Part 7

Failure to mark the resting-places of great men and to indicate the scenes of their deeds has led to misunderstanding and confusion among those who discover a regard for history and tradition in this practical age. Robert Fulton, who made steam navigation possible, lies in an unmarked tomb in the yard of Trinity Church--the richest church in America. The stone erected to show where Andre was hanged was destroyed by a cheap patriot, who thought it represented a compliment to the spy. The spot where Alexander Hamilton was shot in the duel by Aaron Burr is known to few and will soon be forgotten. It was not until a century of obloquy had been heaped on the memory of Thomas Paine that his once enemies were brought to know him as a statesman of integrity, a philanthropist, and philosopher. His deistic religion, proclaimed in “The Age of Reason,” is unfortunately no whit more independent than is preached in dozens of pulpits to-day. He died ripe in honors, despite his want of creed, and his mortal part was buried in New Rochelle, New York, under a large walnut-tree in a hay-field. Some years later his friends removed the body to a new grave in higher ground, and placed over it a monument that the opponents of his principles quickly hacked to pieces. Around the original grave there still remains a part of the old inclosure, and it was proposed to erect a suitable memorial--the Hudson and its Hills the spot, but the owner of the tract would neither give nor sell an inch of his land for the purpose of doing honor to the man. Some doubt has already been expressed as to whether the grave is beneath the monument or in the inclosure; and it is also asserted that Paine's ghost appears at intervals, hovering in the air between the two burial-places, or flitting back and forth from one to the other, lamenting the forgetfulness of men and wailing, “Where is my grave? I have lost my grave!”

THE RISING OF GOUVERNEUR MORRIS

Gouverneur Morris, American minister to the court of Louis XVI, was considerably enriched, at the close of the reign of terror, by plate, jewels, furniture, paintings, coaches, and so on, left in his charge by members of the French nobility, that they might not be confiscated in the sack of the city by the _sans culottes_; for so many of the aristocracy were killed and so many went into exile or disguised their names, that it was impossible to find heirs or owners for these effects. Some of the people who found France a good country to be out of came to America, where adventurers had found prosperity and refugees found peace so many times before. Marshal Ney and Bernadotte are alleged to have served in the American army during the Revolution, and at Hogansburg, New York, the Reverend Eleazer Williams, an Episcopal missionary, who lies buried in the church-yard there, was declared to be the missing son of Louis XVI. The question, “Have we a Bourbon among us?” was frequently canvassed; but he avoided publicity and went quietly on with his pastoral work.

All property left in Mr. Morris's hands that had not been claimed was removed to his mansion at Port Morris, when he returned from his ministry, and he gained in the esteem and envy of his neighbors when the extent of these riches was seen. Once, at the wine, he touched glasses with his wife, and said that if she bore a male child that son should be heir to his wealth. Two relatives who sat at the table exchanged looks at this and cast a glance of no gentle regard on his lady. A year went by. The son was born, but Gouverneur Morris was dead.

It is the first night of the year 1817, the servants are asleep, and the widow sits late before the fire, her baby in her arms, listening betimes to the wind in the chimney, the beat of hail on the shutters, the brawling of the Bronx and the clash of moving ice upon it; yet thinking of her husband and the sinister look his promise had brought to the faces of his cousins, when a tramp of horses is heard without, and anon a summons at the door. The panels are beaten by loaded riding-whips, and a man's voice cries, “Anne Morris, fetch us our cousin's will, or we'll break into the house and take it.” The woman clutches the infant to her breast, but makes no answer. Again the clatter of the whips; but now a mist is gathering in the room, and a strange enchantment comes over her, for are not the lions breathing on the coat of arms above the door, and are not the portraits stirring in their frames?

They are, indeed. There is a rustle of robes and clink of steel and one old warrior leaps down, his armor sounding as he alights, and striking thrice his sword and shield together he calls on Gouverneur Morris to come forth. Somebody moves in the room where Morris died; there is a measured footfall in the corridor, with the clank of a scabbard keeping time; the door is opened, and on the blast that enters the widow hears a cry, then a double gallop, passing swiftly into distance. As she gazes, her husband appears, apparelled as in life, and with a smile he takes a candelabrum from the mantel and, beckoning her to follow, moves from room to room. Then, for the first time, the widow knows to what wealth her baby has been born, for the ghost discloses secret drawers in escritoires where money, title deeds, and gems are hidden, turns pictures and wainscots on unsuspected hinges, revealing shelves heaped with fabrics, plate, and lace; then, returning to the fireside, he stoops as if to kiss his wife and boy, but a bell strikes the first hour of morning and he vanishes into his portrait on the wall.

THE ISLE OF MANHATTOES AND NEARBY

DOLPH HEYLIGER

New York was New Amsterdam when Dolph Heyliger got himself born there,--a graceless scamp, though a brave, good-natured one, and being left penniless on his father's death he was fain to take service with a doctor, while his mother kept a shop. This doctor had bought a farm on the island of Manhattoes--away out of town, where Twenty-third Street now runs, most likely--and, because of rumors that its tenants had noised about it, he seemed likely to enjoy the responsibilities of landholding and none of its profits. It suited Dolph's adventurous disposition that he should be deputed to investigate the reason for these rumors, and for three nights he kept his abode in the desolate old manor, emerging after daybreak in a lax and pallid condition, but keeping his own counsel, to the aggravation of the populace, whose ears were burning for his news.

Not until long after did he tell of the solemn tread that woke him in the small hours, of his door softly opening, though he had bolted and locked it, of a portly Fleming, with curly gray hair, reservoir boots, slouched hat, trunk and doublet, who entered and sat in the arm-chair, watching him until the cock crew. Nor did he tell how on the third night he summoned courage, hugging a Bible and a catechism to his breast for confidence, to ask the meaning of the visit, and how the Fleming arose, and drawing Dolph after him with his eyes, led him downstairs, went through the front door without unbolting it, leaving that task for the trembling yet eager youth, and how, after he had proceeded to a disused well at the bottom of the garden, he vanished from sight.

Dolph brooded long upon these things and dreamed of them in bed. He alleged that it was in obedience to his dreams that he boarded a schooner bound up the Hudson, without the formality of adieu to his employer, and after being spilled ashore in a gale at the foot of Storm King, he fell into the company of Anthony Vander Hevden, a famous landholder and hunter, who achieved a fancy for Dolph as a lad who could shoot, fish, row, and swim, and took him home with him to Albany. The Heer had commodious quarters, good liquor, and a pretty daughter, and Dolph felt himself in paradise until led to the room he was to occupy, for one of the first things that he set eyes on in that apartment was a portrait of the very person who had kept him awake for the worse part of three nights at the bowerie in Manhattoes. He demanded to know whose picture it was, and learned that it was that of Killian Vander Spiegel, burgomaster and curmudgeon, who buried his money when the English seized New Amsterdam and fretted himself to death lest it should be discovered. He remembered that his mother had spoken of this Spiegel and that her father was the miser's rightful heir, and it now appeared that he was one of Heyden's forbears too. In his dream that night the Fleming stepped out of the portrait, led him, as he had done before, to the well, where he smiled and vanished. Dolph reflected, next morning, that these things had been ordered to bring together the two branches of the family and disclose the whereabouts of the treasure that it should inherit. So full was he of this idea that he went back to New Amsterdam by the first schooner, to the surprise of the Heer and the regret of his daughter.

After the truant had been received with execrations by the doctor and with delight by his mother, who believed that spooks had run off with him, and with astonishment, as a hero of romance, by the public, he made for the haunted premises at the first opportunity and began to angle at the disused well. Presently he found his hook entangled in something at the bottom, and on lifting slowly he discovered that he had secured a fine silver porringer, with lid held down by twisted wire. It was the work of a moment to wrench off the lid, when he found the vessel to be filled with golden pieces. His fishing that day was attended with such luck as never fell to an angler before, for there were other pieces of plate down there, all engraved with the Spiegel arms and all containing treasure.

By encouraging the most dreadful stories about the spot, in order to keep the people wide away from it, he accomplished the removal of his prizes bit by bit from their place of concealment to his home. His unaccounted absence in Albany and his dealings with the dead had prepared his neighbors for any change in himself or his condition, and now that he always had a bottle of schnapps for the men and a pot of tea for the women, and was good to his mother, they said that they had always known that when he changed it would be for the better,--at which his old detractors lifted their eyebrows significantly--and when asked to dinner by him they always accepted.

Moreover, they made merry when the day came round for his wedding with the little maid of Albany. They likewise elected him a member of the corporation, to which he bequeathed some of the Spiegel plate and often helped the other city fathers to empty the big punch-bowl. Indeed, it was at one of these corporation feasts that he died of apoplexy. He was buried with honors in the yard of the Dutch church in Garden Street.

THE KNELL AT THE WEDDING

A young New Yorker had laid such siege to the heart of a certain belle--this was back in the Knickerbocker days when people married for love--that everybody said the banns were as good as published; but everybody did not know, for one fine morning my lady went to church with another gentleman--not her father, though old enough to be--and when the two came out they were man and wife. The elderly man was rich. After the first paroxysm of rage and disappointment had passed, the lover withdrew from the world and devoted himself to study; nor when he learned that she had become a widow, with comfortable belongings derived from the estate of the late lamented, did he renew acquaintance with her, and he smiled bitterly when he heard of her second marriage to a young adventurer who led her a wretched life, but atoned for his sins, in a measure, by dying soon enough afterward to leave a part of her fortune unspent.

In the lapse of time the doubly widowed returned to New York, where she met again the lover of her youth. Mr. Ellenwood had acquired the reserve of a scholar, and had often puzzled his friends with his eccentricities; but after a few meetings with the object of his young affection he came out of his glooms, and with respectful formality laid again at her feet the heart she had trampled on forty years before. Though both of them were well on in life, the news of their engagement made little of a sensation. The widow was still fair; the wooer was quiet, refined, and courtly, and the union of their fortunes would assure a competence for the years that might be left to them. The church of St. Paul, on Broadway, was appointed for the wedding, and it was a whim of the groom that his bride should meet him there. At the appointed hour a company of the curious had assembled in the edifice; a rattle of wheels was heard, and a bevy of bridesmaids and friends in hoop, patch, velvet, silk, powder, swords, and buckles walked down the aisle; but just as the bride had come within the door, out of the sunlight that streamed so brilliantly on the mounded turf and tombstones in the churchyard, the bell in the steeple gave a single boom.

The bride walked to the altar, and as she took her place before it another clang resounded from the belfry. The bridegroom was not there. Again and again the brazen throat and iron tongue sent out a doleful knell, and faces grew pale and anxious, for the meaning of it could not be guessed. With eyes fixed on the marble tomb of her first husband, the woman tremblingly awaited the solution of the mystery, until the door was darkened by something that made her catch her breath--a funeral. The organ began a solemn dirge as a black-cloaked cortege came through the aisle, and it was with amazement that the bride discovered it to be formed of her oldest friends,--bent, withered; paired, man and woman, as in mockery--while behind, with white face, gleaming eyes, disordered hair, and halting step, came the bridegroom, in his shroud.

“Come,” he said,--“let us be married. The coffins are ready. Then, home to the tomb.”

“Cruel!” murmured the woman.

“Now, Heaven judge which of us has been cruel. Forty years ago you took away my faith, destroyed my hopes, and gave to others your youth and beauty. Our lives have nearly run their course, so I am come to wed you as with funeral rites.” Then, in a softer manner, he took her hand, and said, “All is forgiven. If we cannot live together we will at least be wedded in death. Time is almost at its end. We will marry for eternity. Come.” And tenderly embracing her, he led her forward. Hard as was the ordeal, confusing, frightening, humiliating, the bride came through it a better woman.

“It is true,” she said, “I have been vain and worldly, but now, in my age, the truest love I ever knew has come back to me. It is a holy love. I will cherish it forever.” Their eyes met, and they saw each other through tears. Solemnly the clergyman read the marriage service, and when it was concluded the low threnody that had come from the organ in key with the measured clang of the bell, merged into a nobler motive, until at last the funeral measures were lost in a burst of exultant harmony. Sobs of pent feeling and sighs of relief were heard as the bridal party moved away, and when the newmade wife and husband reached the portal the bell was silent and the sun was shining.

ROISTERING DIRCK VAN DARA

In the days when most of New York stood below Grand Street, a roistering fellow used to make the rounds of the taverns nightly, accompanied by a friend named Rooney. This brave drinker was Dirck Van Dara, one of the last of those swag-bellied topers that made merry with such solemnity before the English seized their unoffending town. It chanced that Dirck and his chum were out later than usual one night, and by eleven o'clock, when all good people were abed, a drizzle set in that drove the watch to sleep in doorways and left Broadway tenantless. As the two choice spirits reeled out of a hostelry near Wall Street and saw the lights go out in the tap-room windows they started up town to their homes in Leonard Street, but hardly had they come abreast of old St. Paul's when a strange thing stayed them: crying was heard in the churchyard and a phosphorescent light shone among the tombs. Rooney was sober in a moment, but not so Dirck Van Dara, who shouted, “Here is sport, friend Rooney. Let's climb the wall. If the dead are for a dance, we will take partners and show them how pigeons' wings are cut nowadays.”

“No,” exclaimed the other; “those must perish who go among the dead when they come out of their graves. I've heard that if you get into their clutches, you must stay in purgatory for a hundred years, and no priest can pray you out.”

“Bah! old wives' tales! Come on!” And pulling his friend with him, they were over the fence. “Hello! what have we here?” As he spoke a haggard thing arose from behind a tombstone, a witchlike creature, with rags falling about her wasted form and hair that almost hid her face. The twain were set a-sneezing by the fumes of sulphur, and Rooney swore afterwards that there were little things at the end of the yard with grinning faces and lights on the ends of their tails. Old Hollands are heady. Dirck began to chaff the beldam on her dilapidation, but she stopped his talk by dipping something from a caldron behind her and flinging it over both of her visitors. Whatever it was, it burned outrageously, and with a yell of pain they leaped the wall more briskly than they had jumped it the other way, and were soon in full flight. They had not gone far when the clock struck twelve.

“Arrah! there's a crowd of them coming after,” panted Rooney. “Ave Mary! I've heard that if you die with witch broth being thrown over you, you're done for in the next world, as well as this. Let us get to Father Donagan's. Wow!”

As he made this exclamation the fugitives found their way opposed by a woman, who looked at them with immodest eyes and said, “Dirck Van Dara, your sire, in wig and bob, turned us Cyprians out of New York, after ducking us in the Collect. But we forgive him, and to prove it we ask you to our festival.”

At the stroke of midnight the street before the church had swarmed with a motley throng, that now came onward, waving torches that sparkled like stars. They formed a ring about Dirck and began to dance, and he, nothing loth, seized the nymph who had addressed him and joined in the revel. Not a soul was out or awake except themselves, and no words were said as the dance went wilder to strains of weird and unseen instruments. Now and then one would apply a torch to the person of Dirck, meanly assailing him in the rear, and the smart of the burn made him feet it the livelier. At last they turned toward the Battery as by common consent, and went careering along the street in frolic fashion. Rooney, whose senses had thus far been pent in a stupor, fled with a yell of terror, and as he looked back he saw the unholy troop disappearing in the mist like a moving galaxy. Never from that night was Dirck Van Data seen or heard of more, and the publicans felt that they had less reason for living.

THE PARTY FROM GIBBET ISLAND

Ellis Island, in New York harbor, once bore the name of Gibbet Island, because pirates and mutineers were hanged there in chains. During the times when it was devoted to this fell purpose there stood in Communipaw the Wild Goose tavern, where Dutch burghers resorted, to smoke, drink Hollands, and grow fat, wise, and sleepy in each others' company. The plague of this inn was Yan Yost Vanderscamp, a nephew of the landlord, who frequently alarmed the patrons of the house by putting powder into their pipes and attaching briers beneath their horses' tails, and who naturally turned pirate when he became older, taking with him to sea his boon companion, an ill-disposed, ill-favored blackamoor named Pluto, who had been employed about the tavern. When the landlord died, Vanderscamp possessed himself of this property, fitted it up with plunder, and at intervals he had his gang ashore,--such a crew of singing, swearing, drinking, gaming devils as Communipaw had never seen the like of; yet the residents could not summon activity enough to stop the goings-on that made the Wild Goose a disgrace to their village. The British authorities, however, caught three of the swashbucklers and strung them up on Gibbet Island, and things that went on badly in Communipaw after that went on with quiet and secrecy.

The pirate and his henchmen were returning to the tavern one night, after a visit to a rakish-looking vessel in the offing, when a squall broke in such force as to give their skiff a leeway to the place of executions. As they rounded that lonely reef a creaking noise overhead caused Vanderscamp to look up, and he could not repress a shudder as he saw the bodies of his three messmates, their rags fluttering and their chains grinding in the wind.

“Don't you want to see your friends?” sneered Pluto. “You, who are never afraid of living men, what do you fear from the dead?”

“Nothing,” answered the pirate. Then, lugging forth his bottle, he took a long pull at it, and holding it toward the dead felons, he shouted, “Here's fair weather to you, my lads in the wind, and if you should be walking the rounds to-night, come in to supper.”

A clatter of bones and a creak of chains sounded like a laugh. It was midnight when the boat pulled in at Communipaw, and as the storm continued Vanderscamp, drenched to the skin, made quick time to the Wild Goose. As he entered, a sound of revelry overhead smote his ear, and, being no less astonished than in need of cordials, he hastened up-stairs and flung open the door. A table stood there, furnished with jugs and pipes and cans, and by light of candles that burned as blue as brimstone could be seen the three gallows-birds from Gibbet Island, with halters on their necks, clinking their tankards together and trolling forth a drinking-song.