Part 5

The titles of grammars and dictionaries will be found under the headings of the different languages. For general linguistic questions may be consulted the works of Castren, Schott and Otto Donner, also such parts of the following as treat of Finno-Ugric languages: Byrne, _Principles of the Structure of Language_, vol. i. (1892); Friedrich Muller, _Grundriss der Sprachwissenschaft II._, Band ii., Abth. 1882; Steinthal and Misleli, _Abriss der Sprachwissenschaft_ (1893). (C. El.)

FINSBURY, a central metropolitan borough of London, England, bounded N. by Islington, E. by Shoreditch, S. by the city of London and W. by Holborn and St Pancras. Pop. (1901) 101,463. The principal thoroughfares are Pentonville Road, from King's Cross east to the Angel, Islington, continuing E. and S. in City Road and S. again to the City in Moorgate Street; Clerkenwell Road and Old Street, crossing the centre from W. to E., King's Cross Road running S.E. into Farringdon Road, and so to the City; St John Street and Road and Goswell Road (the residence of Dickens' Pickwick) running S. from the Angel towards the City; and Rosebery Avenue running S.W. from St John Street into Holborn. The commercial character of the City extends into the southern part of the borough; the residential houses are mostly those of artisans. Local industries include working in precious metals, watch-making, printing and paper-making.

An early form of the name is Vynesbury, but the derivation is not known. The place was supposed by some to take name from an extensive fen, a part of which, commonly known as Moorfields (cf. Moorgate Street), was drained in the 16th century and subsequently laid out as public grounds. It was a frequent resort of Pepys, who mentions its houses of entertainment and the wrestling and other pastimes carried on, also that it furnished a refuge for many of those whose houses were destroyed in the fire of London in 1666. Bookstalls and other booths were numerous at a somewhat later date. The borough includes the parish of Clerkenwell (q.v.), a locality of considerable historic interest, including the former priory of St John, Clerkenwell, of which the gateway and other traces remain. Among several other sites and buildings of historical interest the Charterhouse (q.v.) west of Aldersgate Street, stands first, originally a Carthusian monastery, subsequently a hospital and a school out of which grew the famous public school at Godalming. Bunhill Fields, City Road, was used by the Dissenters as a burial-place from the middle of the 17th century until 1832. Among eminent persons interred here are John Bunyan, Daniel Defoe, Susanna, mother of John and Charles Wesley, and George Fox, founder of the Society of Friends. A neighbouring chapel is intimately associated with the Wesleys, and the house of John Wesley is opened as a museum bearing his name. Many victims of the plague were buried in a pit neighbouring to these fields, near the junction of Goswell Road and Old Street. To the south of the fields lies the Artillery Ground, the training ground of the Honourable Artillery Company, so occupied since 1641, with barracks and armoury. Sadler's Wells theatre, Rosebery Avenue, dating as a place of entertainment from 1683, preserves the name of a fashionable medicinal spring, music room and theatre, the last most notable in its connexion with the names of Joseph Grimaldi the clown and Samuel Phelps. Other institutions are the technical college, Leonard Street, and St Mark's, St Luke's and the Royal chest hospitals. At Mount Pleasant is the parcels department of the general post office, and at Clerkenwell Green the sessions house for the county of London (north side of the Thames). Adjacent to Rosebery Avenue are reservoirs of the New River Head. The municipal borough coincides with the east and central divisions of the parliamentary borough of Finsbury, each returning one member. The borough council consists of a mayor, 9 aldermen and 54 councillors. Area, 589.1 acres.

FINSTERWALDE, a town of Germany, in the kingdom of Prussia, on the Schackebach, a tributary of the Little Elster, 28 m. W.S.W. of Cottbus by rail. Pop. (1905) 10,726. The town has a Gothic church (1581), a chateau, schools, cloth and cigar factories, iron-foundries, flour and saw mills and factories for machine building. The town, which is first mentioned in 1288, came into the possession of electoral Saxony in 1635 and of Prussia in 1815.

FIORENZO DI LORENZO (c. 1440-1522), Italian painter, of the Umbrian school, lived and worked at Perugia, where most of his authentic works are still preserved in the Pinacoteca. There is probably no other Italian master of importance of whose life and work so little is known. In fact the whole edifice that modern scientific criticism has built around his name is based on a single signed and dated picture (1487) in the Pinacoteca of Perugia--a niche with lunette, two wings and predella--and on the documentary evidence that he was decemvir of that city in 1472, in which year he entered into a contract to paint an altarpiece for Santa Maria Nuova--the pentatych of the "Madonna and Saints" now in the Pinacoteca. Of his birth and death and pupilage nothing is known, and Vasari does not even mention Fiorenzo's name, though he probably refers to him when he says that Cristofano, Perugino's father, sent his son to be the shop drudge of a painter in Perugia, "who was not particularly distinguished in his calling, but held the art in great veneration and highly honoured the men who excelled therein." Certain it is that the early works both of Perugino and of Pinturicchio show certain mannerisms which point towards Fiorenzo's influence, if not to his direct teaching. The list of some fifty pictures which modern critics have ascribed to Fiorenzo includes works of such widely varied character that one can hardly be surprised to find great divergence of opinion as regards the masters under whom Fiorenzo is supposed to have studied. Pisanello, Verrocchio, Benozzo Gozzoli, Antonio Pollaiuolo, Benedetto Bonfigli, Mantegna, Squarcione, Filippo Lippi, Signorelli and Ghirlandajo have all been credited with this distinguished pupil, who was the most typical Umbrian painter that stands between the primitives and Perugino; but the probability is that he studied under Bonfigli and was indirectly influenced by Gozzoli. Fiorenzo's authentic works are remarkable for their sense of space and for the expression of that peculiar clear, soft atmosphere which is so marked a feature in the work of Perugino. But Fiorenzo has an intensity of feeling and a power of expressing character which are far removed from the somewhat affected grace of Perugino. Of the forty-five pictures bearing Fiorenzo's name in the Pinacoteca of Perugia, the eight charming St Bernardino panels are so different from his well-authenticated works, so Florentine in conception and movement, that the Perugian's authorship is very questionable. On the other hand the beautiful "Nativity," the "Adoration of the Magi," and the "Adoration of the Shepherds" in the same gallery, may be accepted as the work of his hand, as also the fresco of SS. Romano and Rocco at the church of S. Francesco at Deruta. The London National Gallery, the Berlin and the Frankfort museums contain each a "Madonna and Child" ascribed to the master, but the attribution is in each case open to doubt.

See Jean Carlyle Graham, _The Problem of Fiorenzo di Lorenzo_ (Perugia, 1903); Edward Hutton, _The Cities of Umbria_ (London). (P. G. K.)

FIORENZUOLA D'ARDA, a town of Emilia, Italy, in the province of Piacenza, from which it is 14 m. S.E. by rail, 270 ft. above sea-level. Pop. (1901) 7792. It is traversed by the Via Aemilia, and has a picturesque piazza with an old tower in the centre. The Palazzo Grossi also is a fine building. Alseno lies 4 m. to the S.E., and near it is the Cistercian abbey of Chiaravalle della Colomba, with a fine Gothic church and a large and beautiful cloister (in brick and Verona marble), of the 12th-14th century.

FIORILLO, JOHANN DOMINICUS (1748-1821), German painter and historian of art, was born at Hamburg on the 13th of October 1748. He received his first instructions in art at an academy of painting at Bayreuth; and in 1761, to continue his studies, he went first to Rome, and next to Bologna, where he distinguished himself sufficiently to attain in 1769 admission to the academy. Returning soon after to Germany, he obtained the appointment of historical painter to the court of Brunswick. In 1781 he removed to Gottingen, occupied himself as a drawing-master, and was named in 1784 keeper of the collection of prints at the university library. He was appointed professor extraordinary in the philosophical faculty in 1799, and ordinary professor in 1813. During this period he had made himself known as a writer by the publication of his _Geschichte der zeichnenden Kunste_, in 5 vols. (1798-1808). This was followed in 1815 to 1820 by the _Geschichte der zeichnenden Kunste in Deutschland und den vereinigten Niederlanden_, in 4 vols. These works, though not attaining to any high mark of literary excellence, are esteemed for the information collected in them, especially on the subject of art in the later middle ages. Fiorillo practised his art almost till his death, but has left no memorable masterpiece. The most noticeable of his painting is perhaps the "Surrender of Briseis." He died at Gottingen on the 10th of September 1821.

FIR, the Scandinavian name originally given to the Scotch pine (_Pinus sylvestris_), but at present not infrequently employed as a general term for the whole of the true conifers (_Abielineae_); in a more exact sense, it has been transferred to the "spruce" and "silver firs," the genera _Picea_ and _Abies_ of most modern botanists.

The firs are distinguished from the pines and larches by having their needle-like leaves placed singly on the shoots, instead of growing in clusters from a sheath on a dwarf branch. Their cones are composed of thin, rounded, closely imbricated scales, each with a more or less conspicuous bract springing from the base. The trees have usually a straight trunk, and a tendency to a conical or pyramidal growth, throwing out each year a more or less regular whorl of branches from the foot of the leading shoot, while the buds of the lateral boughs extend horizontally.

In the spruce firs (_Picea_), the cones are pendent when mature and their scales persistent; the leaves are arranged all round the shoots, though the lower ones are sometimes directed laterally. In the genus _Abies_, the silver firs, the cones are erect, and their scales drop off when the seed ripens; the leaves spread in distinct rows on each side of the shoot.

The most important of the firs, in an economic sense, is the Norway spruce (_Picea excelsa_), so well known in British plantations, though rarely attaining there the gigantic height and grandeur of form it often displays in its native woods. Under favourable conditions of growth it is a lofty tree, with a nearly straight, tapering trunk, throwing out in somewhat irregular whorls its widespreading branches, densely clothed with dark, clear green foliage. The boughs and their side-branches, as they increase in length, have a tendency to droop, the lower tier, even in large trees, often sweeping the ground--a habit that, with the jagged sprays, and broad, shadowy, wave-like foliage-masses, gives a peculiarly graceful and picturesque aspect to the Norway spruce. The slender, sharp, slightly curved leaves are scattered thickly around the shoots; the upper one pressed towards the stem, and the lower directed sideways, so as to give a somewhat flattened appearance to the individual sprays. The elongated cylindrical cones grow chiefly at the ends of the upper branches; they are purplish at first, but become afterwards green, and eventually light brown; their scales are slightly toothed at the extremity; they ripen in the autumn, but seldom discharge their seeds until the following spring.

[Illustration: FIG. 1.--Norway Spruce (_Picea excelsa_). Male Flowers. A, branch bearing male cones, reduced; B, single male cone, enlarged; C, single stamen, enlarged.]

The tree is very widely distributed, growing abundantly on most of the mountain ranges of northern and central Europe; while in Asia it occurs at least as far east as the Lena, and in latitude extends from the Altaic ranges to beyond the Arctic circle. On the Swiss Alps it is one of the most prevalent and striking of the forest trees, its dark evergreen foliage often standing out in strong contrast to the snowy ridges and glaciers beyond. In the lower districts of Sweden it is the predominant tree in most of the great forests that spread over so large a portion of that country. In Norway it constitutes a considerable part of the dense woods of the southern dales, flourishing, according to Franz Christian Schubeler, on the mountain slopes up to an altitude of from 2800 to 3100 ft., and clothing the shores of some of the fjords to the water's edge; in the higher regions it is generally mingled with the pine. Less abundant on the western side of the fjelds, it again forms woods in Nordland, extending in the neighbourhood of the coast nearly to the 67th parallel; but it is, in that arctic climate, rarely met with at a greater elevation than 800 ft. above the sea, though in Swedish Lapland it is found on the slope of the Sulitelma as high as 1200 ft., its upper limit being everywhere lower than that of the pine. In all the Scandinavian countries it is known as the _Gran_ or _Grann_. Great tracts of low country along the southern shores of the Baltic and in northern Russia are covered with forests of spruce. It everywhere shows a preference for a moist but well-drained soil, and never attains its full stature or luxuriance of growth upon arid ground, whether on plain or mountain--a peculiarity that should be remembered by the planter. In a favourable soil and open situation it becomes the tallest and one of the stateliest of European trees, rising sometimes to a height of from 150 to 170 ft., the trunk attaining a diameter of from 5 to 6 ft. at the base. But when it grows in dense woods, where the lower branches decay and drop off early, only a small head of foliage remaining at the tapering summit, its stem, though frequently of great height, is rarely more than 1-1/2 or 2 ft. in thickness. Its growth is rapid, the straight leading shoot, in the vigorous period of the tree, often extending 2-1/2 or even 3 ft. in a single season. In its native habitats it is said to endure for several centuries; but in those countries from which the commercial supply of its timber is chiefly drawn, it attains perfection in from 70 to 90 years, according to soil and situation.

[Illustration: PLATE I.

SILVER FIR (_Abies pectinata_). A, Cone and foliage.

SPRUCE FIR (_Picea excelsa_). B, Cone and foliage.

HEMLOCK SPRUCE (_Tsuga canadensis_) C, Cone, seed and foliage.

DOUGLAS FIR (_Pseudo-tsuga Douglasii_). D, Cone, seed and foliage.

_Photos by Henry Irving_.]

[Illustration: PLATE II.

CYPRESS (_Cupressus sempervirens_). A, Cone and branchlets.

JUNIPER (_Juniperus communis_). B, Fruit and foliage.

ARAUCARIA (_A. imbricata_, Chile pine or monkey-puzzle). C, Seed-bearing cone and a single scale with seed.

YEW (_Taxus baccata_). D, Seed and foliage.

Photos by Henry Irving.]

[Illustration: FIG. 2.--Norway Spruce (_Picea excelsa_). Cones; scale with seeds. A, Branch bearing (a) young female cones, (b) ripe cones, reduced. B, Ripe cone scale with seeds, enlarged.]

In the most prevalent variety of the Norway spruce the wood is white, apt to be very knotty when the tree has grown in an open place, but, as produced in the close northern forests, often of fine and even grain. Immense quantities are imported into Britain from Norway, Sweden and Prussia, under the names of "white Norway," "Christiania" and "Danzig deal." The larger trees are sawn up into planks and battens, much used for the purposes of the builder, especially for flooring, joists and rafters. Where not exposed to the weather the wood is probably as lasting as that of the pine, but, not being so resinous, appears less adapted for out-door uses. Great quantities are sent from Sweden in a manufactured state, in the form of door and window-frames and ready-prepared flooring, and much of the cheap "white deal" furniture is made of this wood. The younger and smaller trees are remarkably durable, especially when the bark is allowed to remain on them; and most of the poles imported into Britain for scaffolding, ladders, mining-timber and similar uses are furnished by this fir. Small masts and spars are often made of it, and are said to be lighter than those of pine. The best poles are obtained in Norway from small, slender, drawn-up trees, growing under the shade of the larger ones in the thick woods, these being freer from knots, and tougher from their slower growth. A variety of the spruce, abounding in some parts of Norway, produces a red heartwood, not easy to distinguish from that of the Norway pine (Scotch fir), and imported with it into England as "red deal" or "pine." This kind is sometimes seen in plantations, where it may be recognized by its shorter, darker leaves and longer cones. The smaller branches and the waste portion of the trunks, left in cutting up the timber, are exported as fire-wood, or used for splitting into matches. The wood of the spruce is also employed in the manufacture of wood-pulp for paper.

The resinous products of the Norway spruce, though yielded by the tree in less abundance than those furnished by the pine, are of considerable economic value. In Scandinavia a thick turpentine oozes from cracks or fissures in the bark, forming by its congelation a fine yellow resin, known commercially as "spruce rosin," or "frankincense"; it is also procured artificially by cutting off the ends of the lower branches, when it slowly exudes from the extremities. In Switzerland and parts of Germany, where it is collected in some quantity for commerce, a long strip of bark is cut out of the tree near the root; the resin that slowly accumulates during the summer is scraped out in the latter part of the season, and the slit enlarged slightly the following spring to ensure a continuance of the supply. The process is repeated every alternate year, until the tree no longer yields the resin in abundance, which under favourable circumstances it will do for twenty years or more. The quantity obtained from each fir is very variable, depending on the vigour of the tree, and greatly lessens after it has been subjected to the operation for some years. Eventually the tree is destroyed, and the wood rendered worthless for timber, and of little value even for fuel. From the product so obtained most of the better sort of "Burgundy pitch" of the druggists is prepared. By the peasantry of its native countries the Norway spruce is applied to innumerable purposes of daily life. The bark and young cones afford a tanning material, inferior indeed to oak-bark, and hardly equal to that of the larch, but of value in countries where substances more rich in tannin are not abundant. In Norway the sprays, like those of the juniper, are scattered over the floors of churches and the sitting-rooms of dwelling-houses, as a fragrant and healthful substitute for carpet or matting. The young shoots are also given to oxen in the long winters of those northern latitudes, when other green fodder is hard to obtain. In times of scarcity the Norse peasant-farmer uses the sweetish inner bark, beaten in a mortar and ground in his primitive mill with oats or barley, to eke out a scanty supply of meal, the mixture yielding a tolerably palatable though somewhat resinous substitute for his ordinary _flad-brod_. A decoction of the buds in milk or whey is a common household remedy for scurvy; and the young shoots or green cones form an essential ingredient in the spruce-beer drank with a similar object, or as an occasional beverage. The well-known "Danzig-spruce" is prepared by adding a decoction of the buds or cones to the wort or saccharine liquor before fermentation. Similar preparations are in use wherever the spruce fir abounds. The wood is burned for fuel, its heat-giving power being reckoned in Germany about one-fourth less than that of beech. From the widespreading roots string and ropes are manufactured in Lapland and Bothnia: the longer ones which run near the surface are selected, split through, and then boiled for some hours in a ley of wood-ashes and salt, which, dissolving out the resin, loosens the fibres and renders them easily separable, and ready for twisting into cordage. Light portable boats are sometimes made of very thin boards of fir, sewn together with cord thus manufactured from the roots of the tree.

The Norway spruce seems to have been the "Picea" of Pliny, but is evidently often confused by the Latin writers with their "Abies," the _Abies pectinata_ of modern botanists. From an equally loose application of the word "fir" by our older herbalists, it is difficult to decide upon the date of introduction of this tree into Britain; but it was commonly planted for ornamental purposes in the beginning of the 17th century. In places suited to its growth it seems to flourish nearly as well as in the woods of Norway or Switzerland; but as it needs for its successful cultivation as a timber tree soils that might be turned to agricultural account, it is not so well adapted for economic planting in Britain as the Scotch fir or larch, which come to perfection in more bleak and elevated regions, and on comparatively barren ground, though it may perhaps be grown to advantage on some moist hill-sides and mountain hollows. Its great value to the English forester is as a "nurse" for other trees, for which its dense leafage and tapering form render it admirably fitted, as it protects, without overshading, the young saplings, and yields saleable stakes and small poles when cut out. For hop-poles it is not so well adapted as the larch. As a picturesque tree, for park and ornamental plantation, it is among the best of the conifers, its colour and form contrasting yet harmonizing with the olive green and rounded outline of oaks and beeches, or with the red trunk and glaucous foliage of the pine. When young its spreading boughs form good cover for game. The fresh branches, with their thick mat of foliage, are useful to the gardener for sheltering wall-fruit in the spring. In a good soil and position the tree sometimes attains an enormous size: one in Studley Park, Yorkshire, attained nearly 140 ft. in height, and the trunk more than 6 ft. in thickness near the ground. The spruce bears the smoke of great cities better than most of the _Abietineae_; but in suburban localities after a certain age it soon loses its healthy appearance, and is apt to be affected with blight (_Eriosoma_), though not so much as the Scotch fir and most of the pines.