chapter 4-5._

ENGLAND: A. D. 1350-1400. Chaucer and his relations to English language and literature.

"At the time when the conflict between church and state was most violent, and when Wyclif was beginning to draw upon himself the eyes of patriots, there was considerable talk at the English court about a young man named Geoffrey Chaucer, who belonged to the king's household, and who both by his personality and his connections enjoyed the favor of the royal family. ... On many occasions, even thus early, he had appeared as a miracle of learning to those about him--he read Latin as easily as French; he spoke a more select English than others; and it was known that he had composed, or, as the expression then was, 'made,' many beautiful English verses. The young poet belonged to a well-to-do middle-class family who had many far-reaching connections, and even some influence with the court. ... Even as a boy he may have heard his father, John Chaucer, the vintner of Thames Street, London, telling of the marvelous voyage he had made to Antwerp and Cologne in the brilliant suite of Edward III. in 1338. When a youth of sixteen or seventeen, Geoffrey served as a page or squire to Elizabeth, duchess of Ulster, first wife of Lionel, duke of Clarence, and daughter-in-law of the king. He bore arms when about nineteen years of age, and went to France in 1359, in the army commanded by Edward III. ... This epoch formed a sort of 'Indian summer' to the age of chivalry, and its spirit found expression in great deeds of war as well as in the festivals and manners of the court. The ideal which men strove to realize did not quite correspond to the spirit of the former age. On the whole, people had become more worldly and practical, and were generally anxious to protect the real interests of life from the unwarranted interference of romantic aspirations. The spirit of chivalry no longer formed a fundamental element, but only an ornament of life--an ornament, indeed, which was made much of, and which was looked upon with a sentiment partaking of enthusiasm. ... In the midst of this outside world of motley pomp and throbbing life Geoffrey could observe the doings of high and low in various situations. He was early initiated into court intrigues, and even into many political secrets, and found opportunities of studying the human type in numerous individuals and according to the varieties developed by rank in life, education, age, and sex. ... Nothing has been preserved from his early writings. ... The fact is very remarkable that from the first, or at least from a very early period, Chaucer wrote in the English language--however natural this may seem to succeeding ages in 'The Father of English Poetry.' The court of Edward III. favored the language as well as the literature of France; a considerable number of French poets and 'menestrels' were in the service and pay of the English king. {814} Queen Philippa, in particular, showing herself in this a true daughter of her native Hainault, formed the centre of a society cultivating the French language and poetry. She had in her personal service Jean Froissart, one of the most eminent representatives of that language and poetry; like herself he belonged to one of the most northern districts of the French-speaking territory; he had made himself a great name, as a prolific and clever writer of erotic and allegoric trifles, before he sketched out in his famous chronicle the motley-colored, vivid picture of that eventful age. We also see in this period young Englishmen of rank and education trying their flight on the French Parnassus. ... To these Anglo-French poets there belonged also a Kentishman of noble family, named John Gower. Though some ten years the senior of Chaucer, he had probably met him about this time. They were certainly afterwards very intimately acquainted. Gower ... had received a very careful education, and loved to devote the time he could spare from the management of his estates to study and poetry. His learning was in many respects greater than Chaucer's. He had studied the Latin poets so diligently that he could easily express himself in their language, and he was equally good at writing French verses, which were able to pass muster, at least in England. ... But, Chaucer did not let himself be led astray by examples such as these. It is possible that he would have found writing in French no easy task, even if he had attempted it. At any rate his bourgeois origin, and the seriousness of his vocation as poet, threw a determining weight into the scale and secured his fidelity to the English language with a commendable consistency."

_B. Ten Brink, History of English Literature, book 4, chapter 4 (volume 2, part 1)._

"English was not taught in the schools, but French only, until after the accession of Richard II., or possibly the latter years of Edward III., and Latin was always studied through the French. Up to this period, then, as there were no standards of literary authority, and probably no written collections of established forms, or other grammatical essays, the language had no fixedness or uniformity, and hardly deserved to be called a written speech. ... From this Babylonish confusion of speech, the influence and example of Chaucer did more to rescue his native tongue than any other single cause; and if we compare his dialect with that of any writer of an earlier date, we shall find that in compass, flexibility, expressiveness, grace, and all the higher qualities of poetical diction, he gave it at once the utmost perfection which the materials at his hand would permit of. The English writers of the fourteenth century had an advantage which was altogether peculiar to their age and country. At all previous periods, the two languages had co-existed, in a great degree independently of each other, with little tendency to intermix; but in the earlier part of that century, they began to coalesce, and this process was going on with a rapidity that threatened a predominance of the French, if not a total extinction of the Saxon element. ... When the national spirit was aroused, and impelled to the creation of a national literature, the poet or prose writer, in selecting his diction, had almost two whole vocabularies before him. That the syntax should be English, national feeling demanded; but French was so familiar and habitual to all who were able to read, that probably the scholarship of the day would scarcely have been able to determine, with respect to a large proportion of the words in common use, from which of the two great wells of speech they had proceeded. Happily, a great arbiter arose at the critical moment of severance of the two peoples and dialects, to preside over the division of the common property, and to determine what share of the contributions of France should be permanently annexed to the linguistic inheritance of Englishmen. Chaucer did not introduce into the English language words which it had rejected as aliens before, but out of those which had been already received, he invested the better portion with the rights of citizenship, and stamped them with the mint-mark of English coinage. In this way, he formed a vocabulary, which, with few exceptions, the taste and opinion of succeeding generations has approved; and a literary diction was thus established, which, in all the qualities required for the poetic art, had at that time no superior in the languages of modern Europe. The soundness of Chaucer's judgment, the nicety of his philological appreciation, and the delicacy of his sense of adaptation to the actual wants of the English people, are sufficiently proved by the fact that, of the Romance words found in his writings, not much above one hundred have been suffered to become obsolete, while a much larger number of Anglo-Saxon words employed by him have passed altogether out of use. ... In the three centuries which elapsed between the Conquest and the noon-tide of Chaucer's life, a large proportion of the Anglo-Saxon dialect of religion, of moral and intellectual discourse, and of taste, had become utterly obsolete, and unknown. The place of the lost words had been partly supplied by the importation of Continental terms; but the new words came without the organic power of composition and derivation which belonged to those they had supplanted. Consequently, they were incapable of those modifications of form and extensions of meaning which the Anglo-Saxon roots could so easily assume, and which fitted them for the expression of the new shades of thought and of sentiment born of every hour in a mind and an age like those of Chaucer."

_G. P. Marsh, Origin and History of the English Language, lecture 9._

ALSO IN: _T. R. Lounsbury, Studies in Chaucer._

_A. W. Ward, Chaucer._

_W. Godwin, Life of Geoffrey Chaucer._

ENGLAND: A. D. 1360-1414. The Lollards.

"The Lollards were the earliest 'Protestants' of England. They were the followers of John Wyclif, but before his time the nickname of Lollard had been known on the continent. A little brotherhood of pious people had sprung up in Holland, about the year 1300, who lived in a half-monastic fashion and devoted themselves to helping the poor in the burial of their dead; and, from the low chants they sang at the funerals--lollen being the old word for such singing--they were called Lollards. The priests and friars hated them and accused them of heresy, and a Walter Lollard, probably one of them, was burnt in 1322 at Cologne as a heretic, and gradually the name became a nickname for such people. So when Wyclif's simple priests' were preaching the new doctrines, the name already familiar in Holland and Germany, was given to them, and gradually became the name for that whole movement of religious reformation which grew up from the seed Wyclif sowed."

_B. Herford, Story of Religion in England,