chapter 12

).] swam in it, and had a naval battle between "Persians" and "Athenians." At the close of it he suddenly withdrew the water, dried the subsoil, and continued land contests, not only between two men at a time but with crowds pitted against other crowds.

[Sidenote: A.D. 58 (a.u. 811)] [Sidenote:--10--] Subsequent to this, oratorical contests took place, and as a result even of these numbers were exiled and put to death.--Seneca also was held to account, one of the charges against him being that he was intimate with Agrippina. [It had not been enough for him to debauch Julia, nor had he become better as a result of exile, but he went on to make advances to such a woman as Agrippina, with such a son.] Not only in this instance but in others he was convicted of doing precisely the opposite of what he taught in his philosophical doctrines. He brought accusations against tyranny, yet he made himself a teacher of tyrants: he denounced such of his associates as were powerful, yet he did not hold aloof from the palace himself: he had nothing good to say of flatterers, yet he had so fawned upon Messalina and Claudius's freedmen [that he had sent them from the island a book containing eulogies upon them; this latter caused him such mortification that he erased the passage.] While finding fault with the rich, he himself possessed a property of seven thousand five hundred myriads; and though he censured the extravagances of others, he kept five hundred three-legged tables of cedar wood, every one of them with identical ivory feet, and he gave banquets on them. In mentioning these details I have at least given a hint of their inevitable adjuncts,--the licentiousness in which he indulged at the very time that he made a most brilliant marriage, and the delight that he took in boys past their prime (a practice which he also taught Nero to follow). Nevertheless, his austerity of life had earlier been so severe that he had asked his pupil neither to kiss him nor to eat at the same table with him. [For the latter request he had a good reason, namely, that Nero's absence would enable him to conduct his philosophical studies at leisure without being hindered by the young man's dinners. But as for the kiss, I can not conceive how that tradition came about. The only explanation which one could imagine, namely, his unwillingness to kiss that sort of mouth, is proved to be false by the facts concerning his favorites. For this and for his adultery some complaints were lodged against him, but at this time he was himself released without formal accusations and succeeded in begging off Pallas and Burrus. Later on he did not come out so well.]

[Sidenote: A.D. 59 (a.u. 811)] [Sidenote:--11--] There was a certain Marcus Salvius Otho, who through similarity of character and sharing in wrongdoing had become so intimate with Nero that he was not even punished for saying one day to the latter: "Then I hope you may see me Caesar." All that came of it was the response: "I sha'n't see you even consul." It was to him that the emperor gave Sabina, of patrician family, after separating her from her husband, and they both enjoyed her together. Agrippina, therefore, fearing that Nero would marry the woman (for he was now beginning to entertain a mad passion for her), ventured upon a most unholy course. As if it were not enough for her story that she had attracted her uncle Claudius into love for her by her blandishments and uncontrolled looks and kisses, she undertook to enslave Nero also in similar fashion. However, I am not sure whether this actually occurred, or whether it was invented to fit their characters: but I state here what is admitted by all, that Nero had a mistress resembling Agrippina of whom he was especially fond because of this very resemblance. And when he toyed with the girl herself or threw out hints about it to others, he would say that he was having intercourse with his mother.

[Sidenote: A.D. 59 (a.u. 812)] Sabina on hearing about this began to persuade Nero to get rid of his mother in order to forestall her alleged plots against him. He was likewise incited,--so many trustworthy men have stated,--by Seneca, whether it was to obscure the complaint against his own name that the latter was anxious or to lead Nero on to a career of unholy bloodguiltiness that should bring about most speedily his destruction by gods and men. But they shrank from doing the deed openly and were not able to put her out of the way secretly by means of poison, for she took extreme precautions against all such things. One day they saw in the theatre a ship that automatically separated in two, let out some beasts, and came together again so as to be once more seaworthy; and they at once had another one built like it. By the time the ship was finished Agrippina had been quite won over by Nero's attentions, for he exhibited devotion to her in every way to make sure that she should suspect nothing and be off her guard. He dared, however, do nothing in Rome for fear the crime should become widely known. Hence he went some distance into Campania accompanied by his mother, and took a sail on the fatal ship itself, which was adorned in the most brilliant fashion to the end that she might feel a desire to use the vessel continually.

[Sidenote:--13--] When they reached Bauli, he gave for several days most costly dinners at which he showed great solicitude in entertaining his mother. If she were absent he feigned to miss her sorely, and if she were present he was lavish of caresses. He bade her ask whatever she desired and bestowed many gifts without her asking. When he had shaped the situation to this extent [Footnote: Adopting Reiske's conjecture, _nv_.], then rising from dinner about midnight he embraced her, and straining her to his breast kissed her eyes and hands, exclaiming: "Mother, farewell, and happiness attend you! For you I live and because of you I rule." He then gave her in charge of Anicetus, a freedman, supposedly to convey her home on the ship that he had prepared.

But the sea would not endure the tragedy about to be enacted on it nor would it submit to assume responsibility for the deception wrought by the monstrous contrivance: therefore, though the ship parted asunder and Agrippina fell into the water, she did not perish. In spite of the fact that it was dark and she was full of strong drink and that the sailors used their oar blades on her, so much so that they killed Acerronia Polla, her fellow voyager, she nevertheless saved her life and reached home. Thereupon she affected not to realize that it was a plot and let not a word of it be known, but sent speedily to her son an account of the occurrence with the implication that it had happened by accident, and conveyed to him the good news (as she assumed it to be) that she was safe. Nero hearing this could not endure the unexpected outcome but punished the messenger as savagely as if he had come to assassinate him, and at once despatched Anicetus with the sailors to make an end of his mother. He would not entrust the killing of her to the Pretorians. When she saw them, she knew for what they had come, and leaping from her bed tore open her clothing; exposing her abdomen, and cried out: "Strike here, Anicetus, strike here, for this bore Nero!"

[Sidenote:--14--] Thus was Agrippina, daughter of Germanicus, grandchild of Agrippa, descendant of Augustus, slain by the very son to whom she had given the sovereignty and for whose sake she had killed her uncle and others. Nero when informed that she was dead would not believe it, for the monstrousness of his bold deed plunged him in doubts; therefore he desired to behold the victim with his own eyes. So he laid bare her body, looked her all over and inspected her wounds, finally uttering a remark far more abominable even than the crime. What he said was: "I did not know I had so beautiful a mother."

To the Pretorians he gave money evidently to secure their prayers for many such occurrences, and he sent to the senate a message in which he enumerated the offences of which he knew she was guilty, stating also that she had plotted against him and on being detected had committed suicide. Yet for all this calm explanation to the governing body he was frequently subject to agitation at night, so that he would even leap suddenly from his bed. And by day terror seized him at the sound of trumpets that seemed to blare forth some horrid din of war from the spot where lay Agrippina's bones. Therefore he went elsewhere. And when in his new abode he had again the same experience, he distractedly transferred his residence to some other place.

Nero, not having a word of truth from any one and seeing that all approved what he had been doing, thought that either his actions had escaped notice or that he had conducted himself correctly. Hence he became much worse also in other respects. He came to think that all that it was in his power to do was right and gave heed to those whose speech was prompted by fear or flattery as if they told absolute truth. For a time he was subject to fears and questionings, but, after the ambassadors had made him a number of pleasing speeches, he regained courage.

[Sidenote:--15--] The population of Rome, on hearing the report, though horrified were nevertheless joyful, because they thought that now he would surely come to ruin. Nearly all of the senators pretended to rejoice at what had taken place, participated in Nero's pleasure, and voted many measures of which they thought he would be glad. Publius Thrasea Paetus had also come to the senate-house and listened to the letter. When, however, the reading was done, he at once rose without making any comment and went out. Thus what he would have said he could not, and what he could have said he would not. He behaved in the same way under all other conditions. For he used to say: "If it were a matter of Nero's putting only me to death, I could easily pardon the rest who load him with flatteries. But since among those even who praise him so excessively he has gotten rid of some and will yet destroy others, why should one stoop to indecent behavior and perish like a slave, when like a freeman one may pay the debt to nature? There shall be talk of me hereafter, but of these men not a word save for the single fact that they were killed." Such was the kind of man Thrasea showed himself, and he would always encourage himself by saying: "Nero can kill me, but he can not harm me."

[Sidenote:--16--] When Nero after his mother's murder reentered Rome, people paid him reverence in public, but in private so long as any one could speak frankly with safety they tore his character to very tatters. And first they hung by night a piece of hide on one of his statues to signify that he himself ought to have a hiding. Second, they threw down in the Forum a baby to which was fastened a board, saying: "I will not take you up for fear you may slay your mother."

At Nero's entrance into Rome they took down the statues of Agrippina. But there was one which they did not cut loose soon enough, and so they threw over it a cloth which gave it the appearance of being veiled. Thereupon somebody at once affixed to the statue the following inscription: "I am abashed and thou art unashamed."

In many quarters at once, also, might be read the inscription:

"Nero, Orestes, Alemeon, matricides."

Persons could actually be heard saying in so many words: "Nero put his mother out of the way." Not a few lodged information that certain persons had spoken in this way, their object being not so much to destroy those whom they accused as to bring reproach, on Nero. Hence he would admit no suit of that kind, either not wishing that the rumor should become more widespread by such means, or out of utter contempt for what was said. However, in the midst of the sacrifices offered in memory of Agrippina according to decree, the sun suffered a total eclipse and the stars could be seen. Also, the elephants drawing the chariot of Augustus entered the hippodrome and went as far as the senators' seats, but at that point they stopped and refused to proceed farther. And the event which one might most readily conjecture to have taken place through divine means was that a thunderbolt descended upon his dinner and consumed it all as it was being brought to him, like some tremendous harpy snatching away his food.

[Sidenote:--17--] [In spite of this he killed by poison also his aunt Domitia, whom likewise he used to say he revered like a mother. He would not even wait a few days for her to die a natural death of old age, but was eager to destroy her also. His haste to do this was inspired by her possessions at Baiae and Ravenna, which included magnificent amusement pavilions that she had erected and] are in fine condition even now. In honor of his mother he celebrated a very great and costly festival, events taking place for several days in five or six theatres at once. It was then that an elephant was led to the very top of the vault of the theatre and walked down from that point on ropes, carrying a rider. There was another exhibition at once most disgraceful and shocking. Men and women not only of equestrian but even of senatorial rank appeared in the orchestra, the hippodrome, and even the hunting-theatre, like the veriest outcasts. Some of them played the flute and danced or acted tragedies and comedies or sang to the lyre. They drove horses, killed beasts, fought as gladiators, some willingly, others with a very bad grace. Men of that day beheld the great families,--the Furii, the Horatii, the Fabii, Poreii, Valerii, and all the rest whose trophies, whose temples were to be seen,--standing down below the level of the spectators and doing some things to which no common citizen even would stoop. So they would point them out to one another and make remarks, Macedonians saying: "That is the descendant of Paulus"; Greeks, "Yonder the offspring of Mummius"; Sicilians, "Look at Claudius"; the Epirots, "Look at Appius"; Asiatics, "There's Lucius"; Iberians, "There's Publius"; Carthaginians, "There's Africanus"; Romans, "There they all are". Such was the expiation that the emperor chose to offer for his own indecency.

[Sidenote:--18--] All who had sense, likewise, bewailed the multitude of expenditures. Every costliest viand that men eat, everything else, indeed, of the highest value,--horses, slaves, teams, gold, silver, raiment of varied hues,--was given away by tickets. Nero would throw tiny balls, each one appropriately inscribed, among the populace and that article represented by the token received would be presented to the person who had seized it. The sensible, I say, reflected that, when he spent so much to prevent molestation in his disgraceful course, he would not be restrained from any most outrageous proceedings through mere hope of profit.

Some portents had taken place about this time, which the seers declared imported destruction to him, and they advised him to divert the danger upon others. So he would have immediately put numbers of men out of the way, had not Seneca said to him: "No matter how many you may slay, you can not kill your successor."

It was now that he celebrated a corresponding number of "Preservation Sacrifices," as he called them, and dedicated the forum for the sale of dainties, called _Macellum_. [Sidenote:--19--] Somewhat later he instituted a different kind of feast (called Juvenalia, a word that showed it belonged in some way to "youth"). The occasion was the shaving of his beard for the first time. The hairs he cast into a small golden globe and offered to Jupiter Capitolinus. To furnish amusement members of the noblest families as well as others did not fail to give exhibitions. For instance, Aelia Catella danced: he was first of all a man prominent for family and wealth and also advanced in years,--he was eighty years of age. Others who on account of old age or disease could not do anything on their own account sang as chorus. All devoted themselves to practicing as much as and by whatever way they were able. Regularly appointed "schools" were frequented by the most distinguished men, women, girls, lads, old women, old men. In case any one was unable to appear in any other fashion, he would enter the choruses. And whereas some of them out of shame had put on masks to avoid being recognized, Nero at the request of the populace had them taken off and showed these people to those by whom they had once been ruled. Now most of all it was that these amateur performers and others deemed the dead happy; for many of the foremost men this year had been slain. Some of them, charged with conspiracy against Nero, were surrounded by the soldiers and stoned to death.

[Sidenote:--20--] And, as there needed to be a fitting climax to these deeds, Nero himself appeared as an actor and Gallio [Footnote: _L. Iunius Gallio_.] proclaimed him by name. There stood Caesar on the stage wearing the garb of a singing zither-player. Spoke the emperor: "My lords, of your kindness give me ear." Then did the Augustus sing to the zither a thing called "Attis or the Bacchantes," [Footnote: The title of one of Nero's poems.] whilst many soldiers stood by and all the people that the seats would hold sat watching. Yet had he (according to the tradition) but a slight voice and an indistinct, so that he moved all present to laughter and tears at once. Beside him stood Burrus and Seneca like teachers prompting a pupil: they would wave their hands and togas at every utterance and draw others on to do the same. Indeed, Nero had ready a peculiar corps of about five thousand soldiers, called Augustans; these would begin the applause, and all the rest, however loath, were obliged to shout aloud with them,--except Thrasea. He would never stoop to such conduct. But the rest, and especially the prominent men, gathered with alacrity even when in grief and joined as if glad in all the shouts of the Augustans. One could hear them saying: "Excellent Caesar! Apollo! Augustus! One like unto the Pythian! By thine own self, O Caesar, no one can surpass thee!" After this performance he entertained the people at a feast on boats on the site of the naval battle given by Augustus: thence at midnight he sailed through a canal into the Tiber.

[Sidenote: A.D. 60 (a.u. 813)] [Sidenote:--21--] This, then, he did to celebrate the shaving of his chin. In behalf of his preservation and the continuance of his authority,--thus he gave notice,--he instituted quinquennial games, naming them Neronia. In honor of the event he also constructed the gymnasium at the dedication of which he made a free distribution of olive oil to the senators and knights. The crown for singing to the zither, moreover, he took without a contest, for all others were debarred on the assumption that they were unworthy of victory. [And immediately in their garb he was enrolled on the very lists of the gymnasium.] Thenceforward all other crowns for zither playing at all the contests were sent to him as the only person competent to win victories of that sort.

DIO'S ROMAN HISTORY 62

About the disaster to the Romans in Britain, brought upon them by Buduica (chapters 1-7).

Paulinus, returning from subduing the island of Mona, conquers in battle (chapters 8-12).

Octavia Augusta and Burrus, likewise Plautus and Pallas, are put to death by Nero (chapters 13, 14).

Most swinish reveling at the games of Tigillinus (