Part 18

2nd row—1 plain on the 4th of the 7 plain, 9 trebles on the 5 chain.

3rd row—1 plain on each of the first 2 trebles of the 2nd row, 1 picot, 2 plain, 1 picot, miss 1 stitch, 2 plain, 1 picot, 2 plain and so on.

[Illustration: FIG. 474. SQUARE WITH COLOURED TUFTS.

MATERIALS: Coton pour crochet D.M.C Nos. 6 to 10, or Coton à tricoter D.M.C Nos. 6 to 12.[A]

COLOURS. White and Rouge-Turc 321, or écru and Bleu-Indigo 321, Rouge-Géranium 353 and Brun-Caroubier 356, Bleu d’Azur 3325 and Brun-Rouille 3312, Vert-Bouteille 494 and Bleu-Prunelle 489.[A]]

SQUARE WITH COLOURED TUFTS (fig. 474).—The following are different counterpane patterns which should be worked in coarse cotton; our engraving represents a single square, worked in two colours, in raised crochet. By joining a number of such squares together, 4 or 6 colours can be introduced into one covering with very good effect.

Cast on 13 chain and close the ring.

1st row—1 plain on the 1st of the 13 chain, 5 chain, 1 plain on the 4th chain, 5 chain, 1 plain on the 7th chain, 5 chain, 1 plain on the 10th chain, 5 chain, 1 plain on the 13th chain.

2nd row—1 plain on the 1st plain of the 1st row * 1 plain on the 1st of the 5 chain; 5 chain, 1 plain on the 5th chain. Repeat 3 times from *.

3rd row—5 plain on the 5 chain, 5 chain, 5 plain and so on.

4th and 5th rows—continue to increase, as in the 3rd row.

6th row—after the 3rd plain, 1 tuft in the contrasting colour (see fig. 431).

The contrasting colour is to be introduced into the work at the first tuft, and cut off when the last is finished.

The ends of the coloured threads must be worked in under the stitches of the next row. The square may be of any size; it is bordered by small picot scallops by means of which the different squares are joined together.

[Illustration: FIG. 475. STRIPES FOR COUNTERPANES.

MATERIALS: Coton pour crochet D.M.C Nos. 6 to 8, or Coton à tricoter D.M.C Nos. 6 to 12 and Lacets surfins D.M.C No. 4, or Soutache D.M.C No. 2½.[A]

COLOURS: Gris-Lin 716 and Rouge-Bordeaux 497, Gris-Tilleul 393 and Bleu-Faience 484 or Brun-Caroubier 356 and Jaune-Rouille 308 etc.[A]]

STRIPES FOR COUNTERPANES (fig. 475).—We recommend the use of Soutache D.M.C or Lacets superfins D.M.C (braids) for the coloured stitches, in the place of cotton. The dark stitches standing, so to speak, on another ground of stitches the pattern will look brighter, if it be worked in a flat material that will spread out more than cotton does.

The stripe, worked in its entire length and always on the right side, must be begun by a chain of stitches of the length the stripe is to be.

1st row—1 plain stitch on each chain stitch.

2nd row—1 plain stitch with white or unbleached cotton, on each second stitch of the preceding row; 1 long plain stitch with the coloured cotton or the braid, in each second loop of the chain stitch.

When red and white cotton are used, only one thread must be drawn through the 1st loop, and the other through the two last loops.

3rd, 5th, 7th, 9th, 11th rows—plain stitches of the colour of the grounding = 4th row—between every 5 coloured stitches 3 white = 6th row—between every 4 red, 5 white = 8th row—between every 3 red, 7 white = 10th row—between every 2 red, 9 white = 12th row—between the single red stitches, 11 white plain.

In the second half of the pattern the red stitches must increase in the same proportion as that in which they decreased before.

PATTERN OF A COUNTERPANE IN TUNISIAN CROCHET (fig. 476). This pattern, on a reduced scale, of a counterpane in Tunisian crochet, though it is worked here in several colours, can be done all in one. The numbers of the stitches, as they are here given, refer of course to the pattern represented in our figure; if worked on a larger scale, the number of stitches would have to be increased every way in the proper proportion.

For the inner square, which is worked in a light material, make 20 chain stitches, on which you make 17 rows of plaited Tunisian crochet, fig. 445, then fasten off.

[Illustration: FIG. 476. PATTERN OF A COUNTERPANE IN TUNISIAN CROCHET.

MATERIALS: Coton pour crochet D.M.C Nos. 6 to 8, or Coton à tricoter D.M.C Nos. 6 to 12.[A]

COLOURS: Gris-Amadou 385 and Rouge-Cardinal 346, Vert-Bouteille 492 and Violet-Mauve 316, or Bleu-Gentiane 479 and Gris-Écru 706.]

For the first coloured border, which immediately surrounds the centre square, take a coloured thread and make 2 chain stitches and upon these the common Tunisian stitch, fig. 444. Increase to the right in every row by one stitch, to the number of 6 = then put the needle into the first stitch on one side of the square, turn the thread round and draw it through. Here you must be careful to observe, in the first instance, that the second part which is now to be joined to the square, should always remain on the left side of the square and secondly, that the thread with which you join the two parts together, should lie to the left and be drawn through, from the wrong side to the right. Having now got 7 Tunisian stitches on the needle, make 18 double rows, and join the last stitch of each row to a stitch of the square.

When these rows are finished, you proceed to decrease on the right till you have only 2 stitches left; and then again to increase as at the beginning of the stripe. At each increase, after each double row you must pass the thread through the corresponding stitch opposite of the same row. When you have again got 7 stitches on the needle, join them as before to the square. Work round the 4 sides of the square in this manner and when you come to the last decrease, join the stitches to those of the first increase, and fasten off. The next stripes are to be worked in the same way; they may be made either wider or narrower, plain, or ornamented with a cross stitch pattern which you work upon them.

[Illustration: FIG. 477. PATTERN OF COUNTERPANE WORKED IN STRIPES.

MATERIALS: Coton pour crochet D.M.C Nos. 6 to 12, Coton à tricoter D.M.C Nos. 6 to 14, or Cordonnet 6 fils D.M.C No. 15.[A]]

PATTERN OF COUNTERPANE WORKED IN STRIPES (fig. 477).—This is intended for a child’s coverlet and is worked in pale blue, Bleu-Indigo 334, and white; the stripes and the lace border, in white, the setting, partly in white, partly in blue.

For the first stripe, make a foundation chain of 26 stitches; then counting back, draw the needle through the 6th and 7th chain stitches, drawing up all the three loops together = 2 chain, then put the needle again through 2 chain stitches, draw up the 3 loops together = 2 chain and so on.

Coming back, make the loop of the first stitch and that of the second on the chain stitches of the preceding row = begin every row with 3 chain, which form picots along the edge of the stripe; when the stripes are finished, take a blue thread and make 1 plain stitch on each picot and 3 chain.

This blue row is followed by a white one, worked in cluster stitch, fig. 426, with 2 chain stitches between every 2 clusters.

Then follows another blue row of one plain stitch on each chain stitch of the previous row. The second blue row consists entirely of plain stitches worked along the long sides of the stripes, which are joined together afterwards, but not along the short sides until the counterpane is finished; then the stitches should border all the 4 sides. The second stripe, which should be of the same width as the first, is worked in Tunisian crochet; for the edge make one row of plain stitches in blue, one of cluster stitches in white, and then again a row of plain in blue.

Join the stripes together on the wrong side with plain stitches, taking up one loop on the right and one on the left, alternately.

When you have joined the stripes, make the outer border, which consists of 7 straight rows and a scalloped lace edging.

1st row—in blue: 3 chain and 1 plain on each picot, 1 plain, and so on, down the long sides of the stripes = along the short sides, the side of the chain stitches or that of the previous row: 1 plain, 3 chain, miss 2, 1 plain.

2nd row—in white or unbleached: 1 cluster stitch, fig. 426, on each picot formed by the 3 chain stitches of the 1st row; on the corner picots, you must make 3 cluster stitches.

3rd, 4th, 5th rows—in blue: similar to the first. Increase at the corners by making: 1 plain, 3 chain, 1 plain on the same stitch.

6th row—in white or unbleached: similar to the 2nd row.

7th row—in blue: 1 treble on each of the stitches of the previous row.

Lace edging.—The scallops extend over 22 stitches of the previous row and on that account it is better to make the corners first, to count the stitches both ways so as to distribute the stitches that are left over, between the scallops.

Corner scallop.—Fasten on the thread to the left of the second of the stitches that were added to make the turn, make 6 chain, 1 single on the 4th treble to the right = 1 single on the next treble = turn the work = * 2 chain, 1 treble on the 6th chain, repeat 7 times from *, in all therefore 8 trebles = after the 8th treble: 2 chain, miss 1 treble, 1 single on the 2 next trebles = turn the work = 2 chain, 1 cluster stitch between each treble, in all 9 cluster stitches, then 2 chain, miss 2 trebles, 1 single stitch on the next 2 trebles = turn the work = 2 chain, 1 cluster stitch over the 1st, 2nd, 3rd and 4th pairs of chain stitches in the preceding row, and 2 cluster stitches and 2 chain over the 5th, 6th and 7th chain stitches; over the other chain stitches again: 1 cluster stitch; then 2 chain, miss 2 trebles, join to the 3rd treble = fasten off.

For the scallops on the right side, divide the stitches between the corner scallops into equal portions. Supposing that they are divisible by 22, count 9 stitches to the right, fasten on the thread at the 9th; * 7 chain, miss 2 trebles of the row beneath, 1 plain on the 3rd, 1 single stitch on the next = turn the work = 2 chain, 1 treble on the 7 chain, repeat 5 times from * and finish with 2 chain, 1 single on the 2nd lower treble, 1 single on the next treble = turn the work = 2 chain and 1 cluster stitch between each treble of the preceding row, 2 cluster stitches between the 3rd and 2nd trebles = after the 8th stitch: 2 chain, miss 1 treble, 1 single on each of the 2 next stitches = repeat 3 times over 2 chain stitches of the previous row: 2 chain, 1 cluster stitch = on the 4th, 5th and 6th chain stitches: 2 cluster and 2 chain; on the 3 last chain the same stitches as on the 3 first = then 1 single over each of the next 18 and repeat from *.

The final row consists of open picots, formed of 5 chain stitches and 1 plain, between each cluster stitch; after the last of these stitches and in the indent of the scallops on the straight line, only 2 chain stitches and 1 plain on the 3rd stitch.

[Illustration: FIG. 478. PATTERN IN SQUARES FOR COUNTERPANES.

MATERIALS: Coton à tricoter D.M.C Nos. 6 to 12, Cordonnet 6 fils D.M.C Nos. 1 to 5, or Coton pour crochet D.M.C Nos. 6 to 12.

COLOURS: Gris-Coutil 323 and Brun-Caroubier 303 or Bleu-cendré 448 and Rouge-Cornouille 449, Vert-Mousse 470 and Bleu d’Azur 3325.[A]]

PATTERN IN SQUARES FOR COUNTERPANES (fig. 478).—This pattern may be worked in the same stitch as the previous one, either in Tunisian crochet or in any other of the stitches already described.

Make a foundation chain of 18 stitches on which you work 10 rows to and fro in the dark colour. The 11th and following rows up to the 21st are worked in the light colour, then take up the dark colour again. Each stripe should be 3 squares long.

The 2nd stripe is begun in the light colour, and the stitches, made at the beginning of each row, are joined to those of the first stripe, as the stitches of the 3rd are to those of the 2nd and so on.

When you have made sufficient big squares, each consisting of 9 small ones, border them with seven rows of plain stitches, worked to and fro.

The 4 squares that form the corners are only to be bordered in this manner on two sides; the squares along the straight edges, on 3 sides, and only those that are intended for the centre of the counterpane, on all 4 sides. The separate parts are then either sewn or crocheted together on the wrong side. The dark squares are ornamented with small stars worked in the light colour, the light ones with scallops in the dark colour.

For the small stars—4 chain, close the ring; 2 plain on each stitch of the chain; 8 plain in all = after the 8th stitch: 8 chain, 1 plain on the 1st plain of the 8 plain stitches. Repeat the 8 chain 7 times and fasten off, then sew the star on in the centre of the dark square, taking care to spread out the little points formed of chain stitches at regular distances from each other. The scallops are worked from left to right; fasten the thread on at the point where 4 squares touch, then make a chain of 18 stitches and secure it at the opposite point. On the chain stitches: 6 plain, 1 picot, 7 plain, 1 picot, 7 plain, 1 picot, 6 plain = fasten off.

Repeat the same scallop over the second half of the square; when you come to the 2nd picot of the first scallop join the two picots. When both scallops are completed, fasten them on to the foundation by a few stitches on the wrong side.

The outside border of the counterpane is made separately, and is worked inwards from without and from left to right.

1st row—begin with the dark colour and make * 10 chain stitches, drop the loop, put the needle into the 1st of the 10 chain, take up the loop and draw it through the stitch; 2 chain and on the 10 stitches: 6 trebles quite close together. Repeat from * and go on repeating the sequence until the lace is long enough to trim the counterpane handsomely.

2nd row—in the light colour and similar to the 1st = only that in joining the chain stitches together, you make the single stitch on the chain stitches of the 1st row.

3rd row—in the dark colour and similar to the 2nd.

4th, 5th and 6th rows—in the light colour and from right to left: 7 chain, 2 plain on each loop of chain stitches of the previous row.

7th row—in the light colour and from left to right: * 2 plain on the treble of the lace, 11 chain, 2 plain on the next loop of chain stitches = these 2 stitches are made on the wrong side of the work = drop the loop, turn the work to the right, 3 plain on the last 3 chain, 8 chain **, and repeat always from * to **.

One row of plain made on each chain stitch and a 2nd row of trebles on the plain stitches completes the lace edging, which is afterwards sewn on to the counterpane.

COUNTERPANE WITH FRINGED BORDER (fig. 479).—This pattern requires three colours; we suggest the following as making a very effective combination: Rouge-Turc 321, Bleu-Indigo 311 and white.

The stripes, one red, the other blue, may be worked in any stitch. They are edged with 8 plain stitches of 3 different lengths worked in red. * The first stitch passes only under the loops of the stitches; the 2nd over 2 stitches; the 3rd over 1, the 4th inwards, over 3. Repeat from *.

These stitches must be worked parallel to each other along the two edges that are to be joined together.

The stripes are fastened together on the wrong side by single or plain stitches.

The outside edge consists of 15 rows: 1st row—in red: 1 row of plain stitches on the right side of the work.

2nd row—in red, and on the wrong side of the work: plain stitches.

3rd and 4th rows—in red, and on the right side of the work: plain stitches.

5th row—in dark blue and on the right side: 1 treble, 1 chain, miss 1 plain of the row beneath, 1 treble and so on.

6th row—in white, and similar to the 5th.

7th row—in blue, and similar to the 5th.

8th row—in red: 1 plain on each stitch of the preceding row.

[Illustration: FIG. 479. COUNTERPANE WITH FRINGED BORDER. MATERIALS: Coton pour crochet D.M.C Nos. 6 to 10, or Coton à tricoter D.M.C Nos. 6 to 14. COLOURS: White, Gris-Tilleul 331 and Rouge-Cornouille 449.[A]]

9th row—in red and on the wrong side: 1 plain on each stitch of the preceding row.

10th and 11th rows—in red: and both on the right side, 2 rows of plain stitches.

12th row—in white: 5 chain, miss 3, 1 plain on the 4th stitch.

13th row—in dark blue and similar to the 12th.

14th row—in white: * 1 plain on the 5th stitch of the blue row; 10 chain, drop the loop, lay the chain stitches from left to right, put the needle into the 3rd chain stitch, counting from the beginning, take up the loop and draw it through the 3rd chain stitch, 2 chain and repeat from *.

15th row—in white: 1 plain on the picot formed by the chain stitches; 5 chain, 1 plain.

Into this last row you draw clusters of lengths of red cotton to form the fringe, and knot them together with blue, or if you prefer it, you may finish off the coverlet with a hairpin fringe.

COUNTERPANE COMPOSED OF SQUARES AND OLIVE SHAPED FIGURES (fig. 480).—There are many who shrink from undertaking a large piece of work because it becomes inconvenient to handle and carry about. The counterpane here represented has the advantage of being made up of a number of quite little pieces, which are worked separately and joined together afterwards.

Two colours, which can be clearly distinguished from each other in the engraving, should be chosen from among the various combinations suggested; one of them should be very light, say, cream or white for the olive shaped figures and squares, and the other of some soft shade only darker, for the connecting rows and the knotted fringe, described in the chapter on Macramé.

The olive shaped figures begin with 9 chain stitches, on which you make 8 plain stitches and on the 9th: 3 plain for the corner.

On the second side of the chain: 8 plain and 3 besides on the corner stitch, and so on for 3 rows; in the last row there should be 28 stitches.

These 3 rows are to be considered as one only.

2nd row—3 chain, 1 treble on the plain stitch that follows * 1 chain, 1 treble and repeat 11 times from *; 1 chain, 3 trebles with 1 chain between them on the corner stitch, ** 1 chain, 1 treble, repeat 12 times from **.

On the last stitch at the corner, again 3 trebles with 1 chain; close the round with 1 single stitch.

3rd row—1 chain, 1 single on the chain stitch that follows the 1st treble of the last row; 3 chain, 1 double treble between the lower trebles, 1 chain and so on, until you have 35 trebles, counting the two sets of 3 trebles at the corner.

4th row—here you can change the colour: 1 plain on each of the stitches of the last row; 3 plain at the corners.

5th row—similar to the 4th.

[Illustration: FIG. 480. COUNTERPANE COMPOSED OF SQUARES AND OLIVE SHAPED FIGURES. MATERIALS: Coton pour crochet D.M.C Nos. 6 to 10, or Coton à tricoter D.M.C Nos. 6 to 10. COLOURS: White and Rouge-Turc 321, or Écru and Rouge-Cerise 3318, Gris-Coutil 323 and Bleu-Gentiane 478.[A]]

6th row—2 plain, 1 cluster of 2 double trebles on the same stitch of the 4th row as the 5th stitch of the last row is on; miss 1 plain.

Continue in this manner along the whole row, taking care that the 9th and 22nd cluster come just at the corner.

7th and 8th rows—these two last rows should be worked in the same colour as the inside of the figure.

Be careful always to make the increase at the point; a 9th row in the dark colour may further be added, to connect the figures, by passing the thread from the wrong side to the right, between the 13 last stitches of two of the points of the figures. The space between these olive shaped figures is filled by a pointed square of chain stitches.

In the 1st and following rows you miss 5 stitches at the point where the figures meet, and continue to decrease in this manner until the space is filled up. The fringe is made in the dark colour, either directly on to the plain crochet, or after a few rows of open-work.

SQUARES FOR CHAIR-BACKS (fig. 481).—This is a design for cut-work, out of an old collection by Sibmacher, which we have adapted to crochet. It will be found most effective, worked in any of the given materials; we have worked it with admirable result, both in Cordonnet 6 fils D.M.C No. 15 and Fil à dentelle D.M.C No. 150.

1st row—4 chain, close the ring.

2nd row—1 chain, 2 plain on each chain, 8 in all; draw the loop of the last stitch through the 1st chain.

3rd row—6 chain, 1 treble *, 3 chain, 1 treble, repeat 6 times from *. In all, with the 3 chain, 8 trebles.

4th row—4 plain, over each treble of 3 chain.

5th row—6 chain, 1 plain on the 2nd of the plain stitches beneath, * 3 chain, 1 treble, over the treble beneath, 3 chain, 1 plain on the 2nd stitch of the row beneath. Repeat 6 times from *, then add 3 chain, 1 plain on the 3rd of the 6 chain.

6th row—7 chain, 1 plain over the treble of the last row; repeat the same series 7 times.

7th row—3 chain, 1 treble over the treble beneath; 1 treble on each chain stitch, 2 trebles on each plain stitch of the row beneath; in all, 72 trebles, including the 3 chain.