Part 7

He then gave a sealed paper to Ayaz, begging him to hand it to the sultan in a leisure moment after 20 days had elapsed, and set off on his travels with no better equipment than his staff and a dervish's cloak. At the expiration of the 20 days Ayaz gave the paper to the sultan, who on opening it found the celebrated satire which is now always prefixed to copies of the _Shahnama_, and which is perhaps one of the bitterest and severest pieces of reproach ever penned. Mahmud, in a violent rage, sent after the poet and promised a large reward for his capture, but he was already in comparative safety. Firdousi directed his steps to Mazandaran, and took refuge with Kabus, prince of Jorjan, who at first received him with great favour, and promised him his continued protection and patronage; learning, however, the circumstances under which he had left Ghazni, he feared the resentment of so powerful a sovereign as Mahmud, who he knew already coveted his kingdom, and dismissed the poet with a magnificent present. Firdousi next repaired to Bagdad, where he made the acquaintance of a merchant, who introduced him to the vizier of the caliph, al-Qadir, by presenting an Arabic poem which the poet had composed in his honour. The vizier gave Firdousi an apartment near himself, and related to the caliph the manner in which he had been treated at Ghazni. The caliph summoned him into his presence, and was so much pleased with a poem of a thousand couplets, which Firdousi composed in his honour, that he at once received him into favour. The fact of his having devoted his life and talents to chronicling the renown of fire-worshipping Persians was, however, somewhat of a crime in the orthodox caliph's eyes; in order therefore to recover his prestige, Firdousi composed another poem of 9000 couplets on the theme borrowed from the Koran of the loves of Joseph and Potiphar's wife--_Yusuf and Zuleikha_ (edited by H. Ethe, Oxford, 1902; complete metrical translation by Schlechta-Wssehrd, Vienna, 1889). This poem, though rare and little known, is still in existence--the Royal Asiatic Society possessing a copy. But Mahmud had by this time heard of his asylum at the court of the caliph, and wrote a letter menacing his liege lord, and demanding the surrender of the poet. Firdousi, to avoid further troubles, departed for Ahwaz, a province of the Persian Irak, and dedicated his _Yusuf and Zuleikha_ to the governor of that district. Thence he went to Kohistan, where the governor, Nasir Lek, was his intimate and devoted friend, and received him with great ceremony upon the frontier. Firdousi confided to him that he contemplated writing a bitter exposition of his shameful treatment at the hands of the sultan of Ghazni; but Nasir Lek, who was a personal friend of the latter, dissuaded him from his purpose, but himself wrote and remonstrated with Mahmud. Nasir Lek's message and the urgent representations of Firdousi's friends had the desired effect; and Mahmud not only expressed his intention of offering full reparation to the poet, but put his enemy Maimandi to death. The change, however, came too late; Firdousi, now a broken and decrepit old man, had in the meanwhile returned to Tus, and, while wandering through the streets of his native town, heard a child lisping a verse from his own satire in which he taunts Mahmud with his slavish birth:--

"Had Mahmud's father been what he is now A crown of gold had decked this aged brow; Had Mahmud's mother been of gentle blood, In heaps of silver knee-deep had I stood."

He was so affected by this proof of universal sympathy with his misfortunes that he went home, fell sick and died. He was buried in a garden, but Abu'l Kasim Jurjani, chief sheikh of Tus, refused to read the usual prayers over his tomb, alleging that he was an infidel, and had devoted his life to the glorification of fire-worshippers and misbelievers. The next night, however, having dreamt that he beheld Firdousi in paradise dressed in the sacred colour, green, and wearing an emerald crown, he reconsidered his determination; and the poet was henceforth held to be perfectly orthodox. He died in the year 411 of the Hegira (1020 A.D.), aged about eighty, eleven years after the completion of his great work. The legend goes that Mahmud had in the meanwhile despatched the promised hundred thousand pieces of gold to Firdousi, with a robe of honour and ample apologies for the past. But as the camels bearing the treasure reached one of the gates of the city, Firdousi's funeral was leaving it by another. His daughter, to whom they brought the sultan's present, refused to receive it; but his aged sister remembering his anxiety for the construction of the stone embankment for the river of Tus, this work was completed in honour of the poet's memory, and a large caravanserai built with the surplus.

Much of the traditional life, as given above, which is based upon that prefixed to the revised edition of the poem, undertaken by order of Baisingar Khan, grandson of Timur-i-Leng (Timur), is rejected by modern scholars (see T. Noldeke, "Das iranische Nationalepos," in W. Geiger's _Grundriss der iranischen Philologie_, ii. pp. 150-158).

The _Shahnama_ is based, as we have seen, upon the ancient legends current among the populace of Persia, and collected by the Dihkans, a class of men who had the greatest facilities for this purpose. There is every reason therefore to believe that Firdousi adhered faithfully to these records of antiquity, and that the poem is a perfect storehouse of the genuine traditions of the country.

The entire poem (which only existed in MS. up to the beginning of the 19th century) was published (1831-1868) with a French translation in a magnificent folio edition, at the expense of the French government, by the learned and indefatigable Julius von Mohl. The size and number of the volumes, however, and their great expense, made them difficult of access, and Frau von Mohl published the French translation (1876-1878) with her illustrious husband's critical notes and introduction in a more convenient and cheaper form. Other editions are by Turner Macan (Calcutta, 1829), J.A. Vullers and S. Landauer (unfinished; Leiden, 1877-1883). There is an English abridgment by J. Atkinson (London, 1832; reprinted 1886, 1892); there is a verse-translation, partly rhymed and partly unrhymed, by A.G. and E. Warner (1905 foll.), with an introduction containing an account of Firdousi and the Shahnama; the version by A. Rogers (1907) contains the greater part of the work. The episode of Sohrab and Rustam is well known to English readers from Matthew Arnold's poem. The only complete translation is Il Libro dei Rei, by I. Pizzi (8 vols., Turin, 1886-1888), also the author of a history of Persian poetry.

See also E.G. Browne's _Literary History of Persia_, i., ii. (1902-1906); T. Noldeke (as above) for a full account of the Shahnama, editions, &c.; and H. Ethe, "Neupersische Litteratur," in the same work. (E. H. P.; X.)

FOOTNOTE:

[1] A sort of cuirass.

FIRE (in O. Eng. _fyr_; the word is common to West German languages, cf. Dutch _vuur_, Ger. _Feuer_; the pre-Teutonic form is seen in Sanskrit _pu_, _pavaka_, and Gr. [Greek: pur]; the ultimate origin is usually taken to be a root meaning to purify, cf. Lat. _purus_), the term commonly used for the visible effect of combustion (see FLAME), operating as a heating or lighting agency.

So general is the knowledge of fire and its uses that it is a question whether we have any authentic instance on record of a tribe altogether ignorant of them. A few notices indeed are to be found in the voluminous literature of travel which would decide the question in the affirmative; but when they are carefully investigated, their evidence is found to be far from conclusive. The missionary Krapf was told by a slave of a tribe in the southern part of Shoa who lived like monkeys in the bamboo jungles, and were totally ignorant of fire; but no better authority has been found for the statement, and the story, which seems to be current in eastern Africa, may be nothing else than the propagation of fables about the Pygmies whom the ancients located around the sources of the Nile. Lieut. Charles Wilkes, commander of the United States exploring expedition of 1838-42, says that in Fakaafo or Bowditch Island "there was no sign of places for cooking nor any appearance of fire," and that the natives felt evident alarm at the sparks produced by flint and steel and the smoke emitted by those with cigars in their mouths. The presence of the word _afi_, fire, in the Fakaafo vocabulary supplied by Hale the ethnographer of the expedition, though it might perhaps be explained as equivalent only to solar light and heat, undoubtedly invalidates the supposition of Wilkes; and the Rev. George Turner, in an account of a missionary voyage in 1859, not only repeats the word _afi_ in his list for Fakaafo, but relates the native legend about the origin of fire, and describes some peculiar customs connected with its use. Alvaro de Saavedra, an old Spanish traveller, informs us that the inhabitants of Los Jardines, an island of the Pacific, showed great fear when they saw fire--which they did not know before. But that island has not been identified with certainty by modern explorers. It belongs, perhaps, to the Ladrones or Marianas Archipelago, where fire was unknown, says Padre Gobien, "till Magellan, wroth at the pilferings of the inhabitants, burnt one of their villages. When they saw their wooden huts ablaze, their first thought was that fire was a beast which eats up wood. Some of them having approached the fire too near were burnt, and the others kept aloof, fearing to be torn or poisoned by the powerful breath of that terrible animal." To this Freycinet objects that these Ladrone islanders made pottery before the arrival of Europeans, that they had words expressing the ideas of flame, fire, oven, coals, roasting and cooking. Let us add that in their country numerous graves and ruins have been found, which seem to be remnants of a former culture. Thus the question remains in uncertainty: though there is nothing impossible in the supposition of the existence of a fireless tribe, it cannot be said that such a tribe has been discovered.

It is useless to inquire in what way man first discovered that fire was subject to his control, and could even be called into being by appropriate means. With the natural phenomenon and its various aspects he must soon have become familiar. The volcano lit up the darkness of night and sent its ashes or its lava down into the plains; the lightning or the meteor struck the tree, and the forest was ablaze; or some less obvious cause produced some less extensive ignition. For a time it is possible that the grand manifestations of nature aroused no feelings save awe and terror; but man is quite as much endowed with curiosity as with reverence or caution, and familiarity must ere long have bred confidence if not contempt. It is by no means necessary to suppose that the practical discovery of fire was made only at one given spot and in one given way; it is much more probable indeed that different tribes and races obtained the knowledge in a variety of ways.

It has been asserted of many tribes that they would be unable to rekindle their fires if they were allowed to die out. Travellers in Australia and Tasmania depict the typical native woman bearing always about with her a burning brand, which it is one of her principal duties to protect and foster; and it has been supposed that it was only ignorance which imposed on her the endless task. This is absurd. The Australian methods of producing fire by the friction of two pieces of wood are perfectly well known, and are illustrated in Howitt's _Native Tribes of South-East Australia_, pp. 771-773. To carry a brand saves a little trouble to the men.

The methods employed for producing fire vary considerably in detail, but are for the most part merely modified applications of concussion or friction. Lord Avebury has remarked that the working up of stone into implements must have been followed sooner or later by the discovery of fire; for in the process of chipping sparks were elicited, and in the process of polishing heat was generated. The first or concussion method is still familiar in the flint and steel, which has hardly passed out of use even in the most civilized countries. Its modifications are comparatively few and unimportant. The Alaskans and Aleutians take two pieces of quartz, rub them well with native sulphur, strike them together till the sulphur catches fire, and then transfer the flame to a heap of dry grass over which a few feathers have been scattered. Instead of two pieces of quartz the Eskimos use a piece of quartz and a piece of iron pyrites. Mr Frederick Boyle saw fire produced by striking broken china violently against a bamboo, and Bastian observed the same process in Burma, and Wallace in Ternate. In Cochin China two pieces of bamboo are considered sufficient, the silicious character of the outside layer rendering it as good as native flint. The friction methods are more various. One of the simplest is what E.B. Tylor calls the stick and groove--"a blunt pointed stick being run along a groove of its own making in a piece of wood lying on the ground." Much, of course, depends on the quality of the woods and the expertness of the manipulator. In Tahiti Charles Darwin saw a native produce fire in a few seconds, but only succeeded himself after much labour. The same device was employed in New Zealand, the Sandwich Islands, Tonga, Samoa and the Radak Islands. Instead of rubbing the movable stick backwards and forwards other tribes make it rotate rapidly in a round hole in the stationary piece of wood--thus making what Tylor has happily designated a fire-drill. This device has been observed in Australia, Kamchatka, Sumatra and the Carolines, among the Veddahs of Ceylon, throughout a great part of southern Africa, among the Eskimo and Indian tribes of North America, in the West Indies, in Central America, and as far south as the Straits of Magellan. It was also employed by the ancient Mexicans, and Tylor gives a quaint picture of the operation from a Mexican MS.--a man half kneeling on the ground is causing the stick to rotate between the palms of his hands. This simple method of rotation seems to be very generally in use; but various devices have been resorted to for the purpose of diminishing the labour and hastening the result. The Gaucho of the Pampas takes "an elastic stick about 18 in. long, presses one end to his breast and the other in a hole in a piece of wood, and then rapidly turns the curved part like a carpenter's centre-bit." In other cases the rotation is effected by means of a cord or thong wound round the drill and pulled alternately by this end and that. In order to steady the drill the Eskimo and others put the upper end in a socket of ivory or bone which they hold firmly in their mouth. A further advance was made by the Eskimo and neighbouring tribes, who applied the principle of the bow-drill; and the still more ingenious pump-drill was used by the Onondaga Indians. For full descriptions of these instruments and a rich variety of details connected with fire-making we must refer the reader to Tylor's valuable chapter in his _Researches_. These methods of producing fire are but rarely used in Europe, and only in connexion with superstitious observances. We read in Wuttke that some time ago the authorities of a Mecklenburg village ordered a "wild fire" to be lit against a murrain amongst the cattle. For two hours the men strove vainly to obtain a spark, but the fault was not to be ascribed to the quality of the wood, or to the dampness of the atmosphere, but to the stubbornness of an old lady, who, objecting to the superstition, would not put out her night lamp; such a fire, to be efficient, must burn alone. At last the strong-minded female was compelled to give in; fire was obtained---but of bad quality, for it did not stop the murrain.

It has long been known that the rays of the sun might be concentrated by a lens or concave mirror. Aristophanes mentions the burning-lens in _The Clouds_, and the story of Archimedes using a mirror to fire the ships at Syracuse is familiar to every schoolboy. If Garcilasso de la Vega can be trusted as an authority the Virgins of the Sun in Peru kindled the sacred fire with a concave cup set in a great bracelet. In China the burning-glass is in common use.

To the inquiry how mankind became possessed of fire, the cosmogonies, those records of pristine speculative thought, do not give any reply which would not be found in the relations of travellers and historians.

They say in the Tonga Islands that the god of the earthquakes is likewise the god of fire. At Mangaia it is told that the great Maui went down to hell, where he surprised the secret of making fire by rubbing two pieces of wood together. The Maoris tell the tale differently. Maui had the fire given to him by his old blind grandmother, Mahuika, who drew it from the nails of her hands. Wishing to have a stronger one, he pretended that it had gone out, and so he obtained fire from her great toe. It was so fierce that every thing melted before the glow; even Maui and the grandmother herself were already burning when a deluge, sent from heaven, saved the hero and the perishing world; but before the waters extinguished all the blaze, Mahuika shut a few sparks into some trees, and thence men draw it now. The Maoris have also the legend that thunder is the noise of Tawhaki's footsteps, and that lightnings flash from his armpits. At Western Point, Victoria, the Australians say the good old man Pundyil opened the door of the sun, whose light poured then on earth, and that Karakorok, the good man's good daughter, seeing the earth to be full of serpents, went everywhere destroying serpents; but before she had killed them all, her staff snapped in two, and while it broke, a flame burst out of it. Here the serpent-killer is a fire-bringer. In the Persian _Shahnama_ also fire was discovered by a dragon-fighter. Hushenk, the powerful hero, hurled at the monster a prodigious stone, which, evaded by the snake, struck a rock and was splintered by it. "Light shone from the dark pebble, the heart of the rock flashed out in glory, and fire was seen for the first time in the world." The snake escaped, but the mystery of fire had been revealed.

North American legends narrate how the great buffalo, careering through the plains, makes sparks flit in the night, and sets the prairie ablaze by his hoofs hitting the rocks. We meet the same idea in the Hindu mythology, which conceives thunder to have been, among many other things, the clatter of the solar horses on the Akmon or hard pavement of the sky. The Dakotas claim that their ancestor obtained fire from the sparks which a friendly panther struck with its claws, as it scampered upon a stony hill.

Tohil, who gave the Quiches fire by shaking his sandals, was, like the Mexican Quetzelcoatl, represented by a flint stone. Guamansuri, the father of the Peruvians, produced the thunder and the lightning by hurling stones with his sling. The thunderbolts are his children. Kudai, the great god of the Altaian Tartars, disclosed "the secret of the stone's edge and the iron's hardness." The Slavonian god of thunder was depicted with a silex in his hand, or even protruding from his head. The Lapp Tiermes struck with his hammer upon his own head; the Scandinavian Thor held a mallet in one hand, a flint in the other. Taranis, the Gaul, had upon his head a huge mace surrounded by six little ones. Finnish poems describe how "fire, the child of the sun, came down from heaven, where it was rocked in a tub of yellow copper, in a large pail of gold." Ukko, the Esthonian god, sends forth lightnings, as he strikes his stone with his steel. According to the Kalewala, the same mighty Ukko struck his sword against his nail, and from the nail issued the "fiery babe." He gave it to the Wind's daughter to rock it, but the unwary maiden let it fall in the sea, where it was swallowed by the great pike, and fire would have been lost for ever if the child of the sun had not come to the rescue. He dragged the great pike from the water, drew out his entrails, and found there the heavenly spark still alive. Prometheus brought to earth the torch he had lighted at the sun's chariot.