Chapter 19 of 155 · 1207 words · ~6 min read

Chapter II

, such yams will be offered to the owner's sister's husband. It is to his village that they are brought, where again they are displayed in conical heaps, placed before his yam house. Only after they have thus remained for several days--sometimes up to a fortnight--are they put into the storehouse (see Plate XXXIII).

Indeed, it would be enough for anyone to see how the natives handle the yams, how they admire big tubers, how they pick out freaks and sports and exhibit them, to realise that there is a deep, socially standardised sentiment centring round this staple product of their gardens. In many phases of their ceremonial life, big displays of food form the central feature. Extensive mortuary distributions called sagali, are, in one of their aspects, enormous exhibitions of food, connected with their re-apportionment (see Plate XXXIV). At harvest of the early yams (kuvi) there is an offering of first fruits to the memory of the recently dead. At the later, main harvest of taitu (small yams), the first tubers are dug out ceremonially brought into the village and admired by the whole community. Food contests between two villages at harvest, in olden days often followed by actual fighting, are also one of the characteristic features which throw light on the natives' attitude towards edible wealth. In fact, one could almost speak of a "cult of food" among these natives, in so far as food is the central object of most of their public ceremonies.

In the preparation of food, it must be noted that many taboos are associated with cooking, and especially with the cooking pots. The wooden dishes on which the natives serve their food are called kaboma, which means "tabooed wood." The act of eating is as a rule strictly individual. People eat within their family circles, and even when there is public ceremonial cooking of the taro pudding (mona) in the big clay pots, especially tabooed for this purpose (see Plate XXXV), they do not eat in one body, but in small groups. A clay pot is carried into the different parts of the village, and men from that part squat round it and eat, followed afterwards by the women. Sometimes again the pudding is taken out, placed on wooden dishes, and eaten within the family.

I cannot enter here into the many details of what could be called the social psychology of eating, but it is important to note that the centre of gravity of the feast lies, not in the eating, but in the display and ceremonial preparation of the food (see Plate XXXV). When a pig is to be killed, which is a great culinary and festive event, it will be first carried about, and shown perhaps in one or two villages; then roasted alive, the whole village and neighbours enjoying the spectacle and the squeals of the animal. It is then ceremonially, and with a definite ritual, cut into pieces and distributed. But the eating of it is a casual affair; it will take place either within a hut, or else people will just cook a piece of flesh and eat it on the road, or walking about in the village. The relics of a feast such as pigs' jaws and fish tails, however, are often collected and displayed in houses or yam stores. [55]

The quantity of food eaten, whether in prospect or retrospect, is what matters most. "We shall eat, and eat till we vomit," is a stock phrase, often heard at feasts, intended to express enjoyment of the occasion, a close parallel to the pleasure felt at the idea of stores rotting away in the yam house. All this shows that the social act of eating and the associated conviviality are not present in the minds or customs of the Trobrianders, and what is socially enjoyed is the common admiration of fine and plentiful food, and the knowledge of its abundance. Naturally, like all animals, human or otherwise, civilised or savage, the Trobrianders enjoy their eating as one of the chief pleasures of life, but this remains an individual act, and neither its performance nor the sentiments attached to it have been socialised.

It is this indirect sentiment, rooted of course in reality in the pleasures of eating, which makes for the value of food in the eyes of the natives. This value again makes accumulated food a symbol, and a vehicle of power. Hence the need for storing and displaying it. Value is not the result of utility and rarity, intellectually compounded, but is the result of a sentiment grown round things, which, through satisfying human needs, are capable of evoking emotions.

The value of manufactured objects of use must also be explained through man's emotional nature, and not by reference to his logical construction of utilitarian views. Here, however, I think that the explanation must take into account, not so much the user of these objects, as the workman who produces them. These natives are industrious, and keen workers. They do not work under the spur of necessity, or to gain their living, but on the impulse of talent and fancy, with a high sense and enjoyment of their art, which they often conceive as the result of magical inspiration. This refers especially to those who produce objects of high value, and who are always good craftsmen and are fond of their workmanship. Now these native artists have a keen appreciation of good material, and of perfection in craft. When they find a specially good piece of material it lures them on to lavish on it an excess of labour, and to produce things too good to be used, but only so much the more desirable for possession.

The careful manner of working, the perfection of craftmanship, the discrimination in material, the inexhaustible patience in giving the final touches, have been often noted by those who have seen natives at work. These observations have also come under the notice of some theoretical economists, but it is necessary to see these facts in their bearing upon the theory of value. That is, namely, that this loving attitude towards material and work must produce a sentiment of attachment to rare materials and well-worked objects, and that this must result in their being valued. Value will be attached to rare forms of such materials as the craftsman generally uses: classes of shell which are scarce, lending themselves especially to fashioning and polishing; kinds of wood which are also rare, like ebony; and more

## particularly, special varieties of that stone out of which implements

are made. [56]

We can now compare our results with the fallacious views on Primitive Economic Man, sketched out at the beginning of this Division. We see that value and wealth exist, in spite of abundance of things, that indeed this abundance is valued for its own sake. Great quantities are produced beyond any possible utility they could possess, out of mere love of accumulation for its own sake; food is allowed to rot, and though they have all they could desire in necessities, yet the natives want always more, to serve in its character of wealth. Again, in manufactured objects, and more especially in objects of the vaygu'a type (comp.