Part 20
The Egyptians, according to Pliny, claimed the honor of having invented the art of curing diseases. Indeed, the study of medicine and surgery appears to have commenced at a very early period in Egypt, since Athothes, the second king of the country, is stated to have written upon the subject of anatomy; and the schools of Alexandria continued till a late period to enjoy the reputation, and display the skill, they had inherited from their predecessors. Hermes was said to have written six books on medicine, the first of which related to anatomy; and the various recipes, known to have been beneficial, were recorded, with their peculiar cases, in the memoirs of physic inscribed among the laws deposited in the principal temples.
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HOUSES, VILLAS, FARMYARDS, ORCHARDS, GARDENS, ETC.
The monumental records and various works of art, and, above all, the writings, of the Greeks and Romans, have made us acquainted with their customs and their very thoughts; and though the literature of the Egyptians is almost unknown, their monuments, especially the paintings in the tombs, have afforded us an insight into their mode of life scarcely to be obtained from those of any other people. The influence that Egypt had in early times on Greece gives to every inquiry respecting it an additional interest; and the frequent mention of the Egyptians in the Bible connects them with the Hebrew Records, of which many satisfactory illustrations occur in the sculptures of Pharaonic times. Their great antiquity also enables us to understand the condition of the world long before the era of written history; all existing monuments left by other people are comparatively modern; and the paintings in Egypt are the earliest descriptive illustrations of the manners and customs of any nation.
It is from these that we are enabled to form an opinion of the character of the Egyptians. They have been pronounced a serious, gloomy people, saddened by the habit of abstruse speculation; but how far this conclusion agrees with fact will be seen in the sequel. They were, no doubt, less lively than the Greeks; but if a comparatively late writer, Ammianus Marcellinus, may have remarked a "rather sad" expression, after they had been for ages under successive foreign yokes, this can scarcely be admitted as a testimony of their character in the early times of their prosperity; and though a sadness of expression might be observed in the present oppressed population, they can not be considered a grave or melancholy people. Much, indeed, may be learned from the character of the modern Egyptians; and notwithstanding the infusion of foreign blood, particularly of the Arab invaders, every one must perceive the strong resemblance they bear to their ancient predecessors. It is a common error to suppose that the conquest of a country gives an entirely new character to the inhabitants. The immigration of a whole nation taking possession of a thinly-peopled country, will have this effect, when the original inhabitants are nearly all driven out by the new-comers; but immigration has not always, and conquest never has, for its object the destruction or expulsion of the native population; they are found useful to the victors, and as necessary for them as the cattle or the productions of the soil. Invaders are always numerically inferior to the conquered nation--even to the male population; and, when the women are added to the number, the majority is greatly in favor of the original race, and they must exercise immense influence on the character of the rising generation. The customs, too, of the old inhabitants are very readily adopted by the new-comers, especially when they are found to suit the climate and the peculiarities of the country they have been formed in; and the habits of a small mass of settlers living in contact with them fade away more and more with each successive generation. So it has been in Egypt; and, as usual, the conquered people bear the stamp of the ancient inhabitants rather than that of the Arab conquerors.
Of the various institutions of the ancient Egyptians, none are more interesting than those which relate to their social life; and when we consider the condition of other countries in the early ages when they flourished, from the 10th to the 20th century before our era, we may look with respect on the advancement they had then made in civilization, and acknowledge the benefits they conferred upon mankind during their career. For like other people, they have had their part in the great scheme of the world's development, and their share of usefulness in the destined progress of the human race; for countries, like individuals, have certain qualities given them, which, differing from those of their predecessors and contemporaries are intended in due season to perform their requisite duties. The interest felt in the Egyptians is from their having led the way, or having been the first people we know of who made any great progress, in the arts and manners of civilization; which, for the period when they lived, was very creditable, and far beyond that of other kingdoms of the world. Nor can we fail to remark the difference between them and their Asiatic rivals, the Assyrians, who, even at a much later period, had the great defects of Asiatic cruelty--flaying alive, impaling, and torturing their prisoners, as the Persians, Turks, and other Orientals have done to the present century, the reproach of which can not be extended to the ancient Egyptians. Being the dominant race of that age, they necessarily had an influence on others with whom they came in contact; and it is by these means that civilization is advanced through its various stages; each people striving to improve on the lessons derived from a neighbor whose institutions they appreciate, or consider beneficial to themselves. It was thus that the active mind of the talented Greeks sought and improved on the lessons derived from other countries, especially from Egypt; and though the latter, at the late period of the 7th century B.C., had lost its greatness and the prestige of superiority among the nations of the world, it was still the seat of learning and the resort of studious philosophers; and the abuses consequent on the fall of an empire had not yet brought about the demoralization of after times.
The early part of Egyptian monumental history is coeval with the arrivals of Abraham and of Joseph, and the Exodus of the Israelites; and we know from the Bible what was the state of the world at that time. But then, and apparently long before, the habits of social life in Egypt were already what we find them to have been during the most glorious period of their career; and as the people had already laid aside their arms, and military men only carried them when on service, some notion may be had of the very remote date of Egyptian civilization. In the treatment of women they seem to have been very far advanced beyond other wealthy communities of the same era, having usages very similar to those of the modern world; and such was the respect shown to women that precedence was given to them over men, and the wives and daughters of kings succeeded to the throne like the male branches of the royal family. Nor was this privilege rescinded, even though it had more than once entailed upon them the trouble of a contested succession; foreign kings often having claimed a right to the throne through marriage with an Egyptian princess. It was not a mere influence that they possessed, which women often acquire in the most arbitrary Eastern communities; nor a political importance accorded to a particular individual, like that of the Sultana Valideh, the Queen Mother, at Constantinople; it was a right acknowledged by law, both in private and public life. They knew that unless women were treated with respect, and made to exercise an influence over society, the standard of public opinion would soon be lowered, and the manners and morals of men would suffer; and in acknowledging this, they pointed out to women the very responsible duties they had to perform to the community.
From their private life great insight is obtained into their character and customs: and their household arrangements, the style of their dwellings, their amusements and their occupations, explain their habits; as their institutions, mode of government, arts and military knowledge illustrate their history, and their relative positions among the nations of antiquity. In their form and arrangement, the houses were made to suit the climate, modified according to their advancement in civilization; and we are often enabled to trace in their abodes some of the primitive habits of a people, long after they have been settled in towns, and have adopted the manners of wealthy communities; as the tent may still be traced in the houses of the Turks, and the small original wooden chamber in the mansions and temples of ancient Greece.
As in all warm climates, the poorer classes of Egyptians lived much in the open air; and the houses of the rich were constructed to be cool throughout the summer; currents of refreshing air being made to circulate freely through them by the judicious arrangement of the passages and courts. Corridors, supported on columns, gave access to the different apartments through a succession of shady avenues and areas, with one side open to the air, as in cloisters; and even small detached houses had an open court in the centre, planted as a garden with palms and other trees. _Mulkufs_, or wooden wind-sails, were also fixed over the terraces of the upper story, facing the prevalent and cool N.W. wind, which was conducted down their sloping boards into the interior of the house. They were exactly similar to those in the modern houses of Cairo; and some few were double, facing in opposite directions.
The houses were built of crude brick, stuccoed and painted, with all the combinations of bright color in which the Egyptians delighted; and a highly decorated mansion had numerous courts, and architectural details derived from the temples. Over the door was sometimes a sentence, as "the good house;" or the name of a king, under whom the owner probably held some office; many other symbols of good omen were also put up, as at the entrances of modern Egyptian houses; and a visit to some temple gave as good a claim to a record as the pilgrimage to Mecca, at the present day. Poor people were satisfied with very simple tenements; their wants being easily supplied, both as to lodging and food; and their house consisted of four walls, with a flat roof of palm-branches laid across a split date-tree as a beam, and covered with mats plastered over with a thick coating of mud. It had one door and a few small windows closed by wooden shutters. As it scarcely ever rained, the mud roof was not washed into the sitting room; and this cottage rather answered as a shelter from the sun, and as a closet for their goods, than for the ordinary purpose of a house in other countries. Indeed at night the owners slept on the roof, during the greater part of the year; and as most of their work was done out of doors, they might easily be persuaded that a house was far less necessary for them than a tomb. To convince the rich of this ultra-philosophical sentiment was not so easy; at least the practice differed from the theory; and though it was promulgated among all the Egyptians, it did not prevent the priests and other grandees from living in very luxurious abodes, or enjoying the good things of this world; and a display of wealth was found to be useful in maintaining their power, and in securing the obedience of a credulous people. The worldly possessions of the priests were therefore very extensive, and if they imposed on themselves occasional habits of abstemiousness, avoided certain kinds of unwholesome food, and performed many mysterious observances, they were amply repaid by the improvement of their health, and by the influence they thereby acquired. Superior intelligence enabled them to put their own construction on regulations emanating from their sacred body, with the convenient persuasion that what suited them did not suit others; and the profane vulgar were expected to do, not as the priests did, but as they taught them to do.
In their plans the houses of towns, like the villas in the country, varied according to the caprice of the builders. The ground-plan, in some of the former, consisted of a number of chambers on three sides of a court, which was often planted with trees. Others consisted of two rows of rooms on either side of a long passage, with an entrance-court from the street; and others were laid out in chambers round a central area, similar to the Roman _Impluvium_, and paved with stone, or containing a few trees, a tank or a fountain in its centre. Sometimes, though rarely, a flight of steps led to the front door from the street.
Houses of small size were often connected together and formed the continuous sides of streets; and a court-yard was common to several dwellings. Others of a humbler kind consisted merely of rooms opening on a narrow passage, or directly on the street. These had only a basement story, or ground-floor; and few houses exceeded two stories above it. They mostly consisted of one upper floor; and though Diodorus speaks of the lofty houses in Thebes four and five stories high, the paintings show that few had three, and the largest seldom four, including, as he does, the basement-story. Even the greater portion of the house was confined to a first floor, with an additional story in one part, on which was a terrace covered by an awning, or a light roof supported on columns. This served for the ladies of the family to sit at work in during the day, and here the master of the house often slept at night during the summer, or took his _siesta_ in the afternoon. Some had a tower which rose even above the terrace.
The first-floor was what the Italians call the "_piano nobile_;" the ground rooms being chiefly used for stores, or as offices, of which one was set apart for the porter, and another for visitors coming on business. Sometimes besides the parlor were receiving apartments on the basement-story, but guests were generally entertained on the first-floor; and on this were the sleeping-rooms also, except where the house was of two or three stories. The houses of wealthy citizens often covered a considerable space, and either stood directly upon the street, or a short way back, within an open court; and some large mansions were detached, and had several entrances on two or three sides. Before the door was a porch supported on two columns, decked with banners or ribbons, and larger porticoes had a double row of columns, with statues between them.
In the distribution of the apartments numerous and different modes were adopted, according to circumstances; in general, however, the large mansions seem to have consisted of a court and several corridors, with rooms leading from them, not unlike many of those now built in Oriental and tropical countries. The houses in most of the Egyptian towns are quite destroyed, leaving few traces of their plans, or even of their sites; but sufficient remains of some at Thebes, at Tel el Amarna, and other places, to enable us, with the help of the sculptures, to ascertain their form and appearance.
Granaries were also laid out in a very regular manner, and varied of course in plan as much as the houses, to which there is reason to believe they were frequently attached, even in the towns; and they were sometimes only separated from the house by an avenue of trees.
Some small houses consisted merely of a court, and three or four store-rooms on the ground-floor, with a single chamber above, to which a flight of steps led from the court; but they were probably only met with in the country, and resembled some still found in the _fellah_ villages of modern Egypt. Very similar to these was the model of a house now in the British Museum, which solely consisted of a court-yard and three small store-rooms on the ground-floor, with a staircase leading to a room belonging to the storekeeper, which was furnished with a narrow window or aperture opposite the door, rather intended for the purposes of ventilation than to admit the light. In the court a woman was represented making bread, as is sometimes done at the present day in Egypt, in the open air; and the store-rooms were full of grain.
Other small houses in towns consisted of two or three stories above the ground-floor. They had no court, and stood close together, covering a small space, and high in proportion to their base, like many of those at Karnak. The lower part had merely the door of entrance and some store-rooms, over which were a first and second floor, each with three windows on the front and side, and above these an attic without windows, and a staircase leading to a terrace on the flat roof. The floors were laid on rafters, the end of which projected slightly from the walls like dentils; and the courses of brick were in waving or concave lines, as in the walls of an enclosure at Dayr el Medeeneh in Thebes. The windows of the first-floor had a sort of mullion dividing them into two lights each, with a transom above; and the upper windows were filled with trellis-work, or cross bars of wood, as in many Turkish harems. A model of a house of this kind is also in the British Museum. But the generality of Egyptian houses were far less regular in their plan and elevation; and the usual disregard for symmetry is generally observable in the houses even of towns.
The doors, both of the entrances and of the inner apartments, were frequently stained to imitate foreign and rare woods. They were either of one or two valves, turning on pins of metal, and were secured within by a bar or bolts. Some of these bronze pins have been discovered in the tombs of Thebes. They were fastened to the wood with nails of the same metal, whose round heads served also as an ornament, and the upper one had a projection at the back, in order to prevent the door striking against the wall. We also find in the stone lintels and floor, behind the thresholds of the tombs and temples, the holes in which they turned, as well as those of the bolts and bars, and the recess for receiving the opened valves. The folding doors had bolts in the centre, sometimes above as well as below; a bar was placed across from one wall to the other; and in many instances wooden locks secured them by passing over the centre, at the junction of the two folds. For greater security they were occasionally sealed with a mass of clay, as is proved by some tombs found closed at Thebes, by the sculptures, and in the account given by Herodotus of Rhampsinitus' treasury.
Keys were made of bronze or iron, and consisted of a long straight shank, about five inches in length, with three or more projecting teeth; others had a nearer resemblance to the wards of modern keys, with a short shank about an inch long; and some resembled a common ring with the wards at its back. These are probably of Roman date. The earliest mention of a key is in Judges (iii. 23-25), when Ehud having gone "through the porch, and shut the doors of the parlor upon him and locked them," Eglon's "servants took a key and opened them."
The doorways, like those in the temples, were often surmounted by the Egyptian cornice; others were variously decorated, and some, represented in the tombs, were surrounded with a variety of ornaments, as usual richly painted. These last, though sometimes found at Thebes, were more general about Memphis and the Delta; and two good instances of them are preserved at the British Museum, brought from a tomb near the Pyramids.
Even at the early period when the Pyramids were built, the doors were of one or two valves: and both those of the rooms and the entrance doors opened inwards, contrary to the custom of the Greeks, who were consequently obliged to strike on the inside of the street door before they opened it, in order to warn persons passing by; and the Romans were forbidden to make it open outward without a special permission.
The floors were of stone, or a composition made of lime or other materials; but in humbler abodes they were formed of split date-tree beams, arranged close together or at intervals, with planks or transverse layers of palm branches over them, covered with mats and a coating of mud. Many roofs were vaulted, and built like the rest of the house of crude brick; and not only have arches been found of that material dating in the 16th century before our era, but vaulted granaries appear to be represented of much earlier date. Bricks, indeed, led to the invention of the arch; the want of timber in Egypt having pointed out the necessity of some substitute for it.
Wood was imported in great quantities; deal and cedar were brought from Syria; and rare woods were part of the tribute imposed on foreign nations conquered by the Pharaohs. And so highly were these appreciated for ornamental purposes, that painted imitations were made for poorer persons who could not afford them; and the panels, windows, doors, boxes, and various kinds of woodwork, were frequently of cheap deal or sycamore, stained to resemble the rarest foreign woods. And the remnants of them found at Thebes show that these imitations were clever substitutes for the reality. Even coffins were sometimes made of foreign wood; and many are found of cedar of Lebanon. The value of foreign woods also suggested to the Egyptians the process of veneering; and this was one of the arts of their skillful cabinet makers.
The ceilings were of stucco, richly painted with various devices, tasteful both in their form and the arrangement of the colors; among the oldest of which is the Guilloche, often miscalled the Tuscan or Greek border.
Both in the interior and exterior of their houses the walls were sometimes portioned out into large panels of one uniform color, flush with the surface, or recessed, not very unlike those at Pompeii; and they were red, yellow, or stained to resemble stone or wood. It seems to have been the introduction of this mode of ornament into Roman houses that excited the indignation of Vitruvius; who says that in old times they used red paint sparingly, like physic, though now whole walls are covered over with it.