Part 70

A series of Athenian records on marble has been found inscribed on the wall of the Parthenon, while others have been put together out of many fragments extracted from the ruins on the Acropolis and from excavations at Athens. Of the public records preserved in these inscriptions, the following are the most important classes: the tribute lists, the treasure lists, and the public accounts.

An interesting inscription has been lately brought to light in the diggings on the Athenian Acropolis. It is the treaty-stone between Athens and Chalcis. The inscription is of the days of Pericles, and records the terms on which Chalcis in Euboea was again received as an Athenian dependency or subject ally after its revolt and recovery in B.C. 445. The event is recorded in Thucydides. The inscription is in Attic Greek, but the spelling is archaic.

Funeral monuments usually bear an inscription which gives the names and titles of the deceased, his country, his age, the names of his father and of his mother, his titles and his services, his distinguished qualities and his virtues. Frequently a funereal inscription contains only the names of the deceased, that of his country, and acclamations and votive formulæ generally terminate it.

The Sigean marble is one of the most celebrated palæographical monuments in existence. It is written in the most ancient Greek characters, and in the Boustrophedon manner. The purport of the inscription, which in sense is twice repeated, on the upper and lower part of the stone, is to record the presentation of three vessels for the use of the Prytaneum, or Town Hall of the Sigeans. The upper and lower inscriptions, in common letters, read thus:

The first inscription is thus translated: "I am the gift of Phanodicus, the son of Hermocrates, of Proconnesus; he gave a vase (a crater), a stand or support for it, and a strainer, to the Sigeans for the Prytaneum." The second, which says, "I also am the gift of Phanodicus," repeating the substance of the former inscription, adds, "if any mischance happens to me, the Sigeans are to mend me. Æsop and his brethren made me." The lower inscription is the more ancient. It is now nearly obliterated. Kirchhoff considers it to be not later than Olympiad 69 B.C. (504-500).

_The Athenian People erects this Statue of Socrates, the Son of Socrates of Thoricus._

"The Sons of Athens, Socrates, from thee Imbibed the lessons of the Muse divine; Hence this thy meed of wisdom: prompt are we To render grace for grace, our love for thine."

_Wordsworth's Athens._

To Perpenna the Roman, of Consular dignity, the Senate and People of Syracuse.

A man by whose wise counsels this city of Syracuse hath breathed from its labors, and seen the hour of repose. For these services the best of its citizens have erected to him an image of marble, but they preserve that of his wisdom in their breasts.

_Museum of Syracuse._

_On a Gateway at Nicæa_ (_Translation_):

"The very splendid, and large, and good city of the Nicæans [erects] this wall for the autocrat Cæsar Marcus Aurelius Claudius, the pious, the fortunate, august, of Tribunitial authority, second time Proconsul, father of his country, and for the Sacred Senate, and the people of the Romans, in the time of the illustrious Consular Velleius Macrinus, Legate and Lieutenant of the august Cæsar Antoninus, the splendid orator." A.D. 269.

[Page Decoration]

THE CATACOMBS.

The catacombs, or under-ground cemeteries, are among the most stupendous wonders of antiquity, and have ever since their discovery excited the keenest interest of archæologists.

The cut on page 875 is a plan of the catacombs of Rome. These alone were years ago computed to be 590 miles in length, while Mr. Marchi, in the light of more recent investigations and new discoveries has calculated their length to be between 800 and 900 miles, and, that in the sepulchral enclosures of their vast hollows between 6,000,000 and 7,000,000 of the human race have been entombed. Most of the catacombs are situated from fifty to seventy-five feet below the surface of the earth, not a ray of natural light can penetrate the dense blackness of night which everywhere abounds. Woe to the man whose boldness leads him to venture alone into these dark depths! So extensive and so intricate are the corridors and passages that he must be irrevocably lost and miserably perish in this endless labyrinth. Even the most experienced guides, with burning torches in hand, would rather follow only thoroughly explored passages, and care not to leave well-beaten tracks.

The passages are from six to twelve feet high and have an average width of from three to six feet. In the tufa rock of which their walls are composed niches are hollowed out, one above the other, in which the dead were laid, from three to six persons having been placed on each side. All the passages and galleries have these ghastly linings, and most of them end their long and dreary course in a chamber, as the reader may observe on examining the cuts below.

These chambers are often of large dimensions, and were originally adorned with great splendor and high art. They were the tombs of wealthy and noble families, who spared neither labor nor money in beautifying their final habitations. The walls and ceilings were exquisitely sculptured and painted by the most gifted artists of the age. Sarcophagi or coffins of bronze, of porphyry and other rare marbles contained the bodies of the dead. On their massive lids and sides were carved the forms and features of those lying within, so that even to-day we are in possession of fine and accurate portraits of ancient people. Around the sarcophagi were placed rich vases of gold, drinking cups of silver, and many other valuable treasures dear to the departed when alive. Statues of bronze and marble were ranged about in lavish array and gleamed under the soft light which fell from quaint lamps of precious metals, curious in shape and wrought with elaborate skill.

[Illustration: SECTIONS OF CATACOMBS WITH CHAMBERS.]

In the Roman Campagna there were forty-three catacombs, whose names are recorded in inscriptions, in martyrologies, and in the Pontifical Registers used by Anastasius, since republished, with additions, in various forms, and repeated in substance by Baronius in his Annals, and Panvinius in his treatise on the Cemeteries. Aringhi reckons on the number at fifty-six, and from the account of Signor de Rossi it appears that the number is now reckoned at about sixty. The number of _general_ cemeteries is not so large.

[Illustration: PLAN OF CATACOMBS AT ROME. (_Estimated to be between 800 and 900 miles in length._)]

The original entrances to the catacombs were in many instances by subterranean roads or corridors, sometimes called streets. These corridors, which served as entrances to and passages in the burial-places, were originally old sand-pit roads, from which the Pozzolana sand had been extracted; when this bed of sand is extracted, the entrance is usually closed. The soft bed of Pozzolana sand was, however, not generally used for interments, but the harder bed under it, called "tufa granulare." The different horizontal layers or beds of tufa vary very much in hardness and also in thickness.

Although these catacombs may not be the finest cemeteries, yet the use of these would be infinitely preferable to the recent Roman practice of throwing the bodies of all persons, whose families can not afford to buy a piece of land in perpetuity, into a pit, in the same manner as the ancient Romans did the bodies of their slaves.

There are three hundred and eighty pits provided in the burial ground of S. Lorenzo, one of which was opened every night. All the bodies brought for interment that day or night were thrown into it, after being first stripped to the skin by the officials; and then hot lime was thrown upon them, that they might be thoroughly decayed before the year came round. The mouth of the pit was closed with lime grouting, so that no effluvium could escape, and this covering was not broken until the pit was wanted to be used again.

These corridors or passages of the sand-pits from which the Pozzolana sand had been excavated are large enough to admit a horse and cart; these were frequently the entrances to the catacombs, the corridors of which are usually by the side of or under those of the _arenariæ_, or sand-pits, and are only just large enough for a man, or two men with a body, to pass along; the height varies from five to seven or eight feet, or more, according to the thickness of the bed of tufa. In the catacomb of S. Hermes, part of the wide sand-pit road has been reduced to one-third of its width, by building up brick walls on each side with _loculi_ in them.

There is in general, at present, no communication between one catacomb and another; each occupies a separate hill or rising ground in the Campagna, and is separated from the others by the intervening valleys. When the first tier of tombs extended to the edges of the hill, a second was made under it, and then sometimes a third, or more. The manner in which the rock is excavated in a number of corridors twisting in all directions, in order to make room for the largest possible number of bodies, is thus accounted for. The plan of the catacomb of S. Priscilla is a good illustration of this. It would have been hardly safe to have excavated the rock to any greater extent. The lowest corridors are frequently below the level of the valleys, and there may have been originally passages from one to the other, so that one entrance to S. Calixtus may have been through S. Sebastian's. The peculiarly dry and drying nature of the sandstone, or tufa rock, in which these tombs are excavated, made them admirably calculated for the purpose. These catacombs were the public cemeteries of Christian Rome for several centuries, and it would have been well for the health of the city if they could always have continued so. Unfortunately after the siege of Rome by the Goths, in the time of Justinian, when some of the catacombs were rifled of their contents, the use of these excellent burying places was discontinued.

That the _arenaria_ were considered as burying places in the time of Nero is evident from his exclamations of horror at the idea of being taken there alive for the purpose of concealment. The sand-pits are also mentioned by Cicero in his Oration for Cluentius, where he says that the young Asinius, a citizen of noble family, was inveigled into one of them and murdered.

[Illustration: STONE COFFIN.]

This shows they were in use before the Christian era, and there is every reason to believe that they have been in use ever since lime-mortar came into use, which is believed to have been many centuries before that period. The celebrated Pozzolana sand makes the best mortar in the world, from its gritty nature. This valuable sand is found to any extent nearly all over the Campagna of Rome, in horizontal beds or layers between the beds of tufa; some of the tufa itself, which is sandstone, may be scraped into this sand, but it is easier to take it as ready provided by nature. People once accustomed to the use of this sand can not do without it, and hundreds of carts filled with it may be seen daily traversing the Campagna, conveying it either to Rome, or to Ostia, or to Porto, for exportation. The horizontal layers or beds of this sand are not usually more than six feet thick, although they extend at a certain level over the whole surface of the country. It is therefore excavated in horizontal corridors, with various branches, extending for many miles, undermining the whole surface of the soil, but not in large or deep pits, so that the name of sand-pit is rather deceitful to American people, who commonly imagine it to be always a large and deep pit to which these roads lead only; this is not always the case, the roads themselves being excavated in the layer of sand, and frequently themselves the sand-pits. Sometimes there are different layers of sand at different levels, and in some cases there may be two sand-pit roads one over the other, with the bed of hard tufa between them.

We are told in the _Acta Sanctorum_ that one of the punishments inflicted on the Christians by the Emperor Maximinus in the sixth persecution, A.D. 35, was digging sand and stone. The martyrs, Ciriacus and Sisinnus are especially mentioned as ordered to be strictly guarded, and compelled to dig sand and to carry it on their own shoulders.

Some of the catacombs were evidently made under tombs by the side of the road, and in that of S. Calixtus there are remains of the tomb on the surface of the ground. The burial-chapels of the fourth century commonly found over a catacomb probably replace earlier tombs. The church of S. Urban is now considered to have been a family tomb of the first century, made into a church long afterwards.

[Illustration: STONE COFFIN WITH OPEN SIDE.]

Many inscriptions are preserved relating to the preservation of a tomb with the land belonging to it in perpetuity, and they frequently mention the number of feet along the road and in the field. Their size varies enormously. Horace mentions one that was 1,000 feet by 300 feet. The inscription of one dug up in the Via Labicana gives 1,800 feet by 500 feet; another was only twenty-four feet by fifteen feet, and another sixteen feet square. In the case of one of the larger tombs belonging to a family that became Christian, it was easy for them to make a catacomb under it and allow their fellow-Christians to be buried there, or to sell portions of the large space for separate vaults. Many vaults of sixteen feet square might be made in the space of 1,800 feet long by 500 feet wide, as the one on the Via Labicana. If the adjoining field belonged to the same family, the catacomb might be extended as far as the family property itself extended. This is the most probable explanation of the _prædium_ of the Lady Lucina and other Christian martyrs. They were heiresses to whom such a tomb and meadow belonged. When the space was limited, three or four stories were excavated in succession, one under the other, as we see in many instances.

The measurements of Michele de Rossi coincide with this in a remarkable manner. He finds the _area_ of each separate catacomb to be respectively 100, 125, 150, 180 and 250 feet. None of these spaces are at all too large for the area commonly left round a tomb of importance, and the family property of this area would extend to any depth. Each cemetery was complete in itself, but sometimes connected with others by subterranean roads.

These tombs were protected by special laws, and the _area_ in which the tomb stood was included with it. The area was often of considerable extent, and was intended for the burial-place of succeeding generations of the family to whom it belonged. The tombs of the period of the early empire were by no means exclusively for the _columbaria_ for cinerary urns. The instances in which there are both places for bodies and urns are perhaps more numerous than those for urns only. The fine sarcophagi now found in museums, or applied to all sorts of uses, as water-troughs, vases for flowers, and various other purposes, were all originally in tombs, and generally in tombs in which there were also _columbaria_ for cinerary urns. Some Pagan tombs on the Via Latina have catacombs for the interment of bodies under them, and often bodies were put in them.

The custom of burning the bodies was never universal, and lasted only for a certain period; the custom of burying bodies came in again soon after the Christian era, and probably was influenced by the strong feeling which sprung up among the Christians on this subject. The sumptuous painted chambers in the upper part of the tombs of the first and second centuries on the Via Latina were evidently imitated by the poor in the catacombs in the fourth and fifth centuries and later; but there is no evidence of any Scriptural or religious subjects for paintings before the time of Constantine. The character of the paintings is almost universally later, and the few that are early are not Christian nor Scriptural.

[Illustration: INSIDE VIEW OF CATACOMBS.]

It might very well happen that some members of the family were Christians and others were not, and this would account for the mixture of Pagan tombs with Christian ones in the same catacombs. The subterranean sand-pit roads frequently run parallel to the high roads at a little distance from them, and such a road passing at the back of the subterranean cemetery or catacomb would be very convenient to Christians in time of persecution. The part of these roads which came within the limits of the cemetery would naturally be used for burial places, also, as we see that they were distinctly in the case of S. Hermes, and nearly with equal certainty in other cases. In ordinary times, there was no necessity for secrecy. The bodies of Christian martyrs were given up for the purpose of burial to those who applied for them.

The catacombs of SS. Saturnius and Thraso, the entrance to which is in the gardens of the Villa Gangalani, about a mile from Rome, on the Via Salaria, are stated to have formed part of the great catacomb of S. Priscilla, the entrance to which is about a quarter of a mile farther from Rome, on the same road. On descending into that of S. Saturninus by a steep flight of steps of modern appearance, but perhaps restored only, we soon pass under the road and hear carriages passing overhead; we then continue to descend to the depth of about fifty feet, divided into five corridors, only four of which can at present be seen; but we pass the entrance to the fifth on one of the stair-cases, and see the opening to it. The two lower corridors of this catacomb have tombs or _cubicula_ on the sides; a few of these are painted, and the vault of the corridor in front of them, also.

The sandstone in which this catacomb is made is more than usually hard, for which reason apparently there are only three of the side chapels for family burying places, and few of the arched tombs; most of the recesses for graves are merely parallelograms just large enough to contain the body, or two bodies side by side, one behind the other, the recess being excavated to a sufficient depth for that purpose, and some of these have the slabs covering the openings left in their places. The skeletons are allowed to remain in several of the tombs where the slab has been removed and left open. One of the chapels has remains of paintings of the fourth century in a very decayed state. The other two chapels are connected by a short passage; they have evidently been family burying places, a second added when the first was full. The passage is made through the principal tomb of the first chapel, the body previously interred there was probably removed to the inner chapel when that was made. The painted chapel is in the upper corridor, the double one in the lowest.

In descending from the garden, the two upper corridors have tombs on the sides, and are regular catacombs; the third is an _arenarium_, or sand-pit, without tombs, and large enough for a horse and cart to pass along, as in the ordinary sand-pits. There must have been another entrance to this, and it is said to have been half a mile off, which is not improbable, judging by other sand-pits, both those now in use and others that are closed, some of which are known to be more than a mile long, and with the different branch galleries, the corridors altogether often extend several miles. These galleries are large and wide enough for a horse and cart, but not for two to pass, sidings being made at intervals for that purpose. The passages in the catacombs vary much both in height and in width, but are seldom more than three feet wide. The chapels also vary in size, but none of them would hold more than fifty people; those in the present catacomb are small.

[Illustration: LAMPS FOUND IN THE CATACOMBS.]

That each of these chapels was the burial-place of a family, and was considered as private property, is evident from the remains of a door at the entrance of several of them, as in the catacomb of S. Priscilla. In one of these, the stone corbel, with the hole for the pivot to work in, remains in its place; the lower stone, with the corresponding hole, has been moved, but is lying on the floor in an adjoining chapel. Another door has been made to slide up and down like a portcullis or a modern sash-window, as we see by the groove remaining on both sides. This is close to a _luminaria_, or well for admitting light and air, and it seems quite possible that it really was a window, or that the upper part was made to slide down to admit the light and air from the _luminaria_. If this was the burial-place of Priscilla, the paintings were probably renewed in the restoration by John I., A.D. 523. The lower part of the wall is faced with stucco paneled with oblong panels, colored in imitation of different kinds of marble; the stucco is about an inch thick, like slabs of marble, and the divisions between the panels are sunk to that depth, as if each panel had been painted before it was placed and fixed to the walls like marble slabs. There are some long narrow slips of white stucco lying about, which seem to have been fitted into the hollow grooves between the slabs. The vaults in this catacomb are in many parts supported by brick arches; in one place, at a crossing, are four small low brick arches, the character of which agrees with the period of the restoration in the sixth century; the mortar between the bricks or tiles is about the same thickness as the tiles themselves, which are rather more than an inch thick, so that there are five tiles to a foot, including the mortar between them. These brick arches are not subsequent repairs, but part of the original construction to carry the vault. The _arenarium_, or sand-pit gallery, through which the present entrance is made, has evidently been used as a subterranean road. A branch of an aqueduct running along the side of this is part of an extensive system of irrigation carried on throughout all this district, the water having been brought from the Aqua Virgo, which passed in this direction. It was probably part of the original line of the Aqueduct, which has been altered in the portion near to Rome; this has not been traced out to any considerable extent, but Signor de Rossi has found many remains and indications of it. The sand-pit roads, or _arenaria_, ran for miles parallel to the high roads, and were probably used by the carters in preference to the open roads in hot weather, as they are always cool.