Part 18

He was born in Amherst, New Hampshire, on the 3d of February, 1811, and is consequently 61 years old. His parents were poor, and Horace received but a very plain education at the common schools of the vicinity. The natural talent of the boy made up for this, however, for he read everything he could lay his hands on. He was a rapid reader, too, and had the faculty of retaining the information thus acquired. He was kept too busy at work on his father's sterile farm to be able to read during the day, and he was too poor to afford to use candles at night, and so his early studies were carried on by the light of pine knots. He served a severe apprenticeship at the printing business, commencing it at a very early age, and finding employment first on one country paper, and then on another, working at his trade, and occasionally writing for the journals he put in type.

In 1831 he came to New York, convinced that the great city offered him a better opportunity for success than any other place, and resolved to win that success. He was very boyish in appearance, frail, delicate-looking, but hopeful and resolved. For ten years he worked hard in the various offices of the city, sometimes setting type and sometimes writing editorials. Sometimes he published his own journal, but generally found this a "losing business." Failure did not discourage him, and he kept on, acquiring greater experience and becoming better known every year. He has himself told so well the story of his early struggles to so large an audience that I need not repeat it here.

In 1841, ten years from the time he wandered along Nassau street, without money or friends, and with all his worldly possessions tied up in a handkerchief, he began the publication of the _New York Tribune_, having succeeded in obtaining the necessary capital. It was a venture, and a bold one, but it proved a great success. He chose the name of the journal himself, and became its responsible editor. Though others have assisted him in his efforts, the success of the paper is his work. He has made it a great power in the land, and he is naturally proud of his work. Those who know him best say that the title dearest to his heart is that of "Founder of the New York Tribune."

Mr. Greeley's career has been one of incessant labor. His friends say he was never known to rest as other men do. When he goes to his farm in Westchester County for recreation, he rests by chopping wood and digging ditches. His editorial labors make up a daily average of about two columns of the _Tribune_, and he contributes the equivalent of about six _Tribune_ columns per week to other journals. He writes from fifteen to twenty-five letters per day; he has published several large works; he goes thoroughly through his exchanges every day, and keeps himself well posted in the current literature of the times; he speaks or lectures about five or six times a month, and makes monthly visits to Albany and Washington, to see what is going on behind the scenes in the capitals of the State and Nation. He is constantly receiving people who come on business or from curiosity, and yet he never seems tired, though he is not always even-tempered.

He is somewhat peculiar in his personal appearance. Most people in thinking of him picture to themselves a slouchy looking man, with a white hat, a white overcoat, with one leg of his breeches caught over the top of his boot, his whole dress shabby and not overclean, and his pockets stuffed full of newspapers, and many have imagined that he "gets himself up" so, in order to attract attention on the streets. The true Horace Greeley, however, though careless as to outward appearances, is immaculately neat in his dress. No one ever saw him with dirty linen or soiled clothes except in muddy weather, when, in New York, even a Brummel must be content to be splashed with mud. Mr. Greeley's usual dress is a black frock coat, a white vest, and a pair of black pantaloons which come down to the ankle. His black cravat alone betrays his carelessness, and that only when it slips off the collar, and works its way around to the side. Mr. Greeley is five feet ten inches in height, and is stout in proportion. He is partly bald, and his hair is white. He has a light, pinkish complexion, and his eyes are blue, small, and sunken. His mouth is well-shaped, and his features are regular. His beard is worn around the throat and under the chin, and is perfectly white. His hands are small and soft; but his feet and legs are awkward and clumsy, and this gives to him a peculiar shuffling motion in walking. He is abstracted in manner, and when accosted suddenly replies abruptly, and as some think rudely.

One of his acquaintances thus describes him in his editorial office:

"We walk through the little gate in the counter, turn within the open doorway on our left, climb a short, narrow flight of stairs, and find ourselves in a small room, ten by fifteen, furnished with a green carpet, a bed lounge, an open book-rack, a high desk, a writing-desk, three arm-chairs, a short-legged table, and a small marble sink.

"Mr. Greeley's back is toward us. He is seated at his desk. His head is bent over his writing, and his round shoulders are quite prominent. He is scribbling rapidly. A quire of foolscap, occupying the only clear space on his desk, is melting rapidly beneath his pen. The desk itself is a heap of confusion. Here is Mr. Greeley's straw hat; there is his handkerchief. In front of him is a peck of newspaper clippings, not neatly rolled up, but loosely sprawled over the desk. At his left a rickety pair of scissors catches a hurried nap, and at his right a paste-pot and a half-broken box of wafers appear to have had a rough-and-tumble fight. An odd-looking paper-holder is just ready to tumble on the floor. An old-fashioned sand-box, looking like a dilapidated hour-glass, is half-hidden under a slashed copy of _The New York World_. Mr. Greeley still sticks to wafers and sand, instead of using mucilage and blotting-paper. A small drawer, filled with postage stamps and bright steel pens, has crawled out on the desk. Packages of folded missives are tucked in the pigeon-holes, winking at us from the back of the desk, and scores of half-opened letters, mixed with seedy brown envelopes, flop lazily about the table. Old papers lie gashed and mangled about his chair, the _debris_ of a literary battle field. A clean towel hangs on a rack to his right. A bound copy of _The Tribune Almanac_, from 1838 to 1868, swings from a small chain fastened to a staple screwed in the side of his desk; two other bound volumes stand on their feet in front of his nose, and two more of the same kind are fast asleep on the book-rack in the corner. Stray numbers of the almanac peep from every nook. The man who would carry off Greeley's bound pile of almanacs would deserve capital punishment. The Philosopher could better afford to lose one of his legs than to lose his almanacs. The room is kept scrupulously clean and neat. A waste paper basket squats between Mr. Greeley's legs, but one half the torn envelopes and boshy communications flutter to the floor instead of being tossed into the basket. The table at his side is covered with a stray copy of _The New York Ledger_, and a dozen magazines lie thereon. Here is an iron garden rake wrapped up in an _Independent_. There hangs a pair of handcuffs once worn by old John Brown, and sent Mr. Greeley by an enthusiastic admirer of both Horace and John. A champagne basket, filled with old scrap-books and pamphlets, occupies one corner. A dirty bust of Lincoln, half hidden in dusty piles of paper, struggles to be seen on the top of his desk. A pile of election tables, dirty, ragged and torn, clipped from some unknown newspaper, looks as if they had half a mind to jump down on the 'Old Man's' bald head. A certificate of life membership in some tract or abolition society, and maps of the World, New York, and New Jersey hang on the wall. A rare geological specimen of quartz rock, weighing about ten pounds, is ready to roll down a high desk to the floor on the first alarm. Dirty pamphlets are as plentiful as cockroaches. His office library consists of 150 volumes.

"Pen, ink, paper, scissors, and envelopes are in unfailing demand. The cry, 'Mr. Greeley wants writing paper!' creates a commotion in the counting-room, and Mr. Greeley gets paper quicker than a hungry fisherman could skin an eel.

"Mr. Greeley can lay Virginia worm fences in ink faster than any other editor in New York City. He uses a fountain-pen, a present from some friend. He thinks a great deal of it, but during an experience of three years has failed to learn the simple principle of suction without getting his mouth full of ink, and he generally uses it with an empty receiver. He makes a dash at the ink-bottle every twenty seconds, places the third finger and thumb of his left hand on his paper, and scratches away at his worm fence like one possessed. He writes marvellously fast. Frequently the point of his pen pricks through his sheet, for he writes a heavy hand, and a snap follows, spreading inky spots over the paper, resembling a woodcut portraying the sparks from a blacksmith's hammer. Blots like mashed spiders, or crushed huckleberries, occasionally intervene, but the old veteran dashes them with sand, leaving a swearing compositor to scratch off the soil, and dig out the words underneath.

"Mr. Greeley's manuscript, when seen for the first time, resembles an intricate mass of lunatic hieroglyphics, or the tracks of a spider suffering from _delirium tremens_. But, by those accustomed to his writing, a remarkable exactness is observed. The spelling, punctuation, accented letters, and capitalizing are perfect. The old type-setters of the office prefer his manuscript above that of any other editor, for the simple reason that he writes his article as he wishes it to appear, and rarely, if ever, cuts or slashes a proof-sheet. And this punctuality is, in a great measure, a feature of his life. He is always in time, and never waits for anybody. He employs no private secretary, and when he receives a letter, answers it on the instant. No matter how trivial the request, the next outward-bound mail will carry away one of his autographs, if he thinks an answer necessary.

"He knows we have entered his room, yet he continues his writing. The only sound we hear within the sanctum is the scratch of his pen. He has the power of concentrating all the strength of his mind on the subject of his editorial, and will pay no attention to any question, however important, until he finishes his sentence. If the cry of 'Fire!' should resound through the building, Greeley would finish his sentence and ring his bell before he would leave his room. The sentence complete, he places the forefinger of his right hand at the end of the word last written, seizes the handle of his pen in his teeth, and looks his tormentor full in the face. It is a glance of inquiry, and the questioner, intuitively conscious of this fact, repeats his interrogation. Mr. Greeley divines the question before it is finished, and answers it pithily and quickly. The pen is then snatched from his mouth, dexterously dipped into his inkstand, and his fingers again travel across his transverse sheet of foolscap like a 'daddy-long-legs' caught in a storm. If his questioner is importunate, and insists on wasting his time, he continues his writing, never looking up, and either answers absent-mindedly, or in a low, impatient tone, tinged with a peculiar boyish nervousness. If his visitor is ungentlemanly enough to still continue his teasing importunities, a storm breaks forth, and the uncourteous person will trot out of the sanctum with an answer ringing in his ears that should bring a flush to his cheek.

"To Mr. Greeley time is more valuable than money or even friendship. When busy, he is no respecter of persons. President or hod-carrier, general or boot-black, clergyman or express-driver, authoress or apple-woman--all are treated alike. Eminent men have left his room under the impression that they have been deliberately slighted, while Horace still slashed away at his inky pickets, totally unconscious of any neglect."

Mr. Greeley's home is at Chappaqua, in Westchester County, New York, about thirty miles from the city. He owns a fine farm of about forty acres, which has cost him more money than he would care to tell. Agriculture is one of his great hobbies, and he tests here all the theories that are presented to him. His friends say that his turnips cost him about ten dollars apiece to produce, and bring about fifty cents per bushel in the market, and that all his farming operations are conducted on the same principle.

[Picture: HORACE GREELEY.]

Mr. Greeley married when quite young, and has had three children. Two daughters, aged about twenty and twelve, are living, but his son, a bright and unusually promising child, died some years ago. Mr. Greeley is one of the principal stockholders in the _Tribune_, and is a rich man. He is liberal and generous to those in need, and is a warm friend to benevolent enterprises of all kinds.

The chief reason of his popularity is the general confidence of the people in his personal integrity. Not even his political enemies question his honesty--and surely in these days of corruption and crime in public life, an honest man is one that can not well be spared.

XIII. THE TOMBS.

Turn out of Printing House Square, leaving the City Hall on your left, and pass up Centre street for about a quarter of a mile, and you will come to a massive granite edifice in the Egyptian style of architecture. It occupies an entire square, and is bounded by Centre and Elm, and Leonard and Franklin streets. The main entrance is on Centre street, and is approached by a broad flight of granite steps, which lead to a portico supported by massive Egyptian columns. The proper name of the edifice is _The Halls of Justice_, but it is popularly known all over the Union as _The Tombs_, which name was given to it in consequence of its gloomy appearance. It occupies the site of the old Collect Pond which once supplied the citizens of New York with drinking water, was begun in 1835 and completed in 1838.

The outer building occupies four sides of a hollow square, and is 253 by 200 feet in size. It was built at a time when New York contained scarcely half its present population, and has long since ceased to be equal to the necessities of the city. The site is low and damp, and the building is badly ventilated. The warden does all in his power to counteract these evils, and keeps the place remarkably neat, but it is still a terribly sickly and dreary abode. It was designed to accommodate about 200 prisoners, but for some years past the number of prisoners confined here at one time has averaged 400, and has sometimes exceeded that average. The Grand Jury of the County have recently condemned the place as a nuisance, and it is believed that the city will ere long possess a larger, cleaner, and more suitable prison.

[Picture: THE TOMBS.]

When the prison was built the Five Points, on the western verge of which it lies, was a much worse section than it is now. It is bad enough at present, but then the Tombs constituted a solitary island in a sea of crime and suffering. A terrible island it was, too.

Entering through the gloomy portal upon which the sunlight never falls, the visitor is chilled with the dampness which greets him as soon as he passes into the shadow of the heavy columns. Upon reaching the inner side of the enclosure, he finds that the portion of the prison seen from the street encloses a large courtyard, in the centre of which stands a second prison, 142 feet long by 45 feet deep, and containing 148 cells. This is the male prison, and is connected with the outer building by a bridge known as the _Bridge of Sighs_, since it is by means of it that condemned criminals pass from their cells to the scaffold at the time of their execution.

The gallows is taken down and kept in the prison until there is need for it. Then it is set up in the courtyard near the Bridge of Sighs. All executions are conducted here in private, that is, they are witnessed only by such persons as the officers of the law may see fit to admit. But on such days the neighboring buildings are black with people, seeking to look down over the prison walls and witness the death agonies of the poor wretch who is paying the penalty of the law.

[Picture: THE BRIDGE OF SIGHS.]

The interior of the male prison consists of a narrow and lofty hall, upon which open four tiers of cells, one above another; those above the ground floor being reached by light iron galleries. Each gallery is guarded by two keepers. The cells are narrow, and each is lighted by a small iron-barred window at the farther end. Light and air are also admitted by the barred door of iron opening upon the corridor. There are eleven cells of especial strength, in which convicts condemned to death or to the State Prison are confined. There are six other cells, which are used for the confinement of persons charged with offences less grave, and six more, which are used for sick prisoners. The cells are generally full of criminals. Some of them are well furnished, and are provided with carpets, chairs, a table, and books and paper, which are bought at the expense of the prisoner or his friends. Some of the inmates shrink from the observation of visitors, but others are hardened to crime and shame, and not unfrequently cause the visitor's ears to tingle with the remarks they address to them. No lights are allowed in the cells, and the aspect of the place is very gloomy, the whole prison is kept scrupulously clean, the sanitary regulations being very strict, but the lack of room necessitates the crowding of the prisoners to a fearfully demoralizing extent.

[Picture: INTERIOR OF MALE PRISON.]

The outer building contains the female prison, which lies along the Leonard street side, the boys' prison, and the halls of justice, or rooms occupied by the Tombs Police Court and the Court of Special Sessions. Over the main entrance on the Centre street side, are six comfortable cells. These are for the use of criminals of the wealthier class, who can afford to pay for such comforts. Forgers, fraudulent merchants, and the like, pass the hours of their detention in these rooms, while their humbler but not more guilty brothers in crime are shut in the close cells of the male prison. These rooms command a view of the street, so that their occupants are not entirely cut off from the outer world.

The female prison is in charge of an excellent matron, who has held her position for more than twenty years. Men are never confined here, and male visitors are subject to certain restrictions. In this portion is located the room used as a chapel. Religious services of some kind are held in the Tombs every day in the week except Saturday, and the effort is made to give all the denominations an opportunity of doing good. Sunday morning and Tuesday until noon are devoted to the Roman Catholics; Sunday and Tuesday afternoons to the Episcopalians; Monday to the Methodists, and Wednesday, Thursday and Friday to the other Protestant denominations. Some of the Protestant clergy sometimes attempt to hold religious services in the main hall of the male prison, so that the prisoners in their cells may hear what is going on. The latter pay little or no attention to the preacher, and frequently interrupt and annoy him by their shouts, jeers and imitations in their cells. The Sisters of Charity are in charge of the female and boys' prisons, and do a vast amount of good by their quiet ministrations. The boys are kept in a large room during the day, and are locked up in separate cells at night.

[Picture: THE PRISON CHAPEL.]

One of the principal rooms in the Tombs is "The Bummers' Cell." It is a large apartment, shut off from one of the main halls by an iron railing. It is always tolerably well filled, and on Saturday nights it is overflowing. Here are confined those against whom there is no serious charge; persons arrested for drunkenness, or for simple disorder on the streets. On Sunday morning the visitor will sometimes find a large crowd of men collected in it, not all of whom are unfortunates or criminals. Some are well-dressed, well-to-do persons, who have had the misfortune to be drunk and noisy on Saturday night. Some are strangers, residents of other cities, who have started out from their hotels to see the sights and have a merry time, and who have fallen at length--and fortunately for them--into the hands of the police. A few are persons who have been wrongfully or maliciously accused of crime.

From sunset until long after midnight on Saturday, the police are busy with ridding the streets of drunken and disorderly persons. As soon as a person is arrested, he is taken to the Tombs or to one of the station-houses. It is the duty of the officer in charge of the precinct to lock up every one against whom a definite charge is brought. Even though satisfied that the person is wrongfully accused, or is simply unfortunate, he has no discretion. He must hold for trial all charged with offences, and at the Tombs the officer is obliged to throw persons who command his sympathy into the company of the most abandoned wretches for an entire night. Drunkenness, disorderly conduct, and fighting, are the principal charges brought against the occupants of the Bummers' Cell. The noise, profanity, and obscenity are fearful. All classes and ages are represented there.

During the year 1870, 49,423 persons were confined for various periods of time in the Tombs.