Chapter Seventh.

PANAMA--CATHEDRAL AND CONVENTS--RELIGIOUS CEREMONIES--AMALGAMATION--FANDANGO.

Panama, under the Spanish dominion, was a city of twelve thousand inhabitants, and was the commercial mart of the Pacific. The old city having been destroyed by buccaneers, the present site was selected. The military strength of the city is a true index to the state of the country at the time of its construction; and its present condition a lamentable commentary on the ruthless spirit that has pervaded the countries of South America. The number and extent of the churches and monasteries are a monument to the indomitable zeal and perseverance for which the Catholic Church has been justly celebrated. Old Panama is seven miles distant. An ivy-grown tower is all that remains to mark the spot. The city is inclosed by a wall of much strength, outside of which is a deep moat. It has one main and one side entrance by land, and several on the water-side. The base of the wall on the water-side is washed by the ocean at flood tide, but at the ebb the water recedes a mile, leaving the rocks quite bare. There was formerly a long line of fortifications, but at present the guns are dismounted, excepting on an elbow of the wall, called the “battery.” (See Plate.) In the centre of the town is the main plaza, fronting which is the cathedral, the government house, and the prison. (See Plate.) Here is seen a “Padre,” walking with a señorita; an “hombre,” mounted on a donkey, with a large stone jar on each side, from which he serves his customers with water; a “chain-gang” of prisoners, carrying bales of _carna_, guarded by a barefooted soldier. And still further to the left is a sentinel watching the prison. I will here state, that most of the Panama hats that are made here, are manufactured in this prison.

The principal avenues, running parallel, are “Calle San Juan de Dio,” “Calle de Merced,” and “Calle de Obispo.” There are numerous extensive churches, the principal one being the cathedral. This is a magnificent structure, and of colossal dimensions. In the end fronting the plaza are niches, in which are life-size statues of the twelve Apostles, of marble. It has two towers, the upper sections of which are finished with pearl. The interior was furnished without regard to expense. It is now somewhat dilapidated, but still has a fine organ. The convent, “La Mugher,” is an extensive edifice, being 300 feet in length. The roof of most parts has fallen in, and the walls are fast falling to decay. The only tenant is a colored woman who has a hammock slung in the main entrance. She has converted the convent into a stable, charging a _real_ a night for a horse or mule--they board themselves; they, however, have the privilege of selecting their own apartments. It encloses a large court, in which there are two immense wells, and numerous fig, and other fruit trees. There is a tower still standing on one end of the building, without roof or window; it has, however, several bells still hanging. The convent of “San Francisco,” is also an extensive structure, in a dilapidated state; one part of it is still tenanted by nuns. It has a tower with bells still hanging. These buildings, as well as all the buildings of Panama, are infested by innumerable lizards, a peculiarity of the city that first strikes the stranger. They are harmless, but to one unaccustomed to seeing them, are an unpleasant sight.

The people here, as in all catholic countries, are very attentive to religious rites and ceremonies, and almost every day of the week is ushered in by the ringing of church and convent bells. The ringing is constant during the day; and people are seen passing to and from church, the more wealthy classes accompanied by their servants, bearing mats, upon which they kneel on their arrival. Almost every day is a saint’s day, when all business is suspended to attend its celebration.

Good Friday is the most important on the calendar. All business is suspended, all attend church during the day, and at night they congregate _en masse_ in the plaza in front of one of the churches outside the walls. Inside the church, held by a native in Turkish costume, is an ass, mounted on which is a

[Illustration: G. V. COOPER DEL. ON STONE BY J. CAMERON LITH. OF G. W. LEWIS, III NASSAU ST. N.Y. GRAND CATHEDRAL, PANAMA.]

life-size wax figure of the Saviour. There are also life-size figures of Mary, St. Peter, St. Paul, and St. John, each mounted on a car, and each car illuminated by one hundred tapers, which are set in candelabras of silver, and borne by sixteen men. Incense is burned, a chant is sung accompanied by the organ, and at the ringing of a small bell, all rise from their knees; the bell rings again, and the procession moves. The ass is first led out, followed by the figures of Mary and the Apostles in order; next, the band of music and the procession follows, which is illuminated by innumerable tapers. They move toward the main gate, all joining in the chant. The passage of the first of the procession through the gate, is announced by the simultaneous discharge of rockets which illumine the very heavens. The discharging of rockets is continued, and, after passing through the principal streets, they return to the church and deposit the images. They again return to the city, seize an effigy of Judas Iscariot and after hanging it up by the neck, cut it down and burn it. The celebration closes with the usual night procession of nuns and priests. These celebrations and processions are conducted with the greatest solemnity, the people all engaging in them as if they thought them indispensable to salvation.

The priests are quite ultra in their dress, wearing a black silk gown, falling below the knee, black silk tights, patent-leather shoes, fastened with immense silver buckles, a black hat, the brim of the most ungovernable dimensions, rolled up at the sides and fastened on the top of the crown. Their zeal in religion is equalled only by their passion for gaming and cock-fighting. It appears strange to see men of their holy calling enter the ring with a cock under each arm, gafted for the sanguinary conflict, and, when the result is doubtful, enter into a most unharmonious wrangle, with the _faithful_ under their charge.

The citizens of Panama are composed of all grades of color, from the pure Sambo, (former slaves or their descendants,) to the pure Castilian. The distinctive lines of society are not very tightly drawn. At the fandangoes all colors are represented, and a descendant of Spain will select, as a partner, one of the deepest dye. In this hot climate the waltz or quadrille soon throws all parties into a most profuse perspiration, which causes _that other_ characteristic of the African race to manifest itself. I would recommend my American friends to select partners of the lighter color, as I am not prepared to say the _odor_ is altogether pleasant. The order of the evening is to fill the floor; the music and dance commence; when a gentleman gives out, another takes his partner, and so on, until it is time for refreshments. The ladies never tire.

[Illustration: G. V. COOPER DEL. ON STONE BY J. CAMERON LITH. OF G. W. LEWIS III NASSAU ST. N. Y. THE ISLANDS, FROM PANAMA]