Book V. Duets up to the fourth and fifth positions, by

Hering, Mozart, Kreutzer, and H. Ries. (11805 s).

Graduated Duets revised by Ernst Heim; each book corresponds in difficulty with the same book of his Violin Studies, “Gradus ad Parnassum”, see page 112, and his Violin and piano pieces, “Palaestra”, see page 133.

=Dancla, C.= Op. 24 and 25. Duos faciles. 2 Bks. (5602-3).

=Gurlitt.= Our Favourite Tunes. Arranged by F. Hermann. (7609).

=Hering, Carl.= 2 Duos, both in the first, and occasionally the half and second positions. Op. 15. Revised, phrased, and fingered by Ernst Heim. (5617).

=Hofmann, Richard.= 14 instructive Melodic Pieces. Op. 114. (5625).

— Potpourris on Popular Melodies from classical and modern Operas and Oratorios, arranged by Richard Hofmann. 45 Books.

Bohemian Girl. (5420b). Egmont. (5421b). Fidelio. (5422b). L’Elisire d’amore. (5423b). Lucrezia Borgia. (5424b). Iphigénie en Aulide. (5425b). Judas Maccabaeus. (5426b). Nachtlager. (5427b). Hans Heiling. (5428b). A Midsummer Night’s Dream. (5429b). Elijah. (5430b). Huguenots. (5431b). Le Prophète. (5432b). Figaro. (5433b). Merry Wives of Windsor. (5434b). Maritana. (5435b). Oberon. (5436b). Preciosa. (5437b). Der fliegende Holländer. (5438b). Lohengrin. (5439b). Rienzi. (5440b). Tannhäuser. (5441b). Il Barbiere. (5442b). Guillaume Tell. (5443b). Masaniello. (5444b). Faust. (Gounod.) (5445b).

=Kalliwoda.= Op. 243. Duos faciles et brillants. 3 Bks. (5606 a-c).

=Kayser, H. E.= Violin Studies, carefully revised, fingered, and with instructive annotations by Ernst Heim:—

36 elementary and progressive Studies (introductory to those of Kreutzer). Op. 20. Bks. 1 and 2. (5610 a, b).

16 Studies (comprising studies in the half, 1st, 2nd, 3rd, 4th, 5th, and 7th Positions). Op. 28. (5619).

Nos. 10 and 11 Step III, and 12 to 16 Step IV.

16 Studies (to follow the 36 Studies, Op. 20). Op. 30. (5620).

Nos. 6 and 8 Step III; Nos. 4, 5, 9, 11, 12, 13 and 16 Step IV.

=Lachner, I.= Op. 96, 97 and 98. Sonatinas in A, D and B♭. (5621-2-3).

There is an air of brightness and humour in these sonatinas which reminds one of Haydn and Mozart. Without making great demands upon the technique of the player, the sonatinas are brilliant and diversified, and although they chiefly appeal to the young they are never childish. Op. 98 with its charming “Rococo” colouring is sure to make friends upon acquaintance.

=Mazas, F.= Duos faciles et progressifs; Letters C, D & E. 3 Bks. (5608c-e).

=Pleyel, I.= Op. 48. 6 Sonatinas. (7598).

=Ries, H.= Progressive Duets. (Ernst Heim) 9 Books:—