CHAPTER I

.--Of Ideas of Truth in their connection with those of

Beauty and Relation.

Sec. 1. The two great ends of landscape painting are the representation of facts and thoughts. 44 Sec. 2. They induce a different choice of material subjects. 45 Sec. 3. The first mode of selection apt to produce sameness and repetition. 45 Sec. 4. The second necessitating variety. 45 Sec. 5. Yet the first is delightful to all. 46 Sec. 6. The second only to a few. 46 Sec. 7. The first necessary to the second. 47 Sec. 8. The exceeding importance of truth. 48 Sec. 9. Coldness or want of beauty no sign of truth. 48 Sec. 10. How truth may be considered a just criterion of all art. 48

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