Book II. Nos. 26-45. (11461 b).

=Hering, Carl.= 16 Pieces in progressive order. Nos. 11-16. Op. 14. Revised and marked for teaching purposes by Ernst Heim. (11493).

— 8 pieces. Op. 21. (Ernst Heim.) (11494).

— 10 Petits Morceaux. Op. 66. (7392).

— Short Drawing Room Pieces. Bks. 2 and 3.

=Hermann, F.= 50 favourite Melodies; the Violin Part in the first position. (5465 c).

The same are also arranged for violin solo, (5465 a); 2 violins and piano, (5465 d); Violin, violoncello and piano. (5465 f).

=Hill, Claud H.= Three Pieces. No. 1, Prelude; No. 2, Allegretto; No. 3, Gavotte.

=Hoby, C.= Album of Duets. Romance, Bourrée, Fairy Tale, Alla Mazurka.

Especially pleasing is No. 3. No. 1 contains a few bars only playable to those prepared to enter on II.

=Hofmann, Richard.= Op. 101. No. 1, Animation.

—Potpourris on popular Melodies from classical and modern operas and oratorios.

Adam. Der Postilion. (5401 c). Bellini. Nachtwandlerin. (Sonnambula). (5402 c). Bellini. Norma. (5403 c). Boieldieu. Le Calife de Bagdad. (5404 c). Boieldieu. La Dame Blanche. (5405 c). Donizetti. La Fille du Régiment. (5406 c). Donizetti. Lucia di Lammermoor. (5407 c). Gluck. Orpheus. (5408 c). Handel. The Messiah. (5409 c). Haydn. The Creation. (5410 c). Hérold. Zampa. (5411 c). Lortzing. Wildschütz. (5412 c). Lortzing. Czar und Zimmermann. (5413 c). Méhul. Joseph. (5414 c). Mendelssohn. St. Paul. (5415 c). Mozart. Il Seraglio. (5416 c). Mozart. Il Flauto Magico. (5417 c). Mozart. Don Giovanni. (5418 c). Weber. Der Freischütz. (5419 c).

=Horrocks, A. E.= Rigaudon.

=Kayser.= Op. 65. Exercises and Popular Melodies. (7398).

=Kirchner, Th.= 4 Albumblätter. (F. Hermann.) (7400).

=Koch, F.= Petite Suite. (Allegretto, Arietta, Scherzo, Romanzetta, Alla Marcia.) Op. 12. (7508).

=Kreuz, E.= Op. 30. 6 easy Pieces. (7518).

— Op. 36. 6 easy Pieces. 2 Bks. (7519 a, b).

=March Album=, Book 1. Edited by Hermann. (8686 a).

Contains 14 Marches by Lully, Couperin, Rameau, Handel, Haydn, &c.

=Meo, Alfonso.= The Dolly’s Dance.

=Moffat, A.= Album. 12 pieces (in the easier positions). (7524).

—English Classical Album. 12 Pieces for Violin, with figured Bass, by English Masters of the 17th and 18th centuries. (7523).

— 12 Classical Pieces (in the first position). 2 Books. (7526 a, b).

— 12 Pieces by English Masters of the 17th and 18th Centuries. (7537).

These pieces are well written for the violin. They are, moreover, melodious and have interesting accompaniments.

=Nicole, L.= Minuet and Gavotte.

=Our Favourite Tunes.= From a collection of ancient and modern Melodies by C. Gurlitt. Arranged by Fr. Hermann. (7388).

=Pleyel.= Op. 8. 6 Duos. (Hermann). (7545).

=Reinecke.= Op. 122 a. 10 Petits Morceaux. (7541).

No. 9 belongs to II.

— Op. 213. 10 Petits Morceaux. (7542).

Characteristic little pieces with interesting piano part.

=Rieding, Oskar.= 6 Easy Pieces. Nos. 4, 5 and 6, “Tempo di Valse”, “Polonaise” and “Air varié”.

=Ritter, E. W.= Brilliant Duets. (The Violin part in the first position):—

No. 1. Variations on “The Carnival of Venice”. (7550 a). No. 2. Stradella, by Flotow. (7550 b). No. 3. Variations. “Rule, Britannia”. (7550 c). No. 4. Rondo, “The Bay of Biscay” and “Hearts of Oak”. (7550 d). No. 5. “Logie O’Buchan”. Fantasia. (7550 e).

— 12 Short Pieces:—Book IV. (For all four fingers.)

No. 8. March; No. 9, Gavotte; No. 10. Intermezzo; No. 11. Romance; No. 12, Tarantella.

=Schmitt, J.= 2 Sonatinas. Edited and fingered by Emile Thomas. (7572).

=Taubert, W.= Serenade. (M.F. 17)

=Terschak, A.= Popular Melodies:—

Vol. I. England. 18 Popular Melodies. (8698 a). Vol. II. Scotland. 20 Popular Melodies. (8698 b). Vol. III. Ireland. 18 Popular Melodies. (8698 c).

=Tschaïkowsky.= Favourite airs from the opera “Eugène Onégin”. Arranged by V. Sorreno. (5469 a).

=Volkmann.= “In the Mill”. (No. 1 of “Musical Picture Book”). (M.F. 59).

=Wurm, Marie.= March in D.

Step II. First four Positions.

=Palaestra.= A Collection of Pieces, Sonatas, Suites, and Concert Pieces for Violin Solo with Pianoforte Accompaniment; arranged in progressive order, carefully marked and annotated by Ernst Heim:—

Book IIIA. Rather more difficult pieces in the first position; Occurrence of chords, double-stopping, and ornaments: 3 Pieces by Saint-George and J. S. Bach. Employment of the half position: 3 Pieces by Gurlitt, Reinecke, and Scotson Clark. (11473 a).

Book IIIB. Employment of the half position: 2 Pieces by Dolmetsch and Schubert. Second position; changing from first to second position: 4 Pieces by Crescentini, Boccherini, Scotson Clark, and Senaillé. (11473 b).