Part 45
The Gratuitous School for Drawing must not be assimilated to establishments intended for improving the taste of those who follow the career of the liberal arts. It presents immediately to the children of the lower orders of the people the instruction that suits them best. Here, every thing is useful. Not only are the pupils instructed _gratis_, but the school furnishes to the indigent, recommended by one of the founders, the paper, pencils, and instruments necessary for their studies in the classes, and also models for exercising their talents at home.
* * * * *
I shall speak elsewhere of the _Special School of Medicine_ of Paris; there are two others, one at Montpellier, and one at Strasburg. At Alfort, near Paris, is established, on a grand scale, a
VETERINARY SCHOOL.
It would lead me too far to particularize every department of this extensive establishment; but one of these is too useful to be passed over in silence. Here are spacious hospitals where animals are classed, not only according to their species, but also according to the species of disorder by which they are affected. Every person may bring hither sick animals, on paying for their food and medicaments only, the operations and dressings being performed and applied _gratis_.
There are also Veterinary Schools at Lyons, Turin, and Rodez.
In addition to all these schools are to be established, in different parts of the Republic, the following new _Special Schools_.
Ten of Jurisprudence.
Three of Medicine.
Four of Natural History, Physics, and Chymistry.
One of Transcendent Mathematics.
Two of Technology.
One of Public Economy, enlightened by Geography and History.
One of the Arts dependent on design, and, lastly,
A new Military School.
From the foregoing enumeration, it is evident that the government can never be at a loss for persons duly qualified to perform the duties of every branch of the Public Service. True it is that the nation is at a considerable expense in giving to them the instruction which fits them for the employment; but, in return, what advantages does not the nation derive from the exertion of their talent?
[Footnote 1: In France are reckoned seventy-fire lyric theatres, exclusively of those in the newly-united departments.]
LETTER LXII.
_Paris, February 5, 1802_.
In one of your recent letters, you interrogated me respecting the changes which the revolution had produced in the ceremonies immediately connected with the increase and decrease of population. While the subject is fresh in my mind, I shall present the contrast which I have observed, in the years 1789-90 and 1801-2, in the ceremony of
FUNERALS.
Under the old _régime_, there was no medium in them; they were either very indecorous or very expensive. I have been positively assured that eighteen francs were paid for what was called a parish-funeral, and not unfrequently a quarrel arose between the agent of the rector and the relations of the deceased. However, as it was necessary to bury every one, the _Commissaire de police_ declared the fact, if the relations were unable to pay. Those for whom eighteen francs were paid, had a coffin in which they were buried; the others were laid in a common coffin or shell, from which they were taken to be put into the ground. In a parish-funeral, whether paid or not, several dead bodies were assembled, that is, they were carried one after the other, but at the same time to the same ground. They were conducted by a single priest, reciting by the way the accustomed prayers.
Other funerals were varied without end, according to the fortune or pleasure of the relations. For persons of the richest class, a flaming chapel was constructed at the entrance of the house. This chapel was hung with black cloth, and in it was placed the corpse, surrounded by lighted torches. The apartments were also hung with black for the reception of the persons who were to attend the funeral procession. The priests came to conduct the corpse from the house of the deceased. They were more or less numerous, had or had not wax tapers, according to the will of those who defrayed the expenses. If the presentation of the corpse at the parish-church took place in the morning, a mass was sung; if in the evening, obsequies only were chaunted, and the former service was deferred till the next morning. The relations and friends, in mourning, followed the corpse. These persons walked in the procession, according to their degree of relationship to the deceased, and besides their complete mourning-suit, wore a black cloak, more or less long, according to the quality of the persons (or the price paid for it), and a flapped hat, from which was suspended a very long crape band. Their hair, unpowdered, fell loose on their back. In lieu of a cloak, lawyers, whether presidents, counsellors, attornies, or tipstaffs, wore their black gown. On the cuff of their coat, men wore weepers, consisting of a band of cambric. Every one wore black gloves, and likewise a long pendent white cravat. People of the highest rank wore _cottés crépés_, that is, a sort of crape petticoat, which fell from the waist to the feet. This was meant to represent the ancient coat of arms.
Servants in mourning, or pages for princes, supported the train of the cloak or gown of persons above the common rank. Other servants, also in mourning, surrounded the relations and friends of the deceased, holding torches with his armorial bearings, if he was a _noble_. Persons extremely rich or very elevated in rank, hired a certain number of poor (from fifty to three hundred), over whom were thrown several ells of coarse iron gray cloth, to which no particular form was given. They walked before the corpse, holding large lighted torches. The procession was closed by the carriages of persons belonging to it; and their owners did not get into them till their return from the funeral. Sometimes on coming out of the parish-church, where the presentation of the corpse was indispensable, the rector performing the office of magistrate in regard to the delivery of the certificate of presentation, the corpse was carried into a particular church to be buried. This was become uncommon before the revolution, as to do this it was necessary to possess a vault, or pay extremely dear, it being prohibited by law, except in such cases, to bury the dead in churches.
When the deceased belonged to a society or corporation, they sent a deputation to attend him to the grave, or followed in a body, if he was their chief. At the funeral of a prince of the blood, all his household, civil and military, marched in the procession. The _corbillard_, or sort of hearse, in which his highness was carried to _St. Denis_, was almost as large as the moveable theatre which Mr. Flockton transports from fair to fair in England. Calculated in appearance for carrying the body of a giant, it was decorated with escutcheons, and drawn by eight horses, also caparisoned to correspond with the hearse. These, however, were but the trappings of woe.
While this funereal car moved slowly forward amidst a concourse of mourners, its three-fold hangings concealed from the eye of the observer the journeymen coach and harness makers, drinking, and playing at dice on the lid of his highness's coffin, by way of dispelling the _ennui_ of the journey. These careless fellows were placed there to be at hand to repair any accident that might happen on the road; so, while, on the outside of the hearse, all wore the appearance of sadness; within, all was mirth; no bad image of the reverse of grandeur and the emptiness of human ostentation.
Such were the ceremonies observed in funerals before the revolution. Passing over the interval, from its commencement in 1789 to the end of the year 1801, I shall describe those practised at the present day. It now depends on the relations to have the corpse presented at the parish-church; but there are many persons who dispense with this ceremony. The priests receive the corpse at the door of the church. It is carried thither in a _corbillard_. Each municipality has its own, and there are twelve municipalities in Paris. Some of them have adopted the Egyptian style; some, the Greek; and others, the Roman, for the fashion of their _corbillard_, according to the taste of the municipality who ordered its construction. It is drawn by two horses abreast, caparisoned somewhat like those of our hearses. The coachman and the four bearers are clothed in iron gray or black. An officer of the police, also clothed in black, and holding a cane with an ivory head, walks before the _corbillard_ or hearse. Each corpse has its
## particular coffin furnished by the municipality. Arrangements have
been so made that the rich are made to pay for the poor. The coffin is covered with a black cloth, without a cross, for fear of scaring philosophers and protestants. The relations follow on foot, or in carriages, even in town. Few of them are in mourning, and still fewer wear a cloak.
At the _Sainte Chapelle_, near the _Palais de Justice_, is a private establishment where, mourning is let out for hire. Here are to be had _corbillards_ on a more elegant plan. These are carriages hung on springs, and bearing much resemblance to our most fashionable sociables with a standing awning; so much so, that the first of them I saw I mistook for a _mourning_ sociable. Some are ornamented with black feathers. Caparisons, hangings, every thing is in black, as well as the coachman. This speculator also lets out mourning coaches, black without and within, like those in use in London. At a few funerals, these are hired for the mourners, and at a recent one, fifteen of these carriages were counted in the procession. However, this luxury of burials is not entirely come again into fashion. In the inside of the church, every thing passes as formerly.
I shall now proceed from the _grave_ to the _gay_, and conclude this letter with a concise observation on
MARRIAGES.
The _civil_ act of marriage is entered into at the office of the municipality. But this civil act must not be coufounded with the contract, drawn up by the notary, and containing the stipulations, clauses, and conditions. The former signifies merely that such a man and such a woman take each other for man and wife. There are few, if any, persons married, who, from the municipality, do not repair to the parish-church, or go thither the next morning; the civil act being considered by individuals only as the ceremony of the betrothing, and till the priest has given the nuptial benediction, the relations take care that the intended bride and bridegroom shall have no opportunity of anticipating the duties of marriage.
Political opinions, therefore, prevent but few persons from going to church. Mass is said in a low voice, during which the priest, or the rector, receives the promise of the wedded pair. With little exception, the ceremony is the same for all. Those who pay well are married at the high altar; the rector addresses to them a speech in which he exhorts them to live happily together; the beadles perform their duty; and the organist strikes up a voluntary.
In regard to marriages, the present and former times presenting no other contrast, I have nothing more to add on the subject.
LETTER LXIII.
_Paris, February 6, 1803._
The mode of life of the persons with whom I chiefly associate here, precludes me from reading as much as I could wish, either for instruction or amusement. This, you will say, I ought not to regret; for a traveller visits foreign countries to study mankind, not books. Unquestionably, the men who, like splendid folios in a library, make at present the most conspicuous figure in this metropolis, are worth studying; and, could we lay them open to our inspection, as we do books of a common description, it would be extremely entertaining to turn them over every morning, till we had them, in a manner, by heart. But I rather apprehend that they partake, more or less, of the qualities of a book just come out of the hands of the binder, which it is difficult to open. Let us therefore content ourselves with viewing them as we would volumes of a superbly-bound edition, not to be examined by the general observer, and direct our eyes to such objects as are fully exposed to investigation.
In Paris, there are several public libraries, the greater part of them open every day; but that which eclipses all the others, is the
BIBLIOTHÈQUE NATIONALE.
Charles V, justly surnamed the _Wise_, from the encouragement he gave to learning, may be considered as the first founder of this library. According to the President Henault, that king had collected nine hundred volumes; whereas king John, his father, possessed not twenty. This collection was placed in a tower of the _Louvre_, called _La Tour de la Librairie_, which was lighted up every night, in order that the learned might pursue their studies there at all hours.
After the death of Charles VI, in 1423, the inventory amounted to no more than one hundred and twenty volumes, though several works had been added, because on the other hand, a great number had been lost.
When Paris fell into the power of the English, in 1429, the Duke of Bedford, then regent of France, purchased these books, for which he paid 1200 livres, and the library was entirely dispersed. Charles VII, being continually engaged in war, could not concern himself in its re-estahlishment. Lewis XI collected the remains scattered in different royal residences, and availed himself of the resources afforded by the invention of printing, which was discovered at Strasburg or Mentz in 1440.
Printers, however, were not established in Paris till 1470, and in that same year, they dedicated to Lewis XI one of the first books which they printed. Books were, at this time, very scarce and dear, and continued so for several years, both before and after the discovery of that invention. Twenty thousand persons then subsisted in France by the sale of the books which they transcribed. This was the reason why printing was not at first more encouraged.
Charles VIII added to this literary establishment such works as he was able to obtain in his conquest of Naples. Lewis XII increased it by the library of Potrarch. Francis I enriched it with Greek manuscripts; but what most contributed to augment the collection was the ordinance of Henry II, issued in 1556, which enjoined booksellers to furnish the royal libraries with a copy on vellum of all the works printed by privilege; and, under the subsequent reigns, it gradually acquired that richness and abundance which, before the revolution, had caused it to be considered as one of the first libraries in Europe.
In 1789, the _Bibliothèque du Roi_, as it was till then called, was reckoned to contain one hundred and eighty thousand printed volumes, eighty thousand manuscripts, a prodigious numbcr of medals, antiques, and engraved stones, six thousand port-folios of prints, and two thousand engraved plates. But, under its present denomination of _Bibliothèque Nationale_, it has been considerably augmented. Agreeably to your desire, I shall point out whatever is most remarkable in these augmentations.
The buildings, which, since the year 1721, contain this vast collection, formally made part of the _Hôtel Mazarin_. The entrance is by the _Rue de la Loi_. It is at present divided into four departments, and is managed by a conservatory, composed of eight members, namely:
1. Two conservators for the printed books, M. M. CAPPERONNIER and VAN-PRAET.
2. Three for the manuscripts, M. M. LANGLÈS, LAPORTE DUTHEIL, and DACIER.
3. Two for the antiques, medals, and engraved stones, M. M. MILLIN and GOSSELIN.
4. One for the prints and engraved plates, M. JOLY.
The first department, containing the printed books, occupies, on the first floor of the three sides of the court, an extent of about nine hundred feet by twenty-four in breadth. The rooms, which receive light on one side only, are equal in height. In the second room to the right is the _Parnasse Français_, a little mountain, in bronze, covered with figures a foot high, and with medals, representing French poets. Lewis XIV here occupies a distinguished place under the figure of Apollo. It was a present made by TITON DU TILLET.
In another of these rooms, built on purpose, are a pair of globes of an extraordinary size, constructed, in 1683, by Father CORONELLI, a Jesuit, for Cardinal D'ESTRÉES, who presented them to Lewis XIV. The feet of these globes rest in a lower apartment; while their hemispheres project by two apertures made in the floor of fhe first story, and are thus placed within reach of the observer. Their diameter is eleven feet, eleven inches. The celebrated BUTTERFIELD made for them two brass circles, (the one for the meridian, the other for the horizon), each eighteen feet in diameter.
Since the year 1789, the department of printed books has received an augmentation of one hundred and forty thousand volumes, either arising from private acquisitions, or collected in France, Italy, Holland, Germany, or Belgium. Among these is a valuable series of works, some more scarce than others, executed in the XVth century, which has rendered this department one of the most complete in Europe. I shall abstain from entering into a detail of the articles assembled in it, several of which deserve particular notice. A great many ancient specimens of the typographical art are on vellum, and give to this collection a value which it would be no easy matter to appreciate. All the classes of it present a great number, the enumeration of which would far exceed my limits.
The department of manuscripts, which is placed in a gallery one hundred and forty feet in length, by twenty-two in breadth, has been increased in proportion to that of the printed books. The library of Versailles, that of several emigrants, the chapters of various cathedrals, the Sorbonne, the _Collège de Navarre_ in Paris, and the different suppressed religious corporations, have enriched it with upwards of twenty thousand volumes; eight thousand of these belonged to the library of _St. Germain-des-Prês_, which was burnt in 1793-4, and was immensely rich in manuscripts and old printed hooks.
About fifteen hundred volumes have been taken from Italy, Holland, and Germany. Among those arrived from Italy, we must distinguish the original manuscript of RUFFIN, a priest of Aquilea, who lived in the IVth century, containing, on papyrus or Egyptian paper, the Latin tranlation of the Jewish antiquities of FLAVIUS JOSEPHUS; the grammar of PROBUS or PALÆMON, a manuscript of the Vth century, on vellum, in uncial characters; a very beautiful volume in Syriac, containing the Four Evangelists, a manuscript on vellum of the VIth century; the two celebrated manuscripts of Virgil of the VIIth century, the one from the Vatican, the other from Florence, both on vellum. A roll, in good preservation, composed of several skins, sewed together, containing the Pentateuch in Hebrew, a manuscript of the IXth century. A Terence, with figures of the time and a representation of the masks introduced on the stage by the ancients, together with the various poetical works of PRUDENTIUS; manuscripts on vellum of the IXth century. The Terence is that of the Vatican, in praise of which Madame DACIER speaks in her translation.
The manuscripts of the ancient Dukes of Burgundy, which had so long constituted the ornament of the library of Brussels, now increase the fame of those which the _Bibliothèque Nationale_ already possessed of this description. Their number is about five hundred volumes; the greater part of them are remarkable for the beauty and richness of the miniatures by which they are embellished, and one scarcely inferior in magnificence to the primer of Anne de Bretagne, wife of Lewis XII, to that of Cardinal Richelieu, to the primer and battles of Lewis XIV, and to a heap of other manuscripts which rendered this _ci-devant Bibliothèque du Roi_ so celebrated in foreign countries.
Five large apartments on the second floor are occupied by titles and genealogies, which are still preserved here, in about five thousand portfolios or boxes, for the purpose of verifying the claims to property, and assisting the historian in his researches.
The department of medals, antiques and engraved stones has, since 1789, also experienced an abundant augmentation. The medals are in a cabinet at the end of the Library; the antiques are in another, above it, on the second floor.
In 1790, the engraved stones which had been previously locked up in the drawers of the council-chamber at Versailles, were conveyed hither, to the number of eight hundred. It would be too tedious to dwell on the beauty, merit, and scarceness of these stones, as well as on their finished workmanship and degree of antiquity. Among them, the beautiful ring, called the _seal of Michael Angelo_, claims admiration.
In 1791, some antiquities which constituted part of the treasure of _St. Denis_, were brought hither from that abbey. Among these valuable articles, we must particularly distinguish the chalice of the Abbot SUGER; a vase of sardonyx, with two handles formed of raised snakes, on which are represented, with admirable art, ceremonies relating to the worship of Bacchus; a large gold cup, ornamented with enamel of various colours; a very large urn of porphyry, which formerly served as a sepulchral monument; several baptismal fonts; the arm-chair of King Dagobert, a piece of very extraordinary workmanship for the time in which it was executed. Among the valuable articles removed hither from _La Sainte Chapelle_ in Paris, in the same year, are to be particularly remarked a sardonyx, representing the apotheosis of Augustus, and commonly called _l'agathe de la Sainte Chapelle_. This stone is the largest and rarest known of that species. It was brought to France in the year 1383 by king Charles V.
At the end of 1792 the cabinet of medals of _St. Geneviève_, forming in the whole seventeen thousand articles, and its fine collection of antique monuments, increased the new riches accumulated in the _Bibliothèque Nationale_. In 1794, a beautiful series of antiquities, consisting of a great number of imperial medals, of nations, cities, and kings, of all sizes, in gold, silver, and bronze, together with little painted figures, busts, instruments of sacrifices, &c. arrived here from Holland.
In 1796, the department of medals was also enriched by several articles from the _Garde-Meuble_ or Jewel-Office. Among them were some suits of armour belonging to several of the kings of France,
## particularly that of Francis I, that of Henry IV, and that of Lewis
XIV. These were accompanied by a quantity of arms, helmets, shields, breast-plates, and weapons used in the ancient tournaments, as well as quivers, bows, arrows, swords, &c.
Towards the end of the year 1798 and in 1799, several valuable articles arrived here from Italy, among which are two crowns of gold, enriched with precious stones, worn by the ancient kings of Lombardy, at the time of their coronation; the engraved stones and medals of the Pope's cabinet; a head of Jupiter Ægiochus, on a ground of sardonyx, a master-piece of art, which is above all eulogium; the celebrated Isiac table, in copper incrustated with silver, a valuable table of Egyptian mythology, which is presumed to have been executed, either at Alexandria or at Rome, in the first or second century of the christian era; some oriental weapons; a _fetfa_ or diploma of the Grand Signior contained in a silk purse, &c.