Part 45

The deposition of rock material by moving water is not as a rule uniform, slight changes in the velocity produce an immediate change in the size of the particles deposited upon a given area; thus a coarse sand layer may be succeeded by a finer sand or a mud, or two sandy layers may be separated by a thin layer of muddy shale. Bedding is most often induced by a change in the nature of the contiguous strata; thus a sandstone is followed by a shale or vice versa--changes which may be due to the varying volume or velocity of a current. Or the nature of the deposit may be influenced by chemical actions, whereby we get beds of rock-salt or gypsum between beds of marl. Or again, organic activities may influence the deposit, beds of coal may succeed layers of shale, iron-stone may lie between limestones or clays, a layer of large fossils or of flints may determine a bedding plane in massive limestones. Flaky minerals like mica frequently assist in the formation of bedding planes; and the pressure of superincumbent strata upon earlier formed deposits has no doubt often produced a tendency in the particles to arrange themselves normal to the direction of pressure, thus causing the rock to split more readily along the same direction.

Where rapidly-moving currents of water (or air) are transporting or depositing sand, &c., the bedding is generally not horizontal, but inclined more or less steeply; this brings about the formation of what is variously called "cross-bedding," "diagonal bedding", "current bedding" or improperly "false-bedding." Igneous materials, when deposited through the agency of water or air, exhibit bedding, but no true stratification is seen in igneous rocks that have solidified after cooling, although in granites and similar rocks the process of weathering frequently produces an appearance resembling this structure. Miners not infrequently describe a bed of rock as a "vein," if it is one that has some economic value, e.g. a "vein of coal or ironstone." (J. A. H.)

BEDARESI, YEDAIAH (1270-1340), Jewish poet, physician and philosopher of Provence. His most successful work was an ethical treatise, _Behinath 'Olam_ (Examination of the World), a didactic poem in thirty-seven short sections. The work is still very popular. It was translated into English by Tobias Goodman.

BEDARIEUX, a town of southern France, in the department of Herault, on the Orb, 27 m. N.N.W. of Beziers by rail. Pop. (1906) 5594. The town has a 16th-century church, a board of trade arbitration, a chamber of arts and manufactures, a communal college and a school of drawing. Bedarieux was at one time a notable manufacturing centre. Its cloth-weaving industry, carried on under a special royal privilege from the end of the 17th century to the Revolution, employed in 1789 as many as 5000 workmen, while some thousand more were occupied in wool and cotton spinning, &c. In spite of the introduction of modern machinery from England, the industries of the place declined, mainly owing to the loss of the trade with the Levant; but of late years they have somewhat revived, owing partly to the opening up of coal mines in the neighbourhood. Besides cloth factories and wool-spinning mills, there are now numerous tanneries and leather-dressing works. There is some trade in timber, wool and agricultural produce.

BEDDGELERT ("Gelert's grave"), a village in Carnarvonshire, North Wales, at the foot of Snowdon. The tradition of Gelert, Llewelyn's hound, being buried there is old in Wales; and common to it and India is the legend of a dog (or ichneumon) saving a child from a beast of prey (or reptile), and being killed by the child's father under the delusion that the animal had slain the infant. The English poet, W.R. Spencer, has versified the tale of Llewelyn, king of Wales, leaving Gelert and the baby prince at home, returning to find Gelert stained with the blood of a wolf, and killing the hound because he thought his child was slain. Sir W. Jones, the Welsh philologist and linguist, gives the Indian equivalent (Lord Teignmouth's _Life of Jones_, ed. Rev. S.C. Wilkes, editor's supplement). A Brahmin, leaving home, left his daughter in charge of an ichneumon, which he had long cherished. A black snake came up and was killed by the ichneumon, mistakenly killed, in its turn, by the Brahmin on his coming back. Another version is the medieval romance in _The Seven Wise Masters of Rome_. In the edition printed by Wynkyn de Worde it is told by "the first master"--a knight had one son, a greyhound and a falcon; the knight went to a tourney, a snake attacked the son, the falcon roused the hound, which killed the serpent, lay down by the cradle, and was killed by the knight, who discovered his error, like Llewelyn, and similarly repented (Villon Society, British Museum reprint, by Gomme and Wheatley).

On the west of Beddgelert is Moel Hebog (Bare-hill of the falcon), a hiding-place of Owen Glendower. Here, in 1784, was found a brass Roman shield. Near is the famous Aberglaslyn Pass, dividing Carnarvon and Merioneth. In the centre is Cadair Rhys Goch o'r Eryri, a rock named as the chair of Rhys Goch, a bard contemporary with Glendower (died traditionally, 1429). Not far hence passed the Roman road from Uriconium to Segontium (see CARNARVON).

BEDDOES, THOMAS (1760-1808), English physician and scientific writer, was born at Shiffnall in Shropshire on the 13th of April 1760. After being educated at Bridgnorth grammar school and at Pembroke College, Oxford, he studied medicine in London under John Sheldon (1752-1808). In 1784 he published a translation of L. Spallanzani's _Dissertations on Natural History_, and in 1785 produced a translation, with original notes, of T.O. Bergman's _Essays on Elective Attractions_. He took his degree of doctor of medicine at Oxford in 1786, and, after visiting Paris, where he became acquainted with Lavoisier, was appointed reader in chemistry at Oxford University in 1788. His lectures attracted large and appreciative audiences; but his sympathy with the French Revolution exciting a clamour against him, he resigned his readership in 1792. In the following year he published _Observations on the Nature of Demonstrative Evidence_, and the _History of Isaac Jenkins_, a story which powerfully exhibits the evils of drunkenness, and of which 40,000 copies are reported to have been sold. About the same time he began to work at his project for the establishment of a "Pneumatic Institution" for treating disease by the inhalation of different gases. In this he was assisted by Richard Lovell Edgeworth, whose daughter, Anna, became his wife in 1794. In 1798 the institution was established at Clifton, its first superintendent being Humphry Davy, who investigated the properties of nitrous oxide in its laboratory. The original aim of the institution was gradually abandoned; it became an ordinary sick-hospital, and was relinquished by its projector in the year before his death, which occurred on the 24th of December 1808. Beddoes was a man of great powers and wide acquirements, which he directed to noble and philanthropic purposes. He strove to effect social good by popularizing medical knowledge, a work for which his vivid imagination and glowing eloquence eminently fitted him. Besides the writings mentioned above, he was the author of _Political Pamphlets_ (1795-1797), a popular _Essay on Consumption_ (1799), which won the admiration of Kant, an _Essay on Fever_ (1807), and _Hygeia, or Essays Moral and Medical_ (1807). He also edited John Brown's _Elements of Medicine_ (1795), and _Contributions to Physical and Medical Knowledge, principally from the West of England_ (1799).

A life of Beddoes by Dr John E. Stock was published in 1810.

BEDDOES, THOMAS LOVELL (1803-1849), English dramatist and poet, son of the physician, Thomas Beddoes, was born at Clifton on the 20th of July 1803. His mother was a sister of Maria Edgeworth, the novelist. He was sent to Bath grammar school and then to the Charterhouse. At school he wrote a good deal of verse and a novel in imitation of Fielding. In 1820 he was entered at Pembroke College, Oxford, and in his first year published _The Improvisatore_, afterwards carefully suppressed, and in 1822 _The Bride's Tragedy_, which showed him as the disciple of the later Elizabethan and Jacobean dramatists. The play found a small circle of admirers, and procured for Beddoes the friendship of Bryan Waller Procter (Barry Cornwall). Beddoes retired to Southampton to read for his degree, and there Procter introduced him to a young lawyer, Thomas Forbes Kelsall, with whom he became very intimate, and who became his biographer and editor. At this time he composed the dramatic fragments of _The Second Brother_ and _Torrismond_. Unfortunately he lacked the power of constructing a plot, and seemed to suffer from a constitutional inability to finish anything. Beddoes was one of the first outside the limited circle of Shelley's own friends to recognize Shelley's genius, and he was certainly one of the earliest imitators of his lyrical method. In the summer of 1824 he was summoned to Florence by the illness of his mother, but she died before he arrived. He remained some time in Italy, and met Mrs Shelley and Walter Savage Landor before he returned to England. In 1825 he took his degree at Oxford, and in that year he began what he calls (_Letters_, p. 68) "a very Gothic styled tragedy" with "a jewel of a name." This work was completed in 1829 as the fantastic and incoherent drama, _Death's Jest Book or The Fool's Tragedy_; but he continued to revise it until his death, and it was only published posthumously. On leaving Oxford he decided to study anatomy and physiology, not, however, without some hope that his studies might, by increasing his knowledge of the human mechanism, further his efforts as a dramatist. In the autumn of 1825 he entered on his studies at Gottingen, where he remained for four years. In 1829 he removed to Wurzburg, and in 1832 obtained his doctorate in medicine, but his intimate association with democratic and republican leaders in Germany and Switzerland forced him to leave Bavaria without receiving his diploma. He settled in Zurich, where he practised for some time as a physician, and was even elected to be professor of comparative anatomy at the university, but the authorities refused to ratify his appointment because of his revolutionary views. He frequently contributed political poems and articles to German and Swiss papers, but none of his German work has been identified. The years at Zurich seem to have been the happiest of his life, but in 1839 the anti-liberal riots in the town rendered it unsafe for him, and early in the next year he had to escape secretly. From this time he had no settled home, though he stored his books at Baden in Aargau. His long residence in Germany was only broken by visits to England in 1828 to take his master of arts degree, in 1835, in 1842 and for some months in 1846. He had adopted German thought and manners to such an extent that he hardly felt at home in England; and his study of the German language, which he had begun in 1825, had almost weaned him from his mother-tongue; he was, as he says in a letter, "a non-conductor of friendship"; and it is not surprising that his old friends found him much changed and eccentric. In 1847 he returned to Frankfort, where he lived with a baker called Degen, to whom he became much attached, and whom he persuaded to become an actor. He took Degen with him to Zurich, where he chartered the theatre for one night to give his friend a chance of playing Hotspur. The two separated at Basel, and in a fit of dejection (May 1848) Beddoes tried to bleed himself to death. He was taken to the hospital, and wrote to his friends in England that he had had a fall from horseback. His leg was amputated, and he was in a fair way to recovery when, on the first day he was allowed to leave the hospital, he took curare, from the effects of which he died on the 26th of January 1849. His MSS. he left in the charge of his friend Kelsall.

In one of his letters to Kelsall Beddoes wrote:--"I am convinced the man who is to awaken the drama must be a bold, trampling fellow--no creeper into worm-holes--no reviser even--however good. These reanimations are vampire cold. Such ghosts as Marloe, Webster, &c., are better dramatists, better poets, I dare say, than any contemporaries of ours--but they are ghosts--the worm is in their pages" (_Letters_, p. 50). In spite of this wise judgment, Beddoes was himself a "creeper into worm-holes," a close imitator of Marston and of Cyril Tourneur, especially in their familiar handling of the phenomena of death, and in the remoteness from ordinary life of the passions portrayed. In his blank verse he caught to a certain degree the manner of his Jacobean models, and his verse abounds in beautiful imagery, but his _Death's Jest Book_ is only finished in the sense of having five acts completed; it remains a bizarre production which appeals to few minds, and to them rather for the occasional excellence of the poetry than as an entire composition. His lyrics show the influence of Shelley as well as the study of 17th-century models, but they are by no means mere imitations, and some of them, like the "Dirge for Wolfram" ("If thou wilt ease thy heart"), and "Dream Pedlary" ("If there were dreams to sell"), are among the most exquisite of 19th-century lyrics.

Kelsall published Beddoes' great work, _Death's Jest Book: or, The Fool's Tragedy_, in 1850. The drama is based on the story that a certain Duke Boleslaus of Munsterberg was stabbed by his court-fool, the "Isbrand" of the play (see C.F. Floegel, _Geschichte der Hofnarren_, Leipzig, 1789, pp. 297 et seq.). He followed this in 1851 with _Poems of the late Thomas Lovell Beddoes_, to which a memoir was prefixed. The two volumes were printed together (1851) with the title of _Poems, Posthumous and Collected_. All these volumes are very rare. Kelsall bequeathed the Beddoes MSS. to Robert Browning, with a note stating the real history of Beddoes' illness and death, which was kept back out of consideration for his relatives. Browning is reported to have said that if he were ever Professor of Poetry his first lecture would be on Beddoes, "a forgotten Oxford poet." Mr Edmund Gosse obtained permission to use the documents from Browning, and edited a fuller selection of the _Poetical Works_ (2 vols., 1890) for the "Temple Library," supplying a full account of his life. He also edited the _Letters of Thomas Lovell Beddoes_ (1894), containing a selection from his correspondence, which is full of gaiety and contains much amusing literary criticism. See also the edition of Beddoes by Ramsay Colles in the "Muses' Library" (1906).

BEDE, BEDA, or BAEDA (672 or 673-735), English historian and theologian. Of Baeda, commonly called "the Venerable Bede," almost all that we know is contained in the short autobiographical notice which he has appended to his _Ecclesiastical History_:--"Thus much concerning the ecclesiastical history of Britain, and especially of the race of the English, I, Baeda, a servant of Christ and priest of the monastery of the blessed apostles St Peter and St Paul, which is at Wearmouth and at Jarrow, have with the Lord's help composed, so far as I could gather it, either from ancient documents, or from the tradition of the elders, or from my own knowledge. I was born in the territory of the said monastery, and at the age of seven I was, by the care of my relations, given to the reverend Abbot Benedict (Biscop), and afterwards to Ceolfrid, to be educated. From that time I have spent the whole of my life within that monastery devoting all my pains to the study of the scriptures; and amid the observance of monastic discipline, and the daily charge of singing in the church, it has ever been my delight to learn or teach or write. In my nineteenth year I was admitted to the diaconate, in my thirtieth to the priesthood, both by the hands of the most reverend Bishop John (of Hexham), and at the bidding of Abbot Ceolfrid. From the time of my admission to the priesthood to my (present) fifty-ninth year, I have endeavoured, for my own use and that of my brethren, to make brief notes upon the Holy Scripture, either out of the works of the venerable fathers, or in conformity with their meaning and interpretation." Then follows a list of his works, so far as, at that date, they had been composed. As the _Ecclesiastical History_ was written in 731, we obtain the following dates for the principal events in Bede's uneventful life:--birth, 672-673; entrance into the monastery, 679-680; ordination as deacon, 691-692; as priest, 702-703.

The monastery of Wearmouth was founded by Benedict Biscop in 674, and that of Jarrow in 681-682. Though some 5 or 6 m. apart, they were intended to form a single monastery under a single abbot, and so Bede speaks of them in the passage given above. It is with Jarrow that Bede is chiefly associated, though no doubt from the close connexion of the two localities he would often be at Wearmouth. The preface to the prose life of Cuthbert proves that he had stayed at Lindisfarne prior to 721, while the Epistle to Egbert shows that he had visited him at York in 733. The tradition that he went to Rome in obedience to a summons from Pope Sergius is contradicted by his own words above, and by his total silence as to any such visit. In the passage cited above, "monastic discipline, the daily charge of singing in the church, learning, teaching, writing," in other words devotion and study make up the even tenor of Bede's tranquil life. Anecdotes have been preserved which illustrate his piety both in early and in later years; of his studies the best monument is to be found in his writings. As a little boy he would take his place among the pupils of the monastic school, though he would soon pass to the ranks of the teachers, and the fact that he was ordained deacon at nineteen, below the canonical age, shows that he was regarded as remarkable both for learning and goodness.

For the rest, it is in his works that we must chiefly seek to know him. They fall into three main classes: (1) scientific; (2) historical; (3) theological. The first class comprises works on grammar, one on natural phenomena, and two on chronology and the calendar. These last were inspired largely by the Paschal Question, which was the subject of such bitter controversy between the Roman and Celtic Churches in the 7th century. They form a natural transition to the second class. In this the chief place is held by the _Ecclesiastical History of the English Nation_. By this Bede has justly earned the title of the Father of English History. By this almost exclusively he is known to others than professed students. It is indeed one of the most valuable and one of the most beautiful of historical works. Bede has the artist's instinct of proportion, the artist's sense for the picturesque and the pathetic. His style too, modelled largely, in the present writer's opinion, on that of Gregory in the _Dialogues_, is limpid and unaffected. And though it would be wrong to call Bede a critical historian in the modern sense of the words, he shows a very unusual conscientiousness in collecting his information from the best available sources, and in distinguishing between what he believed to be fact, and what he regarded only as rumour or tradition. Other historical works of Bede are the _History of the Abbots_ (of Wearmouth and Jarrow), and the lives of Cuthbert in verse and prose. The _History of the Abbots_ and the prose life of Cuthbert were based on earlier works which still survive. In the case of the latter it cannot honestly be said that Bede has improved on his original. In the _History of the Abbots_ he was much nearer to the facts, and could make additions out of his own personal knowledge. The Epistle to Egbert, though not historical in form, may be mentioned here, because of the valuable information which it contains as to the state of the Northumbrian Church, on which the disorders and revolutions of the Northumbrian kingdom had told with disastrous effect. It is probably the latest of Bede's extant works, as it was written in November 734, only six months before his death. The third or theological class of writings consists mainly of commentaries, or of works which, if not commentaries in name, are so in fact. They are based largely on the works of the four great Latin Fathers, SS. Augustine, Jerome, Ambrose and Gregory; though Bede's reading is very far from being limited to these. His method is largely allegorical. For the text of scripture he uses both the Latin versions, the Itala and the Vulgate, often comparing them together. But he certainly knew Greek, and possibly some Hebrew. Indeed it may be said that his works, scientific, historical and theological, practically sum up all the learning of western Europe in his time, which he thus made available for his countrymen. And not for them only; for in the school of York, founded by his pupil Archbishop Ecgberht, was trained Alcuin (Ealhwine) the initiator under Charles the Great of the Frankish schools, which did so much for learning on the continent. And though Bede makes no pretensions to originality, least of all in his theological works, freely taking what he needed, and (what is very rare in medieval writers) acknowledging what he took, "out of the works of the venerable Fathers," still everything he wrote is informed and impressed with his own special character and temper. His earnest yet sober piety, his humility, his gentleness, appear in almost every line. "In history and in science, as well as in theology, he is before all things the Christian thinker and student." (Plummer's _Bede_, i. 2.) Yet it should not be forgotten that Bede could hardly have done what he did without the noble library of books collected by Benedict Biscop.

Several quaint and beautiful legends have been handed down as to the origin of the epithet of "venerable" generally attached to his name. Probably it is a mere survival of a title commonly given to priests in his day. It has given rise to a false idea that he lived to a great age; some medieval authorities making him ninety when he died. But he was not born before 672 (see above); and though the date of his death has been disputed, the traditional year, 735, is most probably correct. This would make him at most sixty-three. Of his death a most touching and beautiful account has been preserved in a contemporary letter. His last hours were spent, like the rest of his life, in devotion and teaching, his latest work being to dictate, amid ever-increasing bodily weakness, a translation into the vernacular of the Gospel of St John, a work which unhappily has not survived. It was a fitting close to such a life as his.