Part 37

The ceremonies which accompanied the accessions of the emperors of Germany (Fig. 388) are equally interesting, and were settled by a decree which the Emperor Charles IX. promulgated in 1356, at the Diet of Nuremberg. According to the terms of this decree--which is still preserved among the archives of Frankfort-on-the-Main, and which is known as the _bulle d'or_, or golden bull, from the fact of its bearing a seal of pure gold--on the death of an emperor, the Archbishop of Mayence summoned, for an appointed day, the Prince Electors of the Empire, who, during the whole course of the Middle Ages, remained seven in number, "in honour," says the bull, "of the seven candlesticks mentioned in the Apocalypse." These Electors--who occupied the same position near the Emperor that the twelve peers did in relation to the King of France--were the Archbishops of Mayence, of Trèves, and of Cologne, the King of Bohemia, the Count Palatine of the Rhine, the Duke of Saxony, and the Margrave of Brandenburg. On the appointed day, the mass of the Holy Spirit was duly solemnized in the Church of St. Bartholomew of Frankfort, a town in which not only the election of the Emperor, but also his coronation, almost always took place, though one might have supposed that Aix-la-Chapelle would have been selected for such ceremonies. The Electors attended, and after the service was concluded, they retired to the sacristy of the church, accompanied by their officers and secretaries, They had thirty days for deliberation, but beyond that period they were not allowed "to eat bread or drink water" until they had agreed, at least by a majority, to give _a temporal chief to the Christian people, that is to say, a King of the Romans, who should in due time be promoted to be Emperor_, The newly-elected prince was, in fact, at first simply _King of the Romans_, and this title was often borne by persons who were merely nominated for the office by the voice of the Electors, or by political combinations. In order to be promoted to the full measure of power and authority, the King of the Romans had to receive both religions consecration and the crown. The ceremonies adopted at this solemnity were very analogous to those used at the consecrations of the kings of France, as well as to those of installation of all Christian princes. The service was celebrated by the Archbishop of Cologne, who placed the crown on the head of the sovereign-elect, whom he consecrated Emperor. The symbols of his authority were handed to him by the Electors, and then he was proclaimed, "_Cæsar, most sacred, ever august Majesty, Emperor, of the Holy Roman Empire of the nation of Germany_."

[Illustration: Fig. 388.--Costume of Emperors at their Coronation since the Time of Charlemagne.--From an Engraving in a Work entitled "Insignia Sacre Majistatis Cæsarum Principum." Frankfort, 1579, in folio.]

The imperial _cortége_ then came out from the Church of St. Bartholomew, and went through the town, halting at the town-hall (called the _Roemer_, in commemoration of the noble name of Rome), where a splendid banquet, prepared in the _Kaysersaal_ (hall of the Caesars), awaited the principal performers in this august ceremony.

At the moment that the Emperor set foot on the threshold of the Roemer, the Elector of Saxony, Chief Marshal of the Empire, on horseback, galloped at full speed towards a heap of oats which was piled up in the middle of the square. Holding in one hand a silver measure, and in the other a scraper of the same metal, each of which weighed six marks, he filled the measure with oats, levelled it with the scraper, and handed it over to the hereditary marshal. The rest of the heap was noisily scrambled for by the people who had been witnesses of this allegorical performance. Then the Count Palatine, as chief seneschal, proceeded to perform his part in the ceremony, which consisted of placing before the Emperor, who was sitting at table, four silver dishes, each weighing three marks. The King of Bohemia, as chief butler, handed to the monarch wine and water in a silver cup weighing twelve marks; and then the Margrave of Magdeburg presented to him a silver basin of the same weight for washing his hands. The other three Electors, or arch-chancellors, provided at their own expense the silver baton, weighing twelve marks, suspended to which one of them carried the seals of the empire. Lastly, the Emperor, and with him the Empress if he was married, the princes, and the Electors, sat down to a banquet at separate tables, and were waited upon by their respective officers. On another table or stage were placed the Imperial insignia. The ceremony was concluded outside by public rejoicings: fountains were set to play; wine, beer, and other beverages were distributed; gigantic bonfires were made, at which whole oxen were roasted; refreshment tables were set out in the open air, at which any one might sit down and partake, and, in a word, every bounty as well as every amusement was provided. In this way for centuries public fêtes were celebrated on these occasions.

[Illustration: Fig. 389.--Imperial Procession.--From an Engraving of the "Solemn Entry of Charles V. and Clement VII. into Bologna," by L. de Cranach, from a Fresco by Brusasorci, of Verona.]

The doges of Venice, as well as the emperors of Germany, and some other heads of states, differed from other Christian sovereigns in this respect, that, instead of holding their high office by hereditary or divine right, they were installed therein by election. At Venice, a conclave, consisting of forty electors, appointed by a much more numerous body of men of high position, elected the Doge, or president of _the most serene Republic_.

From the day when Laurent Tiepolo, immediately after his election in 1268, was spontaneously carried in triumph by the Venetian sailors, it became the custom for a similar ovation to take place in honour of any newly-elected doge. In order to do this, the workmen of the harbour had the new Doge seated in a splendid palanquin, and carried him on their shoulders in great pomp round the Piazza San Marco. But another still more characteristic ceremony distinguished this magisterial election. On Ascension Day, the Doge, entering a magnificent galley, called the _Bucentaur_, which was elegantly equipped, and resplendent with gold and precious stuffs, crossed the Grand Canal, went outside the town, and proceeded in the midst of a nautical _cortége_, escorted by bands of music, to the distance of about a league from the town on the Adriatic Gulf. Then the Patriarch of Venice gave his blessing to the sea, and the Doge, taking the helm, threw a gold ring into the water, saying, "O sea! I espouse thee in the name, and in token, of our true and perpetual sovereignty." Immediately the waters were strewed with flowers, and the shouts of joy, and the clapping of hands of the crowd, were intermingled with the strains of instruments of music of all sorts, whilst the glorious sky of Venice smiled on the poetic scene.

The greater part of the principal ceremonies of the Middle Ages acquired, from various accessory and local circumstances, a character of grandeur well fitted to impress the minds of the populace. On these memorable occasions the exhibition of some historical memorial, of certain traditional symbols, of certain relics, &c., brought to the recollection the most celebrated events in national history--events already possessing the prestige of antiquity as well as the veneration of the people. Thus, as a memorial of the consecration of the kings of Hungary, the actual crown of holy King Stephen was used; at the consecration of the kings of England, the actual chair of Edward the Confessor was used; at the consecration of the emperors of Germany, the imperial insignia actually used by Charlemagne formed part of the display; at the consecration of the kings of France at a certain period, the hand of justice of St. Louis, which has been before alluded to, was produced.

[Illustration: Fig. 390.--Standards of the Church and the Empire.--Reduced from an Engraving of the "Entry of Charles V. and Clement VII. into Bologna," by Lucas de Cranach, from a Fresco by Brusasorci, of Verona.]

After their consecration by the Church and by the spiritual power, the sovereigns had simply to take actual possession of their dominions, and, so to speak, of their subjects. This positive act of sovereignty was often accompanied by another class of ceremonies, called _joyous entry_, or _public entry._ These entries, of which numerous accounts have been handed down to us by historians, and which for the most part were very varied in character, naturally took place in the capital city. We will limit ourselves to transcribing the account given by the ancient chronicler, Juvenal des Ursins, of the entry into Paris of Queen Isabel of Bavaria, wife of Charles VI., which was a curious specimen of the public fêtes of this kind.

[Illustration: Fig. 391.--Grand Procession of the Doge, Venice (Sixteenth Century).--Reduced from one of fourteen Engravings representing this Ceremony, designed and engraved by J. Amman.]

"In the year 1389, the King was desirous that the Queen should make a public entry into Paris, and this he made known to the inhabitants, in order that they should make preparations for it. And there were at each cross roads divers _histoires_ (historical representations, pictures, or tableaux vivants), and fountains sending forth water, wine, and milk. The people of Paris in great numbers went out to meet the Queen, with the Provost of the Merchants, crying '_Noel!_' The bridge by which she passed was covered with blue taffeta, embroidered with golden fleurs-de-lys. A man of light weight, dressed in the guise of an angel, came down, by means of some well-constructed machinery, from one of the towers of Notre-Dame, to the said bridge through an opening in the said blue taffeta, at the moment when the Queen was passing, and placed a beautiful crown on her head. After he had done this, he withdrew through the said opening by the same means, and thus appeared as if he were returning to the skies of his own accord. Before the Grand Chastelet there was a splendid court adorned with azure tapestry, which was intended to be a representation of the _lit-de-justice,_ and it was very large and richly decorated. In the middle of it was a very large pure white artificial stag, its horns gilt, and its neck encircled with a crown of gold. It was so ingeniously constructed that its eyes, horns, mouth, and all its limbs, were put in motion by a man who was secreted within its body. Hanging to its neck were the King's arms--that is to say, three gold fleur-de-lys on an azure shield.... Near the stag there was a large sword, beautiful and bright, unsheathed; and when the Queen passed, the stag was made to take the sword in the right fore-foot, to hold it out straight, and to brandish it. It was reported to the King that the said preparations were made, and he said to Savoisy, who was one of those nearest to him, 'Savoisy, I earnestly entreat thee to mount a good horse, and I will ride behind thee, and we will so dress ourselves that no one will know us, and let us go and see the entry of my wife.' And, although Savoisy did all he could to dissuade him, the King insisted, and ordered that it should be done. So Savoisy did what the King had ordered, and disguised himself as well as he could, and mounted on a powerful horse with the King behind him. They went through the town, and managed so as to reach the Chastelet at the time the Queen was passing. There was a great crowd, and Savoisy placed himself as near as he could, and there were sergeants on all sides with thick birch wands, who, in order to prevent the crowd from pressing upon and injuring the court where the stag was, hit away with their wands as hard as they could. Savoisy struggled continually to get nearer and nearer, and the sergeants, who neither knew the King nor Savoisy, struck away at them, and the King received several very hard and well-directed blows on the shoulders. In the evening, in the presence of the ladies, the matter was talked over, and they began to joke about it, and even the King himself laughed at the blows he had received. The Queen on her entry was seated on a litter, and very magnificently dressed, as were also the ladies and maids of honour. It was indeed a splendid sight; and if any one wished to describe the dresses of the ladies, of the knights and squires, and of those who escorted the Queen, it would take a long time to do so. After supper, singing and dancing commenced, which continued until daylight. The next day there were tournaments and other sports" (Fig. 392).

[Illustration: Entry of Charles the Seventh into Paris

A miniature from _Monstrelet the Chronicles_ in the Bibl. nat. de Paris, no 20,861 Costumes of the Sixteenth century.]

[Illustration: Fig. 392.--Tournaments in honour of the Entry of Queen Isabel into Paris--From a Miniature in the "Chroniques" of Froissart, Manuscript of the Fifteenth Century (National Library of Paris).]

[Illustration: Fig. 393.--Seat of Justice, held by King Philippe de Valois, on the 8th April, 1332, for the Trial of Robert, Comte d'Artois.--From a Pen-and-ink Sketch in an Original Manuscript (Arch. of the Empire)]

In the course of this simple and graphic description mention has been made of the _lit de justice_ (seat of justice). All judicial or legislative assemblies at which the King considered it his duty to be present were thus designated; when the King came there simply as a looker-on, they were more commonly called _plaidoyers_, and, in this case, no change was made in the ordinary arrangements; but when the King presided they were called _conseils_, and then a special ceremonial was required. In fact, by _lit de justice_ (Fig. 393), or _cour des pairs_, we understand a court consisting of the high officers of the crown, and of the great executive of the State, whose duty it was to determine whether any peer of France should be tried on a criminal charge; gravely to deliberate on any political matter of special interest; or to register, in the name of the absolute sovereignty of the King, any edict of importance. We know the prominent, and, we may say, even the fatal, part played by these solemnities, which were being continually re-enacted, and on every sort of pretext, during the latter days of monarchy. These courts were always held with impressive pomp. The sovereign usually summoned to them the princes of the blood royal and the officers of his household; the members of the Parliament took their seats in scarlet robes, the presidents being habited in their caps and their mantles, and the registrars of the court also wearing their official dress. The High Chancellor, the First Chamberlain, and the Provost of Paris, sat at the King's feet. The Chancellor of France, the presidents and councillors of the Parliament, occupied the bar, and the ushers of the court were in a kneeling posture.

Having thus mentioned the assemblies of persons of distinction, the interviews of sovereigns (Fig. 394), and the reception of ambassadors--without describing them in detail, which would involve more space than we have at our command--we will enter upon the subject of the special ceremonial adopted by the nobility, taking as our guide the standard book called "Honneurs de la Cour," compiled at the end of the fifteenth century by the celebrated Aliénor de Poitiers. In addition to her own observations, she gives those of her mother, Isabelle de Souza, who herself had but continued the work of another noble lady, Jeanne d'Harcourt--married in 1391 to the Count William de Namur--who was considered the best authority to be found in the kingdom of France. This collection of the customs of the court forms a kind of family diary embracing three generations, and extending back over more than a century.

Notwithstanding the curious and interesting character of this book, and the authority which it possesses on this subject, we cannot, much to our regret, do more than borrow a few passages from it; but these, carefully selected, will no doubt suffice to give some idea of the manners and customs of the nobility during the fifteenth century, and to illustrate the laws of etiquette of which it was the recognised code.

One of the early chapters of the work sets forth this fundamental law of French ceremonial, namely, that, "according to the traditions or customs of France, women, however exalted their position, be they even king's daughters, rank with their husbands." We find on the occasion of the marriage of King Charles VII. with Mary of Anjou, in 1413, although probably there had never been assembled together so many princes and ladies of rank, that at the banquet the ladies alone dined with the Queen, "and no gentlemen sat with them." We may remark, whilst on this subject, that before the reign of Francis I. it was not customary for the two sexes to be associated together in the ordinary intercourse of court life; and we have elsewhere remarked (see chapter on Private Life) that this departure from ancient custom exerted a considerable influence, not only on manners, but also on public affairs.

[Illustration: Fig. 394.--Interview of King Charles V. with the Emperor Charles IV. in Paris in 1378.--Fac-simile of a Miniature in the Description of this Interview, Manuscript of the Fifteenth Century, in the Library of the Arsenal of Paris.]

The authoress of the "Honneurs de la Cour" specially mentions the respect which Queen Mary of Anjou paid to the Duchess of Burgundy when she was at Châlons in Champagne in 1445: "The Duchess came with all her retinue, on horseback and in carriages, into the courtyard of the mansion where the King and Queen were, and there alighted, her first maid of honour acting as her train-bearer. M. de Bourbon gave her his right hand, and the gentlemen went on in front. In this manner she was conducted to the hall which served as the ante-chamber to the Queen's apartment. There she stopped, and sent in M. de Crequi to ask the Queen if it was her pleasure that she should enter.... When the Duchess came to the door she took the train of her dress from the lady who bore it and let it trail on the ground, and as she entered she knelt and then adyanced to the middle of the room. There she made the same obeisance, and moved straight towards the Queen, who was standing close to the foot of her throne. When the Duchess had performed a further act of homage, the Queen advanced two or three steps, and the Duchess fell on her knees; the Queen then put her hand on her shoulder, embraced her, kissed her, and commanded her to rise."

The Duchess then went up to Margaret of Scotland, wife of the Dauphin, afterwards Louis XI., "who was four or five feet from the Queen," and paid her the same honours as she had done to the Queen, although the Dauphine appeared to wish to prevent her from absolutely kneeling to her. After this she turned towards the Queen of Sicily (Isabelle de Lorraine, wife of René of Anjou, brother-in-law of the King), "who was two or three feet from the Dauphine," and merely bowed to her, and the same to another Princess, Madame de Calabre, who was still more distantly connected with the blood royal. Then the Queen, and after her the Dauphine, kissed the three maids of honour of the Duchess and the wives of the gentlemen. The Duchess did the same to the ladies who accompanied the Queen and the Dauphine, "but of those of the Queen of Sicily the Duchess kissed none, inasmuch as the Queen had not kissed hers. And the Duchess would not walk behind the Queen, for she said that the Duke of Burgundy was nearer the crown of France than was the King of Sicily, and also that she was daughter of the King of Portugal, who was greater than the King of Sicily."

Further on, from the details given of a similar reception, we learn that etiquette was not at that time regulated by the laws of politeness as now understood, inasmuch as the voluntary respect paid by men to the gentle sex was influenced much by social rank. Thus, at the time of a visit of Louis XI., then Dauphin, to the court of Brussels, to which place he went to seek refuge against the anger of his father, the Duchesses of Burgundy, of Charolais, and of Clèves, his near relatives, exhibited towards him all the tokens of submission and inferiority which he might have received from a vassal. The Dauphin, it is true, wished to avoid this homage, and a disussion on the subject of "more than a quarter of an hour ensued;" at last he took the Duchess of Burgundy by the arm and led her away, in order to cut short the ceremonies "about which Madame made so much to do." This, however, did not prevent the princesses, on their withdrawing, from kneeling to the ground in order to show their respect for the son of the King of France.

[Illustration: Fig. 395.--The Entry of Louis XI. into Paris.--Fac-simile of a Miniature in the "Chroniques" of Monstrelet, Manuscript of the Fifteenth Century (Imperial Library of Paris).]

We have already seen that the Duchess of Burgundy, when about to appear before the Queen, took her train from her train-bearer in order that she might carry it herself. In this she was only conforming to a general principle, which was, that in the presence of a superior, a person, however high his rank, should not himself receive honours whilst at the same time paying them to another. Thus a duke and a duchess amidst their court had all the things which were used at their table covered--hence the modern expression, _mettre le couvert_ (to lay the cloth)--even the wash-hand basin and the _cadenas_, a kind of case in which the cups, knives, and other table articles were kept; but when they were entertaining a king all these marks of superiority were removed, as a matter of etiquette, from the table at which they sat, and were passed on as an act of respect to the sovereign present.

The book of Dame Aliénor, in a series of articles to which we shall merely allude, speaks at great length and enters into detail respecting the interior arrangements of the rooms in which princes and other noble children were born. The formalities gone through on these occasions were as curious as they were complicated; and Dame Aliénor regretted to see them falling into disuse, "owing to which," she says, "we fear that the possessions of the great houses of the nobility are getting too large, as every one admits, and chicanery or concealment of birth, so as to make away with too many children, is on the increase."