quit his lady in public, and never to approach her in private: to be on all occasions her esquire. In the tournament her chosen knight-cicisbeo came forth with his coat, his housings, his very lance distinguished with the cyphers and colours of her who had condescended to invest him with her preference. It was the remnant of chivalry that authorized this custom; but of chivalry demoralized--chivalry denuded of her purity, her respect, the chivalry of corrupted Italy, not of that which, perhaps, fallaciously, we assign to the earlier ages.

Grammont and Matta enlisted themselves at once in the service of two beauties. Grammont chose for the queen of beauty, who was to 'rain influence' upon him, Mademoiselle de St. Germain, who was in the very bloom of youth. She was French, and, probably, an ancestress of that all-accomplished Comte de St. Germain, whose exploits so dazzled successive European courts, and the fullest account of whom, in all its brilliant colours, yet tinged with mystery, is given in the Memoirs of Maria Antoinette, by the Marquise d'Adhémar, her lady of the bed-chamber.

The lovely object of De Grammont's 'first love' was a radiant brunette belle, who took no pains to set off by art the charms of nature. She had some defects: her black and sparkling eyes were small; her forehead, by no means 'as pure as moonlight sleeping upon snow,' was not fair, neither were her hands; neither had she small feet--but her form generally was perfect; her elbows had a peculiar elegance in them; and in old times to hold the elbow out well, and yet not to stick it out, was a point of early discipline. Then her glossy black hair set off a superb neck and shoulders; and, moreover, she was gay, full of mirth, life, complaisance, perfect in all the acts of politeness, and invariable in her gracious and graceful bearing.

Matta admired her; but De Grammont ordered him to attach himself to the Marquise de Senantes, a married beauty of the court; and Matta, in full faith that all Grammont said and did was sure to succeed, obeyed his friend. The Chevalier had fallen in love with Mademoiselle de St. Germain at first sight, and instantly arrayed himself in her colour, which was green, whilst Matta wore blue, in compliment to the marquise; and they entered the next day upon duty, at La Venerie, where the Duchess of Savoy gave a grand entertainment. De Grammont, with his native tact and unscrupulous mendacity, played his part to perfection; but his comrade, Matta, committed a hundred solecisms. The very second time he honoured the marquise with his attentions, he treated her as if she were his humble servant: when he pressed her hand, it was a pressure that almost made her scream. When he ought to have ridden by the side of her coach, he set off, on seeing a hare start from her form; then he talked to her of partridges when he should have been laying himself at her feet. Both these affairs ended as might have been expected. Mademoiselle de St. Germain was diverted by Grammont, yet he could not touch her heart. Her aim was to marry; his was merely to attach himself to a reigning beauty. They parted without regret; and he left the then remote court of Turin for the gayer scenes of Paris and Versailles. Here he became as celebrated for his alertness in play as for his readiness in repartee; as noted for his intrigues, as he afterwards was for his bravery.

Those were stirring days in France. Anne of Austria, then in her maturity, was governed by Mazarin, the most artful of ministers, an Italian to the very heart's core, with a love of amassing wealth engrafted in his supple nature that amounted to a monomania. The whole aim of his life was gain. Though gaming was at its height, Mazarin never played for amusement; he played to enrich himself; and when he played, he cheated.

The Chevalier de Grammont was now rich, and Mazarin worshipped the rich. He was witty; and his wit soon procured him admission into the clique whom the wily Mazarin collected around him in Paris. Whatever were De Grammont's faults, he soon perceived those of Mazarin; he detected, and he detested, the wily, grasping, serpent-like attributes of the Italian; he attacked him on every occasion on which a 'wit combat' was possible: he gracefully showed Mazarin off in his true colours. With ease he annihilated him, metaphorically, at his own table. Yet De Grammont had something to atone for: he had been the adherent and companion in arms of Condé; he had followed that hero to Sens, to Nordlingen, to Fribourg, and had returned to his allegiance to the young king, Louis XIV., only because he wished to visit the court at Paris. Mazarin's policy, however, was that of pardon and peace--of duplicity and treachery--and the Chevalier seemed to be forgiven on his return to Paris, even by Anne of Austria. Nevertheless, De Grammont never lost his independence; and he could boast in after-life that he owed the two great cardinals who had governed France nothing that they could have refused. It was true that Richelieu had left him his abbacy; but he could not refuse it to one of De Grammont's rank. From Mazarin he had gained nothing except what he had won at play.

After Mazarin's death the Chevalier intended to secure the favour of the king, Louis XIV., to whom, as he rejoiced to find, court alone was now to be paid. He had now somewhat rectified his distinctions between right and wrong, and was resolved to have no regard for favour unless supported by merit; he determined to make himself beloved by the courtiers of Louis, and feared by the ministers; to dare to undertake anything to do good, and to engage in nothing at the expense of innocence. He still continued to be eminently successful in play, of which he did not perceive the evil, nor allow the wickedness; but he was unfortunate in love, in which he was equally unscrupulous and more rash than at the gaming-table.

Among the maids of honour of Anne of Austria was a young lady named Anne Lucie de la Mothe Houdancourt. Louis, though not long married, showed some symptoms of admiration for this _débutante_ in the wicked ways of the court.

Gay, radiant in the bloom of youth and innocence, the story of this young girl presents an instance of the unhappiness which, without guilt, the sins of others bring upon even the virtuous. The queen-dowager, Anne of Austria, was living at St. Germains when Mademoiselle de la Mothe Houdancourt was received into her household. The Duchess de Noailles, at that time _Grande Maitresse_, exercised a vigilant and kindly rule over the maids of honour; nevertheless, she could not prevent their being liable to the attentions of Louis: she forbade him however to loiter, or indeed even to be seen in the room appropriated to the young damsels under her charge; and when attracted by the beauty of Annie Lucie de la Mothe, Louis was obliged to speak to her through a hole behind a clock which stood in a corridor.

Annie Lucie, notwithstanding this apparent encouragement of the king's addresses, was perfectly indifferent to his admiration. She was secretly attached to the Marquis de Richelieu, who had, or pretended to have, honourable intentions towards her. Everything was tried, but tried in vain, to induce the poor girl to give up all her predilections for the sake of a guilty distinction--that of being the king's mistress: even her _mother_ reproached her with her coldness. A family council was held, in hopes of convincing her of her wilfulness, and Annie Lucie was bitterly reproached by her female relatives; but her heart still clung to the faithless Marquis de Richelieu, who, however, when he saw that a royal lover was his rival, meanly withdrew.

Her fall seemed inevitable; but the firmness of Anne of Austria saved her from her ruin. That queen insisted on her being sent away; and she resisted even the entreaties of the queen, her daughter-in-law, and the wife of Louis XIV.; who, for some reasons not explained, entreated that the young lady might remain at the court. Anne was sent away in a sort of disgrace to the convent of Chaïllot, which was then considered to be quite out of Paris, and sufficiently secluded to protect her from visitors. According to another account, a letter full of reproaches, which she wrote to the Marquis de Richelieu upbraiding him for his desertion, had been intercepted.

It was to this young lady that De Grammont, who was then, in the very centre of the court, 'the type of fashion and the mould of form,' attached himself to her as an admirer who could condescend to honour with his attentions those whom the king pursued. The once gay girl was thus beset with snares: on one side was the king, whose disgusting preference was shown when in her presence by sighs and sentiment; on the other, De Grammont, whose attentions to her were importunate, but failed to convince her that he was in love; on the other was the time-serving, heartless De Richelieu, whom her reason condemned, but whom her heart cherished. She soon showed her distrust and dislike of De Grammont: she treated him with contempt; she threatened him with exposure, yet he would not desist: then she complained of him to the king. It was then that he perceived that though love could equalize conditions, it could not act in the same way between rivals. He was commanded to leave the court. Paris, therefore, Versailles, Fontainbleau, and St. Germains were closed against this gay Chevalier; and how could he live elsewhere? Whither could he go? Strange to say, he had a vast fancy to behold the man who, stained with the crime of regicide, and sprung from the people, was receiving magnificent embassies from continental nations, whilst Charles II. was seeking security in his exile from the power of Spain in the Low Countries. He was eager to see the Protector, Cromwell. But Cromwell, though in the height of his fame when beheld by De Grammont--though feared at home and abroad--was little calculated to win suffrages from a mere man of pleasure like De Grammont. The court, the city, the country, were in his days gloomy, discontented, joyless: a proscribed nobility was the sure cause of the thin though few festivities of the now lugubrious gallery of Whitehall. Puritanism drove the old jovial churchmen into retreat, and dispelled every lingering vestige of ancient hospitality: long graces and long sermons, sanctimonious manners, and grim, sad faces, and sad-coloured dresses were not much to De Grammont's taste; he returned to France, and declared that he had gained no advantage from his travels. Nevertheless, either from choice or necessity, he made another trial of the damps and fogs of England.[8]

When he again visited our country, Charles II. had been two years seated on the throne of his father. Everything was changed, and the British court was in its fullest splendour; whilst the rejoicings of the people of England at the Restoration were still resounding through the land.

If one could include royal personages in the rather gay than worthy category of the 'wits and beaux of society,' Charles II. should figure at their head. He was the most agreeable companion, and the worst king imaginable. In the first place he was, as it were, a citizen of the world: tossed about by fortune from his early boyhood; a witness at the tender age of twelve of the battle of Edge Hill, where the celebrated Harvey had charge of him and of his brother. That inauspicious commencement of a wandering life had perhaps been amongst the least of his early trials. The fiercest was his long residence as a sort of royal prisoner in Scotland. A travelled, humbled man, he came back to England with a full knowledge of men and manners, in the prime of his life, with spirits unbroken by adversity, with a heart unsoured by that 'stern nurse,' with a gaiety that was always kindly, never uncourteous, ever more French than English; far more natural did he appear as the son of Henrietta Maria than as the offspring of the thoughtful Charles.

In person, too, the king was then agreeable, though rather what the French would call _distingué_ than dignified; he was, however, tall, and somewhat elegant, with a long French face, which in his boyhood was plump and full about the lower part of the cheeks, but now began to sink into that well-known, lean, dark, flexible countenance, in which we do not, however, recognize the gaiety of the man whose very name brings with it associations of gaiety, politeness, good company, and all the attributes of a first-rate wit, except the almost inevitable ill-nature. There is in the physiognomy of Charles II. that melancholy which is often observable in the faces of those who are mere men of pleasure.

De Grammont found himself completely in his own sphere at Whitehall, where the habits were far more French than English. Along that stately Mall, overshadowed with umbrageous trees, which retains--and it is to be hoped ever will retain--the old name of the 'Birdcage Walk,' one can picture to oneself the king walking so fast that no one can keep up with him; yet stopping from time to time to chat with some acquaintances. He is walking to Duck Island, which is full of his favourite water-fowl, and of which he has given St. Evremond the government. How pleasant is his talk to those who attend him as he walks along; how well the quality of good-nature is shown in his love of dumb animals: how completely he is a boy still, even in that brown wig of many curls, and with the George and Garter on his breast! Boy, indeed, for he is followed by a litter of young spaniels: a little brindled greyhound frisks beside him; it is for that he is ridiculed by the '_psalm_' sung at the Calves' Head Club: these favourites were cherished to his death.

'His dogs would sit in council boards Like judges in their seats: We question much which had most sense, The master or the curs.'

Then what capital stories Charles would tell, as he unbent at night amid the faithful, though profligate, companions of his exile! He told his anecdotes, it is true, over and over again, yet they were always embellished with some fresh touch--like the repetition of a song which has been encored on the stage. Whether from his inimitable art, or from his royalty, we leave others to guess, but his stories bore repetition again and again: they were amusing, and even novel to the very last.

To this seducing court did De Grammont now come. It was a delightful exchange from the endless ceremonies and punctilios of the region over which Louis XIV. presided. Wherever Charles was, his palace appeared to resemble a large hospitable house--sometimes town, sometimes country--in which every one did as he liked; and where distinctions of rank were kept up as a matter of convenience, but were only valued on that score.

In other respects, Charles had modelled his court very much on the plan of that of Louis XIV., which he had admired for its gaiety and spirit. Corneille, Racine, Molière, Boileau, were encouraged by _le Grand Monarque_. Wycherley and Dryden were attracted by Charles to celebrate the festivities, and to amuse the great and the gay. In various points De Grammont found a resemblance. The queen-consort, Catherine of Braganza, was as complacent to her husband's vices as the queen of Louis. These royal ladies were merely first sultanas, and had no right, it was thought, to feel jealousy, or to resent neglect. Each returning sabbath saw Whitehall lighted up, and heard the tabors sound for a _branle_, (Anglicised 'brawl'). This was a dance which mixed up everybody, and called a brawl, from the foot being shaken to a quick time. Gaily did his Majesty perform it, leading to the hot exercise Anne Hyde, Duchess of York, stout and homely, and leaving Lady Castlemaine to his son, the Duke of Monmouth. Then Charles, with ready grace, would begin the coranto, taking a single lady in this dance along the gallery. Lords and ladies one after another followed, and 'very noble,' writes Pepys, 'and great pleasure it was to see.' Next came the country dances, introduced by Mary, Countess of Buckingham, the grandmother of the graceful duke who is moving along the gallery;--and she invented those once popular dances in order to introduce, with less chance of failure, her rustic country cousins, who could not easily be taught to carry themselves well in the brawl, or to step out gracefully in the coranto, both of which dances required practice and time. In all these dances the king shines the most, and dances much better than his brother the Duke of York.

In these gay scenes De Grammont met with the most fashionable belles of the court: fortunately for him they all spoke French tolerably; and he quickly made himself welcome amongst even the few--and few indeed there were--who plumed themselves upon untainted reputations. Hitherto those French noblemen who had presented themselves in England had been poor and absurd. The court had been thronged with a troop of impertinent Parisian coxcombs, who had pretended to despise everything English, and who treated the natives as if they were foreigners in their own country. De Grammont, on the contrary, was familiar with every one: he ate, he drank, he lived, in short, according to the custom of the country that hospitably received him, and accorded him the more respect, because they had been insulted by others.

He now introduced the _petits soupers_, which have never been understood anywhere so well as in France, and which are even there dying out to make way for the less social and more expensive dinner; but, perhaps, he would even here have been unsuccessful, had it not been for the society and advice of the famous St. Evremond, who at this time was exiled in France, and took refuge in England.