Part 4

Both burial and cremation are practiced by the Maravans. The Sembunattu Maravans of Ramnad regard the Agamudaiyans as their servants, and the water, with which the corpse is washed, is brought by them. Further, it is an Agamudaiyan, and not the son of the deceased, who carries the fire-pot to the burial-ground. The corpse is carried thither on a bier or palanquin. The grave is dug by an Andi, never by a Pallan or Paraiyan. Salt, powdered brick, and sacred ashes are placed on the floor thereof and the corpse is placed in it in a sitting posture. The Kondaiyamkottai Maravans of Ramnad, who are stone and brick masons, burn their dead, and, on their way to the burning-ground, the bearers of the corpse walk over cloths spread on the ground. On the second or third day, lingams are made out of the ashes, or of mud from the grave if the corpse has been buried. To these, as well as to the soul of the deceased, and to the crows, offerings are made. On the sixteenth day, nine kinds of seed-grain are placed over the grave, or the spot where the corpse was burnt. A Pandaram sets up five kalasams (brass vessels), and does puja (worship). The son of the deceased, who officiated as chief mourner, goes to a Pillayar (Ganesa) shrine, carrying on his head a pot containing a lighted lamp made of flour. As he draws near the god, a screen is stretched in front thereof. He then takes a few steps backwards, the screen is removed, and he worships the god. He then retires, walking backwards. The flour is distributed among those present. Presents of new cloths are made to the sons and daughters of the deceased. In his account of the Kondaiyamkottai Maravans, Mr. Fawcett gives the following account of the funeral rites. "Sandals having been fastened on the feet, the corpse is carried in a recumbent position, legs first, to the place of cremation. A little rice is placed in the mouth, and the relatives put a little money into a small vessel which is kept beside the chest. The karma karta (chief mourner) walks thrice round the corpse, carrying an earthen vessel filled with water, in which two or three holes are pierced. He allows some water to fall on the corpse, and breaks the pot near the head, which lies to the south. No Brahman attends this part of the ceremony. When he has broken the pot, the karma karta must not see the corpse again; he goes away at once, and is completely shaved. The barber takes the cash which has been collected, and lights the pyre. When he returns to the house, the karma karta prostrates himself before a lighted lamp; he partakes of no food, except a little grain and boiled pulse and water, boiled with coarse palm sugar and ginger. Next day he goes to the place of cremation, picks up such calcined bones as he finds, and places them in a basket, so that he may some day throw them in water which is considered to be sacred. On the eleventh or twelfth day, some grain is sown in two new earthen vessels which have been broken, and there is continued weeping around these. On the sixteenth day, the young plants, which have sprouted, are removed, and put into water, weeping going on all the while; and, after this has been done, the relatives bathe and enjoy a festive meal, after which the karma karta is seated on a white cloth, and is presented with a new cloth and some money by his father-in-law and other relatives who are present. On the seventeenth day takes place the punyagavachanam or purification, at which the Brahman priest presides, and the karma karta takes an oil bath. The wood of the pipal tree (Ficus religiosa) is never used for purposes of cremation."

Concerning the death ceremonies in the Trichinopoly district, Mr. F. R. Hemingway writes as follows. "Before the corpse is removed, the chief mourner and his wife take two balls of cow-dung, in which the barber has mixed various kinds of grain, and stick them on to the wall of the house. These are thrown into water on the eighth day. The ceremonial is called pattam kattugiradu, or investing with the title, and indicates the succession to the dead man's estate. A rocket is fired when the corpse is taken out of the house. On the sixth day, a pandal (booth) of naval (Eugenia, Jambolana) leaves is prepared, and offerings are made in it to the manes of the ancestors of the family. It is removed on the eighth day, and the chief mourner puts a turban on, and merry-making and dances are indulged in. There are ordinarily no karumantaram ceremonies, but they are sometimes performed on the sixteenth day, a Brahman being called in. On the return home from these ceremonies, each member of the party has to dip his toe into a mortar full of cow-dung water, and the last man has to knock it down."

Among some Kondaiyamkottai Maravans, a ceremony called palaya karmandhiram, or old death ceremony, is performed. Some months after the death of one who has died an unnatural death, the skull is exhumed, and placed beneath a pandal (booth) in an open space near the village. Libations of toddy are indulged in, and the villagers dance wildly round the head. The ceremony lasts over three days, and the final death ceremonies are then performed.

For the following account of the jellikattu or bull-baiting, which is practiced by the Maravans, I am indebted to a note by Mr. J. H. Nelson. [31] "This," he writes, "is a game worthy of a bold and free people, and it is to be regretted that certain Collectors (District Magistrates) should have discouraged it under the idea that it was somewhat dangerous. The jellikattu is conducted in the following manner. On a certain day in the year, large crowds of people, chiefly males, assemble together in the morning in some extensive open space, the dry bed of a river perhaps, or of a tank (pond), and many of them may be seen leading ploughing bullocks, of which the sleek bodies and rather wicked eyes afford clear evidence of the extra diet they have received for some days in anticipation of the great event. The owners of these animals soon begin to brag of their strength and speed, and to challenge all and any to catch and hold them; and in a short time one of the best beasts is selected to open the day's proceedings. A new cloth is made fast round his horns, to be the prize of his captor, and he is then led out into the midst of the arena by his owner, and there left to himself surrounded by a throng of shouting and excited strangers. Unaccustomed to this sort of treatment, and excited by the gestures of those who have undertaken to catch him, the bullock usually lowers his head at once, and charges wildly into the midst of the crowd, who nimbly run off on either side to make way for him. His speed being much greater than that of the men, he soon overtakes one of his enemies and makes at him to toss him savagely. Upon this the man drops on the sand like a stone, and the bullock, instead of goring him, leaps over his body, and rushes after another. The second man drops in his turn, and is passed like the first; and, after repeating this operation several times, the beast either succeeds in breaking the ring, and galloping off to his village, charging every person he meets on the way, or is at last caught and held by the most vigorous of his pursuers. Strange as it may seem, the bullocks never by any chance toss or gore any one who throws himself down on their approach; and the only danger arises from their accidentally reaching unseen and unheard some one who remains standing. After the first two or three animals have been let loose one after the other, two or three, or even half a dozen are let loose at a time, and the scene quickly becomes most exciting. The crowd sways violently to and fro in various directions in frantic efforts to escape being knocked over; the air is filled with shouts, screams, and laughter; and the bullocks thunder over the plain as fiercely as if blood and slaughter were their sole occupation. In this way perhaps two or three hundred animals are run in the course of a day, and, when all go home towards evening, a few cuts and bruises, borne with the utmost cheerfulness, are the only results of an amusement which requires great courage and agility on the part of the competitors for the prizes--that is for the cloths and other things tied to the bullocks' horns--and not a little on the part of the mere bystanders. The only time I saw this sport (from a place of safety) I was highly delighted with the entertainment, and no accident occurred to mar my pleasure. One man indeed was slightly wounded in the buttock, but he was quite able to walk, and seemed to be as happy as his friends."

A further account of the jallikat or jellicut is given in the Gazetteer of the Madura district. "The word jallikattu literally means tying of ornaments. On a day fixed and advertised by beat of drums at the adjacent weekly markets, a number of cattle, to the horns of which cloths and handkerchiefs have been tied, are loosed one after the other, in quick succession, from a large pen or other enclosure, amid a furious tom-tomming and loud shouts from the crowd of assembled spectators. The animals have first to run the gauntlet down a long lane formed of country carts, and then gallop off wildly in every direction. The game consists in endeavouring to capture the cloths tied to their horns. To do this requires fleetness of foot and considerable pluck, and those who are successful are the heroes of the hour. Cuts and bruises are the reward of those who are less skilful, and now and again some of the excited cattle charge into the on-lookers, and send a few of them flying. The sport has been prohibited on more than one occasion. But, seeing that no one need run any risks unless he chooses, existing official opinion inclines to the view that it is a pity to discourage a manly amusement which is not really more dangerous than football, steeple-chasing, or fox-hunting. The keenness of the more virile sections of the community, especially the Kallans (q.v.), in this game is extraordinary, and, in many villages, cattle are bred and reared specially for it. The best jallikats are to be seen in the Kallan country in Tirumangalam, and next come those in Melur and Madura taluks."

"Boomerangs," Dr. G. Oppert writes, [32] "are used by the Maravans and Kallans when hunting deer. The Madras Museum collection contains three (two ivory, one wooden) from the Tanjore armoury. In the arsenal of the Pudukottai Raja a stock of wooden boomerangs is always kept. Their name in Tamil is valai tade (bent stick)." To Mr. R. Bruce Foote, I am indebted for the following note on the use of the boomerang in the Madura district. "A very favourite weapon of the Madura country is a kind of curved throwing-stick, having a general likeness to the boomerang of the Australian aborigines. I have in my collection two of these Maravar weapons obtained from near Sivaganga. The larger measures 24 1/8'' along the outer curve, and the chord of the arc 17 5/8''. At the handle end is a rather ovate knob 2 1/4'' long and 1 1/4'' in its maximum thickness. The thinnest and smallest part of the weapon is just beyond the knob, and measures 11/16'' in diameter by 1 1/8'' in width. From that point onwards its width increases very gradually to the distal end, where it measures 2 3/8'' across and is squarely truncated. The lateral diameter is greatest three or four inches before the truncated end, where it measures 1''. My second specimen is a little smaller than the above, and is also rather less curved. Both are made of hard heavy wood, dark reddish brown in colour as seen through the varnish covering the surface. The wood is said to be tamarind root. The workmanship is rather rude. I had an opportunity of seeing these boomerangs in use near Sivaganga in March, 1883. In the morning I came across many parties, small and large, of men and big boys who were out hare-hunting with a few dogs. The parties straggled over the ground, which was sparsely covered with low scrub jungle. And, whenever an unlucky hare started out near to the hunters, it was greeted with a volley of the boomerangs, so strongly and dexterously thrown that poor puss had little chance of escape. I saw several knocked out of time. On making enquiries as to these hunting parties, I was told that they were in observance of a semi-religious duty, in which every Maravar male, not unfitted by age or ill-health, is bound to participate on a particular day in the year. Whether a dexterous Maravar thrower could make his weapon return to him I could not find out. Certainly in none of the throws observed by me was any tendency to a return perceptible. But for simple straight shots these boomerangs answer admirably."

The Maravans bear Saivite sectarian marks, but also worship various minor deities, among whom are included Kali, Karuppan, Muthu Karuppan, Periya Karuppan, Mathurai Viran, Aiyanar, and Munuswami.

The lobes of the ears of Marava females are very elongated as the result of boring and gradual dilatation during childhood. Mr. (now Sir) F. A. Nicholson, who was some years ago stationed at Ramnad, tells me that the young Maravan princesses used to come and play in his garden, and, as they ran races, hung on to their ears, lest the heavy ornaments should rend asunder the filamentous ear lobes.

It was recorded, in 1902, that a young Maravan, who was a member of the family of the Zemindar of Chokampatti, was the first non-Christian Maravan to pass the B.A. degree examination at the Madras University.

The general title of the Maravans is Tevan (god), but some style themselves Talaivan (chief), Servaikkaran (captain), Karaiyalan (ruler of the coast), or Rayarvamsam (Raja's clan).

Marayan.--A synonym of Maran.

Mari.--Mari or Marimanisaru is a sub-division of Holeya.

Mariyan.--Said to be a sub-division of Kolayan.

Markandeya.--A gotra of Padma Sale and Seniyan (Devanga), named after the rishi or sage Markandeya, who was remarkable for his austerities and great age, and is also known as Dirghayus (the long-lived). Some Devangas and the Salapus claim him as their ancestor.

Marri. (Ficus bengalensis).--An exogamous sept of Mala and Mutracha. Marri-gunta (pond near a fig tree) occurs as an exogamous sept of Yanadi.

Marumakkathayam.--The Malayalam name for the law of inheritance through the female line.

Marvari.--A territorial name, meaning a native of Marwar. At times of census, Marvari has been returned as a caste of Jains, i.e., Marvaris, who are Jains by religion. The Marvaris are enterprising traders, who have settled in various parts of Southern India, and are, in the city of Madras, money-lenders.

Masadika.--A synonym for Nadava Bant.

Masila (masi, dirt).--An exogamous sept of Devanga.

Masthan.--A Muhammadan title, meaning a saint, returned at times of census.

Mastiga.--The Mastigas are described by the Rev. J. Cain [33] as mendicants and bards, who beg from Gollas, Malas, and Madigas. I am informed that they are also known as Mala Mastigas, as they are supposed to be illegitimate descendants of the Malas, and usually beg from them. When engaged in begging, they perform various contortionist and acrobatic feats.

Matam (monastery, or religious institution).--An exogamous sept of Devanga.

Matanga.--Matanga or Matangi is a synonym of Madiga. The Madigas sometimes call themselves Matangi Makkalu, or children of Matangi, who is their favourite goddess. Matangi is further the name of certain dedicated prostitutes, who are respected by the Madiga community.

Matavan.--Recorded, in the Travancore Census Report, 1901, as a name for the Pulikkapanikkan sub-division of Nayar.

Matsya (fish).--A sept of Domb.

Mattiya.--The Mattiyas are summed up as follows in the Madras Census Report, 1901. "In Vizagapatam these are hill cultivators from the Central Provinces, who are stated in one account to be a sub-division of the Gonds. Some of them wear the sacred thread, because the privilege was conferred upon their families by former Rajas of Malkanagiri, where they reside. They are said to eat with Ronas, drink with Porojas, but smoke only with their own people. The name is said to denote workers in mud (matti), and in Ganjam they are apparently earth-workers and labourers. In the Census Report, 1871, it is noted that the Matiyas are 'altogether superior to the Kois and to the Parjas (Porojas). They say they sprang from the soil, and go so far as to point out a hole, out of which their ancestor came. They talk Uriya, and farm their lands well'"

For the following note, I am indebted to Mr. C. Hayavadana Rao. The caste is divided into at least four septs, named Bhag (tiger), Nag (cobra), Cheli (goat), and Kochchimo (tortoise). A man may claim his paternal aunt's daughter in marriage. Girls are, as a rule, married after puberty. When a match is contemplated, the would-be husband presents a pot of liquor to the girl's parents. If this is accepted, a further present of liquor, rice, and a pair of cloths, is made later on. The liquor is distributed among the villagers, who, by accepting it, indicate their consent to the transfer of the girl to the man. A procession, with Dombs acting as musicians, is formed, and the girl is taken to the bridegroom's village. A pandal (booth) has been erected in front of the bridegroom's house, which the contracting couple enter on the following morning. Their hands are joined together by the presiding Desari, they bathe in turmeric water, and new cloths are given to them. Wearing these, they enter the house, the bridegroom leading the bride. Their relations then exhort them to be constant to each other, and behave well towards them. A feast follows, and the night is spent in dancing and drinking. Next day, the bride's parents are sent away with a present of a pair of cows or bulls as jholla tonka. The remarriage of widows is allowed, and a younger brother usually marries the widow of his elder brother. Divorce is permitted, and, when a husband separates from his wife, he gives her a new cloth and a bullock as compensation. A divorced woman may remarry.

By the Mattiyas, and other Oriya castes, the ghorojavai (house son-in-law) custom is practiced. According to this custom, the poorer folk, in search of a wife, work, according to a contract, for their future father-in-law for a specified time, at the expiration of which they set up a separate establishment with his daughter. To begin married life with, presents are made to the couple by the father-in-law.

The dead are burnt, and the spot where cremation takes place is marked by setting up in the ground a bamboo pole, to which one of the dead man's rags is attached. The domestic pots, which were used during his last illness, are broken there. Death pollution is observed for eight days. On the ninth day, the ashes, mixed with water, are cleared up, and milk is poured over the spot. The ashes are sometimes buried in a square hole, which is dug to a depth of about three feet, and filled in. Over it a small hut-like structure is raised. A few of these sepulchral monuments may be seen on the south side of the Pangam stream on the Jeypore-Malkangiri road. The personal names of the Mattiyas are often taken from the day of the week on which they are born.

Mavilan.--Described, in the Madras Census Report, 1901, as a small tribe of shikaris (hunters) and herbalists, who follow makkathayam (inheritance from father to son), and speak corrupt Tulu. Tulumar (native of the Tulu country), and Chingattan (lion-hearted people) were returned as sub-divisions. "The name," Mr. H. A. Stuart writes, [34] "is said to be derived from mavilavu, a medicinal herb. I think, however, the real derivation must be sought in Tulu or Canarese, as it seems to be a Canarese caste. These people are found only in the Chirakkal taluk of Malabar. Their present occupation is basket-making. Succession is from father to son, but among some it is also said to be in the female line."

It is recorded, in the Gazetteer of Malabar, that the Mavilons are "divided into Tulu Mavilons and Eda Mavilons, and sub-divided into thirty illams. They are employed as mahouts (drivers of elephants), and collect honey and other forest produce. Their headmen are called Chingam (simham, lion), and their huts Mapura."

Mayalotilu (rascal).--Mayalotilu or Manjulotilu is said by the Rev. J. Cain to be a name given by the hill Koyis to the Koyis who live near the Godavari river.

Mayan.--Recorded, in the Madras Census Report, as a synonym of Kammalan. The Kamsali goldsmiths claim descent from Maya.

Meda, Medara, Medarlu, or Medarakaran.--The Medaras are workers in bamboo in the Telugu, Canarese, Oriya and Tamil countries, making sieves, baskets, cradles, mats, fans, boxes, umbrellas, and tatties (screens). Occasionally they receive orders for waste-paper baskets, coffins for Native Christian children, or cages for pigeons and parrots. In former days they made basket-caps for sepoys. They are said to cut the bamboos in the forest on dark nights, in the belief that they would be damaged if cut at any other time. They do not, like the Korachas, make articles from the leaf of the date-palm (Phoenix).