Book 2. La Revue, Gondoliera et A Péra. (11694 b).

Interesting pieces, full of oriental colouring.

— Morceaux caractéristiques. Op. 47:—

No. 1, Canzona; No. 2, Impromptu.

— Scènes Villageoises. Op. 50. 5 Morceaux de Salon:—

No. 1, Le Matin; No. 2, Pastorale; No. 3, Vieille chanson; No. 4, Danse; No. 5, Idylle.

=Scharwenka, Xaver.= Op. 3. Cinq Danses polonaises. Arranged by G. Holländer:—

No. 2 (F sharp minor); No. 3 (D major).

Nos. 1, 4 and 5 belong to V.

— Phantasiestück. (M.F. 33).

=Schubert.= Op. 70, 159, 160 and 162.

=Schumann.= Op. 105 and 121, Sonatas in A minor and D minor. (7579, 7580).

— Op. 73. Fantasiestück.

=Simonetti, A.= Mazurka.

=Sinding.= Op. 10. Suite. (2477).

— Op. 27. Sonata in E major. (2826).

— Op. 30. Romance. (2827).

— Op. 61. 4 Pieces. 3 Bks. (3050 a-c).

Sinding’s compositions rank among the finest works by modern Scandinavian composers. The Suite Op. 10, resembles in style the “Holberg” Suite by Grieg.

=Sitt, Hans.= Op. 71. No. 1. Romance.

— Op. 71. No. 2. Nocturne.

— Op. 71, No. 3. Scherzo-Tarantelle.

=Sjögren.= Op. 19. Sonata in G minor. (2215).

This composer is a highly talented member of the modern Scandinavian School.

=Smetana.= 2 Salon-Pieces. (2634 a-b).

Fine and characteristic pieces of the famous Czechian master.

=Somervell, Arthur.= 3 Original Pieces:—

No. 1, Romance; No. 2, Barcarolle.

=Spohr, L.= Op. 2. Concerto in D minor.

— Op. 135. Three Duettinos. (No. 2, Scherzo; 3. Sarabande). (8695).

The Barcarolle, No. 1, belongs to II.

— Op. 95. Duet in G minor. (9409).

— Op. 112. Duet in E. (9410).

— Op. 113. Hamburg Sonata. (9411).

— 3 Adagios from the Violin Concertos (Fr. Hermann). (11705).

=Stanford, Villiers.= Légende.

=Strelezki, A.= Romanza in F.

— Serenade. Op. 191, No. 4. (Thomas).

=Sutcliffe, W.= Gavotte Romantique.

=Thirlwall.= Favourite Airs, with Variations:—

No. 1. English Air. (9412 a). No. 2. Scotch Air (Annie Laurie). (9412 b). No. 3. Irish Air (Sprig of Shillelagh). (9412 c). No. 4. Welsh Air (Poor Mary Ann). (9412 d). No. 5. Northumbrian Air (Weel may the Keel row). (9412 e). No. 7. Ye Banks and Braes. (9412 g). No. 8. Carnaval de Venise. (9412 h).

These pieces are excellent bowing exercises.

=Thomé, F.= 1er Andante Religioso. Op. 70.

=Tschaïkowsky.= Christmas. (Noël). (M.F. 117).

— Sérénade mélancolique. Op. 26.

=Vieuxtemps, H.= Rêverie. Adagio. Op. 22, No. 3. (7594 c).

— Elégie. Op. 30. Revised by K. Scholz. (7595).

— Souvenir de Beauchamps. Op. 32, No. 1. (Fr. Hermann.) (11751).

— Suite. Op. 43. (2582 a).

=Volkmann, R.= Chant du Troubadour, Morceau de Salon, Op. 10. Revu par R. Scholz.

=Wagner, R.= March (from Tannhäuser). (M.F. 73).

=Weber.= 6 Sonatas. Complete (David). (191).

=Wichtl.= Fantasias on National Songs. Op. 119:—

No. 1. Home, sweet Home. (9413 a). No. 2. Long, long ago. (9413 b). No. 3. The Red Sarafan. (9413 c). No. 4. Santa Lucia. (9413 d). No. 5. Robin Adair. (9413 e). No. 6. Die drei Rosen. (9413 f).

=Wieniawski, H.= Légende. Op. 17. (7495).

=Wüerst, R.= Russian Suite. F. Hermann. (7501).

Step V. Difficult.

(Octaves, Springing Bow, Staccato etc.)

Palaestra. A Collection of Pieces, Sonatas, Suites, and Concert Pieces for Violin Solo with Pianoforte Accompaniment; arranged in progressive order, carefully marked and annotated by Ernst Heim:—

Book VIIIA. Concert Piece with employment of staccato, by Spohr. Concert pieces with employment of springing bow by Bach and Paganini. (11478 a).

Book VIIIB. Concert pieces with octave passages by Noskowski and Coleridge-Taylor. Concert Pieces with double-stop and chord passages by Beethoven and J. Hoffmann. (11478 b).