Part 18

It is recorded [104] that not long after the accession of Vinayaka Deo to the throne of Jeypore, in the fifteenth century, some of his subjects rose against him, but he recovered his position with the help of a leader of Brinjaris. Ever since then, in grateful recognition, his descendants have appended to their signatures a wavy line (called valatradu), which represents the rope with which Brinjaris tether their cattle.

The common occupation of the Lambadis of Mysore is said [105] to be "the transport, especially in the hill and forest tracts difficult of access, of grain and other produce on pack bullocks, of which they keep large herds. They live in detached clusters of rude huts, called thandas, at some distance from established villages. Though some of them have taken of late to agriculture, they have as yet been only partially reclaimed from criminal habits." The thandas are said to be mostly pitched on high ground affording coigns of vantage for reconnoissance in predatory excursions. It is common for the Lambadis of the Vizagapatam Agency, during their trade peregrinations, to clear a level piece of land, and camp for night, with fires lighted all round them. Mr. C. Hayavadana Rao informs me that "they regard themselves as immune from the attacks of tigers, if they take certain precautions. Most of them have to pass through places infested with these beasts, and their favourite method of keeping them off is as follows. As soon as they encamp at a place, they level a square bit of ground, and light fires in the middle of it, round which they pass the night. It is their firm belief that the tiger will not enter the square, from fear lest it should become blind, and eventually be shot. I was once travelling towards Malkangiri from Jeypore, when I fell in with a party of these people encamped in the manner described. At that time, several villages about Malkangiri were being ravaged by a notorious man-eater (tiger). In the Madras Census Reports the Lambadis are described as a class of traders, herdsmen, cattle-breeders, and cattle-lifters, found largely in the Deccan districts, in parts of which they have settled down as agriculturists. In the Cuddapah district they are said [106] to be found in most of the jungly tracts, living chiefly by collecting firewood and jungle produce. In the Vizagapatam district, Mr. G. F. Paddison informs me, the bullocks of the Lambadis are ornamented with peacock's feathers and cowry shells, and generally a small mirror on the forehead. The bullocks of the Brinjaris (Boiparis) are described by the Rev. G. Gloyer [107] as having their horns, foreheads, and necks decorated with richly embroidered cloth, and carrying on their horns, plumes of peacock's feathers and tinkling bells. When on the march, the men always have their mouths covered, to avoid the awful dust which the hundreds of cattle kick up. Their huts are very temporary structures made of wattle. The whole village is moved about a furlong or so every two or three years--as early a stage of the change from nomadic to a settled life as can be found." The Lambadi tents, or pals, are said by Mr. Mullaly to be "made of stout coarse cloth fastened with ropes. In moving camp, these habitations are carried with their goods and chattels on pack bullocks." Concerning the Lambadis of the Bellary district Mr. S. P. Rice writes to me as follows. "They are wood-cutters, carriers, and coolies, but some of them settle down and become cultivators. A Lambadi hut generally consists of only one small room, with no aperture except the doorway. Here are huddled together the men, women, and children, the same room doing duty as kitchen, dining and bedroom. The cattle are generally tied up outside in any available spot of the village site, so that the whole village is a sort of cattle pen interspersed with huts, in whatsoever places may have seemed convenient to the particular individual. Dotted here and there are a few shrines of a modest description, where I was told that fires are lighted every night in honour of the deity. The roofs are generally sloping and made of thatch, unlike the majority of houses in the Deccan, which are almost always terraced or flat roofed. I have been into one or two houses rather larger than those described, where I found a buffalo or two, after the usual Canarese fashion. There is an air of encampment about the village, which suggests a gipsy life."

The present day costume and personal adornments of the Lambadi females have been variously described by different writers. By one, the women are said to remind one of the Zingari of Wallachia and the Gitani of Spain. "Married women," Mr. H. A. Stuart writes, [108] "are distinguished from the unmarried in that they wear their bangles between the elbow and shoulder, while the unmarried have them between the elbow and wrist. Unmarried girls may wear black bead necklets, which are taken off at marriage, at which time they first assume the ravikkai or jacket. Matrons also use an earring called guriki to distinguish them from widows or unmarried girls." In the Mysore Census Report, 1901, it is noted that "the women wear a peculiar dress, consisting of a lunga or gown of stout coarse print, a tartan petticoat, and a mantle often elaborately embroidered, which also covers the head and upper part of the body. The hair is worn in ringlets or plaits hanging down each side of the face, and decorated with shells, and terminating in tassels. The arms are profusely covered with trinkets and rings made of bones, brass and other rude materials. The men's dress consists of a white or red turband, and a pair of white breeches or knicker-bockers, reaching a little below the knee, with a string of red silk tassels hanging by the right side from the waistband." "The men," Mr. F. S. Mullaly writes, "are fine muscular fellows, capable of enduring long and fatiguing marches. Their ordinary dress is the dhoty with short trousers, and frequently gaudy turbans and caps, in which they indulge on festive occasions. They also affect a considerable amount of jewellery. The women are, as a rule, comely, and above the average height of women of the country. Their costume is the laigna (langa) or gown of Karwar cloth, red or green, with a quantity of embroidery. The chola (choli) or bodice, with embroidery in the front and on the shoulders, covers the bosom, and is tied by variegated cords at the back, the ends of the cords being ornamented with cowries and beads. A covering cloth of Karwar cloth, with embroidery, is fastened in at the waist, and hangs at the side with a quantity of tassels and strings of cowries. Their jewels are very numerous, and include strings of beads of ten or twenty rows with a cowry as a pendant, called the cheed, threaded on horse-hair, and a silver hasali (necklace), a sign of marriage equivalent to the tali. Brass or horn bracelets, ten to twelve in number, extending to the elbow on either arm, with a guzera or piece of embroidered silk, one inch wide, tied to the right wrist. Anklets of ivory (or bone) or horn are only worn by married women. They are removed on the death of the husband. Pachala or silk embroidery adorned with tassels and cowries is also worn as an anklet by women. Their other jewels are mukaram or nose ornament, a silver kania or pendant from the upper part of the ear attached to a silver chain which hangs to the shoulder, and a profusion of silver, brass, and lead rings. Their hair is, in the case of unmarried women, unadorned, brought up and tied in a knot at the top of the head. With married women it is fastened, in like manner, with a cowry or a brass button, and heavy pendants or gujuris are fastened at the temples. This latter is an essential sign of marriage, and its absence is a sign of widowhood. Lambadi women, when carrying water, are fastidious in the adornment of the pad, called gala, which is placed on their heads. They cover it with cowries, and attach to it an embroidered cloth, called phulia, ornamented with tassels and cowries." I gather that Lambadi women of the Lavidia and Kimavath septs do not wear bracelets (chudo), because the man who went to bring them for the marriage of a remote ancestor died. In describing the dress of the Lambadi women, the Rev. G. N. Thomssen writes that "the sari is thrown over the head as a hood, with a frontlet of coins dangling over the forehead. This frontlet is removed in the case of widows. At the ends of the tufts of hair at the ears, heavy ornaments are tied or braided. Married women have a gold and silver coin at the ends of these tufts, while widows remove them. But the dearest possession of the women are large broad bracelets, made, some of wood, and the large number of bone or ivory. Almost the whole arm is covered with these ornaments. In case of the husband's death, the bracelets on the upper arm are removed. They are kept in place by a cotton bracelet, gorgeously made, the strings of which are ornamented with the inevitable cowries. On the wrist broad heavy brass bracelets with bells are worn, these being presents from the mother to her daughter."

Each thanda, Mr. Natesa Sastri writes, has "a headman called the Nayaka, whose word is law, and whose office is hereditary. Each settlement has also a priest, whose office is likewise hereditary." According to Mr. H. A. Stuart, the thanda is named after the headman, and he adds, "the head of the gang appears to be regarded with great reverence, and credited with supernatural powers. He is believed to rule the gang most rigorously, and to have the power of life and death over its members."

Concerning the marriage ceremonies of the Sugalis of North Arcot, Mr. Stuart informs us that these "last for three days. On the first an intoxicating beverage compounded of bhang (Cannabis indica) leaves, jaggery (crude sugar), and other things, is mixed and drunk. When all are merry, the bridegroom's parents bring Rs. 35 and four bullocks to those of the bride, and, after presenting them, the bridegroom is allowed to tie a square silver bottu or tali (marriage badge) to the bride's neck, and the marriage is complete; but the next two days must be spent in drinking and feasting. At the conclusion of the third day, the bride is arrayed in gay new clothes, and goes to the bridegroom's house, driving a bullock before her. Upon the birth of the first male child, a second silver bottu is tied to the mother's neck, and a third when a second son is born. When a third is added to the family, the three bottus are welded together, after which no additions are made." Of the Lambadi marriage ceremony in the Bellary district, the following detailed account is given by Mr. Francis. "As acted before me by a number of both sexes of the caste, it runs as follows. The bridegroom arrives at night at the bride's house with a cloth covering his head, and an elaborately embroidered bag containing betel and nut slung from his shoulder. Outside the house, at the four corners of a square, are arranged four piles of earthen pots--five pots in each. Within this square two grain-pounding pestles are stuck upright in the ground. The bride is decked with the cloth peculiar to married women, and taken outside the house to meet the bridegroom. Both stand within the square of pots, and round their shoulders is tied a cloth, in which the officiating Brahman knots a rupee. This Brahman, it may be at once noted, has little more to do with the ceremony beyond ejaculating at intervals 'Shobhana! Shobhana!' or 'May it prosper!' Then the right hands of the couple are joined, and they walk seven times round each of the upright pestles, while the women chant the following song, one line being sung for each journey round the pestle:

To yourself and myself marriage has taken place. Together we will walk round the marriage pole. Walk the third time; marriage has taken place. You are mine by marriage. Walk the fifth time; marriage has taken place. Walk the sixth time; marriage has taken place. Walk the seventh time; marriage has taken place. We have walked seven times; I am yours. Walk the seventh time; you are mine.

"The couple then sit on a blanket on the ground near one of the pestles, and are completely covered with a cloth. The bride gives the groom seven little balls compounded of rice, ghee (clarified butter) and sugar, which he eats. He then gives her seven others, which she in turn eats. The process is repeated near the other pestle. The women keep on chanting all the while. Then the pair go into the house, and the cloth into which the rupee was knotted is untied, and the ceremonies for that night are over. Next day the couple are bathed separately, and feasting takes place. That evening the girl's mother or near female relations tie to the locks on each side of her temples the curious badges, called gugri, which distinguish a married from an unmarried woman, fasten a bunch of tassels to her back hair, and girdle her with a tasselled waistband, from which is suspended a little bag, into which the bridegroom puts five rupees. These last two are donned thereafter on great occasions, but are not worn every day. The next day the girl is taken home by her new husband." It is noted in the Mysore Census Report, 1891, that "one unique custom, distinguishing the Lambani marriage ceremonial, is that the officiating Brahman priest is the only individual of the masculine persuasion who is permitted to be present. Immediately after the betrothal, the females surround and pinch the priest on all sides, repeating all the time songs in their mixed Kutni dialect. The vicarious punishment to which the solitary male Brahman is thus subjected is said to be apt retribution for the cruel conduct, according to a mythological legend, of a Brahman parent who heartlessly abandoned his two daughters in the jungle, as they had attained puberty before marriage. The pinching episode is notoriously a painful reality. It is said, however, that the Brahman, willingly undergoes the operation in consideration of the fees paid for the rite." The treatment of the Brahman as acted before me by Lambadi women at Nandyal, included an attempt to strip him stark naked. In the Census Report, it is stated that, at Lambadi weddings, the women "weep and cry aloud, and the bride and bridegroom pour milk into an ant-hill, and offer the snake which lives therein cocoanuts, flowers, and so on. Brahmans are sometimes engaged to celebrate weddings, and, failing a Brahman, a youth of the tribe will put on the thread, and perform the ceremony."

The following variant of the marriage ceremonies was acted before me at Kadur in Mysore. A pandal (booth) is erected, and beneath it two pestles or rice-pounders are set up. At the four corners, a row of five pots is placed, and the pots are covered with leafy twigs of Calotropis procera, which are tied with Calotropis fibre or cotton thread. Sometimes a pestle is set up near each row of pots. The bridal couple seat themselves near the pestles, and the ends of their cloths, with a silver coin in them, are tied together. They are then smeared with turmeric, and, after a wave-offering to ward off the evil eye, they go seven times round the pestles, while the women sing:--

Oh! girl, walk along, walk. You boasted that you would not marry. Now you are married. Walk, girl, walk on. There is no good in your boasting. You have eaten the pudding. Walk, girl, walk. Leave off boasting. You sat on the plank with the bridegroom's thigh on yours.

The bride and bridegroom take their seats on a plank, and the former throws a string round the neck of the latter, and ties seven knots in it. The bridegroom then does the same to the bride. The knots are untied. Cloths are then placed over the backs of the couple, and a swastika mark ([swastika]) is drawn on them with turmeric paste. A Brahman purohit is then brought to the pandal, and seats himself on a plank. A clean white cloth is placed on his head, and fastened tightly with string. Into this improvised turban, leafy twigs of mango and Cassia auriculata are stuck. Some of the Lambadi women present, while chanting a tune, throw sticks of Ficus glomerata, Artocarpus integrifolia, and mango in front of the Brahman, pour gingelly (Sesamum) oil over them, and set them on fire. The Brahman is made a bridegroom, and he must give out the name of his bride. He is then slapped on the cheeks by the women, thrown down, and his clothing stripped off. The Brahman ceremonial concluded, a woman puts the badges of marriage on the bride. On the following day, she is dressed up, and made to stand on a bullock, and keep on crooning a mournful song, which makes her cry eventually. As she repeats the song, she waves her arms, and folds them over her head. The words of the song, the reproduction of which in my phonograph invariably made the women weep, are somewhat as follows:--

Oh! father, you brought me up so carefully by spending much money. All this was to no purpose. Oh! mother, the time has come when I have to leave you. Is it to send me away that you nourished me? Oh! how can I live away from you, My brothers and sisters?

Among the Lambadis of Mysore, widow remarriage and polygamy are said [109] to freely prevail, "and it is customary for divorced women to marry again during the lifetime of the husband under the sire udike (tying of a new cloth) form of remarriage, which also obtains among the Vakkaligas and others. In such cases, the second husband, under the award of the caste arbitration, is made to pay a certain sum (tera) as amends to the first husband, accompanied by a caste dinner. The woman is then readmitted into society. But certain disabilities are attached to widow remarriage. Widows remarried are forbidden entry into a regular marriage party, whilst their offspring are disabled from legal marriage for three generations, although allowed to take wives from families similarly circumstanced." According to Mr. Stuart, the Sugalis of the North Arcot district "do not allow the marriage of widows, but on payment of Rs. 15 and three buffaloes to her family, who take charge of her children, a widow may be taken by any man as a concubine, and her children are considered legitimate. Even during her husband's life, a woman may desert him for any one else, the latter paying the husband the cost of the original marriage ceremony. The Sugalis burn the married, but bury all others, and have no ceremonies after death for the rest of the soul of the deceased." If the head of a burning corpse falls off the pyre, the Lambadis pluck some grass or leaves, which they put in their mouths "like goats," and run home.

A custom called Valli Sukkeri is recorded by the Rev. G. N. Thomssen, according to which "if an elder brother marries and dies without offspring, the younger brother must marry the widow, and raise up children, such children being regarded as those of the deceased elder brother. If, however, the elder brother dies leaving offspring, and the younger brother wishes to marry the widow, he must give fifteen rupees and three oxen to his brother's children. Then he may marry the widow." The custom here referred to is said to be practiced because the Lambadi's ancestor Sugriva married his elder brother Vali's widow.

I am informed by Mr. F. A. Hamilton that, among the Lambadis of Kollegal in the Coimbatore district, "if a widower remarries, he may go through the ordinary marriage ceremony, or the kuttuvali rite, in which all that is necessary is to declare his selection of a bride to four or five castemen, whom he feeds. A widow may remarry according to the same rite, her new husband paying the expenses of the feast. Married people are burnt. Unmarried, and those who have been married by the kuttuvali rite, are buried. When cremation is resorted to, the eldest son sets fire to the funeral pyre. On the third day he makes a heap of the ashes, on which he sprinkles milk. He and his relations then return home, and hold a feast. When a corpse is buried, no such ceremonies are performed. Both males and females are addicted to heavy drinking. Arrack is their favourite beverage, and a Lambadi's boast is that he spent so much on drink on such and such an occasion. The women dance and sing songs in eulogy of their goddess. At bed-time they strip off all their clothes, and use them as a pillow."

The Lambadis are said to purchase children from other castes, and bring them up as their own. Such children are not allowed to marry into the superior Lambadi section called Thanda. The adopted children are classified as Koris, and a Kori may only marry a Lambadi after several generations.

Concerning the religion of the Lambadis, it is noted in the Mysore Census Report, 1891, that they are "Vishnuvaits, and their principal object of worship is Krishna. Bana Sankari, the goddess of forests, is also worshipped, and they pay homage to Basava on grounds dissimilar to those professed by the Lingayets. Basava is revered by the Lambadis because Krishna had tended cattle in his incarnation. The writer interviewed the chief Lambani priests domiciled in the Holalkere taluk. The priests belong to the same race, but are much less disreputable than the generality of their compatriots. It is said that they periodically offer sacrificial oblations in the agni or fire, at which a mantram is repeated, which may be paraphrased thus:--

I adore Bharma (Bramha) in the roots; Vishnu who is the trunk; Rudra (Mahadev) pervading the branches; And the Devas in every leaf.