Part 21
Mary Lepel, Lady Hervey, whose attractions, great as they were, proved insufficient to rivet the exclusive admiration of the accomplished Hervey, had become his wife in 1720, some time before her husband had been completely enthralled with the gilded prison doors of a court. She was endowed with that intellectual beauty calculated to attract a man of talent: she was highly educated, of great talent; possessed of _savoir faire_, infinite good temper, and a strict sense of duty. She also derived from her father, Brigadier Lepel, who was of an ancient family in Sark, a considerable fortune. Good and correct as she was, Lady Hervey viewed with a fashionable composure the various intimacies formed during the course of their married life by his lordship.
The fact is, that the aim of both was not so much to insure their domestic felicity as to gratify their ambition. Probably they were disappointed in both these aims--certainly in one of them; talented, indefatigable, popular, lively, and courteous, Lord Hervey, in the House of Commons, advocated in vain, in brilliant orations, the measures of Walpole. Twelve years, fourteen years elapsed, and he was left in the somewhat subordinate position of vice-chamberlain, in spite of that high order of talents which he possessed, and which would have been displayed to advantage in a graver scene. The fact has been explained: the queen could not do without him; she confided in him; her daughter loved him; and his influence in that court was too powerful for Walpole to dispense with an aid so valuable to his own plans. Some episodes in a life thus frittered away, until, too late, promotion came, alleviated his existence, and gave his wife only a passing uneasiness, if even indeed they imparted a pang.
One of these was his dangerous passion for Miss Vane; another, his platonic attachment to Lady Mary Wortley Montagu.
Whilst he lived on the terms with his wife which is described even by the French as being a '_Ménage de Paris_,' Lord Hervey, found in another quarter the sympathies which, as a husband, he was too well-bred to require. It is probable that he always admired his wife more than any other person, for she had qualities that were quite congenial to the tastes of a wit and a beau in those times. Lady Hervey was not only singularly captivating, young, gay, and handsome; but a complete model also of the polished, courteous, high-bred woman of fashion. Her manners are said by Lady Louisa Stuart to have 'had a foreign tinge, which some called affected; but they were gentle, easy, and altogether exquisitely pleasing.' She was in secret a Jacobite--and resembled in that respect most of the fine ladies in Great Britain. Whiggery and Walpolism were vulgar: it was _haut ton_ to take offence when James II. was anathematized, and quite good taste to hint that some people wished well to the Chevalier's attempts: and this way of speaking owed its fashion probably to Frederick of Wales, whose interest in Flora Macdonald, and whose concern for the exiled family, were among the few amiable traits of his disposition. Perhaps they arose from a wish to plague his parents, rather than from a greatness of character foreign to this prince.
Lady Hervey was in the bloom of youth, Lady Mary in the zenith of her age, when they became rivals: Lady Mary had once excited the jealousy of Queen Caroline when Princess of Wales.
'How becomingly Lady Mary is dressed to-night,' whispered George II. to his wife, whom he had called up from the card-table to impart to her that important conviction. 'Lady Mary always dresses well,' was the cold and curt reply.
Lord Hervey had been married about seven years when Lady Mary Wortley Montagu re-appeared at the court of Queen Caroline, after her long residence in Turkey. Lord Hervey was thirty-three years of age; Lady Mary was verging on forty. She was still a pretty woman, with a piquant, neat-featured face; which does not seem to have done any justice to a mind at once masculine and sensitive, nor to a heart capable of benevolence--capable of strong attachments, and of bitter hatred.
Like Lady Hervey, she lived with her husband on well-bred terms: there existed no quarrel between them; no avowed ground of coldness; it was the icy boundary of frozen feeling that severed them; the sure and lasting though polite destroyer of all bonds, indifference. Lady Mary was full of repartee, of poetry, of anecdote, and was not averse to admiration; but she was essentially a woman of common sense, of views enlarged by travel, and of ostensibly good principles. A woman of delicacy was not to be found in those days, any more than other productions of the nineteenth century: a telegraphic message would have been almost as startling to a courtly ear as the refusal of a fine lady to suffer a _double entendre_. Lady Mary was above all scruples, and Lord Hervey, who had lived too long with George II. and his queen to have the moral sense in her perfection, liked her all the better for her courage--her merry, indelicate jokes, and her putting things down by their right names, on which Lady Mary plumed herself: she was what they term in the north of England, 'Emancipated.' They formed an old acquaintance with a confidential, if not a tender friendship; and that their intimacy was unpleasant to Lady Hervey was proved by her refusal--when, after the grave had closed over Lord Hervey, late in life, Lady Mary ill, and broken down by age, returned to die in England--to resume an acquaintance which had been a painful one to her.
Lord Hervey was a martyr to illness of an epileptic character; and Lady Mary gave him her sympathy. She was somewhat of a doctor--and being older than her friend, may have had the art of soothing sufferings, which were the worse because they were concealed. Whilst he writhed in pain, he was obliged to give vent to his agony by alleging that an attack of cramp bent him double: yet he lived by rule--a rule harder to adhere to than that of the most conscientious homoeopath in the present day. In the midst of court gaieties and the duties of office, he thus wrote to Dr. Cheyne:--
... 'To let you know that I continue one of your most pious votaries, and to tell you the method I am in. In the first place, I never take wine nor malt drink, nor any liquid but water and milk-tea; in the next, I eat no meat but the whitest, youngest, and tenderest, nine times in ten nothing but chicken, and never more than the quantity of a small one at a meal. I seldom eat any supper, but if any, nothing absolutely but bread and water; two days in the week I eat no flesh; my breakfast is dry biscuit, not sweet, and green tea; I have left off butter as bilious; I eat no salt, nor any sauce but bread-sauce.'
Among the most cherished relaxations of the royal household were visits to Twickenham, whilst the court was at Richmond. The River Thames, which has borne on its waves so much misery in olden times--which was the highway from the Star-chamber to the tower--which has been belaboured in our days with so much wealth, and sullied with so much impurity; that river, whose current is one hour rich as the stream of a gold river, the next hour, foul as the pestilent churchyard,--was then, especially between Richmond and Teddington, a glassy, placid stream, reflecting on its margin the chestnut-trees of stately Ham, and the reeds and wild flowers which grew undisturbed in the fertile meadows of Petersham.
Lord Hervey, with the ladies of the court, Mrs. Howard as their chaperon, delighted in being wafted to that village, so rich in names which give to Twickenham undying associations with the departed great. Sometimes the effeminate valetudinarian, Hervey, was content to attend the Princess Caroline to Marble Hill only, a villa residence built by George II. for Mrs. Howard, and often referred to in the correspondence of that period. Sometimes the royal barge, with its rowers in scarlet jackets, was seen conveying the gay party; ladies in slouched hats, pointed over fair brows in front, with a fold of sarsenet round them, terminated in a long bow and ends behind--with deep falling mantles over dresses never cognizant of crinoline: gentlemen, with cocked-hats, their bag-wigs and ties appearing behind; and beneath their puce-coloured coats, delicate silk tights and gossamer stockings were visible, as they trod the mossy lawn of the Palace Gardens at Richmond, or, followed by a tiny greyhound, prepared for the lazy pleasures of the day.
Sometimes the visit was private; the sickly Princess Caroline had a fancy to make one of the group who are bound to Pope's villa. Twickenham, where that great little man had, since 1715, established himself, was pronounced by Lord Bacon to be the finest place in the world for study. 'Let Twitnam Park,' he wrote to his steward, Thomas Bushell, 'which I sold in my younger days, be purchased, if possible, for a residence for such deserving persons to study in, (since I experimentally found the situation of that place much convenient for the trial of my philosophical conclusions)--expressed in a paper sealed, to the trust--which I myself had put in practice and settled the same by act of parliament, if the vicissitudes of fortune had not intervened and prevented me.'
Twickenham continued, long after Bacon had penned this injunction, to be the retreat of the poet, the statesman, the scholar; the haven where the retired actress, and broken novelist found peace; the abode of Henry Fielding, who lived in one of the back-streets; the temporary refuge, from the world of London, of Lady Mary Wortley Montagu and the life-long home of Pope.
Let us picture to ourselves a visit from the princess to Pope's villa:--As the barge, following the gentle bendings of the river, nears Twickenham, a richer green, a summer brightness, indicates it is approaching that spot of which even Bishop Warburton says that 'the beauty of the owner's poetic genius appeared to as much advantage in the disposition of these romantic materials as in any of his best-contrived poems.' And the loved toil which formed the quincunx, which perforated and extended the grotto until it extended across the road to a garden on the opposite side--the toil which showed the gentler parts of Pope's better nature--has been respected, and its effects preserved. The enamelled lawn, green as no other grass save that by the Thames side is green, was swept until late years by the light boughs of the famed willow. Every memorial of the bard was treasured by the gracious hands into which, after 1744, the classic spot fell--those of Sir William Stanhope.
In the subterranean passage this verse appears; adulatory it must be confessed:--
'The humble roof, the garden's scanty line, Ill suit the genius of the bard divine; But fancy now assumes a fairer scope, And Stanhope's plans unfold the soul of Pope.'
It should have been Stanhope's 'gold,'--a metal which was not so abundant, nor indeed so much wanted in Pope's time as in our own. Let us picture to ourselves the poet as a host.
As the barge is moored close to the low steps which lead up from the river to the villa, a diminutive figure, then in its prime, (if prime it _ever_ had), is seen moving impatiently forward. By that young-old face, with its large lucid speaking eyes that light it up, as does a rushlight in a cavern--by that twisted figure with its emaciated legs--by the large, sensible mouth, the pointed, marked, well-defined nose--by the wig, or hair pushed off in masses from the broad forehead and falling behind in tresses--by the dress, that loose, single-breasted black coat--by the cambric band and plaited shirt, without a frill, but fine and white, for the poor poet has taken infinite pains that day in self-adornment--by the delicate ruffle on that large thin hand, and still more by the clear, most musical voice which is heard welcoming his royal and noble guests, as he stands bowing low to the Princess Caroline, and bending to kiss hands--by that voice which gained him more especially the name of the little nightingale--is Pope at once recognized, and Pope in the perfection of his days, in the very zenith of his fame.
One would gladly have been a sprite to listen from some twig of that then stripling willow which the poet had planted with his own hand, to talk of those who chatted for a while under its shade, before they went in-doors to an elegant dinner at the usual hour of twelve. How delightful to hear, unseen, the repartees of Lady Mary Wortley Montagu, who comes down, it is natural to conclude, from her villa near to that of Pope. How fine a study might one not draw of the fine gentleman and the wit in Lord Hervey, as he is commanded by the gentle Princess Caroline to sit on her right hand; but his heart is across the table, with Lady Mary! How amusing to observe the dainty but not sumptuous repast contrived with Pope's exquisite taste, but regulated by his habitual economy--for his late father, a worthy Jacobite hatter, erst in the Strand, disdained to invest the fortune he had amassed, from the extensive sale of cocked-hats, in the Funds, over which an Hanoverian stranger ruled; but had lived on his capital of £20,000 (as spendthrifts do, without either moral, religious, or political reasons), as long as it lasted him; yet _he_ was no spendthrift. Let us look, therefore, with a liberal eye, noting, as we stand, how that fortune, in league with nature, who made the poet crooked, had maimed two of his fingers, such time as, passing a bridge, the poor little poet was overturned into the river, and he would have been drowned, had not the postilion broken the coach window and dragged the tiny body through the aperture. We mark, however, that he generally contrives to hide this defect, as he would fain have hidden every other, from the lynx eyes of Lady Mary, who knows him, however, thoroughly, and reads every line of that poor little heart of his, enamoured of her as it was.
[Illustration: POPE AT HIS VILLA--DISTINGUISHED VISITORS.]
Then the conversation! How gladly would we catch here some drops of what must have been the very essence of small-talk, and small-talk is the only thing fit for early dinners! Our host is noted for his easy address, his engaging manners, his delicacy, politeness, and a certain tact he had of showing every guest that he was welcome in the choicest expressions and most elegant terms. Then Lady Mary! how brilliant is her slightest turn! how she banters Pope--how she gives _double entendre_ for _double entendre_ to Hervey! How sensible, yet how gay is all she says; how bright, how cutting, yet how polished is the _équivoque_ of the witty, high-bred Hervey! He is happy that day--away from the coarse, passionate king, whom he hated with a hatred that burns itself out in his lordship's 'Memoirs;' away from the somewhat exacting and pitiable queen; away from the hated Pelham, and the rival Grafton.
And conversation never flags when all, more or less, are congenial; when all are well-informed, well-bred and resolved to please. Yet there is a canker in that whole assembly; that canker is a want of confidence; no one trusts the other; Lady Mary's encouragement of Hervey surprises and shocks the Princess Caroline, who loves him secretly; Hervey's attentions to the queen of letters scandalizes Pope, who soon afterwards makes a declaration to Lady Mary. Pope writhes under a lash just held over him by Lady Mary's hand. Hervey feels that the poet, though all suavity, is ready to demolish him at any moment, if he can; and the only really happy and complacent person of the whole party is, perhaps, Pope's old mother, who sits in the room next to that occupied for dinner, industriously spinning.
This happy state of things came, however, as is often the case, in close intimacies, to a painful conclusion. There was too little reality, too little earnestness of feeling, for the friendship between Pope and Lady Mary, including Lord Hervey, to last long. His lordship had his affectations, and his effeminate nicety was proverbial. One day being asked at dinner if he would take some beef, he is reported to have answered, 'Beef? oh no! faugh! don't you know I never eat beef, nor _horse_, nor curry, nor any of those things?' Poor man! it was probably a pleasant way of turning off what he may have deemed an assault on a digestion that could hardly conquer any solid food. This affectation offended Lady Mary, whose _mot_, that there were three species, 'Men, women, and Herveys'--implies a perfect perception of the eccentricities even of her gifted friend, Lord Hervey, whose mother's friend she had been, and the object of whose admiration she undoubtedly was.
Pope, who was the most irritable of men, never forgot or forgave even the most trifling offence. Lady Bolingbroke truly said of him that he played the politician about cabbages and salads, and everybody agrees that he could hardly tolerate the wit that was more successful than his own. It was about the year 1725, that he began to hate Lord Hervey with such a hatred as only he could feel; it was unmitigated by a single touch of generosity or of compassion. Pope afterwards owned that his acquaintance with Lady Mary and with Hervey was discontinued, merely because they had too much wit for him. Towards the latter end of 1732, 'The Imitation of the Second Satire of the First Book of Horace,' appeared, and in it Pope attacked Lady Mary with the grossest and most indecent couplet ever printed: she was called Sappho, and Hervey, Lord Fanny; and all the world knew the characters at once.
In retaliation for this satire, appeared 'Verses to the Imitator of Horace;' said to have been the joint production of Lord Hervey and Lady Mary. This was followed by a piece entitled 'Letter from a Nobleman at Hampton Court to a Doctor of Divinity.' To this composition Lord Hervey, its sole author, added these lines, by way, as it seems, of extenuation.
Pope's first reply was in a prose letter, on which Dr. Johnson has passed a condemnation. 'It exhibits,' he says, 'nothing but tedious malignity.' But he was partial to the Herveys, Thomas and Henry Hervey, Lord Hervey's brothers, having been kind to him--'If you call a dog _Hervey_,' he said to Boswell, 'I shall love him.'
Next came the epistle to Dr. Arbuthnot, in which every infirmity and peculiarity of Hervey are handed down in calm, cruel irony, and polished verses, to posterity. The verses are almost too disgusting to be revived in an age which disclaims scurrility. After the most personal rancorous invective, he thus writes of Lord Hervey's conversation:--
His wit all see-saw between this and _that_-- Now high, now low--now _master_ up, now _miss_-- And he himself one vile antithesis.
* * * * *
Fop at the toilet, flatterer at the board, Now trips a lady, and now struts a lord. Eve's tempter, thus the rabbins have expressed-- A cherub's face--a reptile all the rest. Beauty that shocks you, facts that none can trust, Wit that can creep, and pride that bites the dust.'
'It is impossible,' Mr. Croker thinks, 'not to admire, however we may condemn, the art by which acknowledged wit, beauty, and gentle manners--the queen's favour--and even a valetudinary diet, are travestied into the most odious offences.'
Pope, in two lines, pointed to the intimacy between Lady Mary and Lord Hervey:--
'Once, and but once, this heedless youth was hit, And liked that dangerous thing, a female wit.'
Nevertheless, he _afterwards_ pretended that the name _Sappho_ was not applied to Lady Mary, but to women in general; and acted with a degree of mean prevarication which greatly added to the amount of his offence.
The quarrel with Pope was not the only attack which Lord Hervey had to encounter. Among the most zealous of his foes was Pulteney, afterwards Lord Bath, the rival of Sir Robert Walpole, and the confederate with Bolingbroke in opposing that minister. The 'Craftsman,' contained an attack on Pulteney, written, with great ability, by Hervey. It provoked a _Reply_ from Pulteney. In this composition he spoke of Hervey as 'a thing below contempt,' and ridiculed his personal appearance in the grossest terms. A duel was the result, the parties meeting behind Arlington House, in Piccadilly, where Mr. Pulteney had the satisfaction of almost running Lord Hervey through with his sword. Luckily the poor man slipped down, so the blow was evaded, and the seconds interfered: Mr. Pulteney then embraced Lord Hervey, and expressing his regret for their quarrel, declared that he would never again, either in speech or writing, attack his lordship. Lord Hervey only bowed, in silence; and thus they parted.
The queen having observed what an alteration in the palace Lord Hervey's death would cause, he said he could guess how it would be, and he produced 'The Death of Lord Hervey; or, a Morning at Court; a Drama:' the idea being taken it is thought, from Swift's verses on his own death, of which Hervey might have seen a surreptitious copy. The following scene will give some idea of the plot and structure of this amusing little piece. The part allotted to the Princess Caroline is in unison with the idea prevalent of her attachment to Lord Hervey:--
## ACT I.
SCENE: _The Queen's Gallery. The time, nine in the morning._
_Enter the_ QUEEN, PRINCESS EMILY, PRINCESS CAROLINE, _followed by_ LORD LIFFORD, _and_ MRS. PURCEL.
_Queen._ Mon Dieu, quelle chaleur! en vérité on étouffe. Pray open a little those windows.
_Lord Lifford._ Hasa your Majesty heara de news?
_Queen._ What news, my dear Lord?
_Lord Lifford._ Dat my Lord Hervey, as he was coming last night to _tone_, was rob and murdered by highwaymen and tron in a ditch.
_Princess Caroline._ Eh! grand Dieu!
_Queen_ [_striking her hand upon her knee._] Comment est-il véritablement mort? Purcel, my angel, shall I not have a little breakfast?
_Mrs. Purcel._ What would your Majesty please to have?
_Queen._ A little chocolate, my soul, if you give me leave, and a little sour cream, and some fruit. [_Exit_ MRS. PURCEL.
_Queen_ [_to Lord Lifford._] Eh bien! my Lord Lifford, dites-nous un peu comment cela est arrivé. I cannot imagine what he had to do to be putting his nose there. Seulement pour un sot voyage avec ce petit mousse, eh bien?
_Lord Lifford._ Madame, on scait quelque chose de celui de Mon. Maran, qui d'abord qu'il a vu les voleurs s'est enfin venu à grand galoppe à Londres, and after dat a waggoner take up the body and put it in his cart.
_Queen._ [_to_ PRINCESS EMILY.] Are you not ashamed, Amalie, to laugh?
_Princess Emily._ I only laughed at the cart, mamma.
_Queen._ Oh! that is a very fade plaisanterie.
_Princess Emily._ But if I may say it, mamma, I am not very sorry.
_Queen._ Oh! fie donc! Eh bien! my Lord Lifford! My God! where is this chocolate, Purcel?
As Mr. Croker remarks, Queen Caroline's breakfast-table, and her parentheses, reminds one of the card-table conversation of Swift:--
'The Dean's dead: (pray what are trumps?) Then Lord have mercy on his soul! (Ladies, I'll venture for the vole.) Six Deans, they say, must bear the pall; (I wish I knew what king to call.)'