Part 22
Diodorus (ii. 9) mentions a golden statue of Jupiter at Babylon 40 feet high, weighing 1,000 Babylonian talents; another of Rhea, of equal weight, having two lions on its knees, and near it silver serpents of 300 talents each; a standing statue of Juno weighing 800 talents, holding a snake, and a sceptre set with gems; as well as a golden table of 500 talents weight on which were two cups weighing 300 talents, and two censers each of 300 talents weight, with three golden bowls, one of which, belonging to Jupiter, weighed 1,200 talents, the others each 600; making a total of at least 6,900 talents, reckoned equal to $55,000,000. And the golden image of Nebuchadnezzar, 60 cubits, or 90 feet high, at the same ratio would weigh 2,250 talents, or $17,934,820.
David, who had not the Indian and Arabian trade afterwards obtained by Solomon, left for the building of the temple 100,000 talents of gold and 1,000,000 of silver; and the sum given by him of his "own proper good," "over and above all prepared for the holy house," was "3,000 talents of gold" and "7,000 of refined silver;" besides the chief men's contributions of 500 talents and 10,000 drachms of gold, 10,000 talents of silver, and an abundance of brass, iron, and precious stones.
The annual tribute of Solomon was 666 talents of gold, besides that brought by the merchants, and the present from the Queen of Sheba of 120 talents; and the quantity of gold and silver used in the temple and his house was extraordinary. Mr. Jacob, in his valuable work on the precious metals, has noticed many of these immense sums, collected in old times. Among them are the tribute of Darius, amounting to 9,880 talents of silver and 4,680 of gold, making a total of 14,560, estimated at about $37,250,000; the sums taken by Xerxes to Greece; the wealth of Croesus; the riches of Pytheus, king of a small territory in Phrygia, possessing gold and silver mines, who entertained the army of Xerxes, and gave him 2,000 talents of silver and 4,093,000 staters of gold (equal to 23,850,000 dollars of our money); the treasures acquired by Alexander, in Susa and Persia, exclusive of that found in the Persian camp and in Babylon, said to have amounted to 40,000 or 50,000 talents; the treasure of Persepolis rated at 120,000 talents; that of Pasagarda at 6,000; and the 180,000 talents collected at the capture of Ecbatana; besides 6,000 which Darius had with him, and were taken by his murderers. "Ptolemy Philadelphus is stated by Appian to have possessed treasure to the enormous amount of 740,000 talents;" either "890 million dollars, or at least a quarter of that sum;" and fortunes of private individuals at Rome show the enormous wealth they possessed. "Crassus had in lands $8,072,915, besides as much more in money, furniture, and slaves; Seneca, $12,109,375; Pallas, the freedman of Claudius, an equal sum; Lentulus, the augur, $16,145,805; Cæc. Cl. Isidorus, though he had lost a great part of his fortune in the civil war, left by his will 4,116 slaves, 3,600 yoke of oxen, 257,000 other cattle, and in ready money $2,421,875. Augustus received by the testaments of his friends $161,458,330. Tiberius left at his death $108,984,375, which Caligula lavished away in less than one year; and Vespasian, at his succession, said that to support the state he required _quadrigenties millies_, or $1,614,083,330. The debts of Milo amounted to $2,825,520. J. Cæsar, before he held any office, owed 1,300 talents, $1,279,375; and when he set out for Spain after his prætorship, he is reported to have said, that 'Bis millies et quingenties sibi deesse, ut nihil haberet,' or 'that he was $10,091,145 worse than nothing.' When he first entered Rome, in the beginning of the civil war, he took out of the treasury $5,479,895, and brought into it at the end of it $24,218,750; he purchased the friendship of Curio, at the commencement of the civil war, by a bribe of $2,421,856, and that of the consul, L. Paulus, by 1,500 talents, about $1,397,500; Apicius wasted on luxurious living $2,421,875; Caligula laid out on a supper $403,625; and the ordinary expense of Lucullus for a supper in the Hall of Apollo was 50,000 drachms, or $8,070. The house of Marius, bought of Cornelia for $12,105, was sold to Lucullus for $80,760; the burning of his villa was a loss to M. Scaurus of $4,036,455; and Nero's golden house must have cost an immense sum, since Otho laid out in furnishing a part of it $2,017,225." But though Rome was greatly enriched by conquest, she never obtained possession of the chief wealth of Asia; and the largest quantity of the precious metals was always excluded from the calculations of ancient writers.
The whole revenue of the Roman Empire under Augustus is "supposed to have been equal to 200 millions of our money;" and at the time of his death (A.D. 14) the gold and silver in circulation throughout the empire is supposed to have amounted to $1,790,000,000; which at a reduction of 1 grain in 360 every year for wear, would have been reduced by the year A.D. 482 to $435,165,495; and when the mines of Hungary and Germany began to be worked, during the seventh and ninth centuries, the entire amount of coined money was not more than about 42 at the former, and 165 or 170 million dollars at the latter, period; so that if no other supply had been obtained, the quantity then circulating would long since have been exhausted.
"The loss by wear on silver" is shown by Mr. Jacob "to be four times that of gold;" that on our money is estimated at more than one part in a hundred annually; and "the smaller the pieces, the greater loss do they suffer by abrasion." "The maximum of durability of gold coins seems to be fixed at 22 parts, in 24, of pure gold with the appropriate alloys. When the fineness ascends or descends from that point, the consumption by abrasion is increased."
It is from its ductility that gold wears so much less than silver; and many ancient gold coins (as those of Alexander and others), though evidently worn by use, nearly retain their true weight, from the surface being partly transferred into the adjacent hollows, and not entirely rubbed off as in silver.
The quantity of the precious metals, formerly used for the purposes of luxury, greatly diminished after the decline of the Roman empire, and in the middle ages they were sparingly employed except for coinage; ornamental work in gold and silver, mostly executed by first-rate artists, being confined to men of rank, till the opening of new mines added to the supply; which was afterwards increased by the abundant treasures of America; and the quantity applied to ornamental purposes then began to vie with that of olden times.
M. Leon Faucher even calculates the annual abstraction of the precious metals from circulation by use for luxury, disasters at sea, and export, at 25 million dollars, in Europe and the United States.
The silver from the American mines exported to Europe in 100 years, to 1630, gave an addition to the currency of 5 million dollars annually, besides that used for other purposes, or re-exported; and from 1630 to 1830 from 7-1/2 to 10 millions annually; an increase in the quantity used for currency having taken place, as well as in that exported to India, and employed for purposes of luxury.
Humboldt states the whole quantity of gold from the American mines, up to 1803, to be 162 millions of pounds in weight, and of silver 7,178 millions, or 44 of silver to 1 of gold.
Again, the total value of gold produced during three centuries to 1848, including that from Russia, has been estimated at $2,825,000,000; and the total annual quantity of gold, before the discovery of the Californian fields, has been reckoned at about $50,000,000. That from California and Australia already amounts yearly to $170,000,000 (or 3-2/5 times as much as previously obtained), and is still increasing; but though far beyond the supply afforded by the discovery of America, the demand made upon it by the modern industry of man, together with the effect of rapid communication, and of the extension of trade, as well as by the great deficiency of gold in the world, will prevent its action being felt in the same way as when the American supply was first obtained; and still less will be the effect now, than it would have been in ancient times, if so large and sudden a discovery had then been made. For, as Chevalier says, "Vast as is the whole amount of gold in the world, it sinks into insignificance when contrasted with the aggregate product of other branches of human industry. If they increase as fast as the gold, little or no alteration will take place in its value; which depends on the relation between it and the annual production of other wealth."
According to another calculation, all the gold now in the world is supposed to be equal to about $3,410,000,000; but the whole amount of either of the two precious metals in old times is not easily ascertained, nor can any definite comparison be established between their former and present value. And still less in Egypt, than in Greece and Rome, no standard of calculation being obtainable from the prices of commodities there, or from any other means of determining, the value of gold and silver.
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FOOTNOTES:
[21] At this meal, contrary to the usual custom, women were present.
[22] According to tradition, many Makedonians were killed by the Persians taking hold of their long beards, and pulling them to the ground. Alexander, in consequence, had his troops shaved during the battle.
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DOMESTIC UTENSILS.
The immense number and variety of statues, lamps, urns, articles of domestic use, in metal or earthenware, etc., discovered at Herculaneum and Pompeii, have rendered the Museum at Naples an inexhaustible treasury of information relative to the private life of the ancients. To give an adequate description of the richness and variety of its contents would far exceed the whole extent of this work, much more the small space which it can have; but that space can not be better occupied than in describing some few articles which possess an interest from the ingenuity of their construction, the beauty of their workmanship, or their power to illustrate ancient usages or ancient authors.
Writing implements are among the most important of the latter class, on account of the constant mention of them, as well as of the influence which the comparative ease or difficulty of producing copies of writing is always found to exert over society. On this head there is no want of information. The implements used are frequently mentioned, especially in familiar writings, as the letters of Cicero, and their forms have been tolerably ascertained from various fragments of ancient paintings.
It is hardly necessary to state that for manuscripts of any length, and such as were meant to be preserved, parchment or vellum, and a vegetable tissue manufactured from the rush _papyrus_, were in use. The stalk of this plant consists of a number of thin concentric coats, which, being carefully detached, were pasted crossways one over the other, like the warp and woof in woven manufactures, so that the fibres ran longitudinally in each direction, and opposed in each an equal resistance to violence. The surface was then polished with a shell, or some hard smooth substance. The ink used was a simple black liquid, containing no mordant to give it durability, so that the writing was easily effaced by the application of a sponge. The length of the Greek papyri is said to vary from eight to twelve inches; the Latin often reach sixteen; the writing is in columns, placed at right angles to the length of the roll.
To each of them is appended a sort of ticket, which served as a title. Hence the end of the roll, or volume, was called _frons_, a term of frequent recurrence in Ovid and Martial, and not always rightly understood. Hence, also, when we meet with the expression, _gemina frons_, we must understand that the volume had a ticket at each end. These books were also composed of two tables or pages, and served for memoranda, letters, and other writings, not intended to be preserved. They were composed of leaves of wood or metal coated over with wax, upon which the ancients wrote with a _stylus_, or iron pen, or point rather, for it was a solid sharp-pointed instrument, some 6 to 8 inches in length, like a lady's stiletto upon a large scale. In the middle of each leaf there appears to have been a button, called _umbilicus_, intended to prevent the pages touching when closed, and obliterating the letters traced on the yielding wax.
The tablets here represented would be called twofold, as consisting only of two leaves; in the following cut may be seen another sort, consisting of several leaves, united at the back with hinges or rings. In Latin they were called _tabulæ_, or _tabellæ_, and the epithets, duplices, triplices, quintuplices, served to mark the number of the leaves.
Beside them stands a double inkstand, intended probably to contain both black and red ink. The former was made either of lampblack or some other sort of charcoal, or from the cuttlefish, and was called atramentum. As it contained no mordant, and was readily obliterated by moisture, it could be used for writing upon ivory tablets; and it has been conjectured that some sorts of paper were covered with a wash, or varnish, to facilitate the discharge of the old writing, and render the paper serviceable a second time. Red ink was prepared from cinnabar. The reed, cut to a point, which lies beside the inkstand, is the instrument used in writing with ink before the application of quills. It was called _calamus_. The open papyrus explains how manuscripts were read, rolled up at each end, so as to show only the column of writing upon which the student was intent. At the other side is a purse, or bag, to hold the reed, penknife, and other writing instruments.
[Illustration: TABULÆ, CALAMUS, AND PAPYRUS.]
The next cut represents, besides a set of tablets bound up, a single one hanging from a nail. Such, probably, were those suspended at Epidaurus, containing remedies by which the sick had been cured, by the perusal of which Hippocrates is said to have profited in the compilation of his medical works. It also contains, besides a papyrus similar to those described, a hexagonal inkstand, with a ring to pass the finger through, upon which there lies an instrument resembling a reed, but the absence of the knots, or joints, marks it to be a stylus. Another of these instruments leans against the open book.
[Illustration: TABULÆ, STYLUS, AND PAPYRUS.]
These were made of every sort of material; sometimes with the precious metals, but usually of iron, and on occasion might be turned into formidable weapons. It was with his stylus that Cæsar stabbed Casca in the arm, when attacked in the senate by his murderers; and Caligula employed some person to put to death a senator with the same instruments.
In the reign of Claudius women and boys were searched to ascertain whether there were styluses in their pen-cases. Stabbing with the pen, therefore, is not merely a metaphorical expression. Tablets such as those here represented, were the day-books, or account-books. When they were full, or when the writing on them was no longer useful, the wax was smoothed, and they were ready again for other service.
[Illustration: TABULÆ AND INK STAND.]
The cut above, besides an inkstand, represents an open book. The thinness and yellowish color of the leaves, which are tied together with ribbon, denotes that it was made of parchment or vellum.
[Illustration: LIBRARIES AND MONEY.]
Below is a cylindrical box, called _scrinium_ and _capsa_, or _capsula_, in which the manuscripts were placed vertically, the titles at the top. Catullus excuses himself to Manlius for not having sent him the required verses, because he had with him only one box of his books. It is evident that a great number of volumes might be comprised in this way within a small space; and this may tend to explain the smallness of the ancient libraries--at least of the rooms which are considered to have been such. Beside the box are two tablets, which, from the money-bag and coins scattered about, had probably been used in reckoning accounts.
No perfect papyri, but only fragments, have been found at Pompeii. At Herculaneum, up to the year 1825, 1,756 had been obtained, besides many others destroyed by the workmen, who imagined them to be mere sticks of charcoal. Most of them were found in a suburban villa, in a room of small dimensions, ranged in presses round the sides of the room, in the centre of which stood a sort of rectangular book-case.
Sir Humphry Davy, after investigating their chemical nature, arrived at the conclusion that they had not been carbonized by heat, but changed by the long action of air and moisture; and he visited Naples in hopes of rendering the resources of chemistry available towards deciphering these long-lost literary treasures. His expectations, however, were not fully crowned with success, although the partial efficacy of his methods was established; and he relinquished the pursuit at the end of six months, partly from disappointment, partly from a belief that vexatious obstacles were thrown in his way by the jealousy of the persons to whom the task of unrolling had been intrusted. About five hundred volumes have been well and neatly unrolled. It is rather remarkable that, as far as we are acquainted, no manuscript of any known standard work has been found, nor, indeed, any production of any of the great luminaries of the ancient world.
The most celebrated person, of whom any work has been found, is Epicurus, whose treatise, _De Natura_, has been successfully unrolled. This and a few other treatises have been published. The library in which this was found appears to have been rich in treatises on the Epicurean philosophy. The only Latin work which it contained was a poem, attributed to Rabirius, on the war of Cæsar and Antony.
A curious literary monument has been found in the shape of a calendar. It is cut on a square block of marble, upon each side of which three months are registered in perpendicular columns, each headed by the proper sign of the zodiac. The information given may be classed under three heads, astronomical, agricultural, and religious. The first begins with the name of the month; then follows the number of days; then the nones, which in eight months of the year fall on the fifth day, and were thence called quintanæ--in the others on the seventh, and were, therefore, called septimanæ. The ides are not mentioned, because seven days always elapsed between them and the nones. The number of hours in the day and night is also given, the integral part being given by the usual numerals, the fractional by an S for semissis, the half, and by small horizontal lines for the quarters. Lastly, the sign of the zodiac in which the sun is to be found is named, and the days of the equinoxes and of the summer solstice are determined; for the winter solstice we read, _Hiemis initium_, the beginning of winter. Next the calendar proceeds to the agricultural portion, in which the farmer is reminded of the principal operations which are to be done within the month. It concludes with the religious part, in which, besides indicating the god under whose guardianship the month is placed, it notes the religious festivals which fall within it, and warns the cultivator against neglecting the worship of those deities upon whose favor and protection the success of his labors is supposed mainly to depend.
[Illustration: GOLD LAMP. (_Found at Pompeii._)]
No articles of ancient manufacture are more common than lamps. They are found in every variety of form and size, in clay and in metal, from the cheapest to the most costly description. A large and handsome gold lamp found at Pompeii in 1863 may be seen in the Pompeian room at the museum in Naples. We have the testimony of the celebrated antiquary, Winkleman, to the interest of this subject. "I place among the most curious utensils found at Herculaneum, the lamps, in which the ancients sought to display elegance and even magnificence. Lamps of every sort will be found in the museum at Portici, both in clay and bronze, but especially the latter; and as the ornaments of the ancients have generally some reference to some particular things, we often meet with rather remarkable subjects. A considerable number of these articles will be found in the British Museum, but they are chiefly of the commoner sort. All the works, however, descriptive of Herculaneum and Pompeii, present us with specimens of the richer and more remarkable class which attract admiration both by the beauty of the workmanship and the whimsical variety of their designs. We may enumerate a few which occur in a work now before us, 'Antiquites d'Herculanum,' in which we find a Silenus, with the usual peculiarities of figure ascribed to the jolly god rather exaggerated, and an owl sitting on his head between two huge horns, which support stands for lamps. Another represents a flower-stalk growing out of a circular plinth, with snail-shells hanging from it by small chains, which held the oil and wick; the trunk of a tree, with lamps suspended from the branches; another, a naked boy, beautifully wrought, with a lamp hanging from one hand, and an instrument for trimming it from the other, the lamp itself representing a theatrical mask. Beside him is a twisted column surmounted by the head of a Faun or Bacchanal, which has a lid in its crown, and seems intended as a reservoir of oil. The boy and pillar are both placed on a square plateau raised upon lions' claws. But beautiful as these lamps are, the light which they gave must have been weak and unsteady, and little superior to that of the old-fashioned common lamps, with which they are identical in principle. The wick was merely a few twisted threads drawn through a hole in the upper surface of the oil vessel, and there was no glass to steady the light and prevent its varying with every breeze that blew.