Part 18

The book collections of China, and indeed throughout the Orient, are by no means inconsiderable, and the favorite works relate to religion, philosophy, poetry, history, and the sciences. They are generally large and of encyclopædic style and proportions. Thus a Chinese history of national events from the third century B. C. to the seventeenth A. D. occupies sixty-six volumes, as bound in European style for the British Museum. Libraries in Japan are more numerous, convenient, and extensive than in China and elsewhere in the Orient. The University library at Tokio, Japan, contains well nigh 200,000 volumes.

Of South American libraries the largest is the National, at Rio Janeiro, Brazil, with some 240,000 volumes. The other republics of South America which passed through their wars for independence and their formative periods, not to say their internal jealousies and strifes, during the nineteenth century, have had but little opportunity or inclination to collect large libraries. Yet the spirit of education is by no means dormant, and the nuclei of many libraries have been formed, in which much pride is taken, and which bid fair to grow great in importance as scholarship expands and other fostering conditions come to prevail more generally. Even in the small and tumultuous republics of Central America there are some valuable collections of books which, in the course of time, will be greatly augmented and prove a source of literary and national pride. Notwithstanding all the ups and downs of the Mexican republic during the century, she has, since the separation of church and state in 1857, evolved a creditable educational system, and built up many excellent libraries, especially in the capital, Mexico. The largest of these is the National, which contains over 100,000 volumes.

[Illustration: JOHN RUSSELL YOUNG.

First Librarian of New Library of Congress.]

The growth of libraries in the United States during the nineteenth century has been phenomenal. If its leading libraries have not yet matched those of the old world in extent, they are, nevertheless, unique in their freshness, exceptional in their number, original in their systems, and most effective in their uses. And what is here said of the leading libraries is still more true of the smaller, for in no country has the library system so ramified as in the United States, and come down to such close touch with the people. Not only cities, towns, and even villages have their libraries, but States, schools, and myriads of special organizations, all of which are centres of culture and sources of literary pride.

The oldest library in the United States is that of Harvard College. It was founded in 1638, and was destroyed by fire in 1764. It was speedily restored, and became the recipient of many private donations, which not only greatly increased the number of its volumes, but placed it in possession of a handsome endowment fund. Since its removal to Gore Hall, in 1840, it has been open to the public for reading within its walls, but only the students of the university and other privileged persons may borrow books. Its present collection numbers over half a million of volumes of books and pamphlets. In the year 1700, two other libraries were founded,—that of Yale College, and that which afterwards became known as the New York Society Library. The first of these grew very slowly until the beginning of the nineteenth century, when it took on new life, and at the end of the century contains some 250,000 volumes. The latter also grew very slowly, and in 1754 became a subscription library. It is peculiarly the library of the old Knickerbocker families and their descendants, and the number of its volumes gravitates around 100,000.

In 1731, Benjamin Franklin projected what he called a “subscription library” at Philadelphia. It was incorporated as the Library Company of Philadelphia, and grew rapidly through bequests of books and money. In 1792 it absorbed the very valuable Loganian Library, and in 1869 Dr. Benjamin Rush left a bequest of over $1,000,000 to found its Ridgeway Branch. The building erected for this purpose is, with the exception of the new Library of Congress structure at Washington, the handsomest, most commodious, and best arranged for library purposes of any in the United States. The collection of the Library Company of Philadelphia, commonly called the Philadelphia Library, now numbers well nigh 200,000 volumes. Of the sixty-four libraries in the United States reported to have been founded before the year 1800, thirty were established between 1775 and 1800. The more important of these—that is, those which rank as 20,000-volume libraries and over—are the Massachusetts Historical Society Library, at Boston, founded in 1791; the Georgetown College Library, at Georgetown, D. C., founded in 1791; the Dartmouth College Library, at Hanover, N. H., founded in 1769; the Columbia College Library, New York City, founded in 1754; the library of the College of Physicians, at Philadelphia, founded in 1789; the College of New Jersey Library, at Princeton University, founded in 1746; the Brown University Library, at Providence, R. I., founded in 1768; the Department of State Library and House of Representatives Library, Washington, D. C., founded in 1789; the Williams College Library, at Williamstown, Mass., founded in 1793.

From this standpoint we get a fair view of the tremendous strides of library growth in the United States during the nineteenth century. The sixty-four libraries of 1800 have grown to well nigh four thousand, not counting those of less than 1000 volumes; and the less than 500,000 volumes of 1800 have increased to well nigh 30,000,000, omitting those in libraries of less than a thousand volumes. Over six hundred libraries in the United States take rank as 20,000-volume libraries and over, at the end of the century; and in the six statistical years between 1888 and 1893, which mark the greatest ratio of increase in volumes, there was a growth equal to 66 per cent over all that had preceded.

Nor has the century been more triumphant and wonderful in the accumulation of volumes and the number of book repositories than in the variety of systems and multiplicity of agencies by means of which library information is arranged and disseminated. Conspicuous among these has been the inauguration and growth of the free library system, by means of which public funds are provided for the support of libraries whose use is free to all. Hardly less conspicuous, and perhaps even more far reaching, has been the adoption by many States of the school-district library system, which draws upon a certain proportion of the school fund for the collection and maintenance of the district library. Again, most of the States have established libraries of their own for public use, and as centres to which may be gathered and whence may be disseminated the knowledge that appertains to the respective State localities. Special library systems have grown into great favor, covering and encouraging collections of historic works, of scientific literature, of information relating to law, medicine, theology, etc. In fact, there is hardly a line of investigation and mental activity that has not come to be represented in its library collections.

[Illustration: THE CARNEGIE FREE LIBRARY, PITTSBURGH, PA.]

At the head of all the century’s library triumphs in the United States stands the Library of Congress. It is the national repository, and is to the country what the British Museum is to Great Britain and the Bibliothèque Nationale is to France. It was founded in 1800, when the seat of government was moved to Washington. In 1814 it was burned by the British soldiers, its home being then in the Capitol, which was also destroyed. The government purchased Thomas Jefferson’s collection of 7000 volumes as the nucleus of a new library. This grew to contain 55,000 volumes by 1851, when all but 20,000 volumes were again destroyed by an accidental fire. In 1852 it was refitted, the government appropriating $75,000 for the purpose. On the restoration of its halls in the Capitol, in fire-proof form, it began to grow rapidly in volumes. In 1866, it received the 40,000 volumes which constituted the library of the Smithsonian Institute. In 1870, the privilege of copyright was transferred to it from the Patent Office. This, together with the annual appropriation made by Congress, served to give it a more rapid growth than ever, and to nationalize its importance. It speedily grew rich in collections of history, science, law, and every branch of literature appertaining to this and other countries. Under its privilege of copyright, two copies of every volume desiring such protection are required to be deposited within it. It must, therefore, ere long become quite fully representative of the literary productions of the country. In 1882, it was augmented by the presentation of the private collection of the late Dr. Joseph M. Toner, of Washington, containing 27,000 volumes and nearly as many pamphlets. By 1890 it had outgrown its ability to accommodate its collections, and Congress made a very liberal appropriation for the erection of a new and separate library building, which was completed and occupied by 1897–98, the late Hon. John Russell Young being its first librarian. It is the largest, most elegant, and best fitted repository of books in the world, being capable of accommodating over 2,000,000 volumes. The public are privileged to use its books within the building, but only members of Congress and certain designated officials of the Departments may take them away. It is open from 9 A. M. to 4 P. M., except upon Sundays and other legal holidays. Its location is on Capitol Hill, quite contiguous to the Capitol itself.

A pioneer of the system of free libraries, and the one which comes next to the Library of Congress in the number of its volumes, is the Public Library of Boston, founded in 1848. It has had a phenomenal growth, and is the centre of a wide range of literary influence. Its numerous branches extend throughout the city and surrounding towns, bringing free reading to every locality. The number of its volumes exceeds 700,000. The free library system stands sponsor for a host of libraries throughout the larger cities. The Public Library of Cincinnati was founded upon this basis in 1867. It at once attained great popularity and speedily grew till, by the end of the century, its volumes numbered approximately 220,000. The same popularity and rate of growth characterized the Public Library of Chicago and that of Philadelphia. The former was founded in 1872, and now contains over 220,000 volumes. The latter was not founded until 1891, but by the year 1900 it grew to contain 203,102 volumes, with fifteen branches, or divisions, throughout the city, and an annual circulation of 1,778,387 volumes.

Other libraries of the United States founded or rehabilitated during the nineteenth century, and which ere its close have taken rank as libraries containing over 100,000 volumes, are the New York State Library, at Albany, with approximately 190,000; the State Library at Annapolis, Md., with 100,000 volumes; the Enoch Pratt Free Library, at Baltimore, with 165,000 volumes; the Peabody Institute Library, at Baltimore, with 125,000 volumes; the Athenæum Library, at Boston, with 185,000 volumes; the City Library, at Brooklyn, N.Y., with 120,000 volumes; the University Library, at Chicago, with nearly 400,000 volumes; the Newberry Library, at Chicago, with 125,000 volumes; the Public Library at Detroit, with 135,000 volumes; the Cornell University Library, at Ithaca, N. Y., with 175,000 volumes; the library of the State Historical Society, at Madison, Wis., with 110,000 volumes; the Mercantile Library, at Philadelphia, with 175,000 volumes; the library of the University of Pennsylvania, with 120,000 volumes; the Astor Library, New York City, with 265,000 volumes; the Mercantile Library, New York City, with 250,000 volumes; the Public Library at St. Louis, Mo., with 105,000 volumes; the Sutro Library, at San Francisco, with 210,000 volumes.

Of those libraries founded during the century in the United States, and which have secured a rank as over 20,000-volume libraries, there are very many that approach the 100,000 mark, and their average of volumes would gravitate around 50,000. It is by no means true that the importance and usefulness of a library must be measured by its number of volumes. Very many of the best managed, serviceable, and popular libraries contain even less than 20,000 volumes.

The spirit of knowledge which has created in the United States such a demand for libraries has been happily supplemented by a spirit of liberality. Nowhere in the world have there risen so many and such munificent donors of means to found and support libraries. Without appearing invidious, mention may well be made of some of these munificent givers and founders. Conspicuous among them is John Jacob Astor, founder of the Astor Library in New York City, with its splendid endowment fund of $1,100,000; James Lenox, who founded the Lenox Library of New York City, and invested in buildings and endowment $1,247,000; George Peabody, who founded, in 1857, at Baltimore, the Peabody Institute and Library, with an endowment of $1,000,000; Walter L. Newberry, of Chicago, who, in 1889, left $2,000,000 to found a free public library in the northern part of the city; John Crerar, of Chicago, who left an immense estate to found and endow the Crerar Library; Enoch Pratt, of Baltimore, who gave $1,150,000 to found the Enoch Pratt Free Library; Dr. James Rush, of Philadelphia, who left, in 1869, a bequest of over $1,000,000 to form the Ridgway Branch of the Philadelphia Library; Andrew Carnegie, who founded the Pittsburgh Free Library and several others in different places.

The century’s progress in library management has kept pace with the growth of volumes. Cataloguing and arranging of books have been reduced to a science. Training of librarians and of students in the use of books has become an educational course in many higher institutions of learning. Library architecture and the numerous appliances for distributing books or rendering them accessible on the shelves, have all been improved, so that the library of the end of the century is as much a seductive retreat as a world of knowledge.

PROGRESS OF THE CENTURY IN ARCHITECTURE

BY WILLIAM MARTIN AIKEN, F.A.I.A.,

_Former U. S. Supervising Architect_.

Towards the close of the last century there arose in England a decided fashion for Greek columns and pediments, which was brought about by the publication in 1762 of the discoveries by Stuart and Revett at Athens, and was still further stimulated by the bringing to England of the Elgin marbles in 1801, so that every building of any importance, whether church or school or country residence, had its portico with Doric, Ionic, or Corinthian columns. Thus began the Greek revival; then followed the more slender columns, with arches and vaults, of the Roman; and to these were very shortly added the cupola or the dome and the balustrade of the Renaissance.

In London, the Bank of England by Sir John Soane, the British Museum by Robert Smirke (a pupil of Soane’s), the University by Wilkins, were all built early in this century, as were the Fitzwilliam Museum, Cambridge, and the High School at Edinboro, magnificent colonnades adorning the front of each. St. Pancras Church, in London, has a spire of superimposed copies of the Temple of the Winds at Athens—each smaller than the one beneath it,—and there are side porches which reproduce the caryatid portico of the Pandroseum. But the most successful building in England which was designed upon Greek lines is St. George’s Hall, Liverpool, which has a central hall lit from above; at either end is a court-room, and beyond, at one end, is an Odeon, or Music Hall.

The taste for classical design gradually declined in England, and a new cult was assiduously propagated through the writings of Pugin, Brandon, Rickman, and Parker, whose text was that classicism represented paganism, and this, together with the remodeling of Windsor Castle, in 1826, by Sir Jeffrey Wyatville, caused a general interest in the revival of Gothic architecture; for some time, however, much illiterate work was done in the adjustment of old forms to new conditions.

Throughout the last half of this century, the battle of the styles has been maintained by the adherents of the differing schools with varying success, and, although there may be notable examples to the contrary, it has virtually resulted in the adoption of Gothic designs for ecclesiastical buildings, conditions being much the same as formerly for these structures; whereas, for secular buildings, with ever-changing requirements, the classic or the Renaissance, which has shown even greater pliability, has been considered more appropriate.

Among those whose success has been greatest in Gothic work may be mentioned Sir Charles Barry, who was knighted for designing the Parliament Buildings, begun in 1840 and completed twenty years later; George Gilbert Scott, who did the Assize Courts, in Manchester, and New Museum, Oxford; George Edmund Street, whose Law Courts in London are so full of defects in plan yet so excellent in details; Alfred Waterhouse, whose interesting (Norman) Museum of Natural History gave substantial encouragement to the use of terra cotta; T. G. Jackson, the author of much collegiate architecture at Oxford and elsewhere; J. L. Pierson, the designer of eight churches in London; William Burgess, Sir Arthur Blomfield, and James Brooks, all well known for the high character of their work, as is also J. D. Sedding, whose broad sympathies and refined spirit ranked him as one of the most talented men of his day.

The first international exposition was held in London in 1851, and the single building in which it was contained was perhaps the most marvelous exhibit. It was designed by Sir Joseph Paxton, and was the first example of the use of iron and glass on a scale of such gigantic proportions.

The so-called “Victorian Gothic” was used to a great extent for secular work as late as 1870, and as it was much stimulated by the writings of Street upon Spain and Northern Italy and by Ruskin’s “Stones of Venice,” there were frequent attempts at polychromy, shown in the use of different colored stone, brick, and terra cotta, and, in the Albert Memorial, by means of mosaic.

R. W. Edis and E. W. Godwin were among the foremost practitioners of the time, but in spite of the cleverness and boldness of design shown in some of their city and suburban buildings, neither they nor others could prolong the life of the fashion, and it presently yielded to the revival of a previous one, and the Renaissance forms of the time of Queen Anne became the vogue, especially for country houses,—nowhere more homelike than in England.

In the suburb of Bedford Park, in Lowther Lodge, as in his designs for the Alliance Assurance Company and the new Scotland Yard, Norman Shaw showed the facility of his clever pencil, and Ernest George Peto gave many evidences of his skill and taste; their work, however, often having a flavor of the Flemish.

The building of the Thames Embankment, the opening of new streets,—such as Holborn Viaduct and Shaftesbury Avenue,—with the widening and straightening of others, have done much for the improvement of modern London.

In France, there were very many important public buildings begun in the first ten years of this century,—during the reign of Napoleon I.,—although some of them were not completely finished until the time of Napoleon III. (1848–1870). Among those in Paris were the Arc de l’Étoile by Chalgrin, the largest triumphal arch ever built, being similar in height and width to the front of Notre Dame Cathedral, omitting the upper portion of the towers; Arc du Caroussel by Percier & Fontaine—both these arches commemorating the victories of Napoleon; the churches of the Madeleine by Vignon, and of Ste. Geneviève, in honor of the great men of France; and the wing connecting the palaces of the Tuileries with the Louvre, parallel to (but furthest from) the river.

The Corps Législatif, which was formerly the Palais Bourbon, was remodeled in 1807 by Poyet, and has for its river front a portico with pediment sustained by twelve columns, a greater number than any other existing building can show.

If there be one style more than any other which needs sunshine and a clear atmosphere to show it to advantage, it is the classic; and a Greek or Roman temple in the atmosphere of fog, rain, and snow, of Edinboro, London, Munich, or even Paris, does not produce at all the same impression as if it were under the blue skies of Italy, Sicily, or Greece; however, the frequent employment of classical _motifs_ since the beginning of the century has contributed, to a degree unprecedented in modern times, towards placing Paris in the very foremost rank among the capitals of the world in the dignity and impressiveness of its public buildings.

[Illustration: ARC DE L’ÉTOILE, PARIS.]

The encouragement given to architecture in France by Napoleon I. was revived by Napoleon III. The remodeling of the streets, avenues, and boulevards of Paris, under the direction of Baron Hausmann, while it swept away many landmarks of mediæval Paris, contributed wonderfully to its stately elegance as well as to its hygiene; the work begun upon the Louvre was completed from designs by Visconti & Lefuel, and much entirely new work erected. There was a group of men, some of whom brought about the Neo-Grec movement, whose work was especially interesting, and although not extensively copied, yet exerted a marked influence for many years afterwards. These men were Labrouste, who designed the Library of Ste. Geneviève, about 1830; Duc, who remodeled the Palais de Justice; Duban, who built the library for the School of Fine Arts, about 1845; Viollet le Duc, who restored the Château de Pierrefonds, and wrote treatises and dictionaries upon architecture, furniture, etc., and was instrumental in the organization of the Society for the Preservation of Historical Monuments.

Still later than these works are Vaudremer’s Neo-Grec Church of St. Pierre de Montrouge, built in 1860, and Abadie’s Byzantine Church of the Sacred Heart, still unfinished; Baltard’s Church of St. Augustin, of brick and cast-iron, and Central Market, of cast-iron and glass; Garnier’s Opera House, Hitorff’s Northern Railway Station; the Trocadéro, built for the Exposition of 1878; the Machinery Hall and Eiffel Tower, for that of 1889; together with a host of other public buildings, not only in Paris, but in other portions of France, many of which have served as examples to the student of architecture in other lands.

In this connection we should not forget the debt we owe to the French nation. During the reign of Louis XIV. the School of Fine Arts was founded in Paris, where free instruction in painting, sculpture, and architecture is still given to all who pass satisfactorily the entrance examinations; and in this school many of our successful architects have received gratuitous instruction from some of the distinguished men above mentioned. In the Department of Architecture the chief characteristics are the thorough and systematic study of the plan, and the adaptation of building materials to the conditions of the design.

Other European cities besides Paris have profited by the general prosperity of the century. St. Petersburg produces the effect of a city of palaces, the many residences of grand dukes and nobles, the number of public institutions, the riding schools,—much used on account of the severity of the climate,—and even the barracks, in spite of the free use of stucco, each contributing to a certain impression of stateliness; the palace of the Archduke Michael, built by an Italian, Rossi, in 1820, is perhaps the most refined and dignified. Muscovite architecture is most conspicuous in the elaborate and bulbous domes, curious not only in form, but in color, of the churches of St. Petersburg, of Moscow and Warsaw.