Part 8

Starting back with affright as the corpses hailed him with lifted arms and turned their fishy eyes on him, Vanderscamp slipped at the door and fell headlong to the bottom of the stairs. Next morning he was found there by the neighbors, dead to a certainty, and was put away in the Dutch churchyard at Bergen on the Sunday following. As the house was rifled and deserted by its occupants, it was hinted that the negro had betrayed his master to his fellow-buccaneers, and that he, Pluto, was no other than the devil in disguise. But he was not, for his skiff was seen floating bottom up in the bay soon after, and his drowned body lodged among the rocks at the foot of the pirates' gallows.

For a long time afterwards the island was regarded as a place that required purging with bell, book, and candle, for shadows were reported there and faint lights that shot into the air, and to this day, with the great immigrant station on it and crowds going and coming all the time, the Battery boatmen prefer not to row around it at night, for they are likely to see the shades of the soldier and his mistress who were drowned off the place one windy night, when the girl was aiding the fellow to escape confinement in the guard-house, to say nothing of Vanderscamp and his felons.

MISS BRITTON'S POKER

The maids of Staten Island wrought havoc among the royal troops who were quartered among them during the Revolution. Near quarantine, in an old house,--the Austen mansion,--a soldier of King George hanged himself because a Yankee maid who lived there would not have him for a husband, nor any gentleman whose coat was of his color; and, until ghosts went out of fashion, his spirit, in somewhat heavy boots, with jingling spurs, often disturbed the nightly quiet of the place.

The conduct of a damsel in the old town of Richmond was even more stern. She was the granddaughter, and a pretty one, of a farmer named Britton; but though Britton by descent and name, she was no friend of Britons, albeit she might have had half the officers in the neighboring camp at her feet, if she had wished them there. Once, while mulling a cup of cider for her grandfather, she was interrupted by a self-invited myrmidon, who undertook, in a fashion rude and unexpected, to show the love in which he held her. Before he could kiss her, the girl drew the hot poker from the mug of drink and jabbed at the vitals of her amorous foe, burning a hole through his scarlet uniform and printing on his burly person a lasting memento of the adventure. With a howl of pain the fellow rushed away, and the privacy of the Britton family was never again invaded, at least whilst cider was being mulled.

THE DEVIL'S STEPPING-STONES

When the devil set a claim to the fair lands at the north of Long Island Sound, his claim was disputed by the Indians, who prepared to fight for their homes should he attempt to serve his writ of ejectment. Parley resulted in nothing, so the bad one tried force, but he was routed in open fight and found it desirable to get away from the scene of action as soon as possible. He retreated across the Sound near the head of East River. The tide was out, so he stepped from island to island, without trouble, and those reefs and islands are to this day the Devil's Stepping-Stones. On reaching Throgg's Neck he sat down in a despairing attitude and brooded on his defeat, until, roused to a frenzy at the thought of it, he resolved to renew the war on terms advantageous entirely to himself. In that day Connecticut was free from rocks, but Long Island was covered with them; so he gathered all he could lay his hands on and tossed them at the Indians that he could see across the Sound near Cold Spring until the supply had given out. The red men who last inhabited Connecticut used to show white men where the missiles landed and where the devil struck his heel into the ground as he sprang from the shore in his haste to reach Long Island. At Cold Spring other footprints and one of his toes are shown. Establishing himself at Coram, he troubled the people of the country for many years, so that between the devil on the west and the Montauks on the east they were plagued indeed; for though their guard at Watch Hill, Rhode Island, and other places often apprised them of the coming of the Montauks, they never knew which way to look for the devil.

THE SPRINGS OF BLOOD AND WATER

A great drought had fallen on Long Island, and the red men prayed for water. It is true that they could get it at Lake Ronkonkoma, but some of them were many miles from there, and, beside, they feared the spirits at that place: the girl who plied its waters in a phosphor-shining birch, seeking her recreant lover; and the powerful guardians that the Great Spirit had put in charge to keep the fish from being caught, for these fish were the souls of men, awaiting deliverance into another form. The people gathered about their villages in bands and besought the Great Spirit to give them drink. His voice was heard at last, bidding their chief to shoot an arrow into the air and to watch where it fell, for there would water gush out. The chief obeyed the deity, and as the arrow touched the earth a spring of sweet water spouted into the air. Running forward with glad cries the red men drank eagerly of the liquor, laved their faces in it, and were made strong again; and in memory of that event they called the place the Hill of God, or Manitou Hill, and Manet or Manetta Hill it is to this day. Hereabouts the Indians settled and lived in peace, thriving under the smile of their deity, making wampum for the inland tribes and waxing rich with gains from it. They made the canal from bay to sea at Canoe Place, that they might reach open water without dragging their boats across the sand-bars, and in other ways they proved themselves ingenious and strong.

When the English landed on the island they saw that the Indians were not a people to be trifled with, and in order to properly impress them with their superiority, they told them that John Bull desired a treaty with them. The officers got them to sit in line in front of a cannon, the nature of which instrument was unknown to them, and during the talk the gun was fired, mowing down so many of the red people that the survivors took to flight, leaving the English masters at the north shore, for this heartless and needless massacre took place at Whale's Neck. So angry was the Great Spirit at this act of cruelty and treachery that he caused blood to ooze from the soil, as he had made water leap for his thirsting children, and never again would grass grow on the spot where the murder had been done.

THE CRUMBLING SILVER

There is a clay bank on Little Neck, Long Island, where metallic nodules are now and then exposed by rain. Rustics declare them to be silver, and account for their crumbling on the theory that the metal is under a curse. A century ago the Montauks mined it, digging over enough soil to unearth these pellets now and again, and exchanging them at the nearest settlements for tobacco and rum. The seeming abundance of these lumps of silver aroused the cupidity of one Gardiner, a dweller in the central wilderness of the island, but none of the Indians would reveal the source of their treasure. One day Gardiner succeeded in getting an old chief so tipsy that, without realizing what he was doing, he led the white man to the clay bed and showed him the metallic spots glittering in the sun. With a cry of delight Gardiner sprang forward and tore at the earth with his fingers, while the Indian stood by laughing at his eagerness.

Presently a shade crossed the white man's face, for he thought that this vast treasure would have to be shared by others. It was too much to endure. He wanted all. He would be the richest man on earth. Stealing behind the Indian as he stood swaying and chuckling, he wrenched the hatchet from his belt and clove his skull at a blow. Then, dragging the body to a thicket and hiding it under stones and leaves, he hurried to his house for cart and pick and shovel, and returning with speed he dug out a half ton of the silver before sunset. The cart was loaded, and he set homeward, trembling with excitement and conjuring bright visions for his future, when a wailing sound from a thicket made him halt and turn pale. Noiselessly a figure glided from the bush. It was the Indian he had killed. The form approached the treasure, flung up its arm, uttered a few guttural words; then a rising wind seemed to lift it from the ground and it drifted toward the Sound, fading like a cloud as it receded.

Full of misgiving, Gardiner drove to his home, and, by light of a lantern, transferred his treasure to his cellar. Was it the dulness of the candle that made the metal look so black? After a night of feverish tossing on his bed he arose and went to the cellar to gloat upon his wealth. The light of dawn fell on a heap of gray dust, a few brassy looking particles showing here and there. The curse of the ghost had been of power and the silver was silver no more. Mineralogists say that the nodules are iron pyrites. Perhaps so; but old residents know that they used to be silver.

THE CORTELYOU ELOPEMENT

In the Bath district of Brooklyn stands Cortelyou manor, built one hundred and fifty years ago, and a place of defence during the Revolution when the British made sallies from their camp in Flatbush and worried the neighborhood. It was in one of these forays on pigs and chickens that a gallant officer of red-coats met a pretty lass in the fields of Cortelyou. He stilled her alarm by aiding her to gather wild-flowers, and it came about that the girl often went into the fields and came back with prodigious bouquets of daisies. The elder Cortelyou had no inkling of this adventure until one of his sons saw her tryst with the red-coat at a distance. Be sure the whole family joined him in remonstrance. As the girl declared that she would not forego the meetings with her lover, the father swore that she should never leave his roof again, and he tried to be as good, or bad, as his word. The damsel took her imprisonment as any girl of spirit would, but was unable to effect her escape until one evening, as she sat at her window, watching the moon go down and paint the harbor with a path of light. A tap at the pane, as of a pebble thrown against it, roused her from her revery. It was her lover on the lawn.

At her eager signal he ran forward with a light ladder, planted it against the window-sill, and in less than a minute the twain were running toward the beach; but the creak of the ladder had been heard, and grasping their muskets two of the men hurried out. In the track of the moon the pursuers descried a moving form, and, without waiting to challenge, they levelled the guns and fired. A woman's cry followed the report; then a dip of oars was heard that fast grew fainter until it faded from hearing. On returning to the house they found the girl's room empty, and next morning her slipper was brought in from the mud at the landing. Nobody inside of the American lines ever learned what that shot had done, but if it failed to take a life it robbed Cortelyou of his mind. He spent the rest of his days in a single room, chained to a staple in the floor, tramping around and around, muttering and gesturing, and sometimes startling the passer-by as he showed his white face and ragged beard at the window.

VAN WEMPEL'S GOOSE

Allow us to introduce Nicholas Van Wempel, of Flatbush: fat, phlegmatic, rich, and henpecked. He would like to be drunk because he is henpecked, but the wife holds the purse-strings and only doles out money to him when she wants groceries or he needs clothes. It was New Year's eve, the eve of 1739, when Vrouw Van Wempel gave to her lord ten English shillings and bade him hasten to Dr. Beck's for the fat goose that had been bespoken. “And mind you do not stop at the tavern,” she screamed after him in her shrillest tone. But poor Nicholas! As he went waddling down the road, snapping through an ice-crust at every step, a roguish wind--or perhaps it was one of the bugaboos that were known to haunt the shores of Gravesend Bay--snatched off his hat and rolled it into the very doorway of the tavern that he had been warned, under terrible penalties, to avoid.

As he bent to pick it up the door fell ajar, and a pungency of schnapps and tobacco went into his nostrils. His resolution, if he had one, vanished. He ordered one glass of schnapps; friends came in and treated him to another; he was bound to do as much for them; shilling by shilling the goose money passed into the till of the landlord. Nicholas was heard to make a muttered assertion that it was his own money anyhow, and that while he lived he would be the head of his own house; then the mutterings grew faint and merged into snores. When he awoke it was at the low sound of voices in the next room, and drowsily turning his head he saw there two strangers,--sailors, he thought, from their leather jackets, black beards, and the rings in their ears. What was that they said? Gold? On the marshes? At the old Flatlands tide-mill? The talkers had gone before his slow and foggy brain could grasp it all, but when the idea had fairly eaten its way into his intellect, he arose with the nearest approach to alacrity that he had exhibited in years, and left the place. He crunched back to his home, and seeing nobody astir went softly into his shed, where he secured a shovel and lantern, and thence continued with all consistent speed to the tumbledown tide-mill on the marsh,--a trying journey for his fat legs on a sharp night, but hope and schnapps impelled him.

He reached the mill, and, hastening to the cellar, began to probe in the soft, unfrozen earth. Presently his spade struck something, and he dug and dug until he had uncovered the top of a canvas bag,--the sort that sailors call a “round stern-chest.” It took all his strength to lug it out, and as he did so a seam burst, letting a shower of gold pieces over the ground. He loosed the band of his breeches, and was filling the legs thereof with coin, when a tread of feet sounded overhead and four men came down the stair. Two of them he recognized as the fellows of the tavern. They saw the bag, the lantern, then Nicholas. Laden though he was with gold until he could hardly budge, these pirates, for such they were, got him up-stairs, forced him to drink hot Hollands to the success of their flag, then shot him through the window into the creek. As he was about to make this unceremonious exit he clutched something to save himself, and it proved to be a plucked goose that the pirates had stolen from a neighboring farm and were going to sup on when they had scraped their gold together. He felt the water and mud close over him; he struggled desperately; he was conscious of breathing more freely and of staggering off at a vigorous gait; then the power of all the schnapps seemed to get into his head, and he remembered no more until he heard his wife shrilling in his ears, when he sat up and found himself in a snow-bank close to his house, with a featherless goose tight in his grasp.

Vrouw Van Wempel cared less about the state of her spouse when she saw that he had secured the bird, and whenever he told his tale of the pirates she turned a deaf ear to him, for if he had found the gold why did he not manage to bring home a few pieces of it? He, in answer, asked how, as he had none of his own money, she could have come by the goose? He often told his tale to sympathetic ears, and would point to the old mill to prove that it was true.

THE WEARY WATCHER

Before the opening of the great bridge sent commerce rattling up Washington Street in Brooklyn that thoroughfare was a shaded and beautiful avenue, and among the houses that attested its respectability was one, between Tillary and Concord Streets, that was long declared to be haunted. A man and his wife dwelt there who seemed to be fondly attached to each other, and whose love should have been the stronger because of their three children none grew to years. A mutual sorrow is as close a tie as a common affection. One day, while on a visit to a friend, the wife saw her husband drive by in a carriage with a showy woman beside him. She went home at once, and when the supposed recreant returned she met him with bitter reproaches. He answered never a word, but took his hat and left the house, never to be seen again in the places that had known him.

The wife watched and waited, daily looking for his return, but days lengthened into weeks, months, years, and still he came not. Sometimes she lamented that she had spoken hastily and harshly, thinking that, had she known all, she might have found him blameless. There was no family to look after, no wholesome occupation that she sought, so the days went by in listening and watching, until, at last, her body and mind gave way, and the familiar sight of her face, watching from a second floor window, was seen no longer. Her last day came. She had risen from her bed; life and mind seemed for a moment to be restored to her; and standing where she had stood so often, her form supported by a half-closed shutter and a grasp on the sash, she looked into the street once more, sighed hopelessly, and so died. It was her shade that long watched at the windows; it was her waxen face, heavy with fatigue and pain, that was dimly seen looking over the balusters in the evening.

THE RIVAL FIDDLERS

Before Brooklyn had spread itself beyond Greenwood Cemetery a stone could be seen in Martense's Lane, south of that burial-ground, that bore a hoof mark. A negro named Joost, in the service of the Van Der Something-or-others, was plodding home on Saturday night, his fiddle under his arm. He had been playing for a wedding in Flatbush and had been drinking schnapps until he saw stars on the ground and fences in the sky; in fact, the universe seemed so out of order that he seated himself rather heavily on this rock to think about it. The behavior of the stars in swimming and rolling struck him as especially curious, and he conceived the notion that they wanted to dance. Putting his fiddle to his chin, he began a wild jig, and though he made it up as he went along, he was conscious of doing finely, when the boom of a bell sent a shiver down his spine. It was twelve o'clock, and here he was playing a dance tune on Sunday. However, the sin of playing for one second on the Sabbath was as great as that of playing all day; so, as long as he was in for it, he resolved to carry the tune to the end, and he fiddled away with a reckless vehemence. Presently he became aware that the music was both wilder and sweeter than before, and that there was more of it. Not until then did he observe that a tall, thin stranger stood beside him; and that he was fiddling too,--composing a second to Joost's air, as if he could read his thought before he put it into execution on the strings. Joost paused, and the stranger did likewise.

“Where de debble did you come frum?” asked the first. The other smiled.

“And how did you come to know dat music?” Joost pursued.

“Oh, I've known that tune for years,” was the reply. “It's called 'The Devil's joy at Sabbath Breaking.'”

“You're a liar!” cried the negro. The stranger bowed and burst into a roar of laughter. “A liar!” repeated Joost,--“for I made up dat music dis very minute.”

“Yet you notice that I could follow when you played.”

“Humph! Yes, you can follow.”

“And I can lead, too. Do you know the tune 'Go to the Devil and Shake Yourself?'”

“Yes; but I play second to nobody.”

“Very well, I'll beat you at any air you try.”

“Done!” said Joost. And then began a contest that lasted until daybreak. The stranger was an expert, but Joost seemed to be inspired, and just as the sun appeared he sounded, in broad and solemn harmonies, the hymn of Von Catts:

“Now behold, at dawn of day, Pious Dutchmen sing and pray.”

At that the stranger exclaimed, “Well, that beats the devil!” and striking his foot angrily on the rock, disappeared in a flash of fire like a burst bomb. Joost was hurled twenty feet by the explosion, and lay on the ground insensible until a herdsman found him some hours later. As he suffered no harm from the contest and became a better fiddler than ever, it is supposed that the recording angel did not inscribe his feat of Sabbath breaking against him in large letters. There were a few who doubted his story, but they had nothing more to say when he showed them the hoof-mark on the rock. Moreover, there are fewer fiddlers among the negroes than there used to be, because they say that the violin is the devil's instrument.

WYANDANK