Part 52

it undoubtedly helped to form Fustel's talent and to give to his style that admirable concision which subjugates even when it fails to convince; but a student instinctively distrusts an historian who settles the most controverted problems with such impassioned assurance. The dissertations not embodied in his great work were collected by himself and (after his death) by his pupil, Camille Jullian, and published as volumes of miscellanies: _Recherches sur quelques problemes d'histoire_ (1885), dealing with the Roman colonate, the land system in Normandy, the Germanic mark, and the judiciary organization in the kingdom of the Franks; _Nouvelles recherches sur quelques problemes d'histoire_ (1891); and _Questions historiques_ (1893), which contains his paper on Chios and his thesis on Polybius.

His life was devoted almost entirely to his teaching and his books. In 1875 he was elected member of the Academie des Sciences Morales, and in 1880 reluctantly accepted the post of director of the Ecole Normale. Without intervening personally in French politics, he took a keen interest in the questions of administration and social reorganization arising from the fall of the imperialist regime and the disasters of the war. He wished the institutions of the present to approximate more closely to those of the past, and devised for the new French constitution a body of reforms which reflected the opinions he had formed upon the democracy at Rome and in ancient France. But these were dreams which did not hold him long, and he would have been scandalized had he known that his name was subsequently used as the emblem of a political and religious party. He died at Massy (Seine-et-Oise) on the 12th of September 1889. Throughout his historical career--at the Ecole Normale and the Sorbonne and in his lectures delivered to the empress Eugenie--his sole aim was to ascertain the truth, and in the defence of truth his polemics against what he imagined to be the blindness and insincerity of his critics sometimes assumed a character of harshness and injustice. But, in France at least, these critics were the first to render justice to his learning, his talents and his disinterestedness.

See Paul Guiraud, _Fustel de Coulanges_ (1896); H. d'Arbois de Jubainville, _Deux Manieres d'ecrire l'histoire: critique de Bossuet, d'Augustin Thierry et de Fustel de Coulanges_ (1896); and Gabriel Monod, _Portraits et souvenirs_ (1897). (C. B.*)

FUSTIAN, a term which includes a variety of heavy woven cotton fabrics, chiefly prepared for men's wear. It embraces plain twilled cloth called jean, and cut fabrics similar to velvet, known as velveteen, moleskin, corduroy, &c. The term was once applied to a coarse cloth made of cotton and flax; now, fustians are usually of cotton and dyed various colours. In the reign of Edward III. the name was given to a woollen fabric. The name is said to be derived from El-Fustat, a suburb of Cairo, where it was first made; and certainly a kind of cloth has long been known under that name. In a petition to parliament, _temp._ Philip and Mary, "fustian of Naples" is mentioned. In the 13th and 14th centuries priests' robes and women's dresses were made of fustian, but though dresses are still made from some kinds the chief use is for labourers' clothes.

FUSTIC (Fr. _fustoc_, from Arab. _fustuq_, Gr. [Greek: pistake], pistachio) YELLOW WOOD or OLD FUSTIC, a dye-stuff consisting of the wood of _Chlorophora tinctoria_, a large tree of the natural order Moraceae, growing in the West Indies and tropical America. Fustic occurs in commerce in blocks, which are brown without, and of a brownish-yellow within. It is sometimes employed for inlaid work. The dye-stuff termed young fustic or Zante fustic, and also Venetian sumach, is the wood of _Rhus cotinus_ (fustet, or smoke tree), a southern European and Asiatic shrub of the natural order Anacardiaceae, called by Gerarde "red sumach," and apparently the "coccygia" and "cotinus" of Pliny (_Nat. Hist._ xiii. 41, xvi. 30). Its colouring matter is fisetin, C15H10O6, which was synthesized by S. von Kostanecki (_Ber._, 1904, 37, p. 384). (See DYEING.)

FUTURES, a term used in the produce markets for purchases or sales of commodities to be completed at a future date, as opposed to cash or "spot" transactions, which are settled immediately. See MARKET, and (for a detailed discussion of the question as affecting cotton) COTTON: _Marketing and Supply_.

FUX, JOHANN JOSEPH (1660-1741), Austrian musician, was born at Hirtenfeld (Styria) in 1660. Of his youth and early training nothing is known. In 1696 he was organist at one of the principal churches of Vienna, and in 1698 was appointed by the emperor Leopold I. as his "imperial court-composer," with a salary of about L6 a month. At the court of Leopold and of his successors Joseph I. and Charles VI., Fux remained for the rest of his life. To his various court dignities that of organist at St Stephen's cathedral was added in 1704. He married the daughter of the government secretary Schnitzbaum. As a proof of the high favour in which he was held by the art-loving Charles VI., it is told that at the coronation of that emperor as king of Bohemia in 1723 an opera, _La Constanza e la Fortezza_, especially composed by Fux for the occasion, was given at Prague in an open-air theatre. Fux at the time was suffering from gout, but the emperor had him carried in a litter all the way from Vienna, and gave him a seat in the imperial box. Fux died at Vienna on the 13th of February 1741. His life, although passed in the great world, was eventless, and his only troubles arose from the intrigues of his Italian rivals at court. Of the numerous operas which Fux wrote it is unnecessary to speak. They do not essentially differ from the style of the Italian _opera seria_ of the time. Of greater importance are his sacred compositions, psalms, motets, oratorios and masses, the celebrated _Missa Canonica_ amongst the latter. It is an all but unparalleled _tour de force_ of learned musicianship, being written entirely in that most difficult of contrapuntal devices--the canon. As a contrapuntist and musical scholar generally, Fux was unsurpassed by any of his contemporaries, and his great theoretical work, the _Gradus ad Parnassum_, long remained by far the most thorough treatment of counterpoint and its various developments. The title of the original Latin edition is _Gradus ad Parnassum sive manuductio ad compositionem musicae regularem, methoda nova ac certa nondum ante tam exacta ordine in lucem edita, elaborata a Joanne Josepho Fux_ (Vienna, 1715). It was translated into most European languages during the 18th century, and is still studied by musicians interested in the history of their art. The expenses of the publication were defrayed by the emperor Charles VI.

Fux's biography was published by Ludwig von Kochel (Vienna, 1871). It is based on minute original research and contains, amongst other valuable materials, a complete catalogue of the composer's numerous works.

FUZE or FUSE, an appliance for firing explosives in blasting operations, military shells, &c. (see BLASTING and AMMUNITION, S SHELL). The spelling is not governed by authority, but modern convenience has dictated the adoption of the "z" by military engineers as a general rule, in order to distinguish this sense from that of melting by heat (see below). The word, according to the _New English Dictionary_, is one of the forms in which the Lat. _fusus_, spindle, has been adapted through Romanic into English, the ordinary fuze taking the shape of a spindle-like tube. Similarly the term "fusee" (Fr. _fusee_, spindle full of tow, Late Lat. _fusata_) is applied to a coned spindle sometimes used in the wheel train of watches and spring clocks to equalize the action of the mainspring (see WATCH); and the application of the same term to a special kind of match may also be due to its resemblance to a spindle. Again, in heraldry, another form, "fusil," derived through the French from a Late Lat. diminutive (_fusillus_ or _fusellus_) of this same _fusus_, is used of a bearing, an elongated lozenge. According to other etymological authorities, however (see Skeat, _Etym. Dict._, 1898), "fuze" or "fuse," and "fusee" in the sense of match, are all forms derived through the Fr. fusil, from Late Lat. _focile_, steel for striking fire from a flint, from Lat. _focus_, hearth. The Fr. _fusil_ and English "fusil" were thus transferred to the "firelock," i.e. the light musket of the 17th century (see FUSILIER).

In electrical engineering a "fuse" (always so spelled) is a safety device, commonly consisting of a strip or wire of easily fusible metal, which melts and thus interrupts the circuit of which it forms part, whenever that circuit, through some accident or derangement, is caused to carry a current larger than that for which it is intended. In this sense the word must be connected with _fusus_, the past participle of Lat. _fundere_, to pour, whence comes the verb "fuse," to melt by heat, often used figuratively in the sense of blend, mix.

FYNE, LOCH, an inlet of the sea, Argyllshire, Scotland. From the head, 6 m. above Inveraray, to the mouth on the Sound of Bute, it has a south-westerly and then southerly trend and is 44 m. long, its width varying from 1/4 m. to 6 m. It receives the Fyne, Shira, Aray and many other streams, and, on the western side, gives off Lochs Shira, Gair, Gilp (with Ardrishaig, the Crinan Canal and Lochgilphead) and East Tarbert (with Tarbert village). The glens debouching on the lake are Fyne, Shira, Aray, Kinglas and Hell's Glen. The coast generally is picturesque and in many parts well wooded. All vessels using the Crinan Canal navigate the loch to and from Ardrishaig, and there are daily excursions during the season, as far up as Inveraray. There are ferries at St Catherine's and Otter, and piers at Tarbert, Ardrishaig, Kilmory, Crarae, Furnace, Inveraray, Strachur and elsewhere. The industries comprise granite quarrying at Furnace and Crarae, distilling at Ardrishaig, gunpowder-making at Furnace and Kilfinan, and, above all, fishing. Haddock, whiting and codling are taken, and the famous "Loch Fyne herrings" command the highest price in the market.

FYRD, the name given to the English army, or militia, during the Anglo-Saxon period (see ARMY, 60). It is first mentioned in the _Anglo-Saxon Chronicle_ under the date 605. The ealdorman, or sheriff, of the shire was probably charged with the duty of calling out and leading the fyrd, which appears always to have retained a local character, as during the time of the Danish invasions we read of the fyrd of Kent, of Somerset and of Devon. As attendance at the fyrd was included in the _trinoda necessitas_ it was compulsory on all holders of land; but that it was not confined to them is shown by the following extract from the laws of Ine, king of the West Saxons, dated about 690, which prescribes the penalty for the serious offence of neglecting the fyrd: "If a _gesithcund_ man owning land neglect the fyrd, let him pay 120 shillings, and forfeit his land; one not owning land 60 shillings; a ceorlish man 30 shillings as _fyrdwite_." The fyrd was gradually superseded by the gathering of the thegns and their retainers, but it was occasionally called out for defensive purposes even after the Norman Conquest.

FYT, JOHANNES (1609-1661), Belgian animal painter, was born at Antwerp and christened on the 19th of August 1609. He was registered apprentice to Hans van den Berghe in 1621. Professionally van den Berghe was a restorer of old pictures rather than a painter of new ones. At twenty Johannes Fyt entered the gild of St Luke as a master, and from that time till his death in 1661 he produced a vast number of pictures in which the bold facility of Snyders is united to the powerful effects of Rembrandt, and harmonies of gorgeous tone are not less conspicuous than freedom of touch and a true semblance of nature. There never was such a master of technical processes as Fyt in the rendering of animal life in its most varied forms. He may have been less correct in outline, less bold in action than Snyders, but he was much more skilful and more true in the reproduction of the coat of deer, dogs, greyhounds, hares and monkeys, whilst in realizing the plumage of peacocks, woodcocks, ducks, hawks, and cocks and hens, he had not his equal, nor was any artist even of the Dutch school more effective in relieving his compositions with accessories of tinted cloth, porcelain ware, vases and fruit. He was not clever at figures, and he sometimes trusted for these to the co-operation of Cornelius Schut or Willeborts, whilst his architectural backgrounds were sometimes executed by Quellyn. "Silenus amongst Fruit and Flowers," in the Harrach collection at Vienna, "Diana and her Nymphs with the Produce of the Chase," in the Belvedere at Vienna, and "Dead Game and Fruit in front of a Triumphal Arch," belonging to Baron von Rothschild at Vienna, are specimens of the co-operation respectively of Schut, Willeborts and Quellyn. They are also Fyt's masterpieces. The earliest dated work of the master is a cat grabbing at a piece of dead poultry near a hare and birds, belonging to Baron Cetto at Munich, and executed in 1644. The latest is a "Dead Snipe with Ducks," of 1660, sold with the Jager collection at Cologne in 1871. Great power is shown in the bear and boar hunts at Munich and Ravensworth castle. A "Hunted Roedeer with Dogs in the Water," in the Berlin Museum, has some of the life and more of the roughness of Snyders, but lacks variety of tint and finish. A splendid specimen is the Page and Parrot near a table covered with game, guarded by a dog staring at a monkey, in the Wallace collection. With the needle and the brush Fyt was equally clever. He etched 16 plates, and those representing dogs are of their kind unique.

FYZABAD, or FAIZABAD, a city, district and division of British India in the United Provinces. The city stands on the left bank of the river Gogra, 78 m. by rail E. of Lucknow. Pop. (1901) 75,085. To the E. of Fyzabad, and now forming a suburb, is the ancient site of Ajodhya (q.v.). Fyzabad was founded about 1730 by Sa'adat Ali Khan, the first nawab wazir of Oudh, who built a hunting-lodge here. It received its present name in the reign of his successor; and Shuja-ud-daula, the third nawab, laid out a large town and fortified it, and here he was buried. It was afterwards the residence of the Begums of Oudh, famous in connexion with the impeachment of Warren Hastings. When the court of Oudh was removed to Lucknow in 1775 all the leading merchants and bankers abandoned the place. At the census of 1869 Fyzabad contained only 37,804 inhabitants; but it is now again advancing in prosperity and population. On the outbreak of the Mutiny in 1857, the cantonment contained two regiments of infantry, a squadron of cavalry, and a light field battery of artillery--all natives. Owing to their threatening demeanour after the Meerut massacre, many of the European women and children were sheltered by one of the great landholders of Oudh, and others were sent to less disturbed parts of the country. The troops rose, as was anticipated, and although they at first permitted their officers to take boats and proceed towards Dinapur, a message was afterwards sent to a rebel force lower down the river to intercept the fugitives. Of four boats, one, having passed the rebels unnoticed, succeeded in reaching Dinapur safely. Of those in the other three boats, one alone escaped. Fyzabad is now a station for European as well as for native troops. It is the headquarters of a brigade in the 8th division of the northern army. There is a government college. Sugar-refining and trade in agricultural produce are important.

THE DISTRICT OF FYZABAD, lying between the two great rivers Gogra and Gumti, has an area of 1740 sq. m. It is entirely alluvial and well wooded, and has a good climate. Pop. (1901) 1,225,374, an increase of .7% in the decade. The district is traversed throughout its length by the Oudh and Rohilkhand railway from Lucknow to Benares, with a branch to Allahabad. Tanda, with a population in 1901 of 19,853, has the largest production of cotton goods in Oudh.

The DIVISION OF FYZABAD has an area of 12,113 sq. m., and comprises the six districts of Fyzabad, Gonda, Bahraich, Sultanpur, Partabgarh and Bara Banki. Pop. (1901) 6,855,991, an increase of 2% in the decade.