Part 2

By obtaining--what these legends give--a sight of the inner man, we are better able to set a just estimate on his character, and to tell what means of treatment are best suited for his reclamation. That forbearance, kindness, and teaching are best adapted to the object, there is no doubt. We are counselled to forgive an erring brother seventy and seven times. If, as some maintain, wrongfully, we believe, the Indian is not, in a genealogical sense, of the same stock, yet is he not, in a moral sense, a brother? If the knowledge of his story-telling faculty has had any tendency to correct the evils of false popular opinion respecting him, it has been to show that the man talks and laughs like the rest of the human family; that it is fear that makes him suspicious, and ignorance superstitious; that he is himself the dupe of an artful forest priesthood; and that his cruelty and sanguinary fury are the effects of false notions of fame, honor, and glory. He is always, and at all times and places, under the strong influence of hopes and fears, true or false, by which he is carried forward in the changing scenes of war and peace. Kindness never fails to soften and meliorate his feelings, and harshness, injury, and contempt to harden and blunt them. Above all, it is shown that, in the recesses of the forest, he devotes a portion of his time to domestic and social enjoyment, in which the leading feature is the relation of traditionary legends and tales. Heroes and heroines, giants and dwarfs, spirits, Monetos or local gods, demons, and deities pass in review. It is chiefly by their misadventures and violations of the Indian theories, that the laugh is sought to be raised. The _dramatis personae_ are true transcripts of Indian life; they never rise above it, or express a sentiment or opinion which is not true to Indian society; nor do they employ words which are not known to their vocabulary. It is in these legends that we obtain their true views of life and death, their religion, their theory of the state of the dead, their mythology, their cosmogony, their notions of astrology, and often of their biography and history--for the boundaries between history and fiction are vaguely defined. These stories are often told, in seasons of great severity in the depth of the winter, to an eagerly listening group, to while away the hour, and divert attention from the pressing claims of hunger. Under such circumstances to dole away time which has no value to him, and to cheat hunger and want, is esteemed a trait of philosophy. If there is a morsel to eat in the lodge, it is given to the children. The women imitate this stoicism and devotion of the men. Not a tone in the narration tells of dismay in their domestic circumstances, not an eye acknowledges the influence of grief. Tell me whether the dignity of this position is not worthy of remembrance. The man, it may be, shall pass away from the earth, but these tributes to the best feelings of the heart will remain, while these simple tales and legendary creations constitute a new point of character by which he should be judged. They are, at least, calculated to modify our views of the man, who is not always a savage, not always a fiend.

[5] Gross.

HIAWATHA;

OR,

MANABOZHO.

The myth of the Indians of a remarkable personage, who is called Manabozho by the Algonquins, and Hiawatha by the Iroquois, who was the instructor of the tribes in arts and knowledge, was first related to me in 1822, by the Chippewas of Lake Superior. He is regarded as the messenger of the Great Spirit, sent down to them in the character of a wise man, and a prophet. But he comes clothed with all the attributes of humanity, as well as the power of performing miraculous deeds. He adapts himself perfectly to their manners, and customs, and ideas. He is brought up from a child among them. He is made to learn their mode of life. He takes a wife, builds a lodge, hunts and fishes like the rest of them, sings his war songs and medicine songs, goes to war, has his triumphs, has his friends and foes, suffers, wants, hungers, is in dread or joy--and, in fine, undergoes all the vicissitudes of his fellows. His miraculous gifts and powers are always adapted to his situation. When he is swallowed by a great fish, with his canoe, he escapes by the exertion of these powers, but always, as much as possible, in accordance with Indian maxims and means. He is provided with a magic canoe, which goes where it is bid; yet, in his fight with the great wampum prince, he is counselled by a woodpecker to know where the vulnerable point of his antagonist lies. He rids the earth of monsters and giants, and clears away windfalls, and obstructions to the navigation of streams. But he does not do these feats by miracles; he employs strong men to help him. When he means to destroy the great serpents, he changes himself into an old tree, and stands on the beach till they come out of the water to bask in the sun. Whatever man could do, in strength or wisdom, he could do. But he never does things above the comprehension or belief of his people; and whatever else he is, he is always true to the character of an Indian.

This myth is one of the most general in the Indian country. It is the prime legend of their mythology. He is talked of in every winter lodge--for the winter season is the only time devoted to such narrations. The moment the leaves come out, stories cease in the lodge. The revival of spring in the botanical world opens, as it were, so many eyes and ears to listen to the tales of men; and the Indian is far too shrewd a man, and too firm a believer in the system of invisible spirits by which he is surrounded, to commit himself by saying a word which they, with their acute senses on the opening of the spring, can be offended at.

He leaps over extensive regions of country like an ignis fatuus. He appears suddenly like an avatar, or saunters over weary wastes a poor and starving hunter. His voice is at one moment deep and sonorous as a thunder-clap, and at another clothed with the softness of feminine supplication. Scarcely any two persons agree in all the minor circumstances of the story, and scarcely any omit the leading traits. The several tribes who speak dialects of the mother language from which the narration is taken, differ, in like manner, from each other in the

## particulars of his exploits. His birth and parentage are mysterious.

Story says his grandmother was the daughter of the moon. Having been married but a short time, her rival attracted her to a grape-vine swing on the banks of a lake, and by one bold exertion pitched her into its centre, from which she fell through to the earth. Having a daughter, the fruit of her lunar marriage, she was very careful in instructing her, from early infancy, to beware of the west wind, and never, in stooping, to expose herself to its influence. In some unguarded moment this precaution was neglected. In an instant, the gale accomplished its Tarquinic purpose.

Very little is told of his early boyhood. We take him up in the following legend at a period of advanced youth, when we find him living with his grandmother. And at this time he possessed, although he had not yet _exercised_, all the anomalous and contradictory powers of body and mind, of manship and divinity, which he afterward evinced. The timidity and rawness of the boy quickly gave way in the courageous developments of the man. He soon evinced the sagacity, cunning, perseverance, and heroic courage which constitute the admiration of the Indians. And he relied largely upon these in the gratification of an ambitious, vainglorious, and mischief-loving disposition. In wisdom and energy he was superior to any one who had ever lived before. Yet he was simple when circumstances required it, and was ever the object of tricks and ridicule in others. He could transform himself into any animal he pleased, being man or manito, as circumstances rendered necessary. He often conversed with animals, fowls, reptiles, and fishes. He deemed himself related to them, and invariably addressed them by the term "my brother;" and one of his greatest resources, when hard pressed, was to change himself into their shapes.

Manitoes constitute the great power and absorbing topic of Indian lore. Their agency is at once the groundwork of their mythology and demonology. They supply the machinery of their poetic inventions, and the belief in their multitudinous existence exerts a powerful influence upon the lives and character of individuals. As their manitoes are of all imaginary kinds, grades, and powers, benign and malicious, it seems a grand conception among the Indians to create a personage strong enough in his necromantic and spiritual powers to baffle the most malicious, beat the stoutest, and overreach the most cunning. In carrying out this conception in the following myth, they have, however, rather exhibited an incarnation of the power of Evil than of the genius of Benevolence.

Manabozho was living with his grandmother near the edge of a wide prairie. On this prairie he first saw animals and birds of every kind. He there also saw exhibitions of divine power in the sweeping tempests, in the thunder and lightning, and the various shades of light and darkness, which form a never-ending scene of observation. Every new sight he beheld in the heavens was a subject of remark; every new animal or bird an object of deep interest; and every sound uttered by the animal creation a new lesson, which he was expected to learn. He often trembled at what he heard and saw. To this scene his grandmother sent him at an early age to watch. The first sound he heard was that of the owl, at which he was greatly terrified, and, quickly descending the tree he had climbed, he ran with alarm to the lodge. "Noko! Noko!"[6] he cried, "I have heard a monedo." She laughed at his fears, and asked him what kind of a noise it made. He answered, "It makes a noise like this: Ko-ko-ko-ho." She told him that he was young and foolish; that what he had heard was only a bird, deriving its name from the noise it made.

He went back and continued his watch. While there, he thought to himself, "It is singular that I am so simple, and my grandmother so wise, and that I have neither father nor mother. I have never heard a word about them. I must ask and find out." He went home and sat down silent and dejected. At length his grandmother asked him, "Manabozho, what is the matter with you?" He answered, "I wish you would tell me whether I have any parents living, and who my relatives are." Knowing that he was of a wicked and revengeful disposition, she dreaded telling him the story of his parentage, but he insisted on her compliance. "Yes," she said, "you have a father and three brothers living. Your mother is dead. She was taken without the consent of her parents by your father the West. Your brothers are the North, East, and South, and, being older than yourself, your father has given them great power with the winds, according to their names. You are the youngest of his children. I have nourished you from your infancy, for your mother died in giving you birth, owing to the ill treatment of your father. I have no relations besides you this side of the planet in which I was born, and from which I was precipitated by female jealousy. Your mother was my only child, and you are my only hope."

He appeared to be rejoiced to hear that his father was living, for he had already thought in his heart to try and kill him. He told his grandmother he should set out in the morning to visit him. She said it was a long distance to the place where Ningabiun[7] lived. But that had no effect to stop him, for he had now attained manhood, possessed a giant's height, and was endowed by nature with a giant's strength and power. He set out and soon reached the place, for every step he took covered a large surface of ground. The meeting took place on a high mountain in the West. His father was very happy to see him. He also appeared pleased. They spent some days in talking with each other. One evening Manabozho asked his father what he was most afraid of on earth. He replied, "Nothing." "But is there not something you dread here? tell me." At last his father said, yielding, "Yes, there is a black stone found in such a place. It is the only thing earthly I am afraid of; for if it should hit me or any part of my body, it would injure me very much." He said this as a secret, and in return asked his son the same question. Knowing each other's power, although the son's was limited, the father feared him on account of his great strength. Manabozho answered, "Nothing!" intending to avoid the question, or to refer to some harmless object as the one of which he was afraid. He was asked again and again, and answered, "Nothing!" But the West said, "There must be something you are afraid of." "Well! I will tell you," says Manabozho, "what it is." But, before he would pronounce the word, he affected great dread. "_Ie-ee_--_Ie-ee_--it is--it is," said he, "yeo! yeo![8] I cannot name it; I am seized with a dread." The West told him to banish his fears. He commenced again, in a strain of mock sensitiveness repeating the same words; at last he cried out, "It is the root of the _apukwa_."[9] He appeared to be exhausted by the effort of pronouncing the word, in all this skilfully acting a studied part.

Some time after he observed, "I will get some of the black rock." The West said, "Far be it from you; do not do so, my son." He still persisted. "Well," said the father, "I will also get the apukwa root." Manabozho immediately cried out, "_Kago! Kago!_"[10] affecting, as before, to be in great dread of it, but really wishing, by this course, to urge on the West to procure it, that he might draw him into combat. He went out and got a large piece of the black rock, and brought it home. The West also took care to bring the dreaded root.

In the course of conversation he asked his father whether he had been the cause of his mother's death. The answer was "Yes!" He then took up the rock and struck him. Blow led to blow, and here commenced an obstinate and furious combat, which continued several days. Fragments of the rock, broken off under Manabozho's blows, can be seen in various places to this day."[11] The root did not prove as mortal a weapon as his well-acted fears had led his father to expect, although he suffered severely from the blows. This battle commenced on the mountains. The West was forced to give ground. Manabozho drove him across rivers, and over mountains and lakes, and at last he came to the brink of this world.

"Hold!" cried he, "my son; you know my power, and that it is impossible to kill me. Desist, and I will also portion you out with as much power as your brothers. The four quarters of the globe are already occupied; but you can go and do a great deal of good to the people of this earth, which is infested with large serpents, beasts, and monsters,[12] who make great havoc among the inhabitants. Go and do good. You have the power now to do so, and your fame with the beings of this earth will last forever. When you have finished your work, I will have a place provided for you. You will then go and sit with your brother Kabibboonocca in the north."

Manabozho was pacified. He returned to his lodge, where he was confined by the wounds he had received. But from his grandmother's skill in medicines he was soon recovered. She told him that his grandfather, who had come to the earth in search of her, had been killed by Megissogwon,[13] who lived on the opposite side of the great lake. "When he was alive," she continued, "I was never without oil to put on my head, but now my hair is fast falling off for the want of it." "Well!" said he, "Noko, get cedar bark and make me a line, whilst I make a canoe." When all was ready, he went out to the middle of the lake to fish. He put his line down, saying, "Me-she-nah-ma-gwai (the name of the kingfish), take hold of my bait." He kept repeating this for some time. At last the king of the fishes said, "Manabozho troubles me. Here, Trout, take hold of his line." The trout did so. He then commenced drawing up his line, which was very heavy, so that his canoe stood nearly perpendicular; but he kept crying out, "Wha-ee-he! wha-ee-he!" till he could see the trout. As soon as he saw him, he spoke to him. "Why did you take hold of my hook? Esa! esa![14] you ugly fish." The trout, being thus rebuked, let go.

Manabozho put his line again in the water, saying, "King of fishes, take hold of my line." But the king of the fishes told a monstrous sunfish to take hold of it; for Manabozho was tiring him with his incessant calls. He again drew up his line with difficulty, saying as before, "Wha-ee-he! wha-ee-he!" while his canoe was turning in swift circles. When he saw the sunfish, he cried, "Esa! esa! you odious fish! why did you dirty my hook by taking it in your mouth? Let go, I say, let go." The sunfish did so, and told the king of fishes what Manabozho said. Just at that moment the bait came near the king, and hearing Manabozho continually crying out, "Me-she nah-ma-gwai, take hold of my hook," at last he did so, and allowed himself to be drawn up to the surface, which he had no sooner reached than, at one mouthful, he took Manabozho and his canoe down. When he came to himself, he found that he was in the fish's belly, and also his canoe. He now turned his thoughts to the way of making his escape. Looking in his canoe, he saw his war-club, with which he immediately struck the heart of the fish. He then felt a sudden motion, as if he were moving with great velocity. The fish observed to the others, "I am sick at stomach for having swallowed this dirty fellow Manabozho." Just at this moment he received another severe blow on the heart. Manabozho thought, "If I am thrown up in the middle of the lake, I shall be drowned; so I must prevent it." He drew his canoe and placed it across the fish's throat, and just as he had finished the fish commenced vomiting, but to no effect. In this he was aided by a squirrel, who had accompanied him unperceived until that moment. This animal had taken an active part in helping him to place his canoe across the fish's throat. For this act he named him, saying, "For the future, boys shall always call you Ajidaumo."[15]

He then renewed his attack upon the fish's heart, and succeeded, by repeated blows, in killing him, which he first knew by the loss of motion, and by the sound of the beating of the body against the shore. He waited a day longer to see what would happen. He heard birds scratching on the body, and all at once the rays of light broke in. He could see the heads of gulls, who were looking in by the opening they had made. "Oh!" cried Manabozho, "my younger brothers, make the opening larger, so that I can get out." They told each other that their brother Manabozho was inside of the fish. They immediately set about enlarging the orifice, and in a short time liberated him. After he got out he said to the gulls, "For the future you shall be called Kayoshk[16] for your kindness to me."

The spot where the fish happened to be driven ashore was near his lodge. He went up and told his grandmother to go and prepare as much oil as she wanted. All besides, he informed her, he should keep for himself.

Some time after this, he commenced making preparations for a war excursion against the Pearl Feather, the Manito who lived on the opposite side of the great lake, who had killed his grandfather. The abode of this spirit was defended, first, by fiery serpents, who hissed fire so that no one could pass them; and, in the second place, by a large mass of gummy matter lying on the water, so soft and adhesive, that whoever attempted to pass, or whatever came in contact with it, was sure to stick there.

He continued making bows and arrows without number, but he had no heads for his arrows. At last Noko told him that an old man who lived at some distance could make them. He sent her to get some. She soon returned with her conaus or wrapper full.[17] Still he told her he had not enough, and sent her again. She returned with as much more. He thought to himself, "I must find out the way of making these heads." Cunning and curiosity prompted him to make the discovery. But he deemed it necessary to deceive his grandmother in so doing. "Noko," said he, "while I take my drum and rattle, and sing my war songs, go and try to get me some _larger_ heads for my arrows, for those you brought me are all of the same size. Go and see whether the old man cannot make some a little larger." He followed her as she went, keeping at a distance, and saw the old artificer at work, and so discovered his process. He also beheld the old man's daughter, and perceived that she was very beautiful. He felt his breast beat with a new emotion, but said nothing. He took care to get home before his grandmother, and commenced singing as if he had never left his lodge. When the old woman came near, she heard his drum and rattle, without any suspicion that he had followed her. She delivered him the arrow-heads.