Book VIIC. Supplement to Books A and B. Pieces by

Molique, Mazas, and de Bériot. (11477c).

Palaestra, a collection of graduated pieces, revised by Ernst Heim, offers the most suitable material for the study of style and phrasing; each book corresponds in difficulty with the same book of his Violin Duets, “Arena”, see page 125 and his Violin Studies, “Gradus ad Parnassum”, see page 115.

=Bach, J. S.= Aria from the Suite for Orchestra, arranged as a Concert Piece on the fourth string by Ernst Heim.

=Bache, F. E.= Romance. Op. 21. (7664).

=Baillot, P.= Rondo sur un Air Moldavien. (Hermann, C.V.M.4).

=Becker, A.= Op. 20. Adagio. (2078).

=Beer-Walbrunn.= Op. 3. Short Fantasia in G min. (2930).

=Beethoven.= 6 Quartets. Op. 18. F, G, D, C minor. A and B flat. Arranged by F. Hermann. (7341-6).

=Beethoveniana.= 3 Bks. Extracts from the pianoforte Sonatas, arranged for violin and piano by F. Hermann. (7330a-c).

=Bériot, C. de.= Op. 32. 2nd Concerto in B minor.

— Op. 100. Scène de Ballet (E. Heim).

=Bortniansky.= Adoration. (M.F. 111).

=Coleridge-Taylor, S.= Op. 9. Two Romantic Pieces, “Lament” and “Merry-making”. (7352).

— Op. 14. Legend (from the Concertstück), (7353).

Of decided originality; for musically gifted students only.

— Valse-Caprice. Op. 23. (7358).

— Danse nègre, from “African Suite.” Op. 35. (6100d).

— A Negro Love-Song. Op. 35, No. 2. (7359b).

=Corelli.= Adagio and Allegro. (Hermann, C.V.M. 1).

=Cui, César.= Berceuse.

=Danbé, J.= Berceuse.

=David, Ferd.= Etude. (M.F. 36).

=De-Angelis, G.= Pensée mélancolique. Op. 8.

=Ernst.= Elegy. (7366).

=Field.= Nocturnes (Hermann). (2128).

=Fleurs des Opéras.= Tannhäuser. (Courvoisier). (7470).

=Goltermann, G.= Berceuse. (M.F. 109).

=Gounod.= Faust. Potpourri by R. Hofmann. (5445 c).

=Gurlitt, C.= Op. 105. Ouverture des Marionettes. (7371).

— Op. 137. “Commedietta” Ouverture. (8676).

=Grieg, E.= Op. 8. Sonata in F.

— Op. 13. Sonata in G minor (7522).

— Op. 45. Sonata in C minor.

Three of the freshest and most poetical of modern sonatas.

=Hartog, Henri.= Prière, 3me Morceau de Salon.

— Réverie, 2d Morceau de Salon.

=Hauser, M.= Chanson de Berceau. (M.F. 53).

— Ungarisch. (M.F. 71).

=Haydn.= Andante. (M.F. 97).

=Heller, Stephen.= Feuillet d’Album. Transcrit par h. W. Ernst. (E. Heim).

=Henselt, A.= Chant d’amour. (M.F. 29).

=Hiller, F.= Zur Guitarre. (M.F. 49).

=Hoffmann, J.= Bourrée; Gavotte.

=Hofmann, Richard.= Potpourris on Popular Melodies from classical and modern Operas and Oratorios, arranged by R. Hofmann:—

Wagner. Der fliegende Holländer. (5438 c). Wagner. Lohengrin. (5439 c). Wagner. Rienzi. (5440 c). Wagner. Tannhäuser. (5441 c). Rossini. Il Barbiere di Seviglia. (5442 c). Rossini. Guillaume Tell. (5443 c). Auber. Masaniello. (5444 c). Gounod. Faust. (5445 c).

— 8 Vortragsstücke. Op. 103:— No. 2. Barcarola. 3. Aria. 4. Bolero. 6. Zigeunertanz. 7. Cavatina. 8. Perpetuum mobile.

=Holländer, G.= Op. 50. Waldmärchen.

=Jensen, Gustav.= Op. 39. Capriccio.

=Jensen, G.= Bolero in D minor.

=Kalliwoda, J. W.= Op. 237. Ländler. (M.F. 57).

=Kreuz, E.= Op. 20. Barcarolle, from Concerto.

=Lassen, E.= Liederstrauss. (M.F. 50).

Belongs to III, except the opening on the G string.

=Leclair.= “Le Tombeau”. Sonata. (7428).

=Molique, B.= 6 Melodies. Op. 36. (Ernst Heim). (11561).

=Moffat, A.= Mélodie amoureuse.

— Punchinello. Gavotte.

=Morgan, R.= Orlando. Ballade. Op. 28.

=Moszkowski, M.= Op. 17, No. 2. Minuet (E. Thomas).

— Op. 23. “Les Nations” (arranged by Nachèz). (7530).

A less difficult arrangement by E. Thomas is also published. (7531).

— Valse brillante. Arranged by Emile Thomas. (7532).

=Mozart, W. A.= Adagio and Rondo. (7420).

=Noskowski, S.= Dumka. Op. 29. (Emile Thomas.)

— Zingaresca. Op. 27. (M.F. 80).

— Les Larmes. Op. 36, No. 1.

=Palmer, G.= A Dream. Nocturne.

=Papini, G.= Deux Airs Suédois. (11622).

=Parkyns, Beatrice.= Berceuse.

=Popper, D.= Romance. (7548).

=Rachmaninoff, S.= Romance in D minor.

— Hungarian Dance.

=Raff, Joachim.= Six Morceaux. Op. 85:—No. 1, Marcia; No. 3, Cavatina; No. 4, Scherzino; No. 5, Canzona; No. 6, Tarantella.

These pieces dedicated to the late Ludwig Straus are gems of violin literature. The Cavatina is one of the most popular violin pieces.

— Méditation. (M.F. 25).

— Op. 73, 78, 128, 129, 145. 5 Sonatas. (2568 a-e).

Some movements of these fine Sonatas belong to V.

=Reger, Max.= Op. 1. Sonata in D minor. (7535).

— Op. 3. Sonata in D major. (7536).

=Rode.= Concerto No. 7.

=Rubinstein, A.= Op. 13. Sonata in G.

One of the composer’s most genial works.

— Sonata in D. Op. 18. (7564).

=Saint-George, G.= Chant sans Paroles.

=Sauret, E.= Souvenir d’Orient. 6 Morceaux, Op. 63:—